Vampisoul HHV Records 112 Items

Release: 2010 / EU – Original

Genre: Organic Grooves

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Ni Un Minuto Mas De Dolor

Travesia

LP | 2022 | EU | Original (Vampisoul)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2022 | EU | Original (Vampisoul)

Os Sambeatles

14,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 2021 | EU | Original (Vampisoul)

Zulu

23,99 €*

2LP | 2012 | EU | Original (Vampisoul)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with slightly bumped corners

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V.A.

Cumbia Beat Volume 2

49,99 €*

Release: 2012 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Terremoto Richter 6:25-Managua

Alfonso Noel Lovo

LP | 1972 | EU | Reissue (Vampisoul)

16,99 €*

OST Sobre La Hierba ... Virgen

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited edition for Record Store Day 2017!

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Pablo Schneider

Release: 2023 / EU – Original

Genre: Soundtracks

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Reissued, mega rare soundtrack to the obscure Venezuelan sexploitation film "Sobre la Hierba_ Virgen" originally released in 1976 and almost impossible to find in any condition. The album includes a wide variety of music to enjoy, from thrilling psychedelic jazz-funk to spacey experimental tracks, killer drum-breaks or romantic instrumental tunes. Composer and keyboard player Schneider had an outstanding body of work for the TV/film industry and recorded with the likes of Baby Bell, Grupo Syma, Vytas Brenner as well as huge mainstream artists like José Luis Rodríguez and Pecos Kanvas. He was also producer to Phirpo Y Sus Caribes's highly collectable only LP, a brilliant Afro-Latin funk masterpiece. His much sought-after 1975 solo album on Polydor anticipated the sounds comprised on "Sobre la Hierba_ Virgen", featuring a variety of exotic arrangements ranging from Lati...

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El Clan Antillano

Release: 2023 / EU – Original

Genre: Organic Grooves

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El Clan Antillano was an obscure, short-lived salsa group started in 1975 by singer Jacky "El Caballo" Carazo, originally from Cartagena, and radio host / song composer Mike Char, from Barranquilla. The band was active only until 1977, with a mere two albums to its name. Carazo and Char, "los amigos costeños" (friends from the Caribbean coastal area) created El Clan Antillano, backed by astudio orchestra comprised mostly of Fruko Y Sus Tesos band members, as a fresh start after the previous group Carazo had been had become inactive. The record has been remastered from the original tapes, with an additional three bonus cuts taken from two rare 45 singles, including the sought after track 'Alma'. First time reissue. 180g Vinyl. While the ephemeral El Clan Antillano may not be as well known as the groups it's related to, namely El Afrocombo and Fruko Y Sus Tesos, it certainly deserves credit as a worthy participant in the historical evolution of salsa colombiana.

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Cuarteto Yemaya

El Tic Tac

25,64 €* 26,99 € -5%

LP | 2022 | EU | Original (Vampisoul)

Release: 2023 / EU – Original

Genre: Organic Grooves

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This is the quartet's second LP, recorded in 1971, and contains mostly Peruvian songs with a strong Cuban flavor where Pancho Acosta's electric guitar reaches vertiginous heights and is combined with outstanding conga and timbales playing. Extremely rare and hard to find in its original issue, this is the first-time reissue. Remastered from the original tapes.The guitarist Francisco "Pancho" Acosta Angeles (1946) played a significant role in spreading love for Cuban rhythms across Peru, those sunshine beats breaking through the cloudiness that hangs over Lima most of the year, as the city bears a closer resemblance weather wise to London than to Havana. In 1967, after making a name for himself with his six-stringed skill, he made his vinyl debut with Compay Quinto. Shortly after Pancho left Company Quinto, he joined Los Kintos. When Los Kintos disbanded, Pancho Acosta swiftly moved on to his next project for MAG: the Cuarteto Yemayá, formed by tumba drummer and singer Miguel Montoya, bassist Máximo Pecho and timba drummer José Luis Fiallega, all under Pancho's direction and arrangements. The quartet's debut album, "Ecos del Trio Matamoros", was a tribute to the Cuban trio of the title and comprised cover versions as well as a couple of their own songs. This is the quartet's second LP, recorded between July and August 1971. "El Tic Tac" contains mostly Peruvian songs. The foreign versions on the album include the classic 'Compay Gallo', written by Miguel Matamoros; 'Toribio carambola' and 'El Tic Tac', from the repertoire of the Cuban Trio Servando Diaz; and 'Sandunguéate', best known in Celia Cruz's version. 'Oye Mi Son' and 'Oye Mi Guitarra' were composed by the album's lead vocalist, Miguel Montoya. Percussionist Jorge Mariazza (Los Pachas, Manzanita y su Conjunto) co-wrote 'Descarga Yemayá' with Pancho, which features outstanding conga and timbales playing. Pancho also composed tracks on his own: 'Me Voy a Monsefú', 'Mi Provinciana', 'Yo Me Voy de Aquí' and 'Flaca y Fea', th...

