US Hip Hop 66 Items

38 Spesh and Benny The Butcher have brought together their respective labels (tcf and Bsf) for a compilation entitled Trust The Sopranos. This monumental meeting of the minds features potent verses from Benny The Butcher, 38 Spesh, Elcamino, Ransom, Che Noir, Klass Murda, Heem, RickHyde, Chase Fetti, Ampichino, and Street Justice. As well as production from an all-star line-up which includes 38 Spesh, RickHyde, DJ Shay, IceRocks, Buda + Grandz, Corty Tez, and Reddy Roc. The album boasts the hit singles "Immunity,” “Spineless,” and “Love Left.”

Introducing Abunai - multiinstrumentalist and singer from Oakland, California Dreamy, psychedelic, electronic soul featuring co-productions by Max Graef and Glenn Astro Early support from Gilles Peterson and Don Letts,

13 dynamic tracks with frequent collaborator BIONIK, as well as Daniel Merriweather, Treasure Davis and, most notably, singer Cee Lo Green.

“DiVE represents me looking ahead at 2020,” he said in a press release. “Stepping into this new decade, I want to have a mentality of progression. Once 2020 clicks in, I want to leave a lot of my old ways, traditions, and mentalities behind. I’m always going to have my standard and aesthetic. That’s why I’m not really afraid to step outside of any box because my taste will always keep me grounded.”

Black Milk, one of the most prodigious and versatile talents in the world of hip-hop, returns alongside his band Nat Turner with a live instrumental LP, The Rebellion Sessions, a jazz-funk opus recorded over the span of one week.

Orchestrated and produced by Black Milk, The Rebellion Sessions features Nat Turner (Aaron “Ab” Abernathy on keys, Malik Hunter on bass, and Zebulun “Z” Horton on drums). Although the guys have appeared on Black’s previous works, The Rebellion Sessions is the first project created by the four as a collaborative unit. The album, at times recalling the works of Fela Kuti, Charles Mingus, Miles Davis, Sly & The Family Stone, D’Angelo, and Robert Glasper, builds off Black Milk and Nat Turner’s incredible live show, honed over the course of years and more than 90 shows played worldwide in 2015 alone. Black Milk & Nat Turner will embark on The Rebellion Tour in Europe this May, performing select tunes from The Rebellion Sessions in addition to songs from Black Milk’s extensive catalog, before hitting the road in the States.

In the 4 years after The Clipse dropped their sophomore classic Lord Willin’ the duo was able to build a legacy that had
fans hungry for new material. After the smoke cleared and they hit the studio the Virginia brothers recorded the confidently mature sophomore effort, Hell Hath No Fury. Best known for
their unconventional radio smash “Grindin’,” Clipse are no strangers to taking risks with the boundary-pushing Neptunes, who return as trusted co-pilots for Hell Hath No Fury. As
always the duo is right at home over The Neptunes crafted beats which perfectly embrace Pusha’s inventive drug-game
metaphors and Malice’s soul-baring confessionals.

From the bouncy lead single “Mr. Me Too” and the Slim Thug assisted “Wamp Wamp” to the oddly haunting "Keys Open
Doors" to "Momma I'm Sorry", Hell Hath No Fury represents some of the duo’s best work. On the hypnotic “Keys Open
Doors,” over the eerie mix of screwed-up angelic voices, chimes and congas, the brothers run circles around the
competition, while the spine-tingling boom-bap of “Ride Around Shining” sets the stage for Pusha’s hilarious boasts.
Whether rhyming over distorted, lo-fi guitar plucks (“Dirty Money”) or overblown 808s (“Trill”), the brothers come with colorful references and inventive word play that easily places
them in a lyrical class of their own. Get On Down now proudly issues this Neptunes produced favorite on LP for the first time ever with the first run on white vinyl.

First-time 7" vinyl single release, remastered by Simon Francis, full color printed sleeve

The best twist in music lyric history?
On 7" for the first time ever, one of the most important rap records ever.

It's timeless, it's genius, it's just pure beautiful brilliance. It's Common's masterpiece.

One of the best songs in all hip-hop history, “I Used To Love H.E.R.” was the first single from Common's eternal 1994 LP, Resurrection. He personifies hip-hop as an ode to the art form he once loved, lamenting how the genre became too commercialized and, due to a mass influx of mainstream rap in the 90s, some of the purity and freshness of the culture was being lost.

Common uses a first-person romance narrative to detail the history of hip-hop, resulting in an extended metaphor that's sophisticated, clever, and delivers a moral message that touched millions of people and still absolutely blows minds at the song's conclusion: "'Cause who we're talkin' about, y'all, is hip-hop"

Perfectly produced by No ID and incorporating a gorgeous, melancholic sample of George Benson’s “The Changing World”, the plaintive sonic landscape provided the ideal foundation for Common’s innovative storytelling. Almost 30 years later, “I Used To Love H.E.R.” remains one of the most significant moments in hip-hop: a classic in every sense of the word.

