Thrill Jockey HHV Records 207 Items

The Cost Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Arbouretum's mystic folk-rock uses English folk, country blues, Americana and 70s psychedelia as touchpoints in their singular and distinctive sound and they've perfected the craft of storytelling, using a delicate interplay of melodies and prosaic lyrics. Let It All In is their most accomplished and evocative album yet. Guitarist and vocalist Dave Heumann's melodies and solos remain a central focus bolstered by the hypnotic rhythms of bassist Corey Allender and drummer Brian Carey, enhanced by Matthew Pierce's substantial yet understated keyboard figures. Each song a vivid scene or tale; Heumann's deep sense of spirituality and command of storytelling through myth and metaphor transports the listener to another world and time.
Let It All In is as instantly arresting as it is deeply reflective, with layers of sound and metaphor to unravel and interpret in their own way. It is a beautiful album that lives in and reflects the present moment while sounding as if it were forged in another era. Invoking nature as a backdrop for exploring humanity's relationship to time, history, and the present socio-political climate, often highlighting water as a ubiquitous if often unconscious presence in our lives. It acts as a subtle connecting thread through each piece's imagined landscapes, as well as taking on a symbol for change and spirit. The group has always centered around Heumann's remarkable voice and songwriting. His skill as a vocalist and guitar player have led to playing with artists such as Cass McCombs, Will Oldham, and many others. Let It All In is an invitation to jump into an album rich with timeless elegance. Their live shows and the otherworldliness of their music have made Arbouretum a cultish band. Their profound music endures and rewards fans both old and new. Arbouretum has added another exceptional work to their catalog that will weather changing fashions and reward those who explore their entirely unique world.

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Aseethe

The Cost Natural Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Aseethe, the trio of guitarist Brian Barr, drummer Eric Diercks, and bassist Noah Koester, carve their own path in the world of heavy music. A singular blend of seismic weight, mesmeric drone, and gripping tension is the Midwestern band"s musical signature. Driven by an exploratory ethos, Aseethe warp sounds into emotionally potent songs that are as detailed as they are immense. The Cost is an album shadowed by devastating losses, a visceral study in aftermaths, centered around how life moves forward after personal and universal traumas. Recorded by acclaimed producer/engineer Sanford Parker (Pelican, Eyehategod, Yob, Voivod) at Electrical Audio in Chicago, The Cost is more focused and elaborate than anything the band have crafted before, expanding Aseethe"s dynamic palette with more nuance and transforming their battering sound into cathartic arcs.

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Aseethe

CD | 2003 | US | Original (Thrill Jockey)

Release: 2024 / US – Original

Genre: Rock & Indie

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Assembler

Assembler 2

4,99 €*

Release: 2003 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Big|Brave

A Chaos Of Flowers

Release: 2024 / US – Original

Genre: Rock & Indie

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Chaos Of Flowers Clear Pink Vinyl Edition

Big Brave

Release: 2024 / US – Original

Genre: Rock & Indie

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Nature Morte Black Vinyl Edition

Big Brave

Nature Morte Lavender Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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The title, nature morte, is the French term for still life paintings whose literal translation is "dead nature." Big|brave color the songs of nature morte with unease, creating an air of beauty in decay, chords suspended in contemplative stillness. Robin Wattie"s experiences structuring lyrics and song forms on The Body & Big|brave"s Leaving None But Small Birds informed her work on nature morte, creating stories that, like many folk tales, are at once specific and universal. Wattie"s voice manages to be commanding and vulnerable with impressive range and intimacy. Even her gasps carve their way through the tidal crash of Mathieu Ball"s distortion wail and the pummel of Tasy Hudson"s drums. The momentum of nature morte conjures the image of a beast collapsing beneath its own weight before resiliently staggering upright to thunder onward. Big|brave convey heft from silence as deftly as they do from swaths of feedback and distortion to cathartic ends. "Distortion is key," notes Ball The three members recorded primarily live over the course of a week at Machines with Magnets with Seth Manchester, pushing the potential of their instruments beyond expectations. For each song, the trio"s songwriting and attention to detail deliver its simple but devastating emotional power. Across the album"s six pieces Big|brave create a tension between immediacy and patience, invoking the essence of disquiet, while conveying anguish through inventive arrangements and nuanced performances. nature morte captures Big|brave at their heaviest and their mournful fury is at its zenith, an album where each moment is so immense and consuming that it possesses its own gravitational pull.

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Big Brave

LP | 2023 | EU | Original (Thrill Jockey)

Release: 2023 / US – Original

Genre: Rock & Indie

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Black Duck

Black Duck Orange Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Black Duck captures a band already deeply in tune with one another. The three-piece super-group consists of Douglas McCombs, Charles Rumback, and Bill MacKay each has a distinct musical voice that is instantly recognizable, yet blends seamlessly with one another-their time performing together, playing to the moment and reading each other and the spaces they"re in formed a fluency between the trio which allows them to follow each other down winding paths and short tangents alike. McCombs is a founding member of Tortoise, Pullman, and Brokeback and the long-standing bassist for Eleventh Dream Day, an artist whose contribution to the music world can not be overstated. MacKay began releasing records in the early 2000s. He has released several acclaimed solo albums with Drag City as well as a duo album each with Nathan Bowles (Banjo, Black Twig Pickers), and Katinka Kleijn (Cello, Chicago Symphony Orchestra (CSO)), and two beloved records with Ryley Walker. Rumback burst onto the fertile Chicago improvised music scene in the early 2000"s. His fluid technique and expressive playing garnered him much attention. In addition to his solo releases, Rumback has recorded with Ryley Walker, jazz greats such as Jim Baker, James Singleton, and Greg Ward. Black Duck"s debut is a testament to that fluency, an expedition led by three veterans into alluring worlds bathed in myriad splendors. Black Duck is a gallery of sonic tapestries, unbound by any genre constraints. Black Duck redefines what two guitarists and a drummer can do, pieces move from breezy shuffles to stormy blues rumbles to gorgeous textural drones. Playing entirely improvised live sets for years helped develop the trio"s acute senses for one another, knowing precisely how to listen to the others and bolster whatever direction they move in. In the short time the trio have played together, they have performed at Big Ears Festival and alongside acts like Yo La Tengo.

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Black Duck

Release: 2023 / US – Original

Genre: Rock & Indie

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At Zeenath Parallel Heavens Turquoise Vinyl Edition

Black To Comm

Release: 2023 / US – Original

Genre: Rock & Indie

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Brokeback And The Black Rock

Brokeback

LP | 2013 | US | Original (Thrill Jockey)

18,99 €*

Release: 2013 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Tiny corner wear.

