Stones Throw HHV Records 187 Items

/ Dangerous ... Limited edition ST Fan Club 45!!

She first emerged as an avant-garde violinist who channeled her playing through loop pedals. Then songwriter, vocal performer, and beatmaker. She's captivated audiences at festivals around the world, touring her trail-blazing EPs Sudan Archives (2017) and Sink (2018). Sudan's many identity coalesces in her debut album, Athena: a psychedelic, magnetic take on modern R&B.

"When I was a little girl, I thought I could rule the world," Sudan Archives announces in the sparse, string-plucked opening bars of Athena, on the strident "Did You Know". Her musicality and sense of self-belief developed as a young child in the church. Born Brittney Parks, but called Sudan from a young age, she moved around Cincinnati, Ohio many times as a child; religion and music were the most stable forces in her life. It was in church that Sudan began learning to play the violin by ear, participating in ensemble performances. "I remember begging my mom to get me a violin," she says. "From there I just never let it go – it felt like I had a purpose."

Growing up with a twin sister, Sudan also learned young that she was the "bad twin". Her stepdad – a one-time music industry executive – tried to turn the two into a pop duo when they were teenagers, but Sudan would miss rehearsals and curfew so frequently that the project was abandoned. Still, the experience was valuable: "My stepdad basically planted this whole idea of artistry as a career," she remembers. Though she left the band behind, Sudan clung onto the idea of pursuing music when she moved to Los Angeles at age 19. While studying and holding down two jobs, she would spend her spare time "fucking around with some beats and making some weird shit", which she released tentatively under the name Sudan Moon – a combination of her childhood nickname and her love of Sailor Moon. The ethereal quality of those early lo-fi, G-funk-inspired beats would eventually make its way into Sudan's current sound.

It was once she discovered ethnomusicology, and learned to incorporate the violin into her beats, that she really unlocked a new level. Cameroonian electronic music pioneer Francis Bebey was an early inspiration: "His music is so simple, and the way he combines strings and electronic music is such a vibe.” From there, she educated herself about other artists and ethnomusicologists, learning about the history of one-string fiddling in Ghana, Sudan, and all over the world, which "blew my mind". Now a fervent crate-digger with ambitions of studying ethnomusicology, she changed her artist name to Sudan Archives.

After she met with Stones Throw A&R and Leaving Records founder Matthewdavid, Peanut Butter Wolf signed her to Stones Throw. Her self-titled debut EP introduced the world to Sudan's fusion of North African-style fiddling, layered R&B harmonies, and pared-back production. Her second EP Sink was a resounding six-track statement that, according to Jenn Pelly at Pitchfork, saw Sudan "level up as a songwriter" — especially true of the bold self-love song "Nont For Sale".

Those EPs, Sudan says, were "like a haiku of what the album is". Athena is "more in your face, more confrontational – and that's also how I've grown as an artist. I used to be a hermit who would make beats in her bedroom, but now I'm working with other writers, producers and instrumentalists, I've learned how to communicate. It feels like I'm almost back in church." At first, it was tough for Sudan to cede any control in her creative process, but as she got stuck into the sessions with producers Wilma Archer (Jessie Ware, Nilufer Yanya), Washed Out, Rodaidh McDonald (The xx, Sampha, King Krule), and Paul White (Danny Brown, Charli XCX), she opened up. The resulting album, whittled down to 12 taut tracks from around 60, is her most ambitious work yet.

On the album's cover, she poses as a Greek goddess sculpted in bronze. Simultaneously at her most powerful — channelling the energy of her princess warrior heroes Xena and Sailor Moon — and her most vulnerable, Sudan challenges the viewer to see what's under the surface. "I'm naked!" she says. "I don't have anything to hide at all, it's all out there."

She first emerged as an avant-garde violinist who channeled her playing through loop pedals. Then songwriter, vocal performer, and beatmaker. She's captivated audiences at festivals around the world, touring her trail-blazing EPs Sudan Archives (2017) and Sink (2018). Sudan's many identity coalesces in her debut album, Athena: a psychedelic, magnetic take on modern R&B.

"When I was a little girl, I thought I could rule the world," Sudan Archives announces in the sparse, string-plucked opening bars of Athena, on the strident "Did You Know". Her musicality and sense of self-belief developed as a young child in the church. Born Brittney Parks, but called Sudan from a young age, she moved around Cincinnati, Ohio many times as a child; religion and music were the most stable forces in her life. It was in church that Sudan began learning to play the violin by ear, participating in ensemble performances. "I remember begging my mom to get me a violin," she says. "From there I just never let it go – it felt like I had a purpose."

