Unday Pop 20 Items

LP in gatefold sleeve. Sam is a young songwriter, a singer and a musician, but he's a sketch artist at heart.Dawn/Dusk became the perfect sketch, loose yet meticulously crafted. Boundless, yet beautifully framed.

Limited 2022 repress on apple green vinyl + insert.

Three years after the release of his magnum opus 'Sciencing', Tim Vanhamel is back with new album 'Applz Not Applz'. Sly & the Family Stone, Marvin Gaye, Curtis Mayfield, Public Enemy, Jimi Hendrix... Consider this a tribute to those kinds of records, with a tongue in cheek nod and celebratory flavour.

LP on Colored Vinyl in silkscreen printed sleeve.On 'Dear', Pauwel expands his musical universe considerably, without losing his characteristic melancholy and distinctive voice.

LP on lollipop red vinyl in printed innersleeve. For his take on a party album, Verstraeten picked up influences left and right. 'I watched every mafia movie on Netflix.. I had a bit of a triphop moment, and I took the beats and Portishead-like strings from there.

Standard version on black vinyl in gatefold sleeve.13 years and two more successful albums 'Little Heavy Burdens' (2014) and 'Exhale' (2017), the unbreakable foursome is ready to start the next chapter in the career of Intergalactic Lovers.

Deluxe gatefold 2LP on Colored Vinyl, limited to 500 copies.The Bony King of Nowhere's critically acclaimed debut album finally gets its first release on vinyl in 12 years + second LP including a selection of home recordings.

2LP in gatefold sleeve with printed innersleeves. Oud Zeer contains ten piano tracks, each of which is named after epitaphs of graves.Musically, Oud Zeer is more bare boned than his previous albums. Piano, voice, some sparse guitar or strings: that's all there is.

2LP in gatefold sleeve on clear vinyl. Opname van de integrale live show van Het Zesde Metaal in de Handelsbeurs - Gent in Februari 2020, net voor de pandemie toesloeg.Gemixt door de vaste geluidsman van de band als homage aan hun volledige live crew en hun fans.

Limited edition on coke bottle Colored Vinyl. 22 year old Sam De Nef has been in music for a while as lead singer of indie outfit 'Danny Blue and the Old Socks', but It wasn't until last year he started thinking of a solo career.His debut mini album is an inspired collection of visceral folk and singer songwriter tunes, drenched in nostalgia. He's inspired by the likes of Dylan, Jack Kerouac, Leonard Cohen and Karen Dalton.

Trixie Whitley presents 'Lacuna re-imagined'. She reworked six tracks from her 'Lacuna' album from 2019. Trixie recorded new versions and invited three talented musicians to her home studio in Brooklyn to provide strings and horn arrangements. Multi-instrumentalist Stuart Bogie (who previously collaborated with Arcade Fire, David Byrne and Run The Jewels) took care of the wind section, Emily Wells and Topu Lyo recorded the strings. The EP "Lacuna re-imagined" will be released on all digital platforms and limited edition vinyl November 13. All profits made from these recordings will go directly to The Callen-Lorde (clinic's health care and activism work), as Trixie explains in the letter below.

A download code is included. LP in gatefold sleeve. Never afraid to defy genres, her work on 'Lacuna' sees Trixie pulling classic soul into a future world through a fascinating, heady blend of hi-fi electronic sounds, hypnotic rhythms, and her trademark vocals with gut punching lyrics.

Record shows some scratches. Cover has seam split!

You just moved to the big city, you end up at a party where you don't know anyone and someone walks up to you and asks: "Hey, are you alone here?". That is exactly the feeling that Porcelain id describes on their debut album Bibi:1, short for the Arabic pet name Habibi. Porcelain id is the pseudonym under which Hubert Tuyishime (they/them/their) has been unleashing unique songs since 2020.

The album - inspired by their move from a quiet provincial town to Antwerp - is the soundtrack to walking into city traffic during rush hour and trusting to get out of the chaos in one piece. It is an ode to exciting encounters with complete strangers and to the friends you can come home to afterwards. A story about being a stranger in a city you've romanticized for so long, the rejection that comes with it, and the false nostalgia with which you look back on it all later on.

