Vinyl, CD & Tape Preorder 6485 Items

Release: 1984 / UK – Reissue

Genre: Pop

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Run-DMC Super Audio CD Edition

Run DMC

CD | 1984 | US | Reissue (Mobile Fidelity Sound Lab)

50,99 €*

Release: 1984 / US – Reissue

Genre: Hip Hop

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This One Is For The Party Translucent Red Vinyl Edition

Trammps

LP | 1984 | EU | Reissue (Music On Vinyl)

12" | 1984 | EU | Reissue (Best Record Italy)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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180 GRAM AUDIOPHILE VINYL
1984 ALBUM FEAT. THE SINGLES “SHOUT”, “TWENTY-FIVE MILES”,
“I WILL BE HERE FOR YOU” AND “MOVE”

REMASTERED AUDIO AT THE ARTONE STUDIO IN HAARLEM, THE NETHERLANDS
FEATURES GUEST PERFORMANCE BY DUTCH FEMALE GROUP MAI TAI ON
“I DON’T KNOW (ONE FOR THE PARTY)”

EXPANDED EDITION INCLUDING THE EXTENDED VERSION OF HIT SINGLE “MOVE”
AS BONUS TRACK

40TH ANNIVERSARY EDITION OF 500 COPIES ON TRANSLUCENT RED COLOURED VINYL

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Randy Wiper

I'd Like To Know

Magical Ohashi Junko No Sekai Iii Clear Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Randy Wiper is only known for this highly sought-after 100% pure Italo-Disco song from 1984, but the reason why he hasn't published anything else is that the artist embarked on a career as a film actor immediately after. The beginning of the song "I'd Like To Know" could be divided into three, the pattern of which is repeated in the subsequent instrumental parts, the piece possesses the sidereal energy of space disco. When it seems that we will leave the planet on board a shuttle, the soloist's voice enters, full of personality, it is that of Marcello Arcangeli and has the gift of inflections that sometimes recall that of Roy Orbison, at other times that of David Bowie. What remains most imprinted on the listener is the romantic part of the ballad, highlighted by the piano and passion. Finally there is the chorus which sounds exclamatory, imploring, but at the same time casual and danceable. Through a unique theme, that of a rare piece like "I'd Like To Know", we explore space, the heart, the disco.

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Junko Ohashi

2LP | 1984 | JP | Reissue (Universal Music Japan)

69,99 €*

Release: 1984 / JP – Reissue

Genre: Pop

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A 2-disc set of the best albums released in 1983, including songs that appeared for the first time and were released on an album for the first time, such as "Love is Magic", a duet with Yoshinori Monta, and "A Love Affair", which was released as a commercial song for Clarion. Limited re-release on vinyl!

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Mean Machine Black Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Mean Machine Galaxy Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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12" | 1984 | UK | Reissue (Soundway)

Barbara Hernandez

All Nite Tonight

15,99 €*

12" | 1984 | EU | Reissue (Disco Segreta)

Release: 1984 / UK – Reissue

Genre: Organic Grooves

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Cult soca disco 12", produced by Leston Paul and originally released in 1984 - now available in full vocal and instrumental versions for the first time in 40 years.Barbara Hernandez was working as a backing singer for Kool and the Gang in New York at the time the track was recorded, and the session featured their horn section as well as a who"s who of the Trinidad music scene for what would be Barbara"s only solo release. Suffering from poor distribution at the time of release, the 12" failed to make waves at the time but is now lovingly remastered and cut loud, a sure fire dancefloor filler.

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Pat & Pats

Tobago

19,99 €*

And The Cannons Of Destruction Have Begunp Picture Disc Edition

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Disco Segreta announces DS M 006 official repress of 1984 italo-boogie track “Tobago” by Pat&Pats. “Tobago Bay Tobago Night / No quiero casi ni pensar / Será feliz cerca de ti / Verano largo sin final" Ever dreamt to travel to Trinidad&Tobago?
Disco Segreta makes this dream come true with its 6th release: the much awaited officially licensed reissue of this tropicalo-disco synth bass boogie atomic bomb, from the original analog masters. Written in late 1983 by Mario Baldoni aka Miro (of “Real Life Games” LP (1977) and Brina’s “Stranamore” (1984) 7” fame), was originally released in July 1984 on the small Pineapple label – a sublabel of Armando Sciascia’s “Vedette” – with close to no success and a pressing fault: a glitch on the vocal version, that affected all
copies.
This tropical summerish blend of italo and boogie, along with the male/female alternate spanish/english singing, turned into a true classic of the genre over the years, slowly making the playlists of the most respected DJs and diggers worldwide.
The 4-tracks 12" features the original vocal and instrumental versions in their original lenght, carefully dubbed from the analog stereo masters and taken back to new life through Disco Segreta’s usual respectful mastering. Also, two new remixes are
featured. “Miro’s Piano Paradise” on A2, is the truly unique chance of a new revamped version by the track original author, resulting in a balearic-infused mellow rework, inspired to 1989-1993 italian house era, whose key elements were – among others -
repeated melodic piano chord progressions alongside lustful female vocals and the blueprint factory presets sounds of the likes of KORG M1, Roland TB-909, and D50. Flipside sees on B2 the chiefs of Berlin’s “Oscillator” and “Dancing for Mental Health”
parties, Tom Bolas & Andrea Dama, working with their “Bolas&Dama Dub”, a contemporary rendition of a possible “Dub” version of Tobago.