Common did discuss the true meaning of the track in a 1995 interview on “Yo! MTV Raps”, stating: “H.E.R. stands for Hip-Hop in its Essence is Real. And all I’m talking about his how I first came into contact with hip-hop music and how it evolved into where it is now. And it’s like all these gimmicks going on, all the phoniness, ain’t nobody being real with it. Everybody’s stressing that it’s real, but ain’t nobody being true to it. I think that came about because — once it started becoming a business, then people started losing their soul, and they started looking at it, taking it more as a business than an art form.”

On the flip, we've stayed faithful to the track used for the original 12" release. And what a track it is. Destined to be overshadowed by the behemoth on the A-Side, the frenetic neck-snapping jazz-rap "Communism" has it all - those horns at the start, the lyrical dexterity, the beat. Oh my.

So, one of the greatest pieces of music ever, in any genre. This is not merely music. It's high art. Speaking of which, we've recreated the striking original artwork from the 12" and shrunk it down to the 7" format. It looks and sounds stunning. The most important song in rap history, if you really think about it. We all miss her. We all miss hip-hop...

Following the trio of projects they released in 2020 - The OutRunners, The Director’s Cut and the Bonus Footage EP, in the fall of 2021 Harry Fraud and Curren$y (aka Spitta Andretti) dropped Regatta, yet another classic project from this dynamic duo. Clearly they wanted their fans to start 2022 off the right way, as Regatta is now available on a limited vinyl format. Entirely produced by Harry Fraud, with features from 2 Chainz, Larry June, Styles P and Jay Worthy, limited edition vinyl record is a must have for collectors and hip hop fans alike.

Finally this epic masterpiece gets the reissue treatment!

CD - Remastered - Limited to 300 Copies

From the mist of the SFC, Bay Area comes Devious. A dope G-Funk album produced by Les-G.

DJ BK is back in full effect with tracks by Beneficence, Phife Dawg, D.I.T.C, Mr. Lif, Apathy, Constant Deviants, Blaq Poet, Epidemic, Masta Ace, Homeboy Sandman, Blu, Jonwayne, Havoc and many others. Tip!

DJ BK is back in full effect with tracks by Ras Kass, Aesop Rock & Homeboy Sandman, Emanon, Bumpy Knuckles, General Steele, Vinnie Paz and many others. Tip!

Congratulations to DJ BK! This is his 60th mixtape! Since the mid 90s he always puts out the dopest underground tracks. Impossible to miss out on something, if you pump his tapes regularly. Thank you very much, BK!

Pressed ON Gold Vinyl With OBI Limited TO 300 Units Worldwide Gold Bricks is ElCamino's much-anticipated follow-up to his lauded ElCamino 3 album. The project includes the fan-favorite singles "Been Hustlin," "Guns N Butter," "Prada Bitch," and "Bloody Hearse." And other than the intro and outro, every song pairs Camino with one of his frequent collaborators, including Jae Skeese, King Trav, Madhattan and Nelle.

Few groups arrive as fully formed as Epmd did. This dropped as the third single from the album of the same name, and further cemented their distinctive aesthetic: Slow rhyming, trading lines rather than the rappers being confined to their own verses, and backings that were ruthlessly funky and simple at the same time.

They’d go on to be labelmates with Public Enemy when Def Jam picked up their contract in 1990, and to compare and contrast the two is illuminating. While PE at that time were making waves with the Bomb Squad’s breathless, kitchen sink approach to production, Epmd were equally adored for taking the opposite approach.

Here, there’s a sprinkle of drums from Kool & The Gang’s oft-sampled ‘Jungle Boogie’, paired with a very recognisable portion of Eric Clapton’s ‘I Shot the Sheriff’. And that’s pretty much it – the two samples are linked, looped and left to their own devices. Such was Erick and Parrish’s confidence in their own rhyming ability and strong voices, no further embellishment was needed.

That confidence extends to the subject matter. While their debut album and later projects were heavy with concepts – the ‘Jane’ series – and notable guest verses, this was the third straight single of pure brag rap. Two MC’s, one beat, a whole heap of lyrics about how good they were. It’s something you can’t do unless you truly are special, and this duo most certainly were.

Paired with the classic instrumental version, which didn’t make it to the US 7” releases – it’s only on a hard-to-track-down French 7” pressing from 1989 – this this is a timely reminder of how breathtakingly perfect hip-hop can be.

