Stereofox Club | R&B | Partybreaks 2 Items

Leena is one of the fast-growing names of the Bulgarian thriving r&b scene. UK-trained, she’s currently looking into moving to Berlin to explore new musical horizons after being supported by Tidal Global, Sofar Sounds Global, and numerous curators like Sidekick Music, CloudKid, afterhours., Topsify, etc. Being featured in the new albums of renowned Sofia-based rapper Grigovor & producer Gena from So Called Crew, she’s already gained a steady following to her music.

Her latest single “Assumptions” (and first release via Stereofox Records) served as a warm-up to the upcoming album called Labyrinth of the Subconscious, which she’s been preparing for a couple of years. A 10-track journey, exploring unknown corners of her mind, various emotions, and both the colourful & darker aspects of what happens inside our heads.

Built upon contrasts, the album offers a variety of genres and topics that will take you places you haven’t imagined – infused by both producers on the record – Gena & Kamen’s unique instrumental approaches. Be it the fresh & upbeat “Vertigo” and “Mad Dreams”, or “Body” with Yaиа (another stunning local singer and vocal teacher) which falls somewhere between slow-dance and sultry r&b. Or the deep sci-fi-esque “Borrowed Time” and the emotional “Don’t Panic” (which will come with a hazy music video). Or you might fall in love with the FKA Twigs-like “Senses”, the indie-pop “Backlight”, or the closing ballad “Until The Morning”. Whatever you choose, you’ll enter an exciting rabbit hole through contemporary r&b, soul, and indietronica.

Labyrinth of the Subconscious was recorded and mixed by Gena in So Called Crew’s studio and mastered by Hristo Rachev from the eminent Sound Ninja Music Academy.

“pause VOL.1 was made in my “play it all live” era. Last year I finally got my driving licence and the music I found best as a road trip soundtrack was the J Dilla beat tapes. Coming back to using the MPC after more than a decade, triggered my desire for simplicity. Not every song needs a B part, a bridge, crazy chord changes, etc. I took it back for VOL.2.

I feel good about this body of work. It’s definitely more diverse as a follow-up and I made it completely sober so it hits differently. Got a chance to work with some beasts and it still feels like a dream.”