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Warlord

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Lost And Lonely Days / Aliens Picture Shape Disc Edition

Warlord

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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'74 Jailbreak Gold Nugget Vinyl Edition

AC/DC

LP | 1984 | EU | Reissue (Sony Music Catalog)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Born In The U.S.A. 40th Anniversary Red Vinyl Edition

Bruce Springsteen

LP | 1984 | EU | Reissue (Sony Music Catalog)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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EP-LP Black Vinyl Edition

Subhumans

LP | 1985 | US | Reissue (Pirates Press)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Live At "Ex Mattatoio" In Roma

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Friction

LP | 1985 | JP | Reissue (P-Vine)

35,99 €*

Whitney Houston SuperVinyl 180g 33rpm LP Edition

Release: 1985 / JP – Reissue

Genre: Rock & Indie

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Friction is one of the first Japanese punk bands and formed by Reck, Chiko Hige and Lapis in Tokyo in March 1978, and now the band is still keeping active. Reck and Chiko Hige had previously been on the NY no wave scene as founding members of James Chance and the Contortions, and brought back the experience and influence to the Japanese music scene. It's no exaggeration to say that the band laid the foundation for alternative music in Japan. P-vine is proud of reissuing all of their albums on vinyl.

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Whitney Houston

LP | 1985 | US | Reissue (Mobile Fidelity Sound Lab)

74,99 €*

LP | 1985 | JP | Reissue (P-Vine)

Release: 1985 / US – Reissue

Genre: Pop

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SOURCED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 4,000 NUMBERED COPIES:

MOBILE FIDELITY'S 180G SUPERVINYL LP PRESENTS 1985 BLOCKBUSTER IN AUDIOPHILE SOUND, PLAYS WITH EXCEPTIONAL CLARITY
PCM digital master to analogue console to lathe

Whitney Houston’s self-titled debut album has few parallels. Viewed solely through the lens of sales numbers, Whitney Houston is a watershed statement on par with the most commercially successful and culturally dominant LPs ever released. Having sold more than 14 million copies in the U.S. and upwards of 25 million units worldwide, the 1985 LP became the equivalent of the television show or blockbuster film that everyone collectively experiences and discusses. Nearly four decades later, it’s lost none of its appeal or magnetism — and its artistic significance and historical import have only grown.

Sourced from the original master tapes, pressed at RTI on MoFi SuperVinyl, and strictly limited to 4,000 numbered copies, Mobile Fidelity's 180g SuperVinyl LP of Whitney Houston presents the breakthrough in audiophile sound for the first time. The signature traits Houston exhibits on every song — her three-octave range, radiant warmth, personal conviction, impossibly controlled register — come across with exceptional clarity, focus, and presence. Free of artificial ceilings and constricted dynamics, this reissue plays with an openness, airiness, and balance that put the singer’s once-in-a-lifetime instrument and immortal artistry into proper perspective.

It does the same for the songs’ cascading melodies and captivating arrangements. Individually produced by one of four renowned industry veterans — Kashif, Micheal Masser, Jermaine Jackson, and Narada Michael Walden — each composition feels grander, closer, more genuine. A vocal spectacular, Whitney Houston benefits from the high-end characteristics of SuperVinyl, which include a nearly inaudible noise floor, superb groove definition, and dead-quiet surfaces. This is how an album that changed the direction of popular music — opening previously inaccessible doors for Black artists; bringing smooth-singing vocalists back into the mainstream; kickstarting a movement that soon included several “divas” who would command the charts through the early 21st century — should look and sound.

Though Houston’s seemingly effortless performances suggest otherwise, creating the record Rolling Stone ranks as the 257th Greatest Album of All Time wasn’t easy. Nearly 18 months were required to identify songs suitable for a still-unknown singer who did not fit into the conventional frameworks of the mid ‘80s. Confident, powerful, and prodigiously talented, Houston would forge her own parameters with Whitney Houston. In the process, she obliterated the stubborn lines between R&B and pop, Black and white radio. She dared to reimagine who could be a superstar and then went out and defined the role. Recorded for nearly $400,000 and released on Valentine’s Day, the LP exceeded the wildest expectations of those most closely associated with it — save for Houston and her family.

Having made her first public appearance at the age of 11 singing at a Baptist church, Houston understood pressure and knew her way around, inside, and through a song. The invaluable guidance and support she received from her mother, Cissy, an accomplished gospel vocalist who backed Aretha Franklin and Elvis Presley, are on display throughout Whitney Houston. They arrive in the types of authoritativeness, discipline, and diction rare for even most seasoned veterans — and unheard-of for a 21-year-old newcomer. Houston brings a soulful elegance, understated glamour, and in-the-moment rapture to every note. Moving up, down, or staying in the middle of the vocal ladder; channelling softness or sweetness; showing restraint or increasing the volume, she is a marvel of emotionalism, a dynamo who can seamlessly transition from one mood to another within a verse.

Though the 10-track LP largely concerns itself with the ballad tradition, Houston covers the bases, getting into an R&B groove on the fleet “Thinking About You,” turning up the heat on the duet “Take Good Care of My Heart,” and investing the contagious dance-pop confection “How Will I Know” with all the anxiety, hope, energy, and enthusiasm its lyrics demand. Featuring her mom on background vocals and Houston’s pitch-perfect tone, uncanny precision, and skyscraper highs (no AutoTune here, friends), the synth-based anthem propelled Whitney Houston into the stratosphere, the vocalist into regular MTV rotation, and the term “crossover” into popular parlance. The double-platinum single reached No. 1 on the Hot 100, Hot R&B, and Adult Contemporary charts — a trifecta that foreshadowed accomplishments that would ultimately crown Houston as the most-awarded female artist of all time.