Dark Pink Shell • Limited TO 300 Units Eto Brigante is the one and only time Rochester's favorite son has done a concept album. The featureless affair is based on the classic gangster film Carlito's Way, as song titles like "Benny Blanco Club Scene" and "David Kleinfeld" make abundantly clear. Eto adapts the key scenes of the movie into rhyme in a way that only he can. The hardbody beats are handled by underground go-to's like V Don, Trox, Chup The Producer, MichaelAngelo, and more.

Some records are steeped in mythology. Frank N Dank’s 48 Hours is just such a recording. Why so few samples from Dilla? Was that MCA’s decision as they didn’t believe they could get clearances? Why did MCA shelve the recording for so long? Where’s the “original version”? There are nearly more questions about this album than cuts on the album. But according to Frank, “contrary to popular belief there was never an 'original version’ of 48 Hours. We started recording songs to sample driven beats of Dilla‘s and we got 80% of the album done and Dilla decided to change the beats to all the songs.”
That’s right, it wasn’t MCA’s legal department, it was Dilla’s creative vision that stripped out the samples. But what about the sample laden “Take Your Clothes Off” and “Off Your Chest” you may ask? Frank interjects, “those were done after the fact.” And why did MCA shelve the project, was this a label afraid to release what the Detroit trio had concocted? Well that doesn’t appear to be the case. According to Nitt turnover in the A&R department at the time was rapid to the point that no one seemed to know who at MCA was responsible for the project. This led to a call to then MCA president Jay Boberg who agreed to release Frank N Dank from their deal. So there you have it. As Freud once said, “sometimes a cigar is just a cigar”. In the case of 48 Hours, it’s one hell of a tasty cigar. 48 Hours is now at last ready for the respect and proper release it has deserved all along, with the complete album as well as a second vinyl of Dilla’s instrumentals. As Frank reminds us, “This is the exact version of 48 Hours that we (Frank N Dank & Dilla) turned in to MCA and the way Dilla intended it to be!”

Originally released in 1995, Brothas Doobie is the second album by the Los Angeles-based Latino rap group Funkdoobiest. The album contains all the original members Son Doobie (Jason Vasquez), DJ Ralph M (Ralph Medrano) and Tomahawk Funk (Tyrone Pacheco) and contains the famous and controversial track "Superhoes".

Gang Starr is undoubtedly one of the most revered, beloved and influential groups in Hip Hop. Over the course of their distinguished career, they became a cultural institution and a brand you could ultimately trust. With a handful of indelible classic albums on their resume, DJ Premier and Guru’s catalogue has not only persevered but mastered the test of time. Simply, Gang Starr did not follow trends, they created them. Album includes guest spots from: M.O.P, Q-Tip, Royce da 5’9”, Jeru The Damaja, J. Cole, Ne-Yo, Nitty Scott, Talib Kweli, Big Shug & Freddie Foxxx! Entirely produced by DJ Premier!

Get On Down proudly present the debut solo album from Wu-Tang Clan’s Ghostface Killah. Released in 1996 on Epic Records, Ironman earned immediate success, debuting at number two on the Billboard 200 chart, and number one on the Top R&B/Hip-Hop Albums chart. Produced by RZA, Ironman found inspiration in sources ranging from blaxploitation films to classic soul and charted a whole new direction for hip-hop in the process. The album features classic bangers like “Daytona 500” featuring Raekwon and Cappadonna to soulful emotionally moving cuts like “All That I Got Is You” with Mary J Blige. The album earned gold status a year after its release and platinum by 2004, a true testament to the staying power or this classic piece of Wu-Tang artistry.

HHV worldwide exclusive limited to 1000 copies.

Gravediggaz: "Digging graves of the mentally dead and resurrecting their state of unawareness and ignorance." Frukwan describes the meaning of the group's name. Helping give birth to hip-hop’s subgenre of Horrorcore and one of hip-hop's first supergroups, Gravediggaz were born at a time when all four members were at low points in their careers. Already one of hip-hop’s most legendary producers, Prince Paul was at a crossroads in his career resulting in experimenting with darker sounding beats. He recruited a young soon to be legendary producer RZA, who was at a different type of crossroads in his career, not having the best experiences with various labels and before going on to start the global phenomenon that is The Wu-Tang Clan. Also added were Frukwan, a former member of Stetsasonic with Paul, and Too Poetic, a young MC navigating his way in the game after creating underground buzz with his 2 brothers and their short lived group the Brothers Grym and before his unfortunate death from colon cancer. The four transformed themselves into The Undertaker (Paul), The RZArector (RZA), The Gatekeeper (Frukwan) and The Grym Reaper (Too Poetic) to form Gravediggaz. On 6 Feet Deep the group utilize horror-themed imagery and lyrics combined with black comedy and satire to vent their frustrations with the hip-hop record industry. Singles "Diary of a Madman," "Nowhere to Run, Nowhere to Hide" and "1-800 Suicide" lead an onslaught of tracks which The Quietus writer David Bennun
described as "a then novel means of addressing black life at street level [and] finding a new way of getting that message across". Production is mostly handled by Paul with RZA handling a few tracks. Highly regarded and still sought after, this pressing comes in a premium gatefold jacket with only 1000 of this classic available on blood red vinyl at HHV.