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Brother JT

Tornado Juice

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Bummer

Dead Horse

Release: 2021 / US – Original

Genre: Rock & Indie

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Roots & Crowns Black Vinyl Edition

Califone

LP | 2006 | US | Reissue (Thrill Jockey)

Release: 2006 / US – Reissue

Genre: Rock & Indie

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Roots & Crowns Ice Age Blue Vinyl Edition

Califone

LP | 2006 | US | Reissue (Thrill Jockey)

Charles Rumback & Ryley Walker

Release: 2006 / US – Reissue

Genre: Rock & Indie

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Available on vinyl for the first time in 10 years, with new cover design by Tim Rutilli, in limited edition ice age blue LP and on black LP, both with download card included Califone's earliest roots lie in the band Red Red Meat, from whence came Califone's founding members Tim Rutili and Ben Massarella and its longtime producer Brian Deck. The band's first release was a self-titled EP on Flydaddy in 1998, followed later by the full-length debut, Roomsound, in 2001 (later reissued on Thrill Jockey) and eventually the band's Thrill Jockey debut, Quicksand/ Cradlesnakes in 2003. After touring for the release of Roomsound, Califone had little time off to take in the impact of the music they were creating. In three years, they recorded four albums (two instrumental, two song-based including Heron King Blues) and toured heavily in between with Wilco, Modest Mouse, The Sea and Cake and others. After the tour for Heron King Blues in 2004, Califone finally took a breath and came back together in late 2005 to begin recordings. They worked on it in chunks at 4Deuces Studio in Chicago with Brian Deck, in Long Beach and Phoenix with Michael Krassner, and at home in Los Angeles and Chicago until May 2006. The time away and each member's individual work naturally brought new elements into the sound of Califone's music. Both Rutili's and Becker's soundtrack work are more atmospheric, however the challenge of enhancing a scene of film without cluttering it or overwhelming it informed their approach to the new recording. Similarly, the burglary of Califone's equipment during the band's last tour (including guitars, banjo, a 1917 violin, bells and more) altered the sound as they had to find new gear on a tight budget. The instruments are new partners, new sounds that forced them to stretch in new directions. Limitations, obstructions and darkness, and the new possibilities they illuminate; roots and crowns. "In that way", says Rutili, "this album is a conscious and resolved thing. It fully realizes ideas we touched on in the past and where we come from as a band, and takes us into our next phase of life."

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Little Common Twist

LP | 2016 | Reissue (Thrill Jockey)

21,99 €*

Release: 2016 / Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Circuit Des Yeux

In Plain Speech

22,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. Original inner sleeve.

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Claire Rousay

Sentiment

Release: 2024 / US – Original

Genre: Rock & Indie

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Sentiment Opaque Yellow Vinyl Edition

Claire Rousay

Release: 2024 / US – Original

Genre: Rock & Indie

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A Flame My Lovea Frequency

Release: 2017 / US – Reissue

Genre: Rock & Indie

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Captain Of None

23,99 €*

Release: 2015 / US – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. Original inner sleeve.

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Captain Of None

27,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Le Jour Et Le Nuit Du Reel Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Colleen thrives on reinvention. For over two decades under the name, French artist Cécile Schott has continuously pushed her compositional practice into new directions. Her creative approaches have included complex samples and loops, instrumental processing and even dub production techniques applied to the baroque viola da gamba. Each album immerses the listener in a wholly unique world while remaining unmistakably a work by Colleen. Schott"s compositions glow with carefully considered textures that move in captivating revolutions while subtly evolving. A connective thread of Schott"s work is the exploration of the intricacies of emotion while reveling in the act of contorting pop and classical forms into new shapes. Colleen"s Le jour et la nuit du réel is a voyage deep into the world of synthesis, a dense thicket populated by drifting echoes and pulsating arpeggios. More than just a creative approach, sound synthesis here becomes a means to interrogate complex concepts, from the self and perception to shifting notions of what is "reality".

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Le Jour Et Le Nuit Du Reel Clear With Gold Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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The Tunnel And The Clearing Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Colleen is an aboundingly inventive composer and artist. For two decades Cécile Schott, as Colleen, has crafted welcoming, enchanting, and bewildering music. The multi-instrumentalist and vocalist's timeless compositions make use of carefully selected tools to mold memories into transcendent splendor. The Tunnel and the Clearing finds Schott at her most vulnerable and confident, invoking contemplative and swirling organ processed through analog electronics, steady drum machine syncopations and her distinctive voice. On an album centered on processing the complicated washes of emotion through tribulations and revelations Colleen presents a vision of breathless clarity.

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The Tunnel And The Clearing Metallic Gold Vinyl Edition

LP | 2021 | US | Reissue (Thrill Jockey)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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The Tunnel And The Clearing White Vinyl Edition

Dead Times Clear Vinyl Editoin

Release: 2021 / US – Original

Genre: Rock & Indie

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Dead Times

Release: 2023 / US – Original

Genre: Rock & Indie

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Dommengang

Love Jail

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Wished Eye Coke Bottle Clear Coke Bottle Clear Vinyl Edition

Dommengang

Release: 2023 / US – Original

Genre: Rock & Indie

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Power trio Dommengang deliver heavy psych rock on new album Wished Eye, out April 21st. The album delivers super tasty, dirty guitars, serpentine psychedelic grooves, and propulsive drumming with gleeful abandon. Guitarist Dan "Sig" Wilson switches from explosive to expansive on a knife"s edge, laying down wailing hooks before evaporating into bristling fuzz. Bassist Brian Markham and drummer Adam Bulgasem"s foundations play with time, galloping forward or stretching out into the cosmos. Wished Eye is an expression of the sheer joy of making music together. Delivered with greater confidence and exuberance than ever before, Wished Eye captures the force of a Dommengang show and their explorative nature - from euphoria to transcendence. Where previous Dommengang albums evoked a restlessness and a yearning for the open road, Wished Eye takes you on that journey with a seasoned band that has found the key to traveling without ever leaving home. Wished Eye is the studio album of a band that, live, ignites chaotic release and otherworldly meditation. To capture this energy and freedom in the studio, the trio tracked all the songs together to tape and let experimentation run wild. This journey of exploration was indeed linked to all members relocating to Portland, Oregon, finding a new home for their ideas to flourish. Markham explains: "We jammed several times a week for two years, at times with no real goal but to play music and make noise together. Lots of nights were followed by backyard hangs around the fire." Sig elaborates: "We went into rehearsal with no expectations other than to let every idea breathe and let it go as long as needed." Working without time constraints or limitations, they could dig deeper than ever into their shared experiences.

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Douglas Andrew Mccombs

Vmak

Vmak Natural Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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McCombs is one of the most highly regarded bassists/guitarists working today, known for his pioneering band Tortoise, his bass playing in Chicago"s Eleventh Dream Day, and his innovative instrumental group Brokeback. He has released albums with guitarist David Daniell, and collaborated with the likes of Tom Zé to Yo La Tengo, Stereolab to Daniel Lanois. In addition to being the touring bassist for The Sea and Cake, McCombs has somehow found time to form a new trio Black Duck with guitarist Bill MacKay, and percussionist Charles Rumback. Douglas McCombs" VMAKMcCombs" debut solo album is a mix of improvisation, textural explorations and recurring melodic themes. Taking after Brokeback"s classic Morse Code in the Modern Age: Across the Americas, "Two To Coolness" is a piece that McCombs refined through a series of improvised performances and features Calexico drummer John Convertino, as well as singer/guitarist/synth player Sam Prekop (also of The Sea and Cake). "Green Crown"s Step" was largely improvised working through melodies and patterns. The stately "To Whose Falls Shallows" reshapes three key themes that Tortoise and Brokeback fans will find to be signature McCombs, buoyed by fellow Brokeback member James Elkington (Tweedy), who also engineered and mixed the album.On the album, McCombs plays with spare instrumentation and primarily plays electric and acoustic guitars as well as the Bass VI, drawing out textures that stretch the scope of his instruments. McCombs" work is pastoral and expansive, his playing is refined and nuanced, and his melodies often bely his admiration for Ennio Morricone as his guitar imbues endlessly sprawling fields of the midwest with the same sense of magic. It is a true pleasure to hear him perform in such an intimate way. This is an absolute essential for followers of McCombs and newcomers alike, as the album lays bare his influence on each of his groups as well as firmly stakes McCombs as a force all his own.