At first hearing, the completely English-language Bibi:1 may seem like a brusque farewell to the autobiographical intimacy and lo-fi singer-songwriter music on the previously released EPs Mango and Reprise, and especially on songs like Vlaanderen. But to Porcelain id it feels like an organic evolution. One towards more abstraction, experimentation and electronics, but never detached, and still building on the core of Porcelain id.

The new sound is the result of an intense collaboration with producer and partner in crime Youniss Ahamad, who, despite their different musical backgrounds, immediately felt challenged after Porcelain id's legendary elevator pitch: 'I want to make something that is situated between Nick Cave and the Bad Seeds and Yeezus by Kanye West'.

Together they drew the blueprint for Bibi:1 in Youniss' home studio. Track by track, without looking back. A sporadic, but rigid process that added to the intensity of the album. In the studio, the songs were taken to a higher level. The two invited a pack of talented friends and young musicians to the studio to add parts, a stark contrast to the solitary approach of previous EPs. Aram Abgaryan (recording engineer/synths/vocals), Nard Houdmeyers (guitar), Tim Caramin (drums), David Idrisov (bass), Alban Sarens (sax) and Emma Hessels (vocals) came by. Aram Santy was at the controls during the mixing sessions.

The result sounds like the ultimate symbiosis of Porcelain id and Youniss. Lofi, but ambitious. Fragile, but rough. Poppy, but disruptive. Sometimes challenging. Then welcoming again. Sometimes even danceable. Each song forms a small vignette that is part of a diverse, but coherent unity. Adam Coming Home and Low Poly are closest to the melancholy of Porcelain id's earlier work, while Lights! strikes a new path. First single Man Down, on the other hand, is inspired by the Antwerp students who drown every year and sounds like a wandering nightly stroll through the city. For Brilliant, David Idrisov was asked to 'play bass as if Chet Baker were not a trumpet player, but a bass player', a bizarre assignment that he accomplished with verve. And Cellophane flirts with emo trap and was sung with raspberries between the teeth, to simulate the effect of grills.

The Bony King of Nowhere is the artistic alias of Belgian artist Bram Vanparys. He made a mark in 2018 with the release of his critically acclaimed album Silent Days. The record received consistent 4- and 5-star press reviews and was hailed as his best album to date. It also earned Vanparys a Music Industry Award (be) for 'best author-composer'. Silent Days revealed the full potential of the singer-songwriter and his commitment to never repeat himself and keep surpassing his creative abilities.

The new album, entitled Everybody Knows, has been a long time coming, partly due to Vanparys' aforementioned pledge to artistic evolution. The first two tracks he unveiled give a definite hint of what to expect from this album. 'Are You Still Alive' and 'Almost Invisible' carry the quality mark, known colour scheme and scent of The Bony King of Nowhere, but add many more hues and details. The new record showcases the new league Vanparys is playing in. Themes like rusted patterns in society, the obedience of the everyday man, the structural false ignorance of big shots, the toxicity of online communication and other very recognisable but not always pleasant subjects. Inspired by the observations of many sociologists, Vanparys dissects our society, the loneliest ever. This album is not just disconcerting though, in its strength lies a sense of hope and vigour.

The first singles promise a new album with lots of punch and energy, while Vanparys is unveiling the complete complexion of his voice whilst remaining vulnerable and honest. On the album, he is accompanied by multi-talent guitarist Vitja Pauwels (Naima Joris), pianist Hendrik Lasure (Tamino, Bombataz), drummer Simon Segers (Sylvie Kreusch, Stadt) and bass player Jasper Hautekiet.

While the songwriting legends, particularly Neil Young and Bob Dylan, have always kept Bram company, his latest compositions also draw inspiration from more contemporary artists. The influence of PJ Harvey, Blur and Nick Cave are unmistakable when you listen to his music. While staying true to his heartfelt songwriting style and captivating voice, The Bony King Of Nowhere embarks on a journey into uncharted musical and thematic realms.

The last time this band was on tour in support of 'Silent Days', they took a big leap forward while touring 75 shows across renowned venues and festivals in Belgium, The Netherlands, Germany, and France, with a packed Ancienne Belgique in Brussels as one of the highlights. Now the five-man-band, consisting of Jasper Hautekiet, Simon Segers, Thijs Troch (Nordmann), Gertjan Van Hellemont (Douglas Firs), will start this tour with shows in Ekko, Utrecht on March 6 and Ancienne Belgique, Brussels on March 8.

