Vinyl, CD & Tape Preorder 6519 Items

Beam Penetration And Mad Computer, Plus The Minimal Sound Of Motorcycles Standard Edition

10"+CD | 2024 | JP | Original (EM Records)

48,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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Expo 70, held in Osaka, was a pivotal event for the Japanese people and their relationship with the rest of the world, demonstrating both the nation’s ongoing economic recovery from World War Two and the creative spirit of Japanese society and its artists. A series of performances, billed as “Night Events” were held at the Expo; the most radical of these was "Beam Penetration and Mad Computer, plus the Minimal Sound of Motorcycles”, but its anti-establishment feel and general madness took the Expo organizers by surprise and it was cancelled after only one night, despite being scheduled for a longer run. An air of myth developed around the event, but a recording of the event has been discovered and this release is the result. This release comprises a CD, a 10-inch record with fold-out sleeve and large obi, plus fascinating notes in Japanese and English by Kenichi Yasuda, an expert on Japanese rock music, and Koji Kawasaki, a renowned researcher of Japanese electronic music, as well as rare photos.

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Beam Penetration And Mad Computer, Plus The Minimal Sound Of Motorcycles Special Edition

10"+CD | 2024 | JP | Original (EM Records)

67,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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Shacklo

Ku EP

12" | 2024 | EU (Chiwax)

Release: 2024 / EU

Genre: Electronic & Dance

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Gene Hughes Aka Bluemoon Productions

Track Show Volume 1

12" | 2024 | EU (Hotmix)

Release: 2024 / EU

Genre: Electronic & Dance

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LP | 2024 | UK | Original (Balmat)

Panoram

Great Times

23,99 €*

3LP | 2014 | EU | Reissue (Delsin)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Panoram makes soundtracks for daydreams gone sideways. Picture the scene: an afternoon nap with the television on, quietly, in the corner; snatches of conversation drift in through the open window. Wandering, half-formed thoughts take unexpected detours; before you know it, there’s a movie playing out against closed lids, the colors bright, the characters unfamiliar. Accidental rhythms, incidental melodies, imitations of life, messages in code.

Across 17 fragmentary, sketch-like tracks, Panoram carves a labyrinthine path in which nothing is what it seems: a fantasy world of breathy vox pads, faux guitar, detuned synths, bursts of flute and orchestral percussion, and even the occasional cheeky cartoon sample. It’s chillout music with a chilly edge, ambient with a darkly ironic undertone. (The briefest glance at your news outlet of choice should be enough to confirm that the title—Great Times—ought to be taken with a healthy dose of skepticism.) Panoram has been making music under his principal alias for more than a decade now, releasing albums on labels like Firecracker, Running Back, and his own Wandering Eye. (He has also performed and recorded with Amen Dunes, and has co-production credits on Amen Dunes’ forthcoming Sub Pop album Death Jokes.) Panoram’s output has ranged widely, taking in abstract pop, classical composition, twisted takes on library music, and cyborg funk. One record of “bio-acoustic transmissions” came with a cannabis leaf pressed in clear wax; his 2021 album Pianosequenza Vol. 1 gathers his experiments on the Yamaha Disklavier. But Great Times offers the truest picture yet of a project that has never been easy to pin down. Loath to overshare details about his personal life, Panoram instead lets the music do the talking, using his cryptic tracks to express the slipperiest sorts of ideas—the thoughts that take root where anxiety, distraction, and the most fleeting traces of grace commingle. Panoram’s approach flies in the face of contemporary ambient orthodoxy, with its emphasis on immersion and uplift. Great Times expresses something thornier, more difficult to translate, yet also more tantalizing to contend with. Its 17 tracks offer a chance to get lost—and an invitation to remain in the maze as long as you like.