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Douglas Andrew Mccombs

Release: 2023 / US – Original

Genre: Rock & Indie

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McCombs is one of the most highly regarded bassists/guitarists working today, known for his pioneering band Tortoise, his bass playing in Chicago"s Eleventh Dream Day, and his innovative instrumental group Brokeback. He has released albums with guitarist David Daniell, and collaborated with the likes of Tom Zé to Yo La Tengo, Stereolab to Daniel Lanois. In addition to being the touring bassist for The Sea and Cake, McCombs has somehow found time to form a new trio Black Duck with guitarist Bill MacKay, and percussionist Charles Rumback. Douglas McCombs" VMAKMcCombs" debut solo album is a mix of improvisation, textural explorations and recurring melodic themes. Taking after Brokeback"s classic Morse Code in the Modern Age: Across the Americas, "Two To Coolness" is a piece that McCombs refined through a series of improvised performances and features Calexico drummer John Convertino, as well as singer/guitarist/synth player Sam Prekop (also of The Sea and Cake). "Green Crown"s Step" was largely improvised working through melodies and patterns. The stately "To Whose Falls Shallows" reshapes three key themes that Tortoise and Brokeback fans will find to be signature McCombs, buoyed by fellow Brokeback member James Elkington (Tweedy), who also engineered and mixed the album. On the album, McCombs plays with spare instrumentation and primarily plays electric and acoustic guitars as well as the Bass VI, drawing out textures that stretch the scope of his instruments. McCombs" work is pastoral and expansive, his playing is refined and nuanced, and his melodies often bely his admiration for Ennio Morricone as his guitar imbues endlessly sprawling fields of the midwest with the same sense of magic. It is a true pleasure to hear him perform in such an intimate way. This is an absolute essential for followers of McCombs and newcomers alike, as the album lays bare his influence on each of his groups as well as firmly stakes McCombs as a force all his own.

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Negative Work

Moonlit Reveries Translucent Blue Vinyl Edition

Release: 2018 / US – Reissue

Genre: Rock & Indie

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E, the savagely raw trio of Thalia Zedek (Come, Uzi, Live
Skull), Jason Sanford (Neptune), and Gavin McCarthy (Karate)
make angular, energized, and idiosyncratic rock music. These
accomplished and inventive musicians could not be more
different in the way they express themselves but their egoless
dedication to ensemble playing and writing shapes E’s distinct
sound. Following their self-titled debut which Mojo called
“both thrillingly volatile and touchingly melodic”, their second
album Negative Work is the product of three individuals whose
dedication to the collaborative process may very well be the
source of compelling tension underlying their songs.
Recorded and mixed in 4 days at Machines With Magnets
(Battles, Lightning Bolt, The Body), the album captures the
energy of E’s gripping live shows. E has been touring and
writing together steadily since their debut, at an age when many
musicians are loath to abandon what they are known for and
jump back into the grind of establishing a new band. E’s egoless
dedication, love of playing, and relentless inventiveness are
irresistible qualities making Negative Work an entirely singular
and highly compelling rock record.

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Elena Setien

Unfamilar Minds Transculent Blue Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Multi-instrumentalist and vocalist Elena Setién uses her multi octave vocal range and delicate arrangements to create a universe where dream worlds converge with reality. Setién"s masterfully allegorical songs are both emotionally immediate and provoking. A musician"s musician, Setién has drawn collaborators from far and wide, from her improvisational duo Little Red Suitcase to more recent collaborations with Steve Gunn, Mary Lattimore, and fellow Basque musicians Xabier Erkizia and Grande Days. For Moonlit Reveries, a hallucinatory promenade of mood and rhythm, Setién is joined by renowned drummer/percussionist Glenn Kotche of Wilco. At the core of Moonlit Reveries is the inspiration that Setién and Kotche found in one another. The two met while Kotche was touring Spain with Wilco, Kotche having been a fan of Setién"s 2022 album Unfamiliar Minds. Immediately the two started discussing collaboration which Setién began by using a series of unique drum patterns from Kotche"s "A Beat A Week" series as the basis for tracks like "Surfacing" and "Asking". Kotche then sent in fresh drum takes for select pieces that embellished the frameworks set by Setién. The songs of Moonlit Reveries also make use of more guitar than Setién previously had ever explored, which Setién traces back to Steve Gunn introducing her to the music of Bridget St. John. "What fascinated me right from the beginning, was the calmness in her voice and her low register. Her music inspired me to ..write songs with a guitar: there"s more space for the voice and the sound qualities of both voice and guitar kind of melt into each other." The winner of several Basque music awards, Elena Setién"s beautiful voice, creative arrangements, and both improvisational and compositional experience make for sophisticated songs with singular textural approaches. Her otherworldly sounds are perfectly complimented by Kotche"s light and agile syncopations throughout.

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Elena Setien

Ellen Arkbro & Johan Graden

Release: 2022 / US – Original

Genre: Pop

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Basque artist Elena Setién shapes the ethereal into immediate on the stunningly pristine songs of Unfamiliar Minds. Her command of melody and resolute voice are complemented by lush arrangements that surround the listener in a world of intimate beauty. Setién is an accomplished multiinstrumentalist, collaborator and improviser, having worked with artists like Mary Lattimore and Steve Gunn as well as composing for film and television. On Unfamiliar Minds, Setién reflects on isolation, confusion and harnesses uncertainty with optimism on ten ghostly wonders that capture ineffable feelings in radiant detail. After completing her Basque language album Mirande in collaboration with composer Xabier Erikizia (released on Forbidden Colors in October of 2020), Setién began composing Unfamiliar Minds during the height of lockdown, starting with songs she had begun in pre-pandemic times. As days turned to months Setién grew disconnected from the incomplete pieces made in a different reality. The paralyzing tension of those disorienting early months eventually gave way to new inspiration. Romantic poetry by Emily Dickinson served as a refuge and a springboard for Setién to ground herself in writing new songs in English. She drew inspiration from conversations with composers Gyan and Terry Riley as well as her collaboration with Xabier Erkizia for the Basque television series Altsasu. Erkizia and Setién extended their remote collaborations beyond the series as the two began focusing on their own reconfigured sense of mood and perspective after a year of so much pain and drastic change. Elena Setién's chameleonic songcraft effortlessly bends songs into immersive realms. Her music illuminates the fragilities and ephemeral nature of life with exceptional poise. Unfamiliar Minds is a palatial guide through trial and exaltation, a meditation on disquiet and hope for uncovering what lies ahead.

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I Get Along Without You Very Well Black Vinyl Edition

Ellen Arkbro & Johan Graden

Release: 2022 / US – Original

Genre: Rock & Indie

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Ellen Arkbro & Johan Graden embody the limitless curiosity and fearless innovation of the Swedish and Berlin new music scenes they inhabit. Arkbro is a composer and musician whose work has been presented around the globe at prestigious institutions such as the Barbican in London, GRM in Paris and the Kölner Philharmonie in Köln, and has studied under legendary minimalists such as La Monte Young, Marian Zazeela, and Jung Hee Choi. Graden is one of Sweden"s most sought-after pianists, moving freely between classical music and the European contemporary jazz scene. Currently living in Amman Jordan, he is an active member of the Jordanian experimental pop scene. I get along without you very well is a daring statement from two of the most progressive voices in contemporary music. In allowing themselves to be at their most vulnerable - with each other, their collaborators and with listeners - they have created some of their most powerful work to date. Following their collaboration on the acclaimed For Organ and Brass released on Subtext, new album I get along without you very well expands on the duo"s intoxicating exploration of meditative, spiritual sonics in unexpected ways. It is a beautiful meeting of two friends and inventive musical minds, resulting in the most affecting and surprising of pop albums. From its opening notes, I get along without you very well delights in subtle tensions and contradictions. While no song lasts more than a few minutes, the album feels distinctly unhurried, its atmospheric textures and sparse rhythms seemingly distorting the flow of time. The duo"s arrangements conceal an incredible amount of compositional detail paired with a distinctive sonic pallet, of brass, woodwinds, upright bass and synthesizer. Timbres in a similar register create an incredible depth of sound while paradoxically giving the impression of sparseness with individual instruments blending with one another seamlessly. Arkbro"s ephemeral vocals, entirely absent from her solo works, provide a perfect counterpoint to the album"s rumbling low-end, magnifying the intimacy and vulnerability of the music. On the opening track, described by Arkbro as "the most naked song on the record", the composer"s breathy vocals curl in ribbons around murky brass, as delicate blue vapors evaporate, underpinned by featherlight percussion

