Trading Places Organic Grooves 20 Items

LP | 1977 | EU (Trading Places)

Release: 2003 / EU

Genre: Organic Grooves

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Jazz guitar legend George Benson began his career unfeasibly young, recording for RCA aged nine. After a spell with organist Jack McDuff, he went solo in the early 1960s, cutting volumes of jazz and soul before belatedly scoring hits as a lead vocalist. Irreplaceable dates from 2003, when Benson had embraced the slick grooves of urban contemporary, working with Robert Bell’s son Hakim, Joshua P Thompson and fellow Babyface collaborator, Joe. This gatefold sleeve reissue comes complete with three songs that appeared on certain later editions, namely ‘Softly, In A Morning Sunrise,’ ‘Take You Out’ and ‘Arizona Sunrise.’

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Albert Dailey

Renaissance

LP | 1977 | EU (Trading Places)

Release: 1977 / EU

Genre: Organic Grooves

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Modern and grounded in 1960s hard-bop sensibility, the American pianist and composer Albert Dailey (1939 – 1984) had perfect control over his instrument. Since an early age he played with cutting-edge musicians, the likes of Art Blakey, Sarah Vaughan, Stan Getz, Charles Mingus and Lee Konitz to name just a few. But despite that, he was an underrated artist during his lifetime receiving deserved recognition only after his death. Renaissance 2 November 1977 is his second album, played by a bold group that includes the voice of Cheryl Alexander, Carter Jefferson on sax, Cecil McBee on bass and features both Cheryl Alexander and Adam Nussbaum on drums.

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Ultrafunk

Meat Heat

LP | 1977 | EU (Trading Places)

Release: 1977 / EU

Genre: Organic Grooves

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Anonymous British funk band Ultrafunk was spearheaded by Blues & Soul magazine proprietor John Abbey, who ran a record shop and label called Contempo during the 1970s; he conceived of the group as the UK counterpart to US studio bands like Mfsb. Arranger Gerry Shury, who had worked with Barry White and Maurice Gibb of the Bee Gees, drafted guitarist Chris Rae and bassist Frank McDonald (who often composed library music together) and future Rubettes drummer John Richardson. A lack of band photos, suggestive song titles and a predilection for American over tunes led many to believe the band was US-based. Second LP Meat Heat shows the group at the peak of their powers, with five choice hard funk instrumentals, including a tasteful synth-led adaptation of Stevie Wonders’ “I Wish” (beautifully arranged by session guitarist Gordon Hunte, who had worked with Osibisa and Rebob Kwaku Baa), while their take on Norman Whitefield’s “Sunrise,” from the Carwash soundtrack, is exceptionally rendered. Sadly, Shury’s death in a car crash would soon squash the group, leaving Meat Heat the best reminder of their musical talents.

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Astrud Gilberto

That Girl From Ipanema

19,99 €*

LP | 1976 | EU (Trading Places)

Release: 1977 / EU

Genre: Organic Grooves

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The daughter of a Brazilian mother and German father, Astrud Gilberto achieved international prominence with “The Girl From Ipanema,” an inauspicious debut recorded for the landmark album her husband, Joao Gilberto, created with Stan Getz in 1963. Moving to the USA, where she was subsequently based, she continued her solo career and also toured with Getz, with whom she later began a relationship. Over-the-top classic That Girl From Ipanema allowed her to revisit the hit in the sweeping high-fidelity full-spectrum setting of a disco big-band, the album overseen by Mfsb and Salsoul mainstay, Vince Montana. Along with individual takes of Cole Porter’s “Love For Sale” and Harry Nilsson’s “The Puppy Song,” original “Far Away” benefits from the understated trumpet of Chet Baker, but the album ultimately revels in all things disco, the Brazilian element coming courtesy of percussionist Dom Um Romao on select tracks. Crank up the volume and tune in to the brass, piano and percussion that percolates under Astrud’s characteristically soft and sultry vocals to fully experience this underrated gem.

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Henry Franklin

Tribal Dance

LP | 1976 | EU (Trading Places)

Release: 1976 / EU

Genre: Organic Grooves

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Los Angeles bass titan Henry Franklin is bestknown for the two Skipper LPs issued by Black Jazz in 1972-74; 1977’s Tribal Dance is more obscure and arguably the best of the bunch, the spiritual jazz given an extra propulsive dimension via the excesses of Sonship, banging complex rhythms on his elaborate self-made drums, as heard on the opening title track and the extended ‘Cosmos Dwellers.’ Elsewhere, ‘Eric’s Tune’ has flamenco undercurrents, ‘Spring Song’ is a slow piano meditation, and ‘Prime Move’ is all over the map. This sonic jazz journey engages the senses and is thoroughly excellent throughout – get your copy now!