Growing up with a twin sister, Sudan also learned young that she was the "bad twin". Her stepdad – a one-time music industry executive – tried to turn the two into a pop duo when they were teenagers, but Sudan would miss rehearsals and curfew so frequently that the project was abandoned. Still, the experience was valuable: "My stepdad basically planted this whole idea of artistry as a career," she remembers. Though she left the band behind, Sudan clung onto the idea of pursuing music when she moved to Los Angeles at age 19. While studying and holding down two jobs, she would spend her spare time "fucking around with some beats and making some weird shit", which she released tentatively under the name Sudan Moon – a combination of her childhood nickname and her love of Sailor Moon. The ethereal quality of those early lo-fi, G-funk-inspired beats would eventually make its way into Sudan's current sound.

It was once she discovered ethnomusicology, and learned to incorporate the violin into her beats, that she really unlocked a new level. Cameroonian electronic music pioneer Francis Bebey was an early inspiration: "His music is so simple, and the way he combines strings and electronic music is such a vibe.” From there, she educated herself about other artists and ethnomusicologists, learning about the history of one-string fiddling in Ghana, Sudan, and all over the world, which "blew my mind". Now a fervent crate-digger with ambitions of studying ethnomusicology, she changed her artist name to Sudan Archives.

After she met with Stones Throw A&R and Leaving Records founder Matthewdavid, Peanut Butter Wolf signed her to Stones Throw. Her self-titled debut EP introduced the world to Sudan's fusion of North African-style fiddling, layered R&B harmonies, and pared-back production. Her second EP Sink was a resounding six-track statement that, according to Jenn Pelly at Pitchfork, saw Sudan "level up as a songwriter" — especially true of the bold self-love song "Nont For Sale".

Those EPs, Sudan says, were "like a haiku of what the album is". Athena is "more in your face, more confrontational – and that's also how I've grown as an artist. I used to be a hermit who would make beats in her bedroom, but now I'm working with other writers, producers and instrumentalists, I've learned how to communicate. It feels like I'm almost back in church." At first, it was tough for Sudan to cede any control in her creative process, but as she got stuck into the sessions with producers Wilma Archer (Jessie Ware, Nilufer Yanya), Washed Out, Rodaidh McDonald (The xx, Sampha, King Krule), and Paul White (Danny Brown, Charli XCX), she opened up. The resulting album, whittled down to 12 taut tracks from around 60, is her most ambitious work yet.

On the album's cover, she poses as a Greek goddess sculpted in bronze. Simultaneously at her most powerful — channelling the energy of her princess warrior heroes Xena and Sailor Moon — and her most vulnerable, Sudan challenges the viewer to see what's under the surface. "I'm naked!" she says. "I don't have anything to hide at all, it's all out there."

The son of a radio DJ who introduced him to the world of record collecting, Harris grew up with music, progressing from violin, to high school drumline, to the Jazz Studies program at Virginia Commonwealth University. He also continued working with other instruments and developed an interest in sampling. His development as a producer – at first, without a computer or sampler – came first learning to replay samples on the drums, piano, bass or guitar.
DJ Harrison finds himself inspired by local musicians in the Richmond scene that’s as diverse and nonexclusive as they come. Among rappers, producers, punks and bluegrass bands, he falls within reach of an expansive pool of musicians to collaborate with. He lives and works in Jellowstone, a house turned recording compound occupied by his band mates in Butcher Brown, a “garage punk jazz funk” group

Ten new tracks from Chino, CA’s favorite son Vex Ruffin, only on cassette!

Maybe the illest hip-hop record of the 21st century (so far). Vintage Madlib beats meet The Villain on top of his lyrical power. If you don't like this one you don't like hip hop. Period!

King Pari is like potato chips, popsicles, velcro, slinkies — joyful inventions born from happy accidents. Joe Paris Christensen and Cameron Kinghorn had been playing in the same Twin Cities scenes for years, but when Joe sent Cameron a new tune he’d whipped up on a tape machine, something clicked. “This sounds like how my brain feels,” Cameron said. That session grew into the first King Pari song.

The band’s Minneapolis funk pedigree anchors their music. Both Joe and Cameron played alongside some of Prince’s closest associates, and Joe’s previous band was among the last that Prince personally invited to play at Paisley Park. They’ve also been tapped into the national funk and jazz scenes from the beginning – King Pari’s first gig was opening for Kamasi Washington, before they’d even landed on a name.

Tuxedo is back with a new single, “Shy,” the follow up to their critically acclaimed “II” album. In collaboration with the iconic funk band, Zapp. Tuxedo delivers a highly addictive new funk single for the dance floor.

Limited edition 7inch vinyl single release including “Rolling Stoned” as featured on their collabo album “Sketches Of Brunswick East”!