The Bony King of Nowhere is the artistic alias of Belgian artist Bram Vanparys. He made a mark in 2018 with the release of his critically acclaimed album Silent Days. The record received consistent 4- and 5-star press reviews and was hailed as his best album to date. It also earned Vanparys a Music Industry Award (be) for 'best author-composer'. Silent Days revealed the full potential of the singer-songwriter and his commitment to never repeat himself and keep surpassing his creative abilities.

The new album, entitled Everybody Knows, has been a long time coming, partly due to Vanparys' aforementioned pledge to artistic evolution. The first two tracks he unveiled give a definite hint of what to expect from this album. 'Are You Still Alive' and 'Almost Invisible' carry the quality mark, known colour scheme and scent of The Bony King of Nowhere, but add many more hues and details. The new record showcases the new league Vanparys is playing in. Themes like rusted patterns in society, the obedience of the everyday man, the structural false ignorance of big shots, the toxicity of online communication and other very recognisable but not always pleasant subjects. Inspired by the observations of many sociologists, Vanparys dissects our society, the loneliest ever. This album is not just disconcerting though, in its strength lies a sense of hope and vigour.

The first singles promise a new album with lots of punch and energy, while Vanparys is unveiling the complete complexion of his voice whilst remaining vulnerable and honest. On the album, he is accompanied by multi-talent guitarist Vitja Pauwels (Naima Joris), pianist Hendrik Lasure (Tamino, Bombataz), drummer Simon Segers (Sylvie Kreusch, Stadt) and bass player Jasper Hautekiet.

While the songwriting legends, particularly Neil Young and Bob Dylan, have always kept Bram company, his latest compositions also draw inspiration from more contemporary artists. The influence of PJ Harvey, Blur and Nick Cave are unmistakable when you listen to his music. While staying true to his heartfelt songwriting style and captivating voice, The Bony King Of Nowhere embarks on a journey into uncharted musical and thematic realms.

The last time this band was on tour in support of 'Silent Days', they took a big leap forward while touring 75 shows across renowned venues and festivals in Belgium, The Netherlands, Germany, and France, with a packed Ancienne Belgique in Brussels as one of the highlights. Now the five-man-band, consisting of Jasper Hautekiet, Simon Segers, Thijs Troch (Nordmann), Gertjan Van Hellemont (Douglas Firs), will start this tour with shows in Ekko, Utrecht on March 6 and Ancienne Belgique, Brussels on March 8.

On their debut EP, Sam De Nef and Camille Camille delve into some of their most personal and introspective songwriting yet. These songs showcase their individual talents but also highlight the powerful synergy that arises when two gifted artists and unique vocalists join forces to create something truly special.

Sam and Camille are two unique and talented artists hailing from Belgium who share a gift for writing compelling contemporary folk and singer-songwriter songs. They both released acclaimed debut albums in recent years and have been crossing paths on numerous occasions. Camille appeared in duets on Sam's debut EP and his first album, Sam featured in Camille's live band, each time expressing a profound musical chemistry. This collab EP seemed the logical next step, uniting their talents to craft an EP embodying heartfelt, warm, and uncomplicated songs.

"In the collaborative journey of crafting the songs on Waving, our different creative approaches brought about a unique synergy. We feel the result transcends our individual styles. Each song resonates with our individual aspirations, which makes playing them very refreshing and challenging."

Stripped to their core, these compositions on their debut EP are defined by the gentle interplay of acoustic guitars and harmonious vocals. Only subtle percussion and the occasional cello add subtle layers to the sonic tapestry. The two recorded the six songs on their debut EP by themselves in the intimate atmosphere of Sam's home studio, opting for a DIY and back-to-basics approach. Their primary focus was on capturing spontaneity and the essence of live performance. Musical sparring partner PJ Decraene added the final touches and mixed the EP.