Whitney Houston became the first album by a Black female performer to top the Billboard charts. It remained there for 14 non-consecutive weeks en route to claiming the title of the best-selling LP of 1986. It stands as the first debut and first album by a solo female artist to spawn three No. Hits, as well as the first album by a Black female artist to top the year-end charts in Australia and Canada. These are just a handful of the accolades — along with four Grammy nominations — that surround a set that also contains the unforgettable ballad “Saving All My Love,” string-accompanied “Greatest Love of All,” and sensual “You Give Good Love.”

As TIME observed in an article written two years after the album took the world by storm: “This is infectious, can't-sit-down music, and her performance dares the listener not to smile right back.” We’re still smiling.

SACD

Sourced from the original master tapes and strictly limited to 3,000 numbered copies, Mobile Fidelity's hybrid SACD of Whitney Houston presents the breakthrough in audiophile sound for the first time. The signature traits Houston exhibits on every song — her three-octave range, radiant warmth, personal conviction, impossibly controlled register — come across with exceptional clarity, focus, and presence. Free of artificial ceilings and constricted dynamics, this reissue plays with an openness, airiness, and balance that put the singer’s once-in-a-lifetime instrument and immortal artistry into proper perspective.

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Noidunzuri

Houyou

35,99 €*

LP | 1985 | AU | Reissue (Remote Control)

Release: 1985 / JP – Reissue

Genre: Rock & Indie

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The long-awaited LP reissue of the avant-garde pop band "Noizunzuri," acclaimed as the Japanese Neu!, is here. This first album, originally released in 1985 through Telegraph, features the enigmatic participation of Jun Togawa on vocals. It's a bizarre record that represents indigenous Japanese rock originating from Kyoto!

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Ed Kuepper

Electrical Storm

51,99 €*

Release: 1985 / AU – Reissue

Genre: Rock & Indie

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LP | 1985 | Reissue (Universal)

Pete Townshend

White City: A Novel Hsm

33,99 €*

Release: 1985 / Reissue

Genre: Rock & Indie

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Behind The Realms Of Madness Black Vinyl Edition

Sacrilege

2LP | 1985 | EU (Radiation Reissues)

Behind The Realms Of Madness Orange Vinyl Edtion

Release: 1985 / EU

Genre: Rock & Indie

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Having played with the likes of influential movers and shakers on the anarcho-punk scene Antisect and Icons of Filth, on their first full-length LP, Birmingham’s Sacrilege established themselves as a unique force to be reckoned with, wreaking havoc on what we could classify as sonic tropes belonging to a spectrum of subgenres dealing in the extremes: hardcore, doom, and thrash. Fronted by Lynda ‘Tam’ Simpson and her seizure-inducing spells injected with a fierce, sociopolitical-cum-mythopoeic banshee bite (but not wanting to understate the line-up of Damian Thompson on guillotine-quick/milkshake thick guitars) - the six-track onslaught is every bit as crushing as the title suggests. From depraved dungeon synth-scapes on opener Lifeline to the planet-flattening funeral toll of The Closing Irony, one question remains: One riff to rule them all? Yes.

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Sacrilege

2LP | 1985 | EU (Radiation Reissues)

LP | 1985 | EU | Reissue (Sony Music Catalog)

Release: 1985 / EU

Genre: Rock & Indie

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Sade

Diamond Life

Release: 1985 / EU – Reissue

Genre: Pop

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LP | 1985 | EU | Reissue (Sony Music Catalog)

Sade

Promise

Release: 1985 / EU – Reissue

Genre: Pop

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Crime & The City Solution

Just South Of Heaven Blue

LP | 1985 | UK | Reissue (Mute)

34,99 €*

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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2LP | 1985 | EU | Reissue (Rotorelief)

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Alesia Cosmos

Aeroproducts

39,99 €*

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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Giving You Love / Sassy Lady Record Store Day 2024 Edition

Superior Elevation

7" | 1985 | UK | Reissue (Selector Series)

15,99 €*

12" | 1985 | EU | Reissue (Thank You)

Release: 1985 / UK – Reissue

Genre: Organic Grooves

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Genre-busting re-issue label Selector is delighted to unveil the reissue of Superior Elevation's soulful obscurity, 'Giving You Love.' Originally released in 1985, this cherished gem hails from the heart of Lake Charles, Louisiana, encapsulating the band's profound connection to the soulful roots of their hometown. In the realm of rare finds, Superior Elevation's 'Giving You Love' stands as an elusive treasure. Original copies are virtually impossible to find, turning this reissue into an invaluable opportunity for collectors and soul music enthusiasts alike. The scarcity of the original release, coupled with its intrinsic soulful sophistication, makes this reissue a must-have addition for those searching for killer dancefloor obscurity. Selector Series is proud to present this soulful masterpiece on a limited edition 7-inch vinyl record, remastered and pressed on heavyweight vinyl. This reissue features new artwork including a captivating new company sleeve and redesigned labels, paying homage to the visual aesthetic of the original 1985 release.