Limited edition of 500 copies only of this classic 90’s Philly album!
Only one copy per customer!
lLL Advised comprised of rappers Baby Blak, Mr. Lish, and occasionally Rasheed (aka Maylay Sparks) the crew put out a number of 12'inches in the mid-to-late 1990's on Quake City and later Eastern Conference Records.
Quake City is a label out of Philly. lLL Advised recorded two albums for them that were only released in Japan under the “Blue Dolphin” imprint. In the States Quake City Records released number of 12'inches from the Ill-Advised crew, the first being obscure “Against the Grain/Kwestions/Through the Eye", the second being the college radio hit "N.A.M.E.S./Encore", and the last two the "1.9.8.6/Internal Affairs" joint and another pressing with a remix featuring The Roots. lLL Advised were also featured heavily on the first or second Eastern Conference Records 12'inch with the songs "Captivating Cultivating", "All In Together Now" which featured Pauly Yams, and "Know A Little Nigga". Baby Blak is also featured on the original version of "Open Mic Night".
Unfortunately, the crew fell off the map in 1999 when Mr. Lish went on a "judicial vacation" somewhere "up north". There were a lot of problems with Quake City Records. The problems for the crew only magnified with Eastern Conference Records. Milo Berger, aka DJ Might Mi aka DJ Mighty Bi, never paid Ill Advised a dime for anything. Word on the street (and straight from Baby Blak’s mouth in an interview with Elemtree) was that they took Mi by force to an ATM machine and “intimidated” him into draining his account for them on the spot. Also, lLL Advised affiliate Rahsheed is said to have thrown a stack of Eastern Conference 12'inches into the Delaware River in the video for his track (and first release on Quake City Records) “Industry Party Bumrusha”.
lLL Advised has gotten their shit together somewhat as of late. Baby Blak put out a nice album in 2003 called “Blak Is Back”. Blak has also put out a lot of 12inches with DJ Revolution. He’s also done a lot of work with hip hop legend DJ Jazzy Jeff. Lish is supposedly out of jail and the duo are currently preparing their American debut on BBE records. Smoke On Records presents their 1997 CD only album “Can U Smell It!” for the first time on vinyl.

Limited edition of 500 copies on 2LP in gatefold sleeve.

Ill-Ko consists of rappers Jason, Rob Dollars and Finess as well as producer SG, representing New York, New Jersey and Kansas City, MO. Dropping the tape-only "Heavy Hittas Volume 1" release in 1998, the group created a certain buzz in the underground scene which shortly after led to the again self-released follow-up 12" single "Illy-I" in 1999. All tracks from both releases are now reissued for the very first time, accompanied by rare and unreleased photographies of the group straight from the negatives.

Available in a limited run on 2LP, CD in jewel case, cassette and digitally on all major platforms.

CD - Remastered / Limited to 400 Copies

2021 Remastered Reissue of Jezreel's 1994 Album "Sick And Tired Of Be'en Broke". Jezreel spittin real street stories from the camp Tuscaloosa, Alabama, on beats produced by Walt Swift.

Looks like the Bada$$ is dropping his 1st real album. Chuck Strangers, Kirk Knight, Lee Bannon, DJ Premier and Hit-Boy most likely will handle the production!

Limited Edition. Limitation unknown, color unknown, watch out for updates.

M.A.V. and Hobgoblin connect to bring you "Angelz and Demonz" the first installment of their series to come.

Chicago beatsmith Maker returns for another volley into the Now-Again Music Library series with his first album to include vocal performances. From well known indie-vets like Bishop Lamont and Guilty Simpson to less known but talented vocalists like Adeem and PremRock - Maker’s beats – all based on samples from the Now-Again Catalog – surround them all with swirling pastiches of soul, funk, jazz, rock and music from all over the globe.

