Teranga Beat Jazz | Fusion 2 Items

Teranga Beat proudly presents the drummer-composer Yannis Angelopoulos, aka Jan Van and his last project "Streams". A well known musician in the Athens jazz scene, accompanied by three fellow musicians, he created an album with a tough= background story. Jan Van started as a drummer in clubs playing popular greek music (laïka) even before he was 18, a typical first step for a musician in Greece. In this way he experienced the underground and in fact the surrealistic atmosphere of the laïka greek clubs. At the age of 20, he started working as a roadie (installing drums) and it was then that he realised a drummer can be a musical directorproducer and not just a session musician. So he decided to continue his education and in 1996 he went to study at the Rotterdam’s Conservatorium's (Codarts) Jazz Department, where he stayed for seven years. Soon after his return to Athens he started wondering how to fuse jazz with laïkodimotiko (lumpen, popular music), something detectable in his recent discography. Since the mid ‘00s, Jan Van has been working on various jazz projects in Athens, even though the years preceding the 2010s were something of a tough period for the local scene, with limited live opportunities. Furthermore, since 2010, Greece has famously been at the epicentre of the global financial crisis. In an already dysfunctional cultural system during this decade, culture eventually became a luxury. Following ten years of recession, in March 2020, the Covid-19 pandemic destroyed the efforts of the country that was struggling to recover and took away any hope. Under high psychological pressure, Jan Van had the idea of a jam session as a way-out for expression. At the same time, the particular concept of water and its properties were stuck in his mind. Water’s fluidity and momentum and the idea of a quiet streaming state, shaped the only concept he eventually shared with his fellow musicians before starting to play. He only wanted them to have the energy of the water as a reference. By the end of May, a few days after the end of the lockdown, they gathered in a studio and recorded a live session of spontaneous compositions and improvisations. During that session each musician took a step back to listen and give space to one another. None of the tracks was composed before the recording. The result is a deep album which consists of organic beats with spiritual jazz vibes, sometimes exploring fusions with demotika (traditional) elements, sometimes leaning to cinematic atmospheres. The recording was mixed on 2 inch reel tape with analog equipment, to achieve the best possible sound quality. The LP version of the album is a Deluxe Edition and comes with a high gloss laminated gatefold cover and a digital download code.

TERANGA BEAT proudly presents Vol.2 of Kyriakos Sfetsas' 1976 "Greek Fusion Orchestra" project. Sfetsas' vision behind the formation of GFO, was to create a piece of work that would expand the boundaries of Greek traditional music. The result was a Progressive-Jazz Fusion masterpiece comprising complex and intriguing compositions, performed by Athens' best musicians of the day.
Following the success of Vol.1, Vol.2 is a compilation of musical pieces Sfetsas recorded with the group right upon the completion of the Vol. 1 material. Vol.2 is still reflective of his ambition of bringing together progressive jazz and traditional music, but it does so in a different manner. Although the element of traditional music remains present, it does not provide the compositional foundation for the songs (e.g. most pieces are no longer based exclusively on traditional musical forms). More jazzy and more complex than Vol.1, Vol.2 has a darker feeling, presenting Sfetsas not only as a musical experimentalist, but also as a demanding and distinctive composer, who truly puts his musicians through the test.
Following the success of Vol.1, Vol.2 is a compilation of musical pieces Sfetsas recorded with the group right upon the completion of the Vol. 1 material. Vol.2 is still reflective of his ambition of bringing together progressive jazz and traditional music, but it does so in a different manner. Although the element of traditional music remains present, it does not provide the compositional foundation for the songs (e.g. most pieces are no longer based exclusively on traditional musical forms). More jazzy and more complex than Vol.1, Vol.2 has a darker feeling, presenting Sfetsas not only as a musical experimentalist, but also as a demanding and distinctive composer, who truly puts his musicians through the test.