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Filippini

Listen To Your Heart

17,99 €*

Burn On The Flames Clear Vinyl Edtion

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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This EP could arguably be the peak expression of Filippini's, (aka Enrico “Big City” Filippini) career in Italo-Disco. Without doubt a more polished pinnacle within the genre, elegantly and efficiently conceived, with less grammar mistakes than many of its contemporaries. Downtempo paced in the low 100's, Enrico takes his time with the nostalgic lyrics in confident efforts of mending some questionable past romantic affairs. A production with melancholic nuances that would very deservingly find its place in a mix by the late visionary DJ Zecky for example. The kind of track that could be played 3 times in a row before offending anyone, very digestible to the ear, a delightful pleasure for the less sober soul, to be served with cocktails and high SPF sunscreen, just cruising along.

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Paul Paul

12" | 1985 | EU | Reissue (I.D. Limited)

Release: 1985 / EU – Reissue

Genre: Electronic & Dance, Pop

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Burn On The Flames Black Vinyl Edtion

Paul Paul

12" | 1985 | EU | Reissue (I.D. Limited)

Release: 1985 / EU – Reissue

Genre: Electronic & Dance, Pop

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Torment In Fire Picture Disc Vinyl Edition

Sacrifice

LP | 1985 | EU | Reissue (High Roller)

7" | 1985 | US | Reissue (Prime Time)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, picture disc, ltd 500, handnumbered, lyric sheet, deluxe plastic bag, mastered for vinyl by Patrick W. Engel at Temple of Disharmony in March 2021.

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On Tap

Rug Burns

18,99 €*

12" | 1985 | UK | Reissue (VP)

Release: 1985 / US – Reissue

Genre: Organic Grooves

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Reissue of an obscure SoCal funk song originally released in 1985 by ISY Martin. The b-side redux is by modern funk pioneers XL Middleton & Zackey Force Funk. Already a certified Orange County, California classic. Out on Prime Time Records.

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Tenor Saw

Ring The Alarm

Release: 1985 / UK – Reissue

Genre: Reggae & Dancehall

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LP | 1985 | EU | Reissue (Proper)

Julian Cope

Fried

32,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Fables Of The Reconstruction

R.E.M.

LP | 1985 | Reissue (Universal)

28,99 €*

Release: 1985 / Reissue

Genre: Rock & Indie

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Open The Gates Picture Disc Edition

Manilla Road

LP | 1985 | EU | Reissue (High Roller)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | EU | Reissue (Beat Generation)

The Squirt

Men And Their Masters

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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29:29 Split Vision Black Vinyl Edition

Subhumans

LP | 1986 | US | Reissue (Pirates Press)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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Total Anarchoi Colored Vinyl Edition

Oi Polloi

LP | 1986 | UK | Reissue (Step 1)

Monolith Red Vinyl Edition

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Re-release of the classic Oi Polloi compilation that features some of the band's best studio tracks from years past, as well as a live side recorded in their hometown of Edinburgh.

The whole album has been completely re-mastered, the "live" side now features the whole gig without any breaks between the tracks so is now one long recording.

Limited edition Color Vinyl with a printed inner bag including lots of new sleeve notes by Deek.

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Amebix

LP | 1986 | UK | Reissue (Back On Black)

26,99 €*

2LP | 1986 | UK | Reissue (Crass)

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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"Monolith" is the second studio album by the British crust punk band Amebix, originally released in 1987 and now made available again by Back On Black on limited edition blood red vinyl!

Formed as "The Band With No Name", Amebix's original run was from 1978 to 1987, during which time they released three EPs and two full-length LPs. "Monolith", the band's second studio album, was originally released in 1987. Shortly after its release, Amebix disbanded, and "Monolith" would be their final studio album until they reunited in 2008. By being one of the first bands to blend anarcho-punk and heavy metal music, Amebix are often cited as one of the key bands that helped to create the crust punk genre. Such notable bands as Sepultura, Neurosis and Deviated Instinct have paid homage to the band.

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Crass

Best Before 1984

49,99 €*

Ten Notes On A Summer's Day - The Swansong

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Best Before 1984 is a compilation of Crass' singles and other tracks, released in 1986, including lyrics and a booklet ('...In Which Crass Voluntarily 'Blow Their Own'") which details the history of the band in their own words. The album was named in reference to the notion that 1984 was the band's 'sell by date', the year that they had often publicly stated that they would split up. Indeed, the band ceased gigging and recording in that year. For many years, there were plans to release an expanded edition of Best Before 1984, which will include currently unavailable material (such as the 'Merry Crassmas' and 'Whodunnit?' singles) and rarities, in the same vein as the 'Crassical Collection' re-releases of the band's albums. These plans finally came to fruition in 2019, with the announcement of an expanded two-disc version of the album."

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Crass

LP | 1986 | UK | Reissue (Crass)

39,99 €*

12" | 1986 | EU | Reissue (Rush Hour)

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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The sixth release in the Crassical Collection reissues. Crass member Penny Rimbaud fills in the gaps—"'Ten Notes On A Summer's Day' nudged itself towards modern European atonality, and us completely out of the rock'n'roll arena. In this sense, it truly was a swansong."

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Zenana

Witches

17,99 €*

Convicted Black Ice With Red White And Cyan Blue Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie, Pop

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Rush Hour’s RSS series excels in unearthing buried treasure, offering a second chance for artists and releases that have long been overlooked. That’s certainly the case with ‘Witches’, the superb sole single by British 1980s wave trio Zenana.

Originally released on seven-inch by the tiny PRM label in 1986, ‘Witches’ was the product of a sister-brother songwriting team whose music was mostly recorded in the front room of a terraced house in Nanpean, a small industrial village in Cornwall, England’s most south-westerly county. While the single was infectious, impeccably produced and dancefloor-ready, it sold in limited quantities at the time.