McKinley Dixon calls the late Toni Morrison the greatest rapper of all time; and the way he tackles topics like survival, violence, and religion within the expansive landscape of the Black experience, evokes her novels. It is from the title of Morrison‘s Beloved trilogy where he finds the title of his new album with City Slang Records out June 2: Beloved! Paradise! Jazz!? Musically his household was defined by “artists whose first name was Mary,” including Mary J. Blige and gospel duo Mary Mary. Discovering Outkast was formative for Dixon, deepening his love for hip-hop while he also grew curious about the more theatrical rock of groups of the day, bands like My Chemical Romance and Panic! At The Disco that his Maryland friends introduced him to. “Those groups also helped me with my sense of longing, since their music reflected a sense of longing,” he says. Eventually he channeled these competing influences into a debut EP he released in 2013. With time, his music became his primary means of self-expression, whether discussing Blackness or his own relationship with healing. Across his next releases, his style evolved and his confidence grew, especially when it came to live instrumentation. His 2021 debut album For My Mama and Anyone Who Look Like Her was a game changer, as Dixon set his sights on heartache and grief. “I was making these really dense and chaotic songs, stuffing whatever thought I had into five and a half minutes,” Dixon says of that project. Beloved! Paradise! Jazz?! is an attempt at channeling different impulses. Sometimes rough and other times delicate, this record is a journey into is a journey into the psyche of McKinley Dixon, with all of the of the attendant peaks and valleys.

Another great Late Night Tales compilation ... Includes tracks by Outkast, Chick Corea, Autechre, Pete Drake, Cat Power & others!

RESSED ON BLUE & WHITE SWIRL VINYL!

HOUSED IN A HIGH GLOSS JACKET WITH EACH LP TUCKED INTO A PRINTED INNER SLEEVE
Nasir "Nas" Jones' 2001 record Stillmatic was considered a major comeback for the 90s rap icon. It signaled a return to the gritty, urban chaos of his acclaimed debut album, after releasing record after record of gradually more mainstream material, and Nas' return to prominence in the highest echelons of hip-hop. In spite of this newfound critical clout, Stillmatic's release did nothing to squash his then ongoing feud with fellow New Yorker Jay-Z, who had gone so far as to challenge Nas to a pay-per-view rap battle. A challenge Nas rejected, stating "If Jay-Z wants to battle, he should drop his album the same day I do and let the people decide."

Nas fans never would get the no-holds barred lyrical battle with Jay-Z many had speculated. What they got instead was one of Nas' most personal and introspective releases to date in 2002. Not long after Stillmatic's release, Nas spent much of his time away from the limelight to tend to his ill mother, who would pass on from breast cancer in 2002. His experiences with his mother's mortality as well as the fallout of his feud with Jay-Z, who continued to produce diss tracks as Nas tended to his mother, would inspire much of the lyrical material on his next record.

God's Son was released in December of 2002, and like Stillmatic before it, was subject to major critical acclaim. On God's Son, Nas effectively took the battle-hardened demeanor he had cultivated and tore it down across 14 tracks that were emotionally insular, though still dusted in urban grit, and still finding time to shoot back at Jay-Z's potshots on tracks like "Last Real Nigga Alive" and "Mastermind." Assisting Nas was a slew of top-tier producers like The Alchemist, Eminem, Ron Browz, and Salaam Remi, over samples of James Brown, the Incredible Bongo Band, Fela Kuti, and Beethoven, and guest vocals from Alicia Keys, Kelis, Claudette Ortiz of City High, and even a posthumous 2Pac.

God's Son has been out of print on vinyl since 2020. This deluxe pacakge was remastered from its original audio and pressed on colored vinyl!

2023 silver vinyl pressing.

