Stolen Body Vinyl, CD & Tape 8 Items

Hailing from Detroit, Shadow Show is an uncompromising power trio that combines elements of 60’s garage-psychedelia into a 21st century modern pop-art incarnation. Sleek and spellbinding, the music sweeps you up into frenetic grooves and dazzling harmonies. Their music pushes the boundaries of what can be, yet remains deeply rooted in the raw, untouchable Detroit sound. Three years ago, Shadow Show released their debut album, “Silhouettes,” in the US (Burger Records) and UK (Stolen Body Records). Since then, they have dedicated themselves to writing, arranging, and producing their epic masterpiece, “Fantasy Now!”, while occasionally taking breaks for full length US, UK, and EU tours, as well as obtaining support dates with bands like Automatic, Death Valley Girls, The Nude Party, and the 5.6.7.8’s, to name a few. “Fantasy Now”’ is a huge step forward from their debut LP, reaching a more ambitious Sgt. Peppery psychedelic vision that includes swirling pop melodies, fuzz guitar hooks, flutes, tympani, backwards surprise twists, and a magical medieval acapella interlude. Shindig Magazine says Shadow Show "transport the listener down a spiral into the mind's eye.” Allmusic praises their "kaleidoscopic explosion of tremolo guitars and mod pop vocal harmonies.” The band has recently completed a USA tour, and full USA and European dates are being booked for Spring 2024. Shadow Show’s transcendental triumph, “Fantasy Now!” was written, recorded, and produced by Shadow Show in Detroit, MI, with the exception of “Aunt Maizy,” recorded live in London, UK. Mastered by Warren Defever (Third Man Records, His Name Is Alive).

Formed in 2019 in Toulouse, Karkara is a psychedelic rock band composed by Karim Rihani (guitar / vocals), Hugo Olive (bass / synth) and Maxime Marouani (drums / vocals). The band has since played over a hundred shows in France and Europe and released two albums (‘Crystal Gazer’ in 2019 and ‘Nowhere Land’ in 2020), with UK label Stolen Body Records. Karkara also played at Trabendo (+500 capacity venue in Paris) as well as headlining the Astral Festival in Bristol that same year. Influenced by The Oh Sees, King Gizzard, King Crimson and Black Sabbath, the power trio delivers uninterrupted psych rock that’s both furious and hypnotic. Screaming amps, overdriven drums and vocals that blend sweet melancholy with desperate rage. On stage, Karkara manage to recreate this hypnotic fury, revealing to the audience a sound, an identity and energy that instantly grabs you by the guts. Fans of «wah wah» and repetitive «boom boom kraut» wrapped in exotic sounds from the other side of the Mediterranean, the band puts travel and trance at the heart of their art. Karkara are back in 2024 with a third album, ‘All Is Dust’, to be released on March 22th, this time via three labels : Exag Records (Belgium), Le Cèpe Records (France) and, of course, Stolen Body Records (uk). The trio will also be touring with Slift in 2024: March 13th at Le Bikini (Toulouse), April 3rd at Le Rockhal (Luxembourg), April 4th at Mascotte (Zurich), April 5th at L’Epicerie moderne (Lyon). Karkara : New album ‘‘All Is Dust’’, on March 22th Le Cèpe Records (fr), Exag Records (be), Stolen Body Records (uk) With this explosive new album, Karkara takes us on a post-apocalyptic story that unfolds in a future where mankind finds itself powerless to cope with the lack of resources and the big collapse, already well under way, of society as we know it. During the 43 minutes of this album, we follow the trials and tribulations of a character trying to escape his miserable condition. Following a vision, he betrays his «tribe» and starts a frantic quest in search of an Eldorado, where nature and civilisation have been spared from the collapse : the city of Anthropia. The six chapters of the story - matching to the six tracks on the album - tell the story of this hellish quest of flight, confrontation and hallucinations towards this Eldorado, which we discover at the end, on the last track of the album : «All Is Dust». In reality, the city of his dreams is nothing but ruins and dust. In the midst of this rubble, in infinite despair and uncontrolled rage, the character understands that the paradise he thought existed has yet to be built, and that its foundations are to be found in what remains of humanity. 1 2 Observing the world around them, the three musicians project their apprehensions and anxieties in a contemporary reality where everything seems to be crumbling around them. Their aim on this record is to immerse the listener in a narrative : a music that is global and immersive, that will carry you away from track to track by perfectly executed transitions. With tracks ranging from stoner (‘‘On Edge’’) and psychedelic (‘‘Moonshiner’’) to heavy kraut (‘‘The Chase’’), the album is incredibly rich, and Karkara even invited additional musicians such as Jérôme Biévelot on the saxophone and Simon Barrière on the trumpet. For the recording and mastering, the band worked with film music composer Olivier Cussac (Slift, Les As de la Jungle, Terra Willy...), reinforcing the cinematographic aspect and the invitation to travel that Karkara offers us with this new album, «All Is Dust»

Stolen Body Records is thrilled to announce the release of Mexican Doom Metal band Terror Cósmico’s first album in 4 years - Miasma.

Miasma is the fourth album from Mexico City based duo, Terror Cósmico. The record takes a different turn in production from past albums, having a more aggressive tone, having drums and guitar recorded separately in the studio, being able to create an intense and surrounding sound.

Miasma is made up of 8 tracks which deliver a great range of emotions, going through desperation, anguish and desolation mixed with an air of nostalgic mystery.

Recorded in January of 2021 in Testa Studio in Leon, Guanajuato, Mexico. The sessions held a vibe of doubt and fear to what the pandemic could bring. The album is charged with all the emotions of a very strange moment in our timeline. The artwork was a commissioned task by Portland artist Jason Barnett.

Stolen Body is delighted to be working with Bristol progressive psych and jazz legends The Brackish for their fifth album ‘Donor Zone’. Attempting to capture our live sound and intensity, Donor Zone was recorded live at gig volume without the tyranny of headphones. The album kicks off with an Adhd epic ' Willox for a new Age' , apocalyptic coda morphing into the fuzz bass drone of 'Donor Zone'. Forboding chord sequences set up ' J und J' before a gargantuan riff drops, motorik middle section developing into a highly satisfying ripping fuzz guitar finish. Last tune Buabb has the faved Tortoise/ beefheart stylings around a Kraut- inspired improv section. The single 'J und J' draws the listener in to a false sense of uneasy security with it's pensive and motorik sections before it's gargantuan riff payoff. The track shifts dynamically back to it's uneasy base, developing into an extremely satisfying and belligerent ripping fuzz guitar ending.

Limited edition of 300 yellow and red marble vinyl with download code.The debut Album from Mexico City's Rostro del Sol is finally being re released with a bonus track on Stolen Body Records! A musical collage of Blues, Jazz, Funk, Progressive and Psychedelic rock from the golden eras of the 60s and 70s, which offers unexpected moments developed through different sonic intensities inside the songs, each one composed to tell a story on its own. Just listen and let the music take you on the first journey by this young band. This debut Album was recorded between 2019 and 2020 at Rec On studios in Mexico City by Jorge Trejo and mixed by Juan Puget. Saxophone by Daniel Samhain. The insane artwork comes from the Spanish illustrator Elena Ibañez.

Blue storm is an Ep that consists of 4 songs, 2 long singles like Blue storm and Kinich Ahau and 2 short ones like Ritual and Dark metamorphosis. They were recorded and mixed at Rec-On Studios between 2022 and 2023 by Jorge Trejo and mastered by Juan Puget. The cover was in charge of Elena Ibáñez, liminal_light_experience and back cover by Miguel Isidoro.