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Frank Strazzeri

After The Rain

Release: 1976 / EU

Genre: Organic Grooves

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LP | 1976 | EU (Trading Places)

Flip Nunez

My Own Time And Space

Release: 1976 / EU

Genre: Organic Grooves

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LP | 1975 | EU (Trading Places)

Zzebra

Panic

19,94 €* 20,99 € -5%

Release: 1975 / EU

Genre: Organic Grooves

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LP | 1975 | EU (Trading Places)

John L. Watson

Let's Straighten It Out

LP | 1974 | EU (Trading Places)

Release: 1975 / EU

Genre: Organic Grooves, Rock & Indie

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Following his tenure fronting British psychedelic rock act The Web, who cut a couple of likeable albums featuring his bluesy, soulful lead, US-born vocalist Mississippi John L. Watson went solo, working with Pete Wingfield on his 1970 debut, White Hot Blue Black. Superior sophomore set Let’s Straighten It Out was released on Bob Kingston’s Spark label in 1975 and credited to John L. Watson and White Mouse, with Watson headed in a funk direction; along with the potent title track, there’s a fine cut of Gwen McCrae’s ‘Rockin’ Chair,’ making the set a sure-fire winner for Watson fans and lovers of British funk and soul.

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Zzebra

Release: 1974 / EU

Genre: Organic Grooves

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LP | 1974 | EU (Trading Places)

Tramp

Put A Record On

Don Covay And The Jefferson Lemon Blues Band

Release: 1974 / EU

Genre: Organic Grooves, Rock & Indie

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English blues outfit Tramp had a fleeting existence in the late 60s and early 70s—here today, gone tomorrow. Based around former John Dummer Blues Band vocalist/ guitarist Dave Kelly and sister Jo Ann on harmonies and occasional lead, the group got a boost from Fleetwood Mac mainstays Mick Fleetwood, Danny Kirwan, and Bob Brunning, as well as former Savoy Blues keyboardist, Bob Hall. If not quite as compelling as their 1969 debut, this 1974 LP has the hallmark touches that made the Mac leaders of the British blues scene. Fleetwood Mac devotees and British blues lover, get stuck in!

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Different Strokes For Different Folks

LP | 1972 | EU (Trading Places)

Mal Waldron & Gary Peacock

Release: 1972 / EU

Genre: Organic Grooves

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During his long and fruitful career, multifaceted singer-songwriter Don Covay recorded in a variety of styles, including gospel, doo-wop, soul, rock, and blues, and his enviable skills as a songwriter were responsible for the likes of Chubby Checker’s ‘Pony Time,’ as well as Aretha Franklin’s ‘See Saw’ and ‘Chain Of Fools.’ Following his departure from Atlantic, Different Strokes For Different Folks was cut for the small Janus label at the esteemed Swampers HQ in Muscle Shoals, Alabama, the resultant groove irresistibly mixing funk, soul, gospel, and rock, all the while working in plenty of Covay’s individual humour.

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First Encounter

LP | 1971 | EU (Trading Places)

LP | 1971 | EU (Trading Places)

Release: 1971 / EU

Genre: Organic Grooves

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After playing with Mingus, Coltrane, Lady Day and Abbey Lincoln, inventive jazz pianist Mal Waldron moved to Europe and first reached Japan in 1970, where he met Idahoborn double-bassist Gary Peacock, who had played with Art Pepper, Bud Shank, Bill Evans and free-jazz giant, Albert Ayler before moving to Japan to study zen buddhism. First Encounter, recorded in Tokyo in 1971 for French producer Herve Bergerat, shows that the intense pairing was quite natural, the harmonic dissonance of Waldron’s “She Walks In Beauty” contrasted by the up-tempo groove of Peacock’s “What’s That”; future Native Son founder Hiroshi Murakami makes important contribution on drums.