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Yagya

Sleepygirls 2024 Repress

32,99 €*

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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Limited 10 year anniversary repress with black/white artwork. In May 2014, Icelandic producer Yagya released his fifth album, Sleepygirls, across three slabs of vinyl on Dutch label Delsin. It's a deep, spacious and dubbed out affair that stays locked at a pleasingly sedentary tempo throughout. Since 2002 Yagya has been crafting lush electronic albums and always manages to find pure bliss and beauty and his simple, nature inspired soundscapes. "I wanted to create an album that's atmospheric, repetitive, and easy to listen to over and over again," says the man himself. "Something that works well in the background (e.g. when concentrating on work), as well as up close in a big sound system. I also wanted to learn how to make my music sound better than before, since I'm a huge sound-nerd, so that was a part of the goal for me personally." The album is a fine fusion of tropes from Yagya's earlier albums, features jazz instrumentalists that improvise beautiful melodies over monotonic, almost drone-like, techno beats and also uses live recordings of Japanese vocals, saxophone and guitar to counter the repetitiveness of the rhythms. Right from the rolling bliss of the opener, you're suspended in a womb like pillow of sound that is soft, warm and serenely beautiful. As tracks roll on, the pace stays the same but themes vary from upright and summery to more elongated and insular. This is natural, organic dub that is a delight and a pleasure to listen to. The vinyl versions of each track have been specially mixed with random LFOs, sonic quirks and unique fingerprints making them the subtly different to the CD version, but overall this is a brain soothing and mind melting album that can soundtrack lazy days, long summer afternoons and warm winter evenings in equal style.

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12" | 2024 | EU | Original (Attention Spin!)

Attention Spin! 001

16,99 €*

12" | 2024 | EU | Original (Terminal M)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A new French label, Attention Spin! showcasing amazing talents from Parisian rumbling new scene, showcasing the newest release from French artist DJ Dawidu. The label is focused on reaffirming the importance of vocals as an instrument in electronic music.

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Patrik Berg

Nothing But Love

Warsaw Red Smoke Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2 years of his 'Techno Poems' EP Patrik Berg is finally back on Terminal M with a new release

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Warsaw

LP | 2000 | EU | Reissue (Vinyl Passion)

17,99 €*

Release: 2000 / EU – Reissue

Genre: Rock & Indie

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Collaborations [1996 - 2001]

Silverlining & Friends

3x12" | 2023 | EU | Original (Ninih)

12" | 2024 | EU | Original (O.M.Theorem)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Quintessential compilation of UK Tech House legends. Reissued tracks spread over a gatefold 3x12”. This is a selection which defined the genre as we know it today.

Silverlining & Friends (Appleheadz, Bluegoose, Impossible Beings, Silverlining, Southern Comforters, Two Right Wrongans)

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O.M.Theorem

Corollary1

10,99 €*

Cowboy Carter Red Vinyl Blonde Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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“A corollary is a statement that follows naturally from another statement”

Presenting Corollary1, the first release in a new remix series flipping cuts from O.M.Theorem’s Lemma projects.

For this one we invited good friends DJ Sotofett and Ossia. Regular conspirators in bacalao and dosa dinners, monthly hangouts at Globus-Tresor and sound system parties in Milano & Bristol. Through appreciation of similar frequencies and shared experiences, friendships grow. It felt natural to invite the two to do remixes for us. One evening we bumped into them on the dancefloor during a live concert by Senegalese percussion outfit Ndagga Rhythm. This was a sign. BAM! The EP came alive.

On the A-side, we hear two fresh takes on Lemma1-B2. DJ Sotofett with his dub heavy output on Honest Jon's and Sex Tags Amfibia invites Ghanese Afro-Dub drummer Ekowmania for vocals and usual collaborator LNS for keyboard work on his sub-deep club-stepping colourful remix. We bet the infectious vocals will linger in your mind for a long time. Play it LOUD for full sub bass effect! The second interpretation of the same track is from O.M.Theorem. A techy dubstep banger, this one!