Zenana’s story can be traced back to the early 1980s, when singer-songwriter Anita Tedder founded the all-female trio as a vehicle for her musical ambitions. To bring her songs to life, she joined voices with her brother Mike, an early adopter of electronic music who had built a studio – nicknamed MFR, short for ‘Mike’s Front Room’ – in his Cornish home.

Countless Zenana tracks were recorded at ‘mfr’ between 1984 and ’86, with the resultant demo cassette securing the band a management contract, a slew of live bookings, a video shoot and even a television appearance. Buoyed by this underground success, they headed to the remote Sawmills Studio in Cornwall – famously only accessible by boat – to re-record ‘Witches’, a song inspired by local folk tales of witches gathering near Mike’s home.

While this version of ‘Witches’ failed to make an impact at the time, it has become something of a cult classic following its’ rediscovery by crate digger Kiernan Abbott – and subsequent championing by other dusty-fingered DJs including Antal, Skyrager, Trevor Jackson and Luke Una – in early 2023. The buzz inspired Zenana to perform live again for the first time in decades, with the story of their surprise comeback being covered by British media outlets including the BBC and (more surprisingly) the Daily Mail.

Now presented in re-mastered form, ‘Witches’ is a genuinely slept-on gem. Propelled forwards by punchy drum machine beats, a killer synth bassline and fizzing keyboard sounds, the song benefits greatly from strong vocals and an extra-percussive middle eight layered with vocalisations, cosmic spoken word sections and swirling noises.

It comes backed by a brand-new extended ‘spell of love’ courtesy of Bristol duo Bedmo Disco, AKA music journalist Matt Anniss (author of Join The Future: Bleep Techno and the Birth of British Bass Music) and DJ/production partner Gareth Morgan. Anniss is a long-time friend of Mike and Anita Tedder who has fond memories of visiting Mike’s home studio with his family around the time that ‘Witches’ was recorded.

Working from Zenana’s original MFR eight-track recording (tapes of the single version were lost years ago), Anniss and Morgan have turned in the extended ‘dance mix’ the track never had first time around. More atmospheric, clandestine and dancefloor-focused, it offers authentic nods to New York proto-house, mid-80s Shep Pettibone dubs, and the pioneering synth-pop productions and dub mixes of Factory Records regular Martin Rushent.

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Cryptic Slaughter

LP | 1986 | Reissue (Relapse)

Release: 1986 / Reissue

Genre: Rock & Indie

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Winds Of War Black Vinyl Edition

Iron Angel

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Winds Of War Galaxy Vinyl Edition

Iron Angel

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Feedback '86 Vinyl Edition Re-Issue 2024

Steve Hackett

LP | 1986 | EU | Reissue (Insideoutmusic Catalog)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1986 | JP | Reissue (Universal)

Yukako Hayase

So Utsu

51,99 €*

Crime & The City Solution

Release: 1986 / JP – Reissue

Genre: Electronic & Dance

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Yukako Hayase released her debut album on Sixty Records in 1986. Yasushi Akimoto handled the lyrics and production for all but one of her songs. With her laid-back voice, worldly-wise attitude, and European-inspired sound, this album has gained renewed appreciation in recent years for its ahead-of-its-time vibe.

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Room Of Lights Yellow

LP | 1986 | UK | Reissue (Mute)

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Strange Times Re-Mastered Colored Vinyl Edition

The Chameleons

3LP | 1986 | UK | Reissue (Blue Apple Music)

57,99 €*

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Weird Love Pink Vinyl Edition

The Scientists

LP | 1986 | US | Reissue (Numero Group)

Into The Dark Past Picture Disc Edition

Release: 1986 / US – Reissue

Genre: Rock & Indie

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Unhinged Aussie grunge captured just as the Scientists were imploding/attempting to explode. Recorded over three days in February 1986, Weird Love is the band''s last ditch effort to bring their bad vibes to bedrooms the world over, a colossal failure and brilliant mistake that sounds best when blasting out of 1982 Corolla's blown Alpine tweeters.

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Angel Dust

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Fight For Your Life Black Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Fight For Your Life Galaxy Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Running Hot Black Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Running Hot Galaxy Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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The Deluge Picture Disc Edition

Manilla Road

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Brown Sugar Remastered Black Vinyl Editoin

Dennis Brown

LP | 1986 | EU | Reissue (RAS)

Release: 1986 / EU – Reissue

Genre: Reggae & Dancehall

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7" | 1986 | EU | Reissue (Digikiller)

John Holt & Alton Ellis

Live & Love

12" | 1987 | EU | Reissue (Hmv Record Shop/Lawson (Japan))

Release: 1986 / EU – Reissue

Genre: Reggae & Dancehall

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Killer combination roots tune from these two legends. Released in 1986, but the music sounds more in a 1980-81 Roots Radics style. Backed with hard dub version.

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Kentaro Haneda

We Love Wizardry

44,99 €*

LP | 1987 | US | Reissue (CBS)

Release: 1987 / EU – Reissue

Genre: Soundtracks

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This masterpiece of game music is finally reissued on vinyl! Kentaro Haneda, a composer/arranger and pianist who boasts Japan, overdubbed a synthesizer in 1987 by playing directly by hand instead of typing. An album that transcends the boundaries of video game music, composed of symphonic songs.