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The Trio

Conflagration

12" | 1971 | EU (Trading Places)

Release: 1971 / EU

Genre: Organic Grooves

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The core membership of free jazz act The Trio ensured its output was captivating, comprised as it was of double-bassist Barre Phillips, who had played with Archie Shepp, Chris McGregor, and Gong; saxophonist John Surman, who had played with John McLaughlin, Lester Bowie, and Alexis Korner; and drummer Stu Martin, who had played with Count Basie, Donald Byrd and Herbie Hancock. On the gripping sophomore set Conflagration, guest players include Chick Corea and trumpeter Harry Beckett, ensuring their take on abstract jazz contains melody as well as jarring exchanges. Another great Trio free jazz set!

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Atlantic Bridge

I Can't Lie To You

13,29 €* 13,99 € -5%

LP | 1969 | EU (Trading Places)

Release: 1971 / EU

Genre: Organic Grooves

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Glasgow-born pianist Mike McNaught’s aim was to infuse pop and rock into jazz, forming Atlantic Bridge after leading the London Jazz Four, recruiting bassist Darryl Runswick and drummer Mike Travis, who he played with in the Henry Lowther Band, alongside flutist/saxophonist Jim Philip of the Michael Garrick Sextet to craft a sole LP for Pye’s Dawn subsidiary. The lead track on this rare 12-inch EP, ‘I Can’t Lie To You,’ was a non-standard original that summed up all of their capabilities, with uncredited female vocals and unusual enhancing overdubs; instrumentals ‘Hilary Dickson’ and ‘Childhood Room’ are pleasantly atmospheric, the latter showcasing the awesome power of Runswick’s melodic bass prowess.

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Amalgam

Prayer For Peace

LP | 1969 | EU (Trading Places)

Release: 1969 / EU

Genre: Organic Grooves

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While stationed in Germany in the RAF during the late 1950s and early 1960s, York-born alto and soprano saxophonist Trevor Watts met the drummer John Stevens, with whom he would form the Spontaneous Music Ensemble upon returning to the UK in 1965, which became an important vehicle for British free improvisation. Watts’ spin-off project Amalgam came two years later with Stevens and bassist Jeff Clyne, previously in the Jazz Couriers with Ronnie Scott; their debut LP Prayer For Peace is jazz improv at its most melodic, an unpredictable album of varying shades, with three unique takes of the song ‘Judy’s Smile.’

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Tramp

LP | 1968 | EU (Trading Places)

Release: 1969 / EU

Genre: Organic Grooves, Rock & Indie

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English blues outfit Tramp was a fleeting affair, active in the late 1960s and early 1970s on an on again, off again basis. Centred on former John Dummer Blues Band guitarist/vocalist Dave Kelly and his singing sister Jo Ann, the group benefitted from Fleetwood Mac mainstays Mick Fleetwood, Danny Kirwan, Bob Brunning and former Savoy Blues Band keyboardist, Bob Hall. Produced for Spark in 1969 by Donovan’s manager, Peter Eden, their sole LP featured tough blues originals, written by members of the group. This is a must-have for all Fleetwood Mac devotees, andfor lovers of British blues albums.

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Ike & Tina Turner

So Fine

The Most Exciting Organ Ever

Release: 1968 / EU

Genre: Organic Grooves

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Among the most famous husband-and-wife soul duos of all time, Ike & Tina Turner scored an incredible array of hits in the 1960s and 70s, before Tina finally exited the partnership. The debut LP on the Pompeii label, So Fine dates from 1968, a couple of years after a support slot on a Rolling Stones tour boosted their profiles; in addition to a remake of early hit ‘A Fool In Love,’ there’s an awesome take of Johnny Otis’ ‘So Fine’ and a competent rendition of ‘Shake A Tail Feather.’ Tina is fully in her element, the Ikettes keep up the harmonic pressure, and producer Ike handles the rest. Recommended listening for all soul fans!

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Billy Preston

LP | 1965 | EU (Trading Places)

Alexis Korner's Blues Incorporated

Release: 1965 / EU

Genre: Organic Grooves

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Billy Preston’s mastery of the organ was such that he was commissioned for collaboration by The Beatles, The Stones and countless others, his classic Hammond work a defining element of ‘Get Back.’ Released in 1964 when Preston was still 19, The Most Exciting Organ Ever mixes swinging originals such as ‘Low Down,’ ‘Soul Meetin,’ ‘The Octopus’ and ‘Billy’s Bag’ with expressively soulful covers of standards such as ‘If I Had A Hammer’ and ‘Don’t Let The Sun Catch You Crying,’ ably showcasing Preston’s awesome dexterity and unmatched ability on his chosen instrument. With every track a winner, the title rings true!

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Red Hot From Alex

LP | 1964 | UK (Trading Places)

29,99 €*