On the B side, Bristol and Peng! Sound's Ossia picked his favorite Lemma1-B1 and drove the mixing desk in true Dub-style fashion with a classic riddim that meets an avant garde melody going in and out of the mix. This is a remix that deserves attention, with every listen revealing new layers and details. Even the premasters sounded phat as a greasy hamburger on the German capital’s legendary Super Power Soundsystem! The second interpretation is from O.M.Theorem, rebuilding percussion and bass from Lemma1-A1. Liberating himself from all restrictions the result is a footwork-reminiscent 160 cut, ready for the dance floor.

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Beyonce

2LP | 2024 | EU | Original (Sony)

36,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Azzurro Blue Vinyl Edition

Pleasure Voyage

12" | 2022 | EU | Reissue (Quattro Bambole Music)

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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Azzurro is the soundtrack of a summer vacation in Italy of the Hungarian dj/producer duo "Pleasure Voyage". The label Quattro Bambole continues on his Adriatic Funk series blessing a new summer with the rightest vibes. Available on vinyl and on all digital stores. The concept of the record was like a week-long vacation in Italy. It starts with jazzy, slower sessions and progresses to an italo-jazzy-house gem, Summer Voyage. Passionate vocals with smooth Rhodes solo and licks on this track. Following some clubby tunes Electromarea and Dolphine Dance as a nightlife hangout, and a remix by the label founder Francesco FIsotti with cool vocals follows. Finally, with the last tune, you can feel the bittersweet emotions when you are on your way to the airport to leave this magical country, but you have some souvenirs on your skin that they call “Ambraskin” (tanned skin) and the visual memories of the crystal clear sea they often call Mare Azzurro.

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12" | 2024 | EU (Frescoedits)

Frescoedits 10

Jim Sharp / Naughty NMX & Runex

Release: 2024 / EU

Genre: Electronic & Dance

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Is this release the last volume of the edits-saga?? ….It seems to be. Four bangers as usual courtesy from the boss FrescoEdits himself plus a fantastic edit from Rogue D and one from secret Italian pioneers “Kings of groove” . Super-smart sampling stuff for the most eclectic dancefloors!

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Picture
Coming Soon

Dusty Donuts Volume 8

7" | 2016 | UK | Reissue (Dusty Donuts)

Poetry Colored Vinyl Edition

Release: 2016 / UK – Reissue

Genre: Hip Hop

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Repress 2024. On “Breakin’ My Heart”, Jim Sharp finds a way to bridge the summery goodness of ATCQ with the original instrumentation sampled by Dilla. The iconic vocal lead of Bebel Gilberto floats over the boom bap drums to make it a sure shot. The flip side, “Check Minnie's Love” once again shows that Naughty NMX and Runex are on point. The product is horns, beefed up beats, fat bass and silky smooth vocals to make you think it’s ’92 again (without the Rhime). Minnie rips the lovely
vocals into a dance floor banger.

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Dehd

LP | 2024 | US | Original (Fat Possum)

44,99 €*

LP | 2024 | Original (7a)

Release: 2024 / US – Original

Genre: Rock & Indie

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"Dehd kicks off 2024 by releasing their fifth studio album, Poetry via Fat Possum Records. Following the whirlwind success of Dehd’s fourth album Blue Skies and hit single 'Bad Love”, they first gathered at Kempf’s off-grid Earthship in Taos, New Mexico where they chopped wood to stay warm and wrote songs during the daylight. They then travelled to a cabin on the Puget Sound to set up their second writing camp where surrounded by chilly waters, time was marked only by the movement of the tides. “Eating, Sleeping, Breathing, Living - our only purpose was to write,” Kempf recalled. This was the first time the band travelled to distinctly notable locations to write and inspire themselves. Leaving Chicago proved to be a watershed moment. They finalized the songs that became Poetry back in Chicago in the warehouse they’ve called home for nearly a decade, where they rehearsed and wrote their entire catalogue. Friend and producer Ziyad Asrar, who co-produced all three Whitney albums, co-produced the album alongside the band’s Jason Balla at Palisade Studio." Pressed on plutonium green vinyl.