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I Get Along Without You Very Well Light Blue Vinyl Edition

LP | 2016 | US | Original (Thrill Jockey)

Release: 2022 / US – Original

Genre: Rock & Indie

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Emptyset

Borders

Release: 2016 / US – Original

Genre: Electronic & Dance

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Emptyset

Skin EP

25,99 €*

Release: 2017 / US – Reissue

Genre: Electronic & Dance

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Beyond The 4th Door Transculent Orange Vinyl Edition

Eternal Tapestry

LP | 2011 | US | Reissue (Thrill Jockey)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Back on vinyl for the first time in 5 years on translucent orange with green splatter. Download code included. Beyond the 4th Door, delivered an album not unlike Eternal Tapestry's epic live shows. Containing stretches of melodic guitar improvisations, dark brooding songs slowly build and expand to allow in layers of light. The album was created by recording more that two hours of material in their home studio, mostly live, and hand picking the elements that became these 5 tracks. There is a free and open nature to their structure creating a spacious environment for the listener to explore. Harkening back to the early 70's experimental rock that inspired them, such as Popol Vuh, Cluster and Träd Gräs och Stenar, Beyond the 4th Door is an album meant to be listened to in its entirety. Available on limited edition vinyl again, after the original 2011 release and 2016 re-press sold out within months of their respective releases. Eternal Tapestry are in every way musicians of the now. Extremely active in the new underground of cassettes and CD-Rs, releasing limited edition carefully designed albums on the premier purveyors of the counterculture.

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Evan Caminiti

Meridian

16,99 €*

Eye Flys Translucent Red Vinyl Edition

Release: 2015 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

tiny corner wear. Vinyl is close to NM.

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Eye Flys

Tub Of Lard Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Eye Flys are a quintessential Philadelphian band whose aggressive brand of noise rock is leading a wave of bands that harken back to classic era AmRep noise rock. Their rage is palpable and their wit is biting. Eye Flys are unsparingly heavy, driven by the colossal rhythm section of bassist Kevin Bernsten and drummer Patrick Forrest. Vocalist/guitarist Jake Smith delivers sharp humor with a healthy dose of venom and bile with each bestial growl while his dirty riffs roar at you. Recorded by Bernsten at his own Developing Nations studio (Full of Hell, Integrity, Jarhead Fertilizer) and J Robbins" The Magpie Cage, the band"s self-titled album features artwork drawn by artist and drummer John Herndon (Tortoise), known for his singular drawings and his band"s iconic TNT cover. Eye Flys wades deeper into the muck and mire of modern living to take an unflinching look at the horrors of late-stage capitalism and offer a caustic remedy for its ravages. Expanding on their bludgeoning debut Tub of Lard, Eye Flys is lean and aggressive, fast and unforgiving. Trepanation Summer"s ferocious riffs bore directly into the skull, mimicking the crude pressure release of the ancient surgical process of the same name, Smith crying to "release the pressure" from within a wall of feedback. Eye Flys offers a reassuring reminder that you haven"t gone mad and you"re not alone - that weird "n" heavy music is still here as a respite from the madness of modern living and an outlet for righteous rage.

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Eye Flys

LP | 2019 | US | Original (Thrill Jockey)

Release: 2020 / US – Original

Genre: Rock & Indie

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In just over a year since their initial inception, Eye Flys have established themselves as a force beyond reckoning. Their debut full-length Tub of Lard is stunningly potency full of piss and vinegar, scientific in its ability to pulverize everything in its path. Due in part to the considerable pedigree of the band's lineup (including members of Full of Hell, Backslider, Triac), the east coast-based quartet chew through steel-barbed riffs and off-kilter rhythms with exponential force. Their 2019 debut EP Context set an early precedent for just how lean and ruthless they can be. On Tub of Lard, Eye Flys launch that potential into 10 songs of maximum impact that find both raw power and subtlety in their simplicity.
Written during the summer of 2019, in between U.S. tours with the likes of Daughters and Torche, anxiety, agnosticism, distrust, and psychedelics are all invoked to question reality both personally and globally. The album's themes are unified by Jake Smith's search for deeper meaning in the chaos and uncertainty of the world, happy to demolish any opposition along the way.Though the band's members live spread throughout the east coast, Tub of Lard took shape collaboratively. Smith took on laying down the framework with drummer Patrick Forrest, while guitarist Spencer Hazard added riffs of his own, as well as layers of noise and texture that embellish the band's penchant for reckless abandon. The gravelly muck-laden basslines by Kevin Bernstein, who also recorded the album at his Developing Nations studio in Baltimore, are handily interwoven beneath the pummel of Patrick Forrest's drums into buffets that feel almost dizzying. Searing through the ensemble's taut rhythmic fray is Smith's bark, deftly riding the line between infuriated sceptic and maniacal punisher. Across Tub of Lard Eye Flys' merciless sound coalesces through a constant push and pull that leaves every moment thrilling: direct, hypnotic blunt-force grooves that twist and fray into feedback and oblivion

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Fox Millions Duo

Biting Through

20,99 €*

Release: 2019 / US – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. tiny wear

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Fox Millions Duo

Lost Time

24,99 €*

Fred Anderson / Hamid Drake

Release: 2015 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Tiny wear.

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From The River To The Ocean Black Vinyl Edition

2LP | 2007 | US | Reissue (Thrill Jockey)

On The Water - Clear With Hm Blue / Orange / Pink Vinyl Edition

Release: 2007 / US – Reissue

Genre: Organic Grooves

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Available on vinyl for the first time since it's original CD-only release in 2007. On black or limited edition forest green with gold double LP, in gatefold jacket with download card. Tenor saxophonist Fred Anderson and drummer Hamid Drake had the closest of relationships, as close as a father and son might have. Their communication was at a higher level musically and emotionally. The music on this album reflects not only their masterful musical skills, but a conversation in music that is exceptionally powerful and unique. For From the River to the Ocean, they assembled a band consisting of fellow Chicagoans to record the most relaxed, perfectly balanced album they made together. It may seem hyperbolic to call From the River to the Ocean Fred Anderson's greatest album, but the empathy and cohesiveness of the ensemble, coupled with the saxophonist's brilliant, searching improvisations, makes it a powerful contender. From the River to the Ocean is an especially varied outing, ranging from Anderson's classic setclosing blues "Strut Time" to the meditative, spiritual, modal track "For Brother Thompson," dedicated to the late trumpeter Malachi Thompson and featuring bassist Harrison Bankhead on brooding piano and Drake chanting in Arabic. The record's title track and the closer, "Sakti/Shiva," find bassist Josh Abrams laying down an astounding bed on guimbri, the threestringed Moroccan acoustic bass familiar to fans of Gnawa music. Another of the album's delights is guitarist Jeff Parker, well known Jazz guitarist as well as member of Tortoise. Here, Parker displays an immense sensitivity and melodic genius, sharing solo spotlight with Bankhead's cello on "From the River to the Ocean" and sculpting a stunning array of shapes on the group's swinging take on Anderson's "Planet E." Underneath it all is Hamid Drake, an intensely creative soul continuing to challenge himself. Drake's growth is not measured in how many different instruments he plays - indeed, he's scaled back his arsenal over the years - but in the depth and musicality of his feeling. On this record he is remarkably light and airy, playing with tremendous delicacy and clarity. Propulsion can be introduced without a pneumatic drill, and Drake instigates an avalanche of rolling forward momentum on the opening moments, inspiring the two basses and guitarist to move, to make something moving, and in turn to further inspire Fred Anderson to some of his most forceful and imaginative playing ever documented. If the individual is a small receptacle of expressivity, a mountain spring if you will, then it is in ideal settings like this one that the springs join forces, turning into streams, then bigger and bigger tributaries, finally swelling into rivers that open into the oceanic creative waterways.