Few hip-hop artists have achieved the same level of critical acclaim and praise that 90s veteran and Queens native Nasir "Nas" Jones has. Across his over 25-year career he has been ranked as one of the greatest rap performers and lyricists by MTV, The Source, and Complex, among other publications, all while selling over 30 million records worldwide, and releasing eight consecutive platinum albums. In particular, his 1994 debut Illmatic is hailed as a paragon of underground hip-hop, a turning point in East Coast rap's development, and one of the all-time greatest debut albums in general.
Though Nas' artistic legacy is without question, it was not always the case; if Nas had flourished during the mid-90s, he had stumbled clumsily while transitioning into the 00's. After achieving universal praise via Illmatic and commercial success with its' follow-up It Was Written, Nas' next few releases were considered inconsistent and lackluster compared to the critical one-two punch they followed. During this time period he had abandoned the socially-conscious and philosophical topics that made him a critical darling in favor of more commercially viable gangsta rap. Though he maintained a chart presence for much of the late-90s, review scores began to dwindle, and his status among the hip-hop community was thrown into question.
This would change in 2001 with the release of Nas' fifth studio full-length, which made the effort to re-establish him as a legitimate artist. Eschewing the pop-friendliness he'd found success with, Nas instead opted to return to the underground style he came up in, with tracks about American politics, ghetto life, and social upheaval. Perhaps sensing this need to return to his roots, he titled the album Stillmatic, a clear and present reference (and sequel of sorts) to Illmatic.
The ploy worked perfectly; Stillmatic was hailed by critics as a stunning comeback, and a brilliant return to form, earning rave reviews from rap outlets such as The Source and HipHopDX as well as from more mainstream publications as The Rolling Stone and The Village Voice. Praise was heaped upon the complexity and introspective nature of Nas' lyrical content, the top-tier production from veterans like Large Professor, DJ Premier, L.E.S., and Trackmasters, and hard-hitting guest appearances from AZ, Mary J. Blige, and Amerie.
Stillmatic would see release on December 18th of 2001, right as Nas was caught in the middle of a highly publicized feud with fellow New York rapper Jay-Z. As such, the record features one of the feud's most intense apexes in the form of its second track "Ether", a ruthless Ron Browz-produced diss track. A response to Jay-Z's own diss "Takeover", "Ether" savaged the Brooklyn-native, accusing him of brown-nosing to get ahead, of plagiarizing earlier rappers such as Notorious B.I.G. and KRS-One, and dismissing his street cred. To this day "Ether" is considered one of the best and most potent diss tracks ever recorded, a major turning point in the Nas/Jay-Z feud, a standout among the already critically acclaimed Stillmatic, and is even credited with boosting Jay-Z's career by proxy.

Limited to 250 copies worldwide split between Threshold for purchase in the US / America and HHV for purchase in the EU and UK.

Recorded and Mixed at Rapid Fire Studios and The Glue Factory The Instrumental Track for De Da Da Dey was later used by KutMasta Kurt for his remix of "It's Real" by Mic Geronimo.

30th Anniversary of the demo tape, limited to 500 copies worldwide. Comes with sticker.

For the third installment of his PeteStrumentals series, producer Pete Rock takes a departure from the sample-heavy style that has earned him recognition as a living Hip-Hop legend. This twelve-track project is instead a collection of beats crafted by the

Limited to 3000 copies.

Issued on vinyl for the rst time ever. The opaque red pressing is housed in a gatefold jacket and exclusive to Record Store Day 2022! In the mid-2000s, as Prodigy began to map out the follow up to his solo release H.N.I.C., he worked up some new material with long-time collaborator The Alchemist. Material that was meant to be a mixtape. Just a little something to keep the fans interested until H.N.I.C. Part 2. The resulting recordings were so high caliber, so tapped into the very essence of Prodigy’s Mobb Deep pedigree, just so damn good - that a commercial release of the material was inevitable – as Return Of The Mac. Backed by classic Blaxploitation style samples from The Alchemist, Prodigy paints a picture with his words. A picture of the rough and tumble New York of his up-bringing. When issued in 2007, many considered it his best effort in at least a decade. In their review of the then new release, even Pitchfork had to admit “Prodigy's made the comeback no one saw coming.” Fans agreed with that assessment, their whole-hearted embrace of Return Of The Mac placed the title at #32 on the Billboard Top 200.

Wanderverse is a lush double LP journey between Pseudo Slang & Pawcut featuring a jazzy & poetic essence of boom bap hip-hop with creative sonic contributions from DJ Form, Matt Gold, JON Blazini, Dheema & more. For fans of Slum Village & Native Tongues. With full-color gatefold jacket!

Over the last decade Rast has made a name for himself as one of the undergrounds most original voices. Rast has released a handful of albums, freestyles and a slew of online singles (including collaborations with Czarface, Hus Kingpin and Your Old Droog). But before all this, Rast held down the 90’s as part of the New York Graffiti crew RFC. It was during this time that many of the tracks on “I Know Why the Caged Bird Sings” draw from. The album has no features and was produced entirely by The Czar-Keys (7L & Jeremy Page) - and this was done by design. 7L and Rast worked together on the vision and the direction they wanted to go with for the album. As 7L points out “I wanted to really take it back to a time when the rapper was the main focus. This is also why we didn’t go with a group name or a Rast & 7L title. For me it was really all about Rast, and his story is so personal that it just made sense for him to be the only voice you hear”. “I Know Why the Caged Bird Sings” is an album where, as pointed out in the albums intro "Caged", is Rast at his most honest and vulnerable.

