US Hip Hop Sale 432 Items

Absolutely stunning very rare old school party disco rap 12" performed by members of the Chicago public highschool Carver High. Originally released in 1982 on their own private-press Challenger Records. The track is the opening highlight of Soul Jazz Records" recent Yo! Boombox collection and is featured here in its full glorious seven and a half minutes and comes complete with exact-replica of the striking original hand-drawn artwork.

Quantity: 1500
Release type: RSD Exclusive Release

For Black Friday, Schoolly D Is Available In A Yellow And Black Blended Pressing With A Full Color OBI Strip Get On Down presents a special old school treat for RSD Black Friday - Schoolly D’s 1985 debut first issued on his own imprint (and five years later on Jive) produced by Schoolly D and DJ Code Money. The cover of course features Schoolly’s own hand drawn artwork and the album features two of his career stand out cuts - "Gucci Time" and "P.S.K." Find out why Schoolly, and this release in particular, were a heavy influence on Public Enemy, Ice-T, the Beastie Boys and more. Put on your Filas and kick it old school with Schoolly D - presented for RSD Black Friday in an exclusive yellow & black colored vinyl pressing.

Run-D.M.C. leaves no doubt about its intent on King of Rock. The New York trio's hard-hitting sophomore album begins with a statement of purpose ("Rock the House") that serves as a stereophonic primer for the title track, a hybrid warning-anthem-theme song that swarms with justified boasts, heavy metal riffs, booming beats, cowbell accents, and dance-worthy grooves. The back-to-back tunes set the tone for a 1985 record that largely established the blueprint for the hip-hop that would follow for the next two decades – and which helped make rap a mainstream currency via the previously off-limits channels of radio, TV, and the national stage. "It's not Michael Jackson/And this is not Thriller," the group broadcasts early on in the record. Truer words – and music recorded with such honesty, pride, rawness, and integrity – have seldom been committed to tape.

SOURCED FROM THE ORIGINAL MASTER TAPES AND PRESSED ON MOFI SUPERVINYL
1/2" / 30 IPS analogue master to DSD 256 to analogue console to lathe



Run-D.M.C.'s Raising Hell remains the turning point at which hip-hop crashed through mainstream barriers and never left. Anchored by the crossover smash "Walk This Way," the 1986 blockbuster still sounds like a revolution unfolding in real time. It has everything – hard-rock riffs, turntable scratching, itchy rhythms, hit singles – not the least of which are the trio's invigorating raps and inseparable chemistry. And now it's the first rap record afforded audiophile treatment, courtesy of Mobile Fidelity.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, the reissue label's numbered-edition 180g 33RPM SuperVinyl LP elevates Raising Hell to sonic heights on par with its musical and cultural significance. Ranked the 123rd Greatest Album of All Time by Rolling Stone, 43rd on Pitchfork's Greatest Albums of the 1980s, one of the Top 100 Albums of All Time by TIME – and included on "Best of" lists by Spin, Paste, XXL, Entertainment Weekly, and basically every other significant media outlet – the triple-platinum effort rocks the house.

Benefitting from the ultra-low noise floor and groove definition of SuperVinyl, Raising Hell unleashes a torrent of massive dynamics and tsunami of frequency-plumbing details underlined by Rick Rubin's taut, crisp, albeit raw and streetwise production. Just as the Queens-based group both defined what hip-hop could represent – and displayed just how big it could get – Rubin's work melded ear-worm hooks, savvy drum loops, metal-leaning guitars, and, of course, Run and D.M.C.'s cross-fire lyrical interplay into watertight frameworks bursting with ideas, tones, samples, and beats. Heard anew on Mobile Fidelity vinyl, Raising Hell is in every regard the aural equivalent of a direct-to-console 1970s classic. And it sounds as fresh as hell.

As for the music, it ranks among the most influential, inventive, and invigorating ever released – rap or otherwise. Vanguard artists such as Ice-T, Eminem, Jay-Z, and Public Enemy's Chuck D – who declared it his all-time favorite and "the first record that made me realize this was an album-oriented genre" – have testified on behalf of its brilliance. And never mind the presence of the Top 5 single "Walk This Way," whose power helped make Aerosmith's Steven Tyler and Joe Perry relevant for the first time in nearly a decade – and literally put Run-D.M.C. in bedrooms ranging from the Bronx to Bartlett to Bad Axe.

Look instead to the rest of the entirely filler-free set, be it the corkscrew turns, slippery wordplay, and "My Sharona"-meets-"Mickey" mixology of the boisterous "It's Tricky," the fat-but-minimized bass grooves and warped turntable wobble of the hysterical "You Be Illin'," chimes-accented inertia and boombox-on- shoulder thunder of the now-iconic "Peter Piper," or voice-as-percussion attack of the funky "Is It Live." With Raising Hell, the answer to the question is always affirmative – a sensation bolstered by the fact the group always had something to say.