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Yumi Tanimura

Believe In

69,99 €*

Release: 1987 / US – Reissue

Genre: Pop

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LP | 1987 | US | Reissue (Warner)

Luis Miguel

Soy Como Quiero Ser

Release: 1987 / US – Reissue

Genre: Pop

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Trouble Purple Vinyl Edtion

Girly

12" | 1987 | EU | Reissue (I.D. Limited)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance, Pop

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Trouble Black Vinyl Edtion

Girly

12" | 1987 | EU | Reissue (I.D. Limited)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance, Pop

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Forward To Terminaton Picture Disc Vinyl Edition

Sacrifice

LP | 1987 | EU | Reissue (High Roller)

Jeremy Gluck With Nikki Sudden & Rowland S Howard

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, picture disc, ltd 500, handnumbered, lyric sheet, deluxe plastic bag, mastered for vinyl by Patrick W. Engel at Temple of Disharmony in March 2021.

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I Knew Buffalo Bill Record Store Day 2024 Edition

LP | 1987 | UK | Reissue (Glass Modern)

22,99 €*

LP | 1987 | US | Reissue (Fire)

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Reissue of the classic 1987 LP by former Barracudas vocalist, Jeremy Gluck in collaboration with Nikki Sudden (Swell Maps + Jacobites) & Rowland S Howard (The Birthday Party + These Immortal Souls) with contributions from Jeffrey Lee Pierce (The Gun Club) and Epic Soundtracks (Swell Maps + Crime & The City Solution). The original LP track 'Hymn' has been removed (Jeremy never liked the vocal) and replaced with a different sounding reprise of the opening track 'Looking For a Place To Fall' at the end of side one, making it feel like a suite. New liner notes by Jeremy Gluck. Soviet Red Vinyl

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Spacemen 3

A Perfect Prescription

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Mystification Picture Disc Edition

Manilla Road

LP | 1987 | EU | Reissue (High Roller)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Canopy)

Myke Moul

Oppressor

7" | 1987 | EU | Reissue (Digikiller)

Release: 1987 / EU – Reissue

Genre: Organic Grooves

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The label say: This release marks the first complete album reissue on Canopy. Originally released in Nigeria in 1987, “Oppressor” was executive produced by Myke Moul himself and distributed domestically by EMI Nigeria & Tropic Records.

“Oppressor”, the album, finds the sweet spot between synth reggae, boogie, and euphoric Balearic island vibes.

Written by Myke Moul and arranged in collaboration with reggae star Majek Fashek in Nigeria, it was later re-crafted and recorded in France with a host of French musicians. Most notably the contribution of multi instrumentalist Pierre de St Front added engaging synthesiser parts and electronic drums.

Unfortunately the pressing of the album suffered from inherent technical flaws which adversely affected the sound quality and therefore even those lucky enough to find a copy, will not be able to enjoy it without considerable sonic defects. Therefore this remastered reissue will prove welcome to both collectors and new discoverers.

The titular track “Oppressor” stands out as a mid-tempo synth-reggae-boogie jam espousing the turbulent political times in Nigeria that were present in the late 80s. Elsewhere “Shadows in the Rain” is an instrumental cut displaying a jazz-funk sensibility which was unusual for a Nigerian artist at that time, and reflects Myke’s influences outside his home country. “Heading for the Top” is a boogie dance floor gem that shows the popularity of this genre at the time, as evidenced in many Nigerian releases and still sounds just as vital today. “Rescue us. O! Lord” shows Myke’s great song writing and Pierre’s fine musical skills working in tandem to create a reggae boogie tune, displaying the reggae & ska tendencies that were present in pop music in this era, from artists such as Grace Jones, Sly & Robbie or The Police.

All in all, the album demonstrates something fresh & exciting for Nigerian album reissues, touching down in a reggae fusion direction, with some fuller sounding production aesthetics, making the dynamics full and crisp on sound systems while also well suited to home listening.

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Hopeton Lindo

South African Border

Vaughan Mason & Butch Dayo

Release: 1987 / EU – Reissue

Genre: Reggae & Dancehall

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Peak 1987 all time, top tier digital reggae. Killer one-away rhythm and awesome militant vocal from Hopeton Lindo. One of our all time favorite politically conscious reggae tunes, still relevant today. Better still, this release is taken straight from the original master tape and is nearly a full minute longer than the original release, wherein Hopeton drops a bit of our favorite dancehall vernacular. Real hardcore DKR heads will know when they hear it.

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Feel My Love

LP | 1988 | EU | Reissue (Be With)

Life After Romance Colored Vinyl Edition

Release: 1988 / EU – Reissue

Genre: Organic Grooves

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2024 repress.
This release comes on 180g vinyl. If ever an album could transport you to the hazy sunshine and imagined halcyon paradise of Southern California in the mid-1980s, could capture the early evening warmth of hanging at an inclusive boogie jam as it approaches “magic hour” in Santa Ana or Anaheim, then it’s Vaughan Mason and Butch Dayo’s Feel My Love. A brilliantly produced deep slung, low rider funk classic originally released on Salsoul in 1983.

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Picture
Coming Soon

Ned Doheny

LP | 1988 | JP | Reissue (P-Vine)

38,99 €*

Tape | 1988 | Reissue (Relapse)

Release: 1988 / JP – Reissue

Genre: Rock & Indie

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Life After Romance", the fourth album following "Hard Candy" (1976) and "Prone" (1979), the most popular album of his career, and NED DOHENY's only release in the 1980s, is being reissued for the first time on color LP. The most popular song on the album is a self-covered version of "Whatcha Gonna Do For Me?" (Chaka Khan's version was a big hit as you know), but there are also "Love's A Heartache," "Heartbreak In The Making," and many others, The album also includes "Love's A Heartache" and "Heartbreak In The Making," both of which are sweet and soulful ballads as well as up-tempo songs that are full of Ned's unique compositional sensibilities. The musicians featured on the album are also gorgeous, including Jimmy Haslip, Abraham Laboriel, John Robinson, Gary Mallaber, Timothy Schmit, and many more.