For more than a decade, Bert Dockx has been one of the most prolific and versatile musicians in Belgium. A masterful guitarist, gifted songwriter, and innovative composer, crossing boundaries between avant-garde rock, customized blues, and instrumental jazz, with bands such as Flying Horseman, Dans Dans, and Ottla, singing in his native Dutch as Strand, or solo under his birth name, and now as the Bert Dockx Band. Ghosts is his fifteenth (!) album on the Ghent-based label Unday Records. Two years after the crash, Bert Dockx presents his new Bert Dockx Band and Ghosts, an album of rebirth and transgression, one of many firsts. Dockx never dedicated this much time to meticulously crafting each song. For the first time, he entrusts a finished record to a complete outsider. Never before has he reached out so far into the outside world. The relaxed and positive atmosphere during the recordings is magnified in what Dockx calls 'my best guitar playing ever', and the deep, powerful use of his voice in its natural range. 'I had fun making this album,' says Dockx, 'and I really hope it shows'. 'There's no escape now/ I'm inside of the storm', Bert Dockx sings on his new album, the first with the Bert Dockx Band. 'I smile, I cry/ I die, I'm born/ I'm in love'. Ghosts is the culmination of a two-year odyssey, from hitting rock bottom to flourishing into new heights. An album of rebirth and transgression, a record of milestones and many firsts. Never before has Dockx turned so deep inside in order to reach out to a world beyond himself. The album is mastered by US producer Philip Weinrobe. Weinrobe previously worked with Arianne Lenker, Indigo Sparke, and Kings of Convenience, and is praised by Dockx for his 'infallible intuition and great inventiveness'. This occasion marks the first time he hands over a finished record, permitting an outsider's perspective during the final mix.

Hydrogen Sea's third full album Creature Comforts is a luscious, fresh, and vibrant collection of new songs that explore everything that offers us, fragile creatures, physical and mental comfort, and makes us feel good. It's the duo's first collaboration with producer Luuk Cox. The record sounds unapologetically light and colorful but dares to look at the shadows. As the soft-spoken TV painter Bob Ross once said, 'You need the dark in order to show the light.'

Hydrogen Sea started out in 2012 as the brain and love child of the duo Birsen Uçar and PJ Seaux. For their most recent record Automata from 2019, they wrote and performed in full band formation alongside Steven Van Gelder, Joris Caluwaerts, and Patricia Vanneste. Forced by (but also pretty much enjoying) the solitude during the pandemic, Birsen and Pj huddled together in their studio and started to write and demo their Creature Comfort songs. It was an attempt to find some hope, softness, and joy in the slow apocalypses we live through. The duo wanted to explore sounds and themes that offer us, fragile creatures, physical and mental comfort, and make us feel good. On the other hand, Birsen's lyrics could never overlook the mechanism of instant gratification and toxic consumerism. Above all, the new music was Birsen and PJ's way of relieving their own stress and soothe their nervous systems. In February 2023, after having written and recorded the bulk of the songs in the solitude of their home studio, Birsen and PJ called in the multifaceted skills of Luuk Cox. He was welcomed into their creative process and produced and mixed the album, making it sound effortlessly bright, crisp, and filled with color.

After opening the album with the atmospheric Ammonite, Hydrogen Sea offers you their first sun-filled single Candy. It is deliciously addictive with catchy vocals, playful drums, guitar, and percussion. Wine, PJ and Birsen's second single, starts out with bouncy vocals but its sizzling synths and beat mark the darker side of things that ignite pleasure in the world, pointing out that some creature comforts can be addictive or toxic if repeated too often. Dragons kicks off gorgeously bare and evolves into a sweeping, heart-pounding song with Birsen encouraging you to breathe, even if there's smoke and fire coming out. Cherry Milk is an upbeat invitation to go beyond superficial comforts and to try to talk about it with others, because it's important to look at the unrest beneath the surface. Wolves is a call to 'cradle every weird idea', to connect with your body and your true wild self. Electrifying and hypnotic Mycelium dives into the comforting psychedelic notion of never-ending and all-encompassing interconnectedness. Appalachia paints a picture of desolate mountains and describes the pitfalls of staring into the darkness too long. It also reminds you of the importance of finding someone to crawl back up seemingly insurmountable hills with. The velvety synths and vocals of Watermelon transport you to magical 'butterscotch fields, under sangria skies'. Finally, Creature Comforts ends elegantly with the brilliant and hope-filled Earth.