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Future Islands

LP | 2011 | US | Reissue (Thrill Jockey)

Against Which The Sea Continually Beats

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Future Islands' romantic synth sound scales new heights with On the Water, the Baltimore trio's most ambitious and fully realized statement yet. Built around a song cycle exploring love, loss, and memory, their latest album finds the band continuing to deliver pounding rhythms, swelling melodies, and undeniable hooks - but finding new ways to probe inner space and tug at hearts.

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Glenn Jones

2LP | 2017 | US | Reissue (Thrill Jockey)

Release: 2017 / US – Reissue

Genre: Rock & Indie

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Vade Mecum Black Vinyl Edition

Glenn Jones

Release: 2022 / US – Original

Genre: Rock & Indie

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Vade Mecum Translucent Red Vinyl Edition

Glenn Jones

Release: 2022 / US – Original

Genre: Rock & Indie

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Exploring the complexity of personal experience, emotions and our shared histories, Vade Mecum finds Jones painting his music in boundaryless colors, captivatingly vivid. Issued on black and limited-edition red vinyl, packaged in a gatefold jacket with image oriented across both sides in a classic 1970's Style. Package includes notes and tunings for each song and download card.

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Golden Retriever

Rotations

Release: 2017 / US – Reissue

Genre: Electronic & Dance

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Berkana Transculent Golden Yellow Vinyl Edition

Golden Void

LP | 2015 | US | Reissue (Thrill Jockey)

Atomic Clear Vinyl Edition

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Golden Void is led by Isaiah Mitchell of Earthless with Camilla Saufley-Mitchell (Assemble Head In Sunburst Sound), Justin Pinkerton, and Aaron Morgan. Berkana is Golden Void's second album and was recorded at Tim Green's Louder Studios (Melvins, Lungfish, The Fucking Champs, Sleepy Sun, Wolves in the Throne Room).

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Helen Money

LP | 2016 | US | Reissue (Thrill Jockey)

Release: 2020 / US – Original

Genre: Rock & Indie

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Helen Money, composer Alison Chesley, remains one of the most unique and versatile cellists today, her cello playing effortlessly moving from black metal to expansive ambient strings. She uses the cello to access and channel extremes of human emotion, employing extensive sonic manipulation, plucking and bowing techniques to summon an astonishing breadth and depth of sound. On her new album Atomic, Chesley pushes even further out towards the extremes of her output with daring minimalist arrangements that stand as her most intimate, direct, and emotionally bare work to date. The breadth of ideas explored throughout give Atomic a distinctive ebb and flow; an oblique narrative that conjures distinctive and palpable emotions without being prescriptive.
Atomic's title was inspired by Chesley's study of the early Roman Humanists, including Lucretius, who proposed the idea that everything is made up of tiny particles and thus interconnected. Written during a period of transition for Chesley and her family she drew immense strength from this idea of interconnectivity. The experience of recalibrating & reorienting herself in the world came to subconsciously inform Atomic's searching tone, Chesley pushing her music to surprising new places just as she and her family moved into new phases of their lives. Her embracing of minimalist structures reflects her own empathetic shift, collapsing barriers between artist and listener to find power and strength in intimacy. She mused on the implications of interconnectivity for how we should treat each other and our environment. She elaborates: "I've been thinking a lot about how the earth is our home; the universe; and how fragile this world is and how connected we all are to everything." In an increasingly fragmented world, Atomic presents a map for how we might navigate personal and collective trauma through the pursuit of openness, understanding and introspection.

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Helen Money

Become Zero

Helen Money & Will Thomas

Release: 2016 / US – Reissue

Genre: Rock & Indie

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LP version pressed on virgin vinyl with free download coupon.

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Trace Transculent Yellow Vinyl Edition

12" | 2016 | US | Original (Thrill Jockey)

Release: 2023 / US – Original

Genre: Rock & Indie

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Trace is a masterclass in sound design. Alison Chesley"s formidable skill as a cellist and composer ground the compositions with rich organic sounds of cello and bow. Will Thomas"s equally deft hand-manipulated electronics, and keyboards create potent frameworks that bolster the sense of mystery and searching across the album. Chesley and Thomas"s unique voices as composers remain discernable and present throughout the album, but Trace is a celebration of the connection of collaboration with an acute sense of details and the power they convey. On Trace, the duo utilizes timbre, tone, and dynamics as essential tools in crafting stunning emotive narratives. Together, the duo wields sound with inquisitive aplomb, burrowing into each other"s sonic aesthetics and unearthing irrefutable beauty. Chesley is an unparalleled cellist and composer who has been making boundaryless music for nearly three decades under the moniker Helen Money. From her work in Verbow to her solo releases, extending to her work as a highly sought-after collaborator with Jarboe, Bob Mould, Steve Albini, Neurosis, and many more, Chesley has remained a singular voice and a pioneer in expanding the scope and perception of the cello. Will Thomas is an active composer for commercials, TV, and film (GvsE, CSI, The Haunted Swordsman). He has also contributed to several of Helen Money"s solo albums and an ongoing collaboration with Roger Eno.

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Jackie Lynn

18,99 €*

LP | 2004 | US | Reissue (Thrill Jockey)

Release: 2016 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM.

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Jeff Parker

The Relatives

29,99 €*

The Relatives Black Vinyl Edition

Release: 2004 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Golden vinyl deluxe limited edition. 2022 reissue.

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Jeff Parker

LP | 2004 | US | Reissue (Thrill Jockey)

Release: 2004 / US – Reissue

Genre: Organic Grooves

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The Relatives Clear With Hi-Melt Gold Vinyl Edition

Jeff Parker

LP | 2004 | US | Reissue (Thrill Jockey)

Jim White / Marisa Anderson

Release: 2004 / US – Reissue

Genre: Organic Grooves

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An absolute classic of an album reissued for our 30th Anniversary! This Beauty features the masterful guitar work by Parker who is joined by percussionist Chad Taylor, bassist Chris Lopes, and pianist Sam Barsheshet. Deluxe reissues on Clear with High Melt Gold and splashes of Brown on virgin vinyl in an uncoated stock jacket with free download coupon. Jeff Parker has been a cornerstone of the rock, jazz, and experimental music communities for the past three decades. As the guitarist for groundbreaking groups Tortoise, Isotope 217, Chicago Underground, as a sideman for artists like Joshua Redman, Fred Anderson, and Joey DeFrancesco, and as a solo artist, Parker's work engages in a deep understanding of a constellation of styles while defying boundaries at every turn.

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Swallowtail Black Vinyl Edition

Jim White / Marisa Anderson

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-05-10

The collaboration between renowned drummer Jim White and acclaimed guitarist Marisa Anderson is a natural union of two of the most intuitive players and listeners working in music. Jim White is known for his groundbreaking trio, Dirty Three, as well as duo, Xylouris White. His list of collaborations is vast and include artists such as Nick Cave, Bill Callahan, Cat Power, Marnie Stern and Warren Ellis. Jim just released his debut solo album, All Hits: Memories. Marisa Anderson, known primarily for her solo work, in demand collaborator who has worked with Tashi Dorji, Sharon Van Etten, Yasmine Williams and Michael Hurley. She has released records with William Tyler and Tara Jane O"neal. White and Anderson are each highly sought after collaborators in no small part because of their mastery, versatility and highly expressive playing. Their sophomore album, Swallowtail, finds the duo completely attuned to each other, fluidly moving as wind and water. They avoid preconceived movements, instead focusing on their musical conversation. As Anderson puts it: "The ideas aren"t the music, they are the pathway into the musical possibilities." Their skillful interplay creates an effervescence throughout the album. The ebb and flow to the duo"s motions bring a sense of serenity and ease to spontaneous transitions, each swell and retraction sounding as free as it does inevitable. White and Anderson"s preternatural alchemy as a duo allows each fleeting gesture to feel featherlight and stirring while maintaining an inquisitive spirit. Their music is an enchanting and illuminating.