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Death

Leprosy

Release: 1988 / Reissue

Genre: Rock & Indie

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Winger Silver Vinyl Edition

Winger

LP | 1988 | US | Reissue (Friday Music)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Heading For Internal Darkness Black Vinyl Edition

Hellbastard

2LP | 1988 | EU (Radiation Reissues)

Heading For Internal Darkness Red Vinyl Edtion

Release: 1988 / EU

Genre: Rock & Indie

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A manic clash of guitars, bass and drums beating each other’s brains out in the same sonic bullring? Check. Despite already (if a little unbeknownst) being considered crust pioneers, by 1988, Hellbastard had firmly inserted themselves, even proudly so, in between a series of bifurcated genre schisms well-protected by those scene’s respected guardians. Their official debut, Heading For Internal Darkness no less perfectly exemplifies that schism. With Wendy V Gill’s haunted-cosmos monologues injecting some transcendental light into the neck otherwise being mercilessly ripped to pieces by Scruff and Scotty’s spaced-out vocal grunts, opener We Had Evidence to the equally arresting elevator-shaft-with-a-mind-of-its-own Death Camp to The Pylons whip up seriously dark whirlwinds into atmospheric dances of rapid energy and relentless spasms of spellcasting drama. Never mind metal, too punk for anything.

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Hellbastard

2LP | 1988 | EU (Radiation Reissues)

LP | 1988 | EU | Reissue (Sony Music Catalog)

Release: 1988 / EU

Genre: Rock & Indie

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Sade

Stronger Than Pride

Release: 1988 / EU – Reissue

Genre: Pop

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LP | 1988 | US | Reissue (Warner)

Luis Miguel

Busca Una Mujer

Release: 1988 / US – Reissue

Genre: Pop

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12" | 1988 | EU | Reissue (Sound Migration)

Zsa Zsa "La Boum"

Something Scary

18,99 €*

To Dust You Will Decay Picture Disc Edition

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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"Something Scary" is probably one of the most representative examples of Belgian New Beat as the genre shifted to Hard Beat, by one of the key figures in the explosion of the early Belgian rave scene Rembert De Smet. Starting with the first few seconds of the track, the listener is presented with what could arguably be one of the most unforgettable New Beat acid bass lines to attack the human ear. Very much in your face, characteristic of a genre that emerges from studio experimentation during a time when Chicago Acid was establishing itself and already contaminating the UK. Although relatively simple in terms of production, the way De Smert employs all the elements at play is ingeniously effective, from the simple vocal sample placement to the bassline, propelling it timelessly throughout decades to follow as an iconic example of the Acid sound in Europe. Re-released with two new remixes by the masterful Anatolian Weapons. Remastered at Manmade Mastering in Berlin.

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Angel Dust

LP | 1988 | EU | Reissue (High Roller)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Ruling The World Black Vinyl Edition

LP | 1988 | EU | Reissue (High Roller)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Ruling The World Galaxy Vinyl Edition

LP | 1988 | EU | Reissue (High Roller)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Strength Of My Life Remastered Edition

Israel Vibration

LP | 1988 | EU | Reissue (RAS)

Release: 1988 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1988 | WW | Reissue (Freestyle)

Rick Clarke

Time Keeps Moving On

28,99 €*

LP | 1989 | US | Reissue (Alternative Tentacles)

Release: 1988 / WW – Reissue

Genre: Organic Grooves

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Freestyle Records drop a killer UK soul/early street soul reissue LP from 1988, in the form of Rick Clarke's hard to come by 'Time Keeps Moving On' album.

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Nomeansno

Wrong Red Vinyl Edition

Last Scream Of The Missing Neighbors

Release: 1989 / US – Reissue

Genre: Rock & Indie

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At last, one of the all-time bat legends, Nomeansno has returned to Alternative Tentacles Records. The entire catalog no less, starting with their most beloved album, Wrong. Using the original all-analog master, from the original mother, as engineered by George Horn, John Wright, and Jello Biafra.

Nomeansno formed in a vacuum, in Victoria, British Columbia in 1979 and honing their sounds for years before relocating to Vancouver and releasing eleven albums over an almost forty year career, including a collaborative album with Jello Biafra, and numerous EPs and singles. Originally formed as a two-piece by brothers John and Rob Wright, and later joined by monster guitarist, Andy Kerr. Mixing hardcore punk, dark lyrics, and sophisticated arrangements boarding on prog, Nomeansno was massively influential and widely regarded as the first band to be referred to as “math rock”.

Originally released on Alternative Tentacles in 1989, Wrong stands on its own and is still considered to be a much-loved classic. Allmusic called the album a masterpiece and a definitive jazz core album. In 2021, the album was voted by the public’s to win the Canadian Polaris Heritage Prize to honor classic Canadian albums released before the creation of the award.

In 2015, drummer John Wright described the album as their “most popular album by a country mile” and to the St. Louis Music Press of Wrong’s success to the rise of alternative music and the success of Nirvana:

“That’s where all the buzz about us came from. We were touring throughout the States in the mid-80s, and we’d get a little bit of an audience here and there, but after a couple of years in Europe, we started doing some big shows there, and all of a sudden, people in the States were coming out to our shows. And we went from getting paid $200 to getting paid $1000. It was just like that. You had to have the buzz, and then it all just kind of blew up.”