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Davy Jones

Incredible!

34,99 €*

Release: 2024 / Original

Genre: Pop

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2LP | 2011 | Reissue (Not Now)

Son House

Raw Delta Blues

36,99 €*

Release: 2011 / Reissue

Genre: Organic Grooves

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2LP | 2011 | Reissue (Sony Jazz)

Muddy Waters

Hoochie Coochie Man

36,99 €*

Release: 2011 / Reissue

Genre: Organic Grooves

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LP | 2024 | Original (True North)

Ruth Moody

Wanderer

Release: 2024 / Original

Genre: Rock & Indie

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Songs From The Other Side 7inch-Box-Set

Mila Mar

Box | 2024 | EU | Original (Dryland)

39,99 €*

Release: 2024 / EU – Original

Genre: Pop

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7" | 2023 | US | Original (Plut)

Deltones Ltd

You Don't Believe

Spaces And Places: Album Sampler 2 Red Vinyl Edition

Release: 2023 / US – Original

Genre: Organic Grooves

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Previously unreleased soul nugget from the the 1970's Richmond VA scene, two very mellow tunes full of cosmic organ lines, floating choruses and gentle vocal harmonies. If it's on Plut, it ain't a boot!

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Kerri Chandler

2x12" | 2023 | UK | Original (Kaoz Theory)

30,99 €*

LP | 2023 | US | Original

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The second vinyl sampler from Kerri Chandler’s Spaces and Places album, his first in 14 years, that sees the New Jersey legend celebrating club and soundsystem culture by recording, writing and performing a track in twenty-two of the worlds most distinguished nightclubs. Sampler 2, a sublime gatefold, double 12 inch package sees Kerri soak up and channel the atmosphere of Dublin’s District 8, Glasgow holy grail Sub Club, NYC’s Output and Lisbon’s crowning jewel Lux into four trademark Kerri cuts, doubled up with a further mix of each track for good measure too. Piano-laden deep house, heads-down groovers, vocal-tinged soulful gems, recorded directly from each space, it’s brimming with future classics from start to finish.

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King Chino

Light Motif

39,99 €*

12" | 2023 | EU | Original (Poole Music)

Release: 2023 / US – Original

Genre: Hip Hop, Organic Grooves

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King Chino's first full length instrumental album.

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Jake Meginsky

Trinities

All Tomorrow's Shadows Ultra-Clear Vinyl 2024 Repress Edition

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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February of 2021 marked an eventful month for visionary Western Massachusetts electro-acoustic percussionist Jake Meginsky: the birth of his daughter Luce, the death of his friend and mentor (and the subject of his celebrated 2018 documentary, Full Mantis) Milford Graves, and the creation of Trinities. A four-piece suite heavily inspired by Graves’ notion of the primacy of threes as “a fundamental pattern in the universe - and the lowest, strongest and most generative structure in rhythm” the album showcases Meginsky’s adventurous vein of pointillist minimalism: stark, oblique, cerebral, fluid. It’s free music in both form and function, liberated from rhythm, pattern, or expectation. Abrupt flurries of metallic reverberations ping and echo against charged silences like avant-garde morse code. Textures clang and hang in low-lit air. Presence and absence commingling in elusive ballets of resonance and negative space.

Among the many influential teachings of free jazz icon Milford Graves was the idea of three-ness as “the underlying structure… the grounded being of all music.” It’s a concept both dialectical and divine – the sacred geometry of an idea, its opposite, and the synthesis that binds the two. For Trinities, Meginsky developed modular synth patches that allowed him to explore triplet structures in an intuitive way, “the threes as a structural principal, the building blocks, felt rather than heard”. During sleep deprived sessions with his newborn infant listening, he channeled the grief of Graves’ passing in early morning improvisations alternately quiet and questing, inquisitive and defiant.