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Swallowtail Translucent Yellow Vinyl Edition

Jim White & Marisa Anderson

Release: 2024 / US – Original

Genre: Rock & Indie

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The Quickening Black Vinyl Edition

29,99 €*

Jim White & Marisa Anderson

Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

The Quickening is an improvised work guided by emotional intuition and an ability to spin collective experience into music of potent and boundless beauty. Jim White and Marisa Anderson instrumental voices' are unmistakable and spellbindingly lyrical. Anderson unravels global guitar traditions into atmospheres all their own through improvisations and transforming melodic lines. While White implements an array of sticks, brushes, and techniques that imbue each rhythmic percussion passage with its own distinct personality. Together their melodic flourishes cascade and twist upon one another, at times trading conversational exchanges, and at others drifting in unison as if lost in the same train of thought. White and Anderson share an abounding appetite for musical exploration. White, as a member of Venom P Stinger, Dirty Three, and Xylouris White, is well known for his creative and idiosyncratic drumming. His singular abilities have also led to collaborations with Cat Power, PJ Harvey, and Bill Callahan among others. Anderson's prolific output as a solo performer, her mastery of traditional folk and blues forms and her abilities to make them entirely her own has established her as one of the most exciting and forward-thinking guitarists of the last decade. White and Anderson's considerable technical skills are used in the most inventive and unconventional manner on their debut duo recording, The Quickening. The duo' friendship and shared explorative nature inform these warm and daring improvisations. Their remarkable performances take the listener on a journey of exuberant discovery. The idea of a collaboration developed while on the road together in 2015, Anderson playing solo and White playing with Xylouris white. The Quickening began at the Portland studio Type Foundry in late 2018, where the duo initially agreed to meet and improvise and record. Happy with the recordings, the duo headed to Mexico City and into Estudios Noviembres, a time capsule of a studio from the 70's that had been largely closed before some young engineers took it over. The "slight disorientation" of working in less familiar environments mirrored their willingness to plunge headfirst into exploring new sonic territory together. Anderson purchased a new nylon string Ramos-Castillo guitar from a Mexican luthier just ahead of recording which leant to the spontaneity of "The Lucky" and "The Quickening". The duo did not rehearse or perform together prior to the recording sessions; as White puts it, "it's good to suspend disbelief at this stage of playing."

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The Quickening Coloured Vinyl Edition

LP | 2023 | EU | Original (Thrill Jockey)

Release: 2020 / US – Original

Genre: Rock & Indie

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John Bence

Archangels Red

Release: 2023 / EU – Original

Genre: Organic Grooves

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John Parish

Bird Dog Dante

CD | 2002 | US | Original (Thrill Jockey)

Release: 2018 / US – Reissue

Genre: Rock & Indie

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John Parish, the twice Ensor nominated composer and Mercury
Prize winning producer delivers a brand new collection of songs,
including a duet with his longtime musical partner PJ Harvey.
Bird Dog Dante was completed in a busy year for Parish. On top of
being the musical director of the extended PJ Harvey band on their
Hope Six Demolition Project world tour, he produced acclaimed
albums for This is the Kit, Nadine Khouri, and Aldous Harding.
John is an exceptionally skilled artist with a youthful delight and a
creative open mind, as well as the ability to masterfully expand on
those ideas. It is clear why Uncut said that “Parish is one of Britain’s
most resourceful and imaginative studio craftsmen.”
John’s recent solo records were instrumental, and mostly included
works composed for flm. While Bird Dog Dante contains a few
pieces written for flm, it is his frst song oriented album in nearly a
decade. Working while touring allowed him to bounce lyrics off his
long time musical partner PJ Harvey. On “Sorry for Your Loss,” a song
about their close friend Mark Linkous, it seemed only ftting to take it
further and sing the song as a duet. The music is gentle and quiet, not
unlike its creator, and its heft comes through its emotional depth and
its subtle delights from unexpected sound choices and processing.

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John Parish

How Animals Move

6,99 €*

Release: 2002 / US – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Jon Porras

Arroyo

Release: 2022 / US – Original

Genre: Pop

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Arroyo Clear Vinyl Edition

Jon Porras

LP | 2012 | US | Original (Thrill Jockey)

Release: 2022 / US – Original

Genre: Rock & Indie

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Jon Porras draws a staggering array of atmospheres out of even the simplest instrumentation. Across his work as one-half of psych-drone duo Barn Owl and his solo releases, Porras welds monoliths and ether into propulsive music that is deeply felt. Arroyo, named for the Spanish word for "stream" in a nod to Porras' heritage as a first generation Colombian?Japanese American, drifts gently from one tributary to the next in unhurried contemplation and euphoria. The portentous weight and abrasive textures of Porras' previous work give way to the trickle of richly detailed acoustic instruments slipping in and out of the fold. On Arroyo, Jon Porras evokes a distinct sense of resplendent anticipation and calm with a fathomless flow and softly gorgeous colors. For Porras, Arroyo became a rumination on simplicity and simple truths, a work of complete immersion and continuous motion where separate elements coalesce into an ever-changing whole. Porras spent the year leading up to 2020 living nomadically across Europe where he was able to soak in a deep appreciation for the effortless beauty of overgrown gardens, the basic principles of classical architecture and a more transient sensibility. The album was written and recorded in a time of even more change for Porras: after the birth of his daughter. Like a stream's steady glide across bedrock that waxes and wanes with each gradual turn, the music of Arroyo exhibits a transportive stillness. The compositions take on a light, gaseous buoyancy as discreet drones swell with measured fluctuations and ripples of piano rest atop the surface. Arroyo borrows harmonic concepts from modal jazz to create a unique sense of ease and endlessness. Each of the four pieces on the album centers around a single suspended chord, a chord most commonly associated with devotional music which embodies a space between harmonic tension and resolution. Porras embellishes that liminality with arrangements that feel less like distinguishable layers of instruments and more like one undulating nebula of sound. In the past decade of Porras' solo work, his music has grown increasingly engaged with elaborate synth textures and detailed processing. With Arroyo, Porras consciously takes a step back from those more intricate compositions and focuses on more organic, unadorned textures and places each sound with the same precision. Stark piano and guitar patiently hover over modest currents of Hammond organ and Yamaha DX7 with the sustain of each chord and phrase acting as a natural guide to the album's subtle rhythm. The four pieces that comprise Arroyo each encompass their own idyllic channel, slowly weaving their way in and out of the album's elegant stir. Porras' reflections on simplified elements take shape in gorgeous arrangements that impart clarity amidst a tranquil mist. Arroyo is an album that unearths splendor in a unified feeling of space, serenity in perpetual renewal

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Jon Porras

Black Mesa

14,99 €*

Into This Juvenile Apocalypse Our Golden Blood To

Release: 2012 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

White vinyl version!