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Alceu Valenca

Molhado De Suor

16,99 €*

Desde Espana ... La Columna De Fuego

Release: 2022 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Splits in seams.

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La Columna De Fuego

25,64 €* 26,99 € -5%

Release: 2023 / EU – Original

Genre: Organic Grooves

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Considered one of the most innovative groups on the Colombian musical circuit in 1973, Columna de Fuego forged its sound by creatively and organically mixing elements of hard rock with rhythms rooted in the music of the Pacific and Caribbean coasts. The band featured members of Los Young Beats, Los Speakers and Siglo Cero. Their only LP, recorded in Spain and released in Colombia only in 1974, was a turning point in the history of Colombian rock, an album full of funk, soul, cumbia and currulao that maintains a fast pace from start to finish. Unavailable for five decades, we are proud to now present the first-time reissue of this obscure gem with its original artwork, including an insert with notes and rare photos. Deatails: Columna de Fuego, the first Colombian rock band to tour outside South America, was the supporting act for Leonor González -La Negra Grande de Colombia- for months and featured members of Los Young Beats, Los Speakers and Siglo Cero. Their only LP, recorded in Spain and released in Colombia only in 1974, was a turning point in the history of Colombian rock, an album full of funk, soul, cumbia and currulao that maintains a fast pace from start to finish. After unsuccessful attempts to establish themselves in Europe, the group parted ways; some members returned to Colombia and others stayed in Europe as part of La Banda Salsa, a vibrant and little mentioned chapter in the history of Latin rock. Roberto Fiorilli, the stand-out drummer of Colombian rock, returned to his native Italy. Over the following five decades, the myth of Columna de Fuego, that wonderful Bogota rock band that dared to experiment with the music of the Colombian coastline, grew. The curiosity of musicians interested in the traditional music and folklore of the coasts since the late 80's, the consequent mixture of different musical genres (modern and roots) at the end of the 20th century and the almost impossible desire of collectors to find a copy of the album or one of the band's single...

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Fruko y sus Tesos

El Violento

Release: 2023 / EU – Original

Genre: Organic Grooves

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An undeservedly obscure Fruko album from 1973, full to the brim with unrelentingly hard and heavy salsa bangers that never let up (hence the title, "The Violent One"). The record is a pleasing mix of originals and covers and contains the anthems 'Tronco seco', sung by Wilson Saoko, and 'Nadando', a hit for Joe Arroyo. But there's a whole lot more, including hot holiday tunes and the stomping descarga 'Salsa Na' Ma'. This album is "all killer and no filler", designed to set the dance floor ablaze! Details:The 1973 album "El Violento" was the fifth full-length salsa LP led by Julio Ernesto Estrada Rincón, aka Fruko, and the second credited to Fruko Y Sus Tesos. Though it did not contain hits like 'A la memoria del muerto' or 'El Preso', it's a collector's item today in places like the US, Europe and Japan, perhaps precisely because it is obscure yet full to the brim with unrelentingly hard and heavy salsa bangers that never let up from start to finish (hence the title, which translates as "The Violent One"). A mix of originals and interesting covers, the LP is "all killer and no filler", purposely designed to set the dance floor ablaze. It features Fruko's two main vocalists that took over from the first pair of Humberto "Huango" Muriel and "Píper Pimienta" Díaz, namely the beloved duo of Alvaro "Joe" Arroyo and Wilson "Saoko" Manyoma. Los Tesos were a talented "wild bunch" who listened to their fearless leader, with Fruko holding down the bottom end on electric bass, Hernán Gutiérrez in the piano chair, the Villegas brothers on hand percussion (Jesús tickling the bongos and Fernando slapping the congas), augmented by Rafael Benítez on timbales and an ace horn section of Freddy Ferrer and Gonzálo Gómez (trombones) and Jorge Gaviria and Salvador Pasos (trumpets). While "El Violento" may not be as well known as some Fruko records, it certainly deserves a new look and should be assessed on its own merits as a very powerful, confident entry in the historical evolution of Colombi...