The outlier is “2521,” a celestial lullaby of suspended frequencies composed on a 4-track in the birthing room of the hospital during a particularly strict phase of quarantine lockdown (no coming or going, or visitors, for a week straight). Meginsky played the piece for his daughter “as she came into this world, and while she slept.” Its harmonic tranquility ebbs and radiates in soft arcs like a soft dawn glowing on the horizon – welcoming those newly here, and waving warmly to those in the hereafter

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The Third Sound

LP | 2018 | UK | Reissue (Fuzz Club)

I Saw A Star Behind Your Eyes, Don't Let It Die Away

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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The Third Sound is the solo project of Icelandic singer-songwriter Hákon Aðalsteinsson, formerly of Singapore Sling and currently touring in Brian Jonestown Massacre. Now residing in Berlin with a fleshed-out live line-up, The Third Sound are gearing up for the release of their fourth album ‘All Tomorrow’s Shadows’ - arriving via Fuzz Club Records on May 11th. Recorded by the band themselves over the harsh Berlin winter, the new record is their most refined yet – offering an expansive exploration into krautrock-tainted post-punk and dark psychedelia.

Following on from their 2016 LP ‘Gospels of Degeneration’, the new album takes a much more sparse and rhythmic approach than we’ve seen before, combining hypnotic guitar drones, motorik rhythms and haunting vocals – the last track boasting a guest feature from Anton Newcombe, who released the band’s debut album on his own imprint A Recordings.

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Bennett Wilson Poole

LP | 2023 | UK | Original (Bwp)

2LP | 2003 | US | Reissue (Tokuma Japan Communications)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Nearly five years on from their acclaimed debut, Bennett Wilson Poole reveal the follow up. It's been a long time coming, but... That eponymous first album was only ever intended as a one-off collaborative project — a serendipitous series of events which began with a late evening session where the trio wrote ‘Hate Won't Win’. A response to the murder of MP Jo Cox, it was something of a fresh take on Crosby Stills Nash and Young’s classic protest song ‘Ohio’. The release saw Bennett Wilson Poole embraced by the Americana community, playing live on the Andrew Marr show and crowned as ‘UK Artist of the Year’ at the 2019 UK Americana Awards, in front of a watching crowd including Graham Nash himself. The new album came together in similar fashion; Robin (Bennett) and Danny (Wilson) started writing new songs late into the night whilst on tour to promote the first record — a tour which unfolded from a three-night residency in a London pub into a year-long odyssey culminating in a headline show in Hall One at King’s Place — and before they knew it, there were enough songs to begin recording an unplanned second album. Where the first record drank deep from 70s US west coast folk-rock, the second has been heavily spiked with 1960s British psychedelia, even featuring a cover by legendary counterculture artist John Hurford (whose credits include 60s artwork for Oz Magazine and International Times).* Tony Poole’s meticulous and inspired production has spun Robin and Danny’s fresh batch of songs into a delicate web of musical delight. Fans of the ‘spot the reference’ game Tony started on the first record won’t be disappointed this time either, as there are plenty more to be found here. As with the first album, the lyrics don’t shy away from current affairs – by the end of that year of touring, the band were already playing “I Wanna Love You (But I Can’t Right Now)”, reflecting on the state of US politics, yet optimistic that the problems are only temporary. Many of the tracks on the new album feature live rhythm section Fin Kenny (drums) and Joe Bennett

(bass) for the first time on a BWP record.

The title of the album comes from the lyrics of ‘Help Me See My Way’, the first single, a prayer for strength in difficult times, the trippy animated video for which was originally issued during lockdown. The dreamy positivity of the line "I saw a star behind your eyes" is tempered with the plea "don't let it die away", a message which feels as important as ever two years on.