What a dope project this one is. Only ever available on a CDR from 2017, we have the Giallo Point-produced “Back 2 Mecca” album from Recognize Ali. If you haven’t been checkin for either of these artists it’s time to wake the eff up!! Giallo Point has been killin things for a few years now. The UK based producer did a few beats on the Herring-released last Da Buze Bruvaz album “Adebisi Hat” and since then we’ve been trying to make a project happen. Recognize Ali featured on the recent AJ Munson album “Cigarettes & Coffee” and like with Giallo, we’ve been working to find that Herring steez release. Everything came together with the 90’s NY inspired “Back 2 Mecca” album. This was the perfect fit for Herring and we are proud to drop it for the headz on limited vinyl release. There will be 350 copies pressed only.
This first 120 copies will be on Translucent Red & White mixed Colored Vinyl. The next 230 are on traditional black wax!! Cover is a plain white sleeve with full colour large 20cm x 20cm sticker.

One of the best, most consistent and hardest working rappers in the game, Recognize Ali has been steadily dropping amazing music for years now. "Into My Soul" was another testament to that, one of the most soulful hip-hop albums you will find! It was released back in 2019 but was never released on vinyl until now!



All versions come with hype stickers and the OBI editions will be handnumbered.

Limited Edition. Limitation and color unknown, info will be updated.

Run-DMC’s self-titled 1984 debut pushed the doors of pop music open, showing that hip-hop was not the fad that haters had prophesized. As they proved decisively on Run-DMC, rap was a legit art form, fully capable of producing long-players full of no-fast-forward cuts. By 1985, any doubters were running on fumes, as the group’s King Of Rock blew the aforementioned pop doors off their hinges. Emboldened by their success (including the first rap album to ever go Gold); energized by worldwide touring and accolades; and given all the support they could want by a genius producer (Larry Smith), an open-minded label (Profile) and a charismatic manager (Russell Simmons, who also lent a hand on production), they ruled the charts and hinted at even greater things to come.
The album’s most fondly-remembered single set the album’s tone perfectly: “King Of Rock” was hard, full of charisma and tag-team vocal finesse, and had enough guitars to bring the suburbs into the rap fold. The song’s video was equally popular and powerful, and the pioneering MTV exposure drove the group into a new stratosphere.
But there was much more to King Of Rock than the title track, including more rock / rap hybrids – “Can You Rock It Like This” and “You’re Blind” – as well as the additional singles “Jam Master Jammin’” and “You Talk Too Much.” (The latter, incidentally, charted as high as “King Of Rock” on both the Pop and R&B charts). Throw in the forward-thinking reggae/rap collab “Roots, Rap, Reggae” (featuring the legendary Yellowman) and the live-throwdown-simulation “Darryl and Joe (Krush-Groove 3)” and the album – which went on to pass Platinum status – is a winner from A1 to B4.

In the late 90s, Wu-Tang Clan superstar RZA developed a new persona. Based on his birth name and the fact that he was branching out into more digital production, Bobby Diggs became Bobby Digital. As RZA himself put it, “My birth name is Bobby Diggs. So at the time, creatively, I felt like I was in a digital frame…As Bobby Digital, I could use a character to describe some of the earlier days of my own life. Partying, bullshitting, going crazy, chasing women, taking drugs. It was a mixture of fiction and reality together to make a character I thought would be entertaining.” RZA released Bobby Digital In Stereo in 1998 and it was certified Gold in a matter of months. Its follow-up Digital Bullet dropped in August of 2001 continuing the conceptual story arch from …In Stereo, but with Bobby Digital growing more enlightened and becoming disillusioned with the hedonism that previously served as his fuel. Audiences reacted by driving the release up to number 24 on the Top 200 and a Top 10 position on the R&B/Hip Hop Albums chart.

You’ll fall in love with Slum Village all over again with these
collectible 45 issues of the J Dilla produced cut “Fall In Love” first
issued on the group’s Fantastic Volume II. Classic Slum Village song and instrumental on black vinyl 7" in a custom diecut sleeve"! This is the REMIX!

A one of a kind 7", Sojourn, founding member of the indelible and legendary Tunnel Rats and Future Shock crews, gets down on the A Side with "The Basement," featuring LA icon Rass Kass on a fun and hard-hitting track celebrating the soulfulness of the sharpest skill which both MCs display flawlessly over Courtland Urbano production. This track is a fitting accompaniment to the resurgence of the Tunnel Rats, Brainwash Projects (releases on Hhv), and others. The B Side, "Shadows of Japan" is an offering from War Church, a duo composed of Tomorrow Kings' Skech185, just coming off his ultra-successful full-length release on the conspicuous Backwoodz Studioz (Armand Hammer, Billy Woods, Shrapknel) with producer Jeff Markey entitled He Left Nothing for the Swim Back, and the sonic collages of producer Analog(ue) Tape Dispenser (New Age Middle Finger with Skech185, Milo/R.A.P. Ferreria’s Things That Happen at Night, etc.). Featuring Chicago's own Rich Jones with some introspective raps Tom Scott would nod his head to in brilliant affirmation of, the three opaquely articulate the navigation of the human through the torrential hurricanes of life.

