Trance 202 Items

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Harmony013 is a result of the cooperation between Alfred Czital and Ayu, capturing the spontaneity and energy of the duo's musical synergy from their recently performed live sets.

The EP envelops listeners in a trancy and deep sonic journey, weaving a dynamic tapestry of progressive sound that carries a sense of innovation.

Air Kraft Vision was a unique live act renowned during the late '90s and early '2000s for their live sets performed at the finest Tuscan clubs like Jaiss, Imperiale, Insomnia and the infamous open-air afterparty, The West. The group was composed by Francesco Passantino, Davide Cali and Roberto Bonini (Robo). The peculiarity of AKV was to replicate the spontaneity of studio live sessions in clubs, bringing almost all their machines and hardwares on stage. The same attitude was reflected in their productions: one mixer, rough analog sounds and three minds perfectly synchronized with each other. Evasione Digitale is proud to reissue "Wavy Gravity”, originally released in 2001, a totally refreshing approach to Italian progressive music.

Agents Of Time are back on Afterlife with the Midnight Drive In Santiago EP, following their debut Forest Of Lies in 2018. Known for their distinct, synth-driven take on electronic music, the duo showcase their production prowess with four tracks that demonstrate their ability to tap into your emotional centre with varying styles. ‘Santiago’ is the melodramatic opener with its mesmerising melodic riff and bright layered synth work. ‘Midnight Drive’ takes us for a meandering moonlit spin in a shiny black Chevrolet Corvette. ‘Chain Reaction’ utilises an insistent rhythm and emotive pads to hypnotise you and draw your emotions to the surface. Finally, ‘Out Of Format’ invites us to explore the dark, mysterious corners of the universe as we embark on a whimsical cosmic journey beyond the stars. 2024 repress on dark green Colored Vinyl!

Two brand new smash hit singles the world has not been asking for. Absolutely vegan, hd-ready and with some extra heavy sub bass. Turn it up!

re:discovery records is proud to announce the reissue of 1993's 'Synaesthetic' by A Positive Life. This seminal release is revered and beloved by fans and followers of early 90's electronic, IDM, techno, dub and chill out music. Key tracks include the Orb-esque 'The Calling', the magnificent 'Pleidean Communication' and the chill out dub classic 'Aquasonic' among others. This new reissue also adds the track 'Warehouse 5am' which was orginally only releases on the American cd version and not the original vinyl. Spread across 2 vinyl with new updated artwork by Grid Pattern and insert input from the label and the artist themselves, this will surely be the reissue highlight of 2021.

Marie Montexier, the head behind Paryìa, releases the label’s first EP by the German-Turkish artist a.b.u.3.0.3. Creating a range of slow and fast rhythms while mixing different genres from experimental structures to floor fillers, Paryìa I doesn’t only highlight a personal and intimate side of a.b.u.3.0.3.’s work but also Marie’s sense for crossing genre boundaries. Influenced by this father’s culture a.b.u.3.0.3 blends elements of traditional anatol-folk with electronic music that shaped his youth. He combines bass heavy techno rhythms with deep acid patterns, letting his arrangements oscillate between nostalgic moods and contemporary sounds.

NYC’s 75 Dollar Bill began its prolific career in 2012, after percussionist Rick Brown—a veteran of the indie underground (Fish & Roses, Run On, V-Effect)—and noise scene guitarist and multi-instrumentalist Che Chen—connected via MySpace. Since that initial jam session, when Brown began experimenting with his signature plywood crate drum rhythms, they have released three LPs and a clutch of self-released cassette and digital releases. Last year’s double album I Was Real received serious critical acclaim—The Wire calling it 2019’s Album of the Year. On their first live album, Live At Tubby’s, 75 Dollar Bill assembled a unique “little big band” [Sue Garner on bass, Cheryl Kingan on sax, Steve Maing on guitar, Jim Pugliese on percussion and Karen Waltuch on viola] for the small Kingston, NY club show. Recorded on the last day of their spring tour, the record puts a new perspective on themes from their body of work: a little more intimacy, a little more freedom, a little more controlled chaos. Brown’s idiosyncratic rhythms are all the more hypnotizing in Tubby’s cozy setting, and Chen’s furious guitar work cuts and hums with sounds seemingly only attainable on stage. It’s an album both challenging and immediate. The expanded 75 Dollar Bill’s affinity for improvisation and the avant-garde even leads to a rousing take on the Ornette Coleman classic, “Friends And Neighbors” that feels right at home in their own repertoire. The listener can’t help but feel present and part of the communal joy and catharsis being shared here in this room. This performance at Tubby’s turned out not only to be the last show of their tour, but the last show possible as the pandemic hit. Originally offered as a digital-only release on 75 Dollar Bill’s Bandcamp, Live At Tubby’s now documents a highlight and closure of sorts; this kind of musical improvisation and community interaction being on hold for the foreseeable future. This double album on Grapefruit will have to tide everyone over until it can all happen again.

The always adventurous Especial label is back on its world travels once more for another cultured EP, this time from Jonne Lyden aka 53X. This is a widescreen bass exploration with trance-tinged steppas looking firmly to the future from the Finnish-born artist. He has a background in punk bands but a trip to Berlin turned his ear and now he makes experimental fusions that draw on everything from industrial to Berghain to Detroit for inspiration. His tunes are mostly started out as live jams and then edited into what we have here - club-ready sounds, rich atmospherics, acid, breaks and hypnotic rhythms.

While digging for music at Snickars records in Stockholm, local producer, DJ and promoter Maya Lourenco aka Parallax Deep came across two classic goa/psy tracks. These were ‘Gobi Desert’ by 100th Monkey & Tristan (released on Matsuri Productions in 1995) and ‘Bunker’ by Four Carry Nuts (released on Aurinko Records in 2000). She took the records home and began working on creating her own edits by expertly slicing and re-arranging different sections of the tracks and coming up with her own unique versions staying true to the original identity, giving new life to two classics from decades past.