Split 7” of “Rolling Stoned,” a composition written by Alexander Britton. Recording on side 1 by Mild High Club and side 2 by King Gizzard and the Lizard Wizard. Artwork by Kyle Field (Little Wing).
King Gizzard & the Lizard Wizard is an insanely good, prolific, psych rock band from Melbourne, Australia. Mild High Club is Alexander Brettin, insanely good, freakishly mellow dude on Stones Throw. They got together and made an album called “Sketches Of Brunswick East”.
The two bands formed a friendship touring together across Norther America, Europe, and Australia the last couple of years. King Gizzard’s Stu Mackenzie says, "I think we hit it off because our approaches are very different … Alex has studied music, whereas my approach is to fling shit at the wall and see what sticks. I can’t read sheet music at all. But we’re like the two ends of a horseshoe coming to meet in the middle."

Limited edition for the Cassette Store Day 2014!

Produced by the late great J Dilla!

Odd Future affiliate Pyramid Vritra now with his Stones Throw debut "Indra"!

12-inch contains a remix by Tom Noble, a re-edit by J Rocc, and on the flip side, the original extended version of the original track produced and performed by The Soul Investigators, running at over 12 minutes length.

Edits of selections from The MinimalWave Tapes. Originally recorded between 1981 and 1985, the versions presented here were created by J.Rocc in 2012.

Dillas last great gift to the people. Raw samples & loops, magically chopped & arranged to perfection in this blueprint for todays' beat-generation!

This album is inspired by bits and pieces of Ethio-Jazz, Afrobeat, Highlife Spiritual Jazz and dusty funk 45’s. It’s where I’m at now and what has kept this mortal vehicle fueled. I tend to take different paths each musical outing but this one is for the long haul, the one for the blue highways and forgotten byways. It’s the one to get lost to. It’s about the journey, not the destination." Tommy Guerrero continues pushing the boundaries while upholding his San Francisco Bay heritage. Starting from the Bones Brigade skate team in the '80s, he’s made movie appearances, designed for Levi's in Japan, Vans shoes worldwide and Sutro eyewear among others, signed a skateboard contract with Converse, co-founded Real Skateboards and 40’s Clothing, is art director for Krooked Skateboarding, and found time to be a prolific recording artist.

1988 is the follow up to Knxwledge’s official debut album Hud Dreems (Stones Throw, 2015). The same year Hud Dreems was released Knx worked with Kendrick Lamar on To Pimp a Butterfly, earning the producer his first Grammy. A duo with Anderson .Paak called NxWorries was formed around the same time. Their single “Suede” became a viral hit, vaulting the singer to R&B stardom, and their album Yes Lawd! followed through on that song’s immense promise. Knx and Paak have quietly continued collaborating, and some of the new work is heard on 1988.

A prolific artist in the extreme sense of the word, Knxwledge continues to redefine instrumental hip-hop almost in real-time with a stream of beat tapes numbering in the hundreds on Bandcamp, and video remixes on Instagram.

This prolific output began early. 1988 takes its name from the fact that much of the new record was created that very year, when Knx was an infant. As the story is told, little baby Knx was left alone by his mother for just a few moments and crawled to a family member’s vintage SP–12 sampler. When his mother returned he had already produced his first beats and nearly mastered the machine. These tracks, all produced before nap time while rocking a Nike diaper, were stored over the years on floppy discs, then brought to his studio in recent months where they were finished up, mixed, and mastered.

Finally available on single LP format! All 5 parts of Dam-Funks magnum opus!

Cover with a slightly bent corner!

II: The Next Wave is the long-awaited second album from hip-hop production supergroup Quakers Features over 25 MCs on over 30 tracks across 2 LPs Featured MCs include Sampa the Great, Koreatown Oddity, Jonwayne, Guilty Simpson, Grandmilly, Jeremiah Jae, & more Artwork created by graphic novel artist Joe Currie

The mysterious Tuxedo Funk Crew drops it in full length in 2015!

Easy sounds straight from California from Stones Throw's new signing Boardwalk. Tip!

Vinyl with many scuffs and hairlines. Cover close to VG+

The Los Retros T-Shirt's features include:
• rib crew neck with interior tape
• Los Retros artwork printed on front
• regular fit
• 100% cotton single jersey

The Stones Throw Outline Logo T-Shirt's features include:
• rib crew neck with interior tape
• Stones Throw Outline Logo printed on front
• relaxed fit
• 100% cotton single jersey

/ Remix / America's Most Blunted

Original compositions by Gabriel Reyes-Whittaker created with an analogue Oberheim synthesizer, a Midi sequencer, and an effects unit.

Finally available on single LP format! All 5 parts of Dam-Funks magnum opus!

Limited edition of 500 for the world! Nice remix action by Jonti, Peanut Butter Wolf, James Pants, Vex Ruffin, Prince Language, Jonwayne, The Stepkids & Samiyam!