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Keiji Haino & Sumac

2LP | 2022 | EU | Original (Thrill Jockey)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Kid Millions And Jan St. Werner Of Mouse On Mars

Imperium Droop Purple With White Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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Imperium Droop brings two mavericks of sweeping exploration together into new avenues of musical expression. Kid Millions and Jan St. Werner explore a liminal space between improvisation and composition, a fluid yet defined sound-space, founded on the unique chemistry of their friendship and pushing into the future. Kid Millions stands as one of the most sought after drummers and improvisers in NYC, known for his work as the drummer for Oneida, his expansive solo work as Man Forever, as well as collaborations and performances with the likes of Laurie Anderson, Philip Glass, Royal Trux, Boredoms, White Hills, and Spiritualized. Regardless of who he's working with Kid Millions radically redefines the drums as an instrument. Jan St. Werner has consistently remained at the vanguard of electronic music. In his work as one half of the visionary duo Mouse On Mars, as well as his acclaimed solo work both as a composer and sound artist, and in collaborations with The Fall's Mark E Smith, Oval's Markus Popp, Stereolab, and The National St. Werner constantly pushes the limits of recorded sound. Together, Millions and Werner have crafted a monument of unpredictable beauty built on breathless forays into the unknown. Werner's application of a seemingly infinite arsenal of textures unleashes colorful swaths of energy. Mats Gustaffson joins Werner on the maximalist "Color Bagpipes," unleashing torrents of swiveling melody and breathy clicks over the exponential thunder of Millions' drum kit. Pieces like "Dark Tetrad" and "Astral Stare" demonstrate the duo's mastery of space and surprise. Dark flutters flow in slow pulses across "Apotropaic" where erratic swirls of sound twist and mutate on "Sorrows and Compensations," unified as a single force by the overwhelming diversity of sounds. Millions' drums effortlessly rides each wave of Werner's prismatic deluges and channels their energy into dynamic movements. Through his singular prowess, Millions' tireless rhythms and subtle gestures mirror Werner's boundless textural palette and drive each piece towards transcendence. On Imperium Droop, Kid Millions and Jan St. Werner have combined their powers into an incomparable work of gripping and intrepid sonic fluctuations.

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LP | 2009 | US | Reissue (Thrill Jockey)

Earthly Delights

Release: 2009 / US – Reissue

Genre: Rock & Indie

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Lightning Bolt redefined what it means to be DIY. An utterly singular band in every way, unbridled creativity and energy propel them well past most categorical boundaries, the least of which is the boundary between band and audience. Theirs is an immersive experience - a sound so huge it can swallow us all. Earthly Delights is the metal album to Lightning Bolt"s genre-straddling discography, using the signature speed and volume reminiscent of past releases while centering around growling chords and monolithic rhythms commonly found in the foundations of metal. Amorphous songs feature a sort of gravitational pull, dragging listeners in and driving the pounding rhythms of Brian Chippendale into the brain until they are stuck in.Wielding the bass, Brian Gibson strays from his typical high-end runs, cramming thick chords between frantic beats, creating a brutal and grueling churn. Although this record is likely to wear you outwith unrelenting heaviness and elongated mega-jamming, we think fans will find this reissue of Earthly Delights quite- delightful...They are often called one of the loudest rock outfits in existence, both on records and on (or famously, off) the stage. Brian Gibson creates sounds that are unexpected and remarkably varied with his virtuosic bass playing and his inventive approach to the instrument, centered around melody rather than rhythm. The dizzying fury of Brian Chippendale"s drums twist from primal patterns into disorienting break beats as his distorted, and echoing vocals weave more melody into the mayhem. The impact that Lightning Bolt has had on underground music since its inception is immense, and remains pervasive beyond any genre tag that has been attached to them. Earthly Delights is the work of a band unafraid to challenge themselves, unbound by expectations, joyfully defiant, and possessed of the same inventive curiosity which set them apart on day one, and is still unmatched years later.

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LP+LP+All Media | 2022 | US | Original (Thrill Jockey)

Earthly Delights

30,99 €*

Release: 2022 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Sea glass coloured vinyl seems unplayed. Tiny wear. Original inner sleeves.

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Earthly Delights Sea Glass Vinyl Edition

2LP | 2009 | US | Reissue (Thrill Jockey)

Release: 2009 / US – Reissue

Genre: Rock & Indie

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Fantasy Empire

26,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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Fantasy Empire, Lightning Bolt's sixth album and first in five years, is a fresh take from a band intent on pushing themselves musically and sonically while maintaining the aesthetic that has defined not only them, but an entire generation of noisemakers.

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Fantasy Empire Clear with Hi-Melt Yellow And Pink Vinyl Edition

2LP | 2018 | US | Original (Thrill Jockey)

Release: 2018 / US – Original

Genre: Rock & Indie

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Hypermagic Mountain Black Vinyl Edition

2LP | 2020 | US | Original (Thrill Jockey)

Release: 2020 / US – Original

Genre: Rock & Indie

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"Hypermagic Mountain is Lightning Bolt's fourth, most well-oiled album: song-by-song it chugs into rockier Van Halen, Fucking Champs, or Orthrelm territory." - Pitchfork
Hypermagic Mountain, Lightning Bolt's 4th album has been unavailable for nearly a decade since it's 2005 release. Back as a double LP including a full drawing by Brian Chippendale as the D side Etching! The package includes a large scale 4-page book (previous pressings included a cd size book). Recorded at Machines with Magnets and Lightning Bolt's home by Dave Auchenbach. Lightning Bolt play with abandon that is unmatched and remarkably undiluted and this album is just one more example of that raw power and sound.
They are often called one of the loudest rock outfits in existence, both on record and on (or famously, off) the stage. Brian Gibson creates sounds that are unexpected and remarkably varied with his virtuosic bass playing and his inventive approach to the instrument, centered around melody rather than rhythm. The dizzying fury of Brian Chippendale's drums twist from primal patterns into disorienting break beats as his distorted, and echoing vocals weave more melody into the mayhem.
"Certain loud guitar rock records serve as brain erasers, a form of shock therapy zapping through aural inputs and (to mix metaphors) cleaning the proverbial clock. Lightning Bolt is one such thing." -LA Times

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Hypermagic Mountain Colored Vinyl Edition

2LP | 2020 | US | Original (Thrill Jockey)

Release: 2020 / US – Original

Genre: Rock & Indie

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Hypermagig Mountain Hyperglobby Pink Vinyl Edition

2LP | 2005 | US | Reissue (Thrill Jockey)

Release: 2005 / US – Reissue

Genre: Rock & Indie

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Hypermagic Mountain, Lightning Bolt's 4th album has been unavailable for nearly a decade since it's 2005 release. Back as a double LP including a full drawing by Brian Chippendale as the D side Etching! Recorded at Machines with Magnets and Lightning Bolt's home by Dave Auchenbach. Lightning Bolt play with abandon that is unmatched and remarkably undiluted and this album is just one more example of that raw power and sound.

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2LP | 1999 | US | Reissue (Thrill Jockey)

26,99 €*

Release: 1999 / US – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

few paper scuffs, tiny wear. 2020 reissue

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Lightning Bolt Yellow Vinyl Edition

LP | 2021 | EU | Original (Thrill Jockey)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Oblivion Hunter Black Vinyl Edition

LP | 2012 | US | Reissue (Thrill Jockey)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Oblivion Hunter Rainbow Splatter Vinyl Edition

LP | 2012 | US | Reissue (Thrill Jockey)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Lightning Bolt redefines what it means to be DIY. An utterly singular band in every way, unbridled creativity and energy propel them well past most categorical boundaries, least of which is the boundary between band and audience. Theirs is an immersive experience - a sound so huge it can swallow us all. Oblivion Hunter is a monster. Not a compilation, not concept album and more than the sum of its parts, the record is a peek into the band's inner world on their home turf (the Hilarious Attic in Providence), collecting deep explorations into distortion, bass manipulation and its intersection with rhythm. A Limited release in 2012 sold out almost immediately. This first re-issue is a deluxe one coming with 4 different covers each matched with it's own color vinyl. Re mastered by Josh Bonati, you can now immerse yourself in this pivotal Lightning Bolt album's sonic oblivion and YOU are now the Oblivion Hunter. A cathartic listening experience, Oblivon Hunter finds blast-beats colliding with distorted vocals and all shapes and sizes of guitar noises, even some metallic riffage on the album closer and aptly named "World Wobbly Wide." Throughout, the sound is amped-up and free with an ear on the railroad tracks to the big sounds of industry and clamor. Bass sounds jump out of the speaker cones that conjure up ears in alien propulsion systems, nights in faraway wind tunnels. Experience this pivotal album in Lightning Bolt's catalog like never before.