The definition of Golden Age Hip-Hop in every way, Run-D.M.C. avoids the negativity and misogyny that later plagued the style, spinning assertive tales about identity (the biographical and culture-changing "My Adidas"), work ethics ("Perfection"), and, most notably, pride (the Harriet Tubman- and Malcom X.-referencing "Proud to Be Black"). Pavement-packed inner cities, tree-lined suburbs, and cornfield-rimmed rural areas would never again be the same. And rocking a rhyme that's right on time would become trickier than ever.

Re-issue of the 1987 Profile Records holiday compilation in a red and white split colored pressing, with songs by Run-DMC, Dana Dane, Sweet Tee, The Showboys, The Surf M.C.s, Spyder-D, and more. Leading off with the Run-DMC smash, "Christmas In Hollis," this classic Christmas compilation features some of the hottest rap artists of the era, celebrating the holidays, hip-hop style. Highlights include Dana Dane’s "Dana Dane Is Coming To Town," Sweet Tee’s "Let The Jingle Bells Rock" and even the Surf MC's' "A Surf MC New Year," adding a California surfer (and, ahem, Beastie Boys rip-off) twist to the proceedings. Not to be overlooked is the classic front and back cover artwork, featuring a gift-wrapped B-Boy. It remains an essential, evergreen (pun intended) holiday album to this day.

Late arrival, coming next week.
Black Friday Record Store Day 2022 Reissue. Color: Black. Limitation: Unavailable on vinyl for decades, Select Records presents 2 Hype in an opaque white pressing exclusive to RSD Black Friday. For a certain generation of hip hop fans, just the mention of Kid ‘n Play brings on wave of nostalgia. The group released three full-lengths between 1988 and 1991 with a focus on positive lyrics and pop friendly production. The success of the group’s music lead to countless House Party films, a Saturday morning cartoon show and even a series of comic books for Marvel (so, technically speaking, are Kid ‘n Play are part of the Marvel Universe?). It all started here on the 1988 full-length 2 Hype which features “Do The Kid 'n Play Kick Step”, the musical accompaniment to their trademark dance, “Rollin’ With Kid ‘n Play” which hit number 11 on the Billboard R&B Singles chart and of course Kid's now classic hi-top fade haircut, which measured up to over six inches high at its peak. Producer Hurby “Luv Bug” Azor, instrumental in the success of Salt-N-Pepa, was certainly a factor and the full length went on to chart in the Billboard Top 200 and to Riaa certified gold status.

This edition is limited to 300 copies exclusive available at HHV.

Taken from stunning "Breaking Atoms" album. This is the first official UK release. Features Donald Byrd's Blue Note classic "Think Twice" loop and drums from Funkadelic's "You'll Like It Too".

P-vine is thrilled to release ‘Looking At The Front Door’ and ‘Snake Eyes’ from Main Source’s phenomenal debut album Breaking Atoms as a world-exclusive 7” single pairing. Originally released a year before the 1991 album, lead single ‘Looking At The Front Door’ thrust the band into the spotlight by reaching number one spot on Billboard’s US Rap chart. ‘Snake Eyes’ is coated in iconic chants as the album’s opening track, and makes its first appearance in single form. The record features a new jacket design and is pressed on a limited edition picture disc.

This edition is limited to 300.Previously unavailable on 7", this brace of 1991 sureshots is the perfect introduction to the idiosyncrasies of the Native Tongue era. Features Joe Farrell break ‘Upon This Rock’ as used by Kanye West on ‘Gone’.

‘Try Counting Sheep’ was always a bit of a curio. For reasons best left in the dark, distant days of record label meetings of the early 1990’s, it only ever saw a UK and Europe release, our US cousins having to do without it. A strange decision because, while it doesn’t have the headnod hummability of ‘The Choice is Yours’, the group’s biggest hit, it perfectly captures their ramshackle charm coupled with a catchy hook. While Dres was a characterful and idiosyncratic MC, one thing that often goes uncelebrated about Black Sheep was their production nous. As on their other singles, they mine some familiar tracks but use the samples in original and creative ways. The Original Sheep LP Mix is a likeably meandering track that borrows bass from Jimi Hendrix and different bits of Rare Earth’s ‘(I Know) I’m Losing You’, with a real lightness of touch. As this was a UK release – the original 7” of which now fetches around three figures – the label rafted in UK producer The Principle for a remix. Best known for his work with Profile Records crew Caveman, he brings the same kind of propulsive organ track to the remix that underpins much of their best work. He adds in an instantly familiar drum break from ‘Impeach the President’ to drive a fine re-imagining that is very much of its time. It’s a record that can still summon the fun of a hip-hop club in 1991, and one that’s no longer impossible to find on 7”.

The debut album of New York based rapper and producer Godfather Don was originally released in 1991 via Select Records and gained an undeniable grail status amongst fans and collectors. Entirely produced by Don himself, the album is a hard-hitter from front to back and now it's back.