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Melcochita Y Su Conjunto

Dejen Bailar Al Loco

Wganda Kenya / Kammpala Grupo

Release: 2023 / EU – Original

Genre: Organic Grooves

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Despite his popularity in Peru as a famous comedian, Melcochita devoted himself to music for many years and worked as in-house studio musician for the label Discos MAG, taking part in countless sessions. This album was recorded between 1967 and 1968, accompanied by the orchestras of Betico Salas, Joe di Roma, Nilo Espinoza, Carlos Muñoz and Tito Chicoma. The album comprises amazing guarachas, mainly international hits, and the hilarious bolero 'Cobardía' where Melcochita brings in his comedian talent. First time reissue! - Back in 1968, the year "Dejen bailar al loco" was released, Pablo was still known as Pacocha (the name of a popular brand of soap) and worked during the day as a session musician for the MAG label. At night, from eight to six in the morning, he used to play percussion in clubs. Then, at the weekends, he performed on the popular variety show La Peña Ferrando, which featured "Quality acting; very funny, simple sketches", impersonations and musical performancs. Most of the guarachas on the album are international hits, such as 'El limoncito' and 'Pa' gozá candela'. The track, 'Quiero casarme contigo' has Mexican origins, and it has been adapted to guaracha style by Betico Salas' orchestra. The humorous 'No es un gato' hails from Colombia, while 'Ahorita va a llové' and 'Carta de mamita' come from Cuba. 'Dejen bailar al loco' and 'Libre de pecado' are also from the Caribbean Island. 'Cobardía' and 'Dos almas' are classic boleros, which were already part of the repertoire of most singers back then and were also included on this album. The only way to perform them to the demanding audience at La Peña without being booed was to put a new spin on the songs, deconstruct them and reinvent the structure, as the Tito Chicoma and Joe di Roma orchestras did, and above all Melcochita, who sang them in a supernatural voice and a created Creole scat that must have wowed the audience, who would then burst into applause and laughter, going home happy after a great night out.

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Release: 2023 / EU – Original

Genre: Organic Grooves

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A wild and funky collection of Afro grooves that was ahead of its time in 1977 and has become a collector's item in recent years, especially due to the growing international interest in Colombian picó sound system culture. Fruko and his studio bands Wganda Kenya and Kammpala Grupo treat us to a diverse set of African and Caribbean styles, laced with crazy synths, psychedelic guitar and infectious pan-African polyrhythms.First time reissue. 180g vinyl. By the time Discos Fuentes released the album "Wganda Kenya Kammpala Grupo" in 1977, Wganda Kenya's discography was expanding with many 45 singles and appearances in various artists collections. The group's 1975 debut record "Africa 5.000" was a full length LP in the U.S. and a various artists compilation in Colombia, which was followed by the self-titled long player the following year. However, Kammpala Grupo, which shared the album's title and was credited to three songs on the record, had never appeared before, yet was basically the same studio group as Wganda Kenya. Most likely the creation of this short-lived studio band was just a ploy by the label to make it seem like there were more groups playing the type of exotic afro tracks favored by the picotero DJs of Colombia's Caribbean coast (especially in Barranquilla and Cartagena).The record kicks off with the joyful 'El Gallo Africano' which features exquisite interplay between Sepúlveda's highlife style guitar and an authentic-sounding African style saxophone, perhaps played by Carlos Piña. In reality it was 'Go Call Police Chief' by prolific Nigerian highlife guitarist Chief Oliver Sunday Akanite, aka Oliver De Coque. Next up is Kammpala Grupo's 'La Yuca Rayá' ('Grated Yuca'), written by Isaac Villanueva in a style he termed son haitiano which sounds much more like Zimbabwe Shona mbira music. Wganda Kenya's 'Caimito' (star apple, a type of tropical fruit), on the other hand, is actually a cover of a relatively well-known Haitian merengue song.Kammpala Grupo then takes us from the...

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Afrosound

Carruseles

LP | 2023 | Original (Vampisoul)

Release: 2023 / EU – Original

Genre: Organic Grooves

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HIGHLIGHTSAfrosound's third full-length LP is a sought-after collector's record because it's full of funky, crazy tropical afro-psychedelia with a reputation for being one of Discos Fuentes freakiest releases of the 1970s. With vintage synths, fuzz-wah guitar and Fruko's heavy bass, "Carruseles" is a wild carousel ride of cumbia and salsa that has now been lovingly reissued in replica form for today's Colombian music connoisseurs to rediscover. First time reissue. 180g vinyl. DESCRIPTIONAfrosound was born from the desire of Discos Fuentes vice-president José María Fuentes to come up with a domestic version of the emerging African and Latin rock sounds coming from outside the country, inspired by groups like Osibisa and Santana. The mission was to emulate the guitar-heavy tropical sounds emanating from Perú and Ecuador at the time. According to various sources, the 1972 tune 'La danza de los mirlos' (by Peru's Los Mirlos) emerged as a great success in Colombia and with it a new way of interpreting the country's most famous musical export, namely cumbia, through a Peruvian perspective. In their perpetual competition with Sonolux, Fuentes executives gathered a veteran team of musicians the following year to address this musical "invasion" from Peru because they sensed a potential for similar success. Released in 1974, Afrosound's "Carruseles" is the band's third long play and is one of their most sought-after records, with good reason. The recording continues the fantastic mix of psychedelic guitar, exotic keyboards, deep bass and heavy Afro-Caribbean rhythms of its predecessors, but this time around the band really stretches out on a couple of numbers, making it arguably their most experimental and entertaining. Once again Fruko is at the helm in the studio, simultaneously holding it down and allowing the musicians to explore their most spaced-out fantasies. His trusty mentor, Mario "Pachanga" Rincón, returns to the mixing console, pulling all sorts of sonic tricks with edits, pan...

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Poppy Y Sus Piranas

Quiero

34,99 €*