Limited edition of 100 copies on cassette.

"Ya Oughta Know" should have been the title of the debut album of Sons Of Sam, the Philly-based duo comprised of The Xav and PA-Kid. Here we have a collection of 12 tracks recorded between 1993 to 1994 plus the bonus track "Glass Eyes" from 1996.

Going back in time, Xav says "The Sons Of Sam title is not what it seems. Everybody thought we were modeling ourselves after Charles Manson the mass murderer of the 70's. Actually, the truth is that we are brothers who have a father named Sam. Easy as that. But we do manage to murder the mic from time to time and an appropriate name would have been the Mic Manglers. We did our own tracks when we worked as individuals but when we were both on tracks together PA-Kid originally did the tracks. He could make any track fit both of our styles and if it didn't fit I would usually adapt to the style of the track. PA-Kid's original name was Samson and i was called Xay. That was given to my by a fellow MC named Manifest in 1986 when i was his DJ. I started writing more and began recording my own tracks."

Available in a limited run on 2LP, CD in jewel case, cassette and digitally on all major platforms.

Limited edition of 500 copies on 2LP in gatefold sleeve incl. inlay card.

"Ya Oughta Know" should have been the title of the debut album of Sons Of Sam, the Philly-based duo comprised of The Xav and PA-Kid. Here we have a collection of 12 tracks recorded between 1993 and 1994 plus the bonus track "Glass Eyes" from 1996.

Going back in time, Xav says, "The Sons Of Sam title is not what it seems. Everybody thought we were modeling ourselves after Charles Manson, the mass murderer of the 70s. Actually, the truth is that we are brothers who have a father named Sam. Easy as that. But we do manage to murder the mic from time to time, and an appropriate name would have been the Mic Manglers. We did our own tracks when we worked as individuals but when we were both on tracks together PA-Kid originally did the tracks. He could make any track fit both of our styles and if it didn't fit I would usually adapt to the style of the track. PA-Kid's original name was Samson, and I was called Xay. That was given to my by a fellow MC named Manifest in 1986 when I was his DJ. I started writing more and began recording my own tracks."

Available in a limited run on 2LP, CD in jewel case, cassette and digitally on all major platforms.

Teflon’s much-anticipated new album, 2 Sides to Every Story, is a celebratory moment for the Brooklyn native, who burst onto the scene as part of M.O.P.’s First Family during the late ‘90s New York rap scene. Following contractual headaches and some time away from the game, the acclaimed emcee is back like he never left. And he’s not doing it alone, either. Telfon is joined on this project by two of hip-hop’s finest producers and his closest collaborators, DJ Premier and Jazimoto, who split production duties down the middle. Together, they’ve crafted a raw, mature album that showcases Teflon at the top of his lyrical game. Teflon still has that distinctive, instantly gripping voice that pulls you in, just so he can hit you over the head with dope wordplay and straight bars. While Teflon goes solo for a number of cuts on the album, he also calls on his M.O.P. brethren to provide their signature energy. It’s a true full circle moment for Teflon, whose name is heavily linked to M.O.P.’s discography since their ‘96 album, Firing Squad. And for hip-hop heads who have been bumping his music since then, this album couldn’t have arrived any sooner.

Big Apple *Ish is a new imprint dedicated to the stone cold classics from the

birthplace of Hip Hop. The first release features two remakes of rap supertunes: “Big Apple I*sh“ and “All 4 The People“, which were both game changers in their time and remain relevant to

this day. These surprised packed reworks are super DJ friendly and guaranteed to rock the

dancefloors across the globe

The Best of Dope Folks Records: Rare and Unreleased Tracks from the U.S. Hip Hop Underground 1991-1999. 10 tracks taken from our catalog of rare and unreleased hip hop 12"s from the golden era of Hip Hop. Featuring Lord Aaqil, Divine Beings, Rock La Flow, Legion of D.U.M.E., MC E-Rock, Young Zee, Mr. Mic Rippa, Lastrawze, Darc Mind, Prophets of The Ghetto featuring Bahamadia.

Limited edition of 500 copies on 1LP with printed innersleeve.

Originally released in 1997 on CD and cassette only, this marks the very first time "Livest Spot In The City" by Vaughn Smith gets the full vinyl treatment. In addition, this stone cold Philly underground classic also comes on CD in jewel case as well as cassette plus digitally on all major platforms. 10 tracks in total with tight productions from front to end by Groove Da Moast.

Single sided unreleased Test Pressing!

Another slammer by Amerigo Gazaway mashing up Mos Def and Marvin Gaye classics. This time Marvin's producer skills are in the focus, but you can expect nothing but S.O.U.L.! Tip.