Getting Nomeansno vinyl into stores is long overdue, so it all starts here with Wrong. Expect all vintage Nomeansno vinyl to systematically return in the days ahead.

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Jello Biafra With D.O.A.

LP | 1989 | US | Reissue (Alternative Tentacles)

Wrong Black Vinyl Edition

Release: 1989 / US – Reissue

Genre: Rock & Indie

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The album-length result of Biafra's collaboration with long-time associates D.O.A. for the super soundtrack of Terminal City Ricochet! Both DKs and D.O.A. began playing music in the same week of 1978, so perhaps this project was bound to happen. It sure seems like it...

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Nomeansno

LP | 1989 | US | Reissue (Alternative Tentacles)

Big Game Silver Vinyl Edition

Release: 1989 / US – Reissue

Genre: Rock & Indie

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White Lion

Release: 1989 / US – Reissue

Genre: Rock & Indie

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2LP | 1989 | UK | Reissue (Rocket Girl)

A.R. Kane

Skid Row Audiophile Red Vinyl Edition

Release: 1989 / UK – Reissue

Genre: Pop

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The final part of this ‘A.R. Kane reissue collection is 1989’s astonishing double-LP ‘i’ which

followed up on ‘sixty nine’s promise and saw the duo fully unleash their experimental

pop sensibilities over 26 tracks, plunging the A.R. Kane sound into a dazzlingly

kaleidoscopic vision of pop experiment and play. Suffused with new digital

technologies and combining searingly sweet and danceable pop with perhaps the

duo’s strangest and boundary-pushing compositions, the album did exactly what a

great double-set should do - indulge the artists sprawling pursuit of their own

imaginations but always with a concision and an ear for those moments where pop

both transcends and toys with the listeners expectations. Jason Ankeny has noted

that “In retrospect, ‘i’ now seems like a crystal ball prophesying virtually every major

musical development of the 1990s; from the shimmering techno of ‘A Love from

Outer Space’ to the liquid dub of ‘What’s All This Then?’, from the alien drone-pop of

‘Conundrum’ to the sinister shoegazer miasma of ‘Supervixens’ — it’s all here, an

underground road map for countless bands to follow.” Perhaps the most

overwhelmingly all-encompassing transmission from A.R. Kane, ‘i’ bookended a

three year period in which the duo had made some of the most prophetic and

revelatory music of the entire decade.

After ‘i’ the duo’s output became more sporadic with Tambala and Ayuli moving in

different directions both geographically and musically, with only 1994’s ‘New Clear

Child’ a crystalline re-fraction of future and past echoes of jazz, folk and soul, before

the duo went their separate ways. Since then, A.R. Kane’s music has endured, not

thanks to the usual sepia’d false memories that seem to maintain interest in so much

of the musical past, but because those who hear A.R. Kane music and are changed

irrevocably, have to share that universe which A.R. Kane opened up, with anyone

else who will listen. Far more than other lauded documents of the late 80s it still

sounds astonishingly fresh, astonishingly livid and vivid and necessary and NOW.

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Skid Row

44,99 €*

Release: 1989 / US – Reissue

Genre: Rock & Indie

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12" | 1989 | EU | Reissue (Sound Migration)

Zsa Zsa "La Boum"

Tu Veux Ou Tu Veux Pas ?

18,99 €*

Louisa Miller / Wing An' A Prayer Band

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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A much needed release essential to any respectable New Beat record collection. The second and last single for the Zsa Zsa Laboum project, originally released in 1989, shortly after the prolific impact of "Something Scary", although a different formula, "Tu Veux Ou Tu Veux Pas?" is deep in tune with the Belgian Acid aesthetic, but with a more industrial edge to it. Simplistic but effective use of vocals, streamlined to the basics of maximum club efficiency, dark and not trying to make friends - De Smet is here to sell records, and with much success at the time with his honed production experience from years in the studio. Own a very relevant piece of club history from a special time in rave culture. Topped off with a new remix by Anatolian Weapons. Original artwork, new remastered sound by Manmade Mastering in Berlin

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Share The Love Around 2024 Repress

12" | 1989 | EU | Reissue (Miss You)

Enuff Z'nuff Audiophiloe Purple Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Electronic & Dance, Reggae & Dancehall

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Reissue from 1989, amazing leftfield Lovers Rock featuring extended dub version - emotional love bomb. Re-mastered and restored.

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Enuff Z'nuff

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Abandoned Luncheonette Audiophile Vinyl Edition

Daryl Hall / John Oates

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Soichi Terada & Nami Shimada

Sunshower 2024 Repress

12" | 1989 | NL | Reissue (Crème Organization)

6,99 €*

LP | 1989 | US | Reissue (Fire)

Release: 1989 / NL – Reissue

Genre: Electronic & Dance

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Much has been said about Nami Shimada's JPop Bubblegum Deep House anthem. Produced by Soichi Terada in 1989, Larry Levan used to bang it in he Paradise Garage, ressurected by Creme in 2004, over a decade before the hype. What more credentials do you need? Here's all the versions that matter, including a beautiful and haunting Legowelt remix that's rated amongst his best work (by experts that is).

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Pere Ubu

Cloudland

22,99 €*

Release: 1989 / US – Reissue

Genre: Rock & Indie

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7" | 1989 | EU | Reissue (Digikiller)

Conroy Smith

Can't You See