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Ride The Skies Baby Blue Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Ride the Skies is the 2nd album by Lightning Bolt, and this rerelease makes it available to fans for the first time since it's original release. Compared to their first album it's cleaner, tighter, recorded in studio rather than live. Which is not to say this is boring or sanitized in any way, Lightning Bolt never fail to make magic, filling a space with loud, raw sound. Sounds of synth or guitar turn out to be bass, and riffs become patterns, become a beat in the background, become a wall of noise, become a clear sound above it all. Lightning Bolt are known for the sound that truly comes into it's own in this album. Outside of their 7 acclaimed albums, they're known for frequent & exhilirating live shows, and this reputation has created a market for their older titles. Ride the Skies is rereleased with deluxe packaging featuring jacket art that was designed by Brian Chippendale for the original release but has never been realized until now. Recent Thrill Jockey Lightning Bolt re-releases seem to move as quickly as the Brians playing live, as old and new fans jump at the rare opportunity to finally get an old favorite in a shiny new jacket."

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Ride The Skies Puke Green Vinyl Edition

LP | 2001 | US | Reissue (Thrill Jockey)

Release: 2001 / US – Reissue

Genre: Rock & Indie

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2LP | 2023 | Original (Thrill Jockey)

93696

29,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear Vinyl

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93696 Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Liturgy transcends the traditional parameters of what constitutes a rock band. Founded by Ravenna Hunt-Hendrix, Liturgy is a part of a shared discipline of composition, art, and philosophy that thrives on exploring the spaces between. Liturgy"s signature use of rhythmic complexity and repetition are exponentially amplified to maximalist proportions on 93696. Along with guitarist Mario Miron, bassist Tia Vincent-Clark, and drummer Leo Didkovsky, Hunt-Hendrix utilizes Liturgy"s past ruminations on burst beats and circuitous phrases as colors to paint rich murals that overwhelm and invigorate the senses. 93696 is the purest synthesis of the diversity of Liturgy, a sprawling and monumental double album exploring religion, cosmic love, the feminine, and metamorphosis while manifesting the ecstatic with breathtaking grandeur. Liturgy is the project of Ravenna Hunt-Hendrix, whose yearning, energetic "transcendental black metal" exists in the space between metal, art music and sacred ritual. Its current lineup features Mario Miron (guitar), Tia Vincent-Clark (bass) and Leo Didkovsky (drums).

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93696 Crystal Clear Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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2LP | 2011 | US | Original (Thrill Jockey)

Aesthethica

70,99 €*

LP | 2016 | US | Reissue (Thrill Jockey)

Release: 2011 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Original inner sleeves. tiny wear

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Luke Roberts

Sunlit Cross

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Magic Tuber Stringband

Needlefall

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2012 | US | Original (Thrill Jockey)

Man Forever

Pansophical Cataract

14,99 €*

Release: 2012 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Orange vinyl seems unplayed. Cover is close to NM. Limited edition.

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Man Forever

Play What They Want

World Vision Perfect Harmony Clear With Hi-Melt Vinyl Edition

Release: 2017 / US – Reissue

Genre: Rock & Indie

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The music of drummer John Colpitts as Man Forever is explorative, innovative and fearless. A musician and composer equally versed in the disparate musical languages of DIY rock, improvisation, and contemporary classical, Colpitts (aka Kid Millions) has made an album that defes genre classifcation. Propulsive, elaborate drum arrangements (created with TIGUE Percussion) remain essential to Man Forever - on the songs of Play What They Want, they are augmented by voice and melody with contributions from Laurie Anderson, Yo La Tengo, and Mary Lattimore to name a few. Play What They Want represents the culmination of 25 years of musical engagement by one of New York’s most acclaimed percussionists. The collaborative process, essential to Man Forever, requires the relinquishing of one’s ego for a greater purpose. In Play What They Want Colpitts leverages a vast and talented stable of diverse collaborators to create a work that transcends the sum of its parts.
“You Were Never Here” kicks off the album with a gorgeous vocal performance by all members of Yo La Tengo and, like the transition from the black and white to technicolor, the piece becomes a driving, wild marriage of Max Roach’s “Garvey’s Ghost,” McCoy Tyner, Alice Coltrane and Steve Reich. World-class harpists Brandee Younger and Mary Lattimore join bassist Brandon Lopez, pianist Sam Yulsman and the Quince Contemporary Vocal Ensemble to create an experimental jazz and classical “dream team.” “Ten Thousand Things” resonates with TIGUE’s tense, virtuosic compound meters, a Moondog-esque vocal by Colpitts and singer Nick Hallett, and another intuitive performance by harpist Mary Lattimore. Finishing the side, “Debt and Greed” is a surprisingly wry pop tune that combines Colpitts’ Jaki Liebezeit-esque drum groove with CSN-style harmonies, guitar by Trans Am’s Phil Manley, and horn playing by Ben Lanz (Beiruit, The National, Sufjan Stevens).
The second side leads with the evocative album centerpiece “Twin Torches.” Here Colpitts worked with the legendary multi-media artist and musician Laurie Anderson, who provided spoken vocals and violin on the nearly 10-minute tour de force. This composition also features arresting vocal atmospherics by Quince, which precede some of the most complex drumming Colpitts has ever recorded. The album closes with “Catenary Smile,” a prickly ballad featuring Nick Hallett’s cascading background vocals which buoy the lyrics: a contemplation of humanity’s problematic tendency to anthropomorphize inanimate things.
While Colpitts’ previous albums have expanded on the possibilities and limitations of drums and percussion, this new album redefnes the project in myriad ways. Building on a complex rhythmic foundation, Man Forever created an album that is innovative, imaginative and joyous. Play What They Want is a rare record of untamed ambition that hits all its marks.

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Manslaughter

Marisa Anderson & William Tyler

Release: 2021 / US – Original

Genre: Rock & Indie

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Debut album World Vision Perfect Harmony follows a decade of collaborations starting with The Body and Braveyoung's Nothing Passes. For their debut as a duo, Buford and Jones blend bracing and imaginative takes on rhythmic-centric forms from dub, breakbeats, hip hop and beyond for a phantasmagoria of bristling drumscapes. Manslaughter 777 pulls together a vast array of disparate percussive traditions and patterns into a veil of dark, propulsive energy. Recorded and mixed by Seth Manchester at Machines With Magnets, the album's mélange of live and sampled beats fizzle, splat and rupture with an edge. While there are sounds that could be at home on a record by The Body, Manslaughter 777 inhabits much more open spaces. The duo's music is based primarily on drums and eclectic samples, shifting melodic ideas to the overtones and resonances of their respective percussive thuds or clicks. Buford and Jones incorporate hybridizations of live, sampled, and electronic percussion obscuring their boundaries while highlighting their specific tonal and timbral qualities. An alchemical balance of detailed and dynamic production guides each element to the fore in steady waves of relentless momentum. Taken as a whole, World Vision Perfect Harmony is a cornucopia of rhythmic texture. Manslaughter 777 channels a deluge of kineticism into a web of syncopated grooves that are equally entrancing and provocative. Audacious sound architects, Buford and Jones built an album that passionately revels in the world of rhythm. Manslaughter 777's constructs glide as gracefully as they rumble. Together, they are a monument to the power of percussion.

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Lost Futures

Release: 2021 / US – Original

Genre: Rock & Indie

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