All three collaborators have had critical acclaim in their own right. Danny Wilson’s credentials go back to his days in Grand Drive with brother Julian, and his consistent high calibre output with his Champions of the World led them to sweeping the board at the first UK Americana Awards with Album, Artist and Song of the year awards richly deserved; Tony Poole’s Starry Eyed and Laughing were hailed as “the English Byrds” on the back of their two CBS-released albums in the mid-seventies and he has since built an enviable reputation as producer and engineer; Robin Bennett has been relentlessly turning out timeless songs from his Oxfordshire base in bands from Goldrush to The Dreaming Spires

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Ningen Isu

Shurabayashi

67,99 €*

Release: 2003 / US – Reissue

Genre: Rock & Indie

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Fantastic Japanese heavy metal originally released in 2003! Finally being reissued after several requests.

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2LP | 2023 | EU | Original (NTS)

Amapiano Now

39,99 €*

Skeletal Lamping Green & Black Vinyl Edition Edition

Release: 2023 / EU – Original

Genre: Hip Hop, Electronic & Dance

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2LP Gatefold release of the celebrated Amapiano Now compilation from NTS. Showcasing some of the most notable South African artists from the centre of the scene, from DBN Gogo to Vigro Deep, Mr JazziQ to Kamo Mphela. Whether lengthy hypnotic instrumentals with jazz indebted key solos or rugged township productions, Amapiano Now is a celebration of this essential sound and a document of the evolution of post-apartheid club sonics. Curated by Shannen SP & Joe Cotch, with NTS.

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Of Montreal

2LP | 2008 | US | Reissue (Polyvinyl)

41,99 €*

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Jasper Blom Quartet / Pablo Held

Polyphony 3

LP | 2023 | EU | Original (Whirlwind)

Casual Intimacy Red Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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He"s known as a versatile soloist, a forward- thinking composer and an expert leader, having fronted his long-time quartet of guitarist Jesse van Ruller, bassist Frans van der Hoeven and drummer Martijn Vink for over 20 years. Together, they present Polyphony 3, the newest instalment of Blom"s Polyphony cycle, which follows the widely acclaimed 2019 Whirlwind release Polyphony. Cologne based pianist Pablo Held, joins the line- up as a guest throughout this record and saxophonist Ben van Gelder and bass clarinettist Joris Roelofs feature on one track.

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Fantasy Camp

LP | 2023 | US | Original (Memory Music / Run For Cover)

23,99 €*

Tape | 2023 | EU | Original (Mute)

Release: 2023 / US – Original

Genre: Rock & Indie

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Jonah David has been creating and releasing music as Fantasy Camp since 2012, when he began producing and making beat tapes at age 16 in small-town Pennsylvania. Now based in Wilkes-Barre, and 10 years older, David has built Fantasy Camp into a gothic dream pop powerhouse, celebrating his first label release with Casual Intimacy on Memory Music.The record comprises seven tracks of bedroom-produced, universe-sized dream pop, lo-fi R&B, indie rock, and electro-pop that document the aftermath of a long-term relationship's dissolution, and the complexities of dating outside of the parameters of traditional, long-haul partnership. Casual Intimacy captures that weirdness.

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A Certain Ratio

1982

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Heavenly Record)

H. Hawkline

Milk For Flowers

30,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Target)

Tygers Of Pan Tang

Bloodlines

Release: 2023 / EU – Original

Genre: Rock & Indie

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God's Son Blue & White Swirl Vinyl Edition

Nas

2LP | 2002 | CA | Reissue (Get On Down)

34,99 €*

Archipelago Pink Vinyl Edition

Release: 2002 / CA – Reissue

Genre: Hip Hop

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PRESSED ON BLUE & WHITE SWIRL VINYL!

HOUSED IN A HIGH GLOSS JACKET WITH EACH LP TUCKED INTO A PRINTED INNER SLEEVE
Nasir "Nas" Jones' 2001 record Stillmatic was considered a major comeback for the 90s rap icon. It signaled a return to the gritty, urban chaos of his acclaimed debut album, after releasing record after record of gradually more mainstream material, and Nas' return to prominence in the highest echelons of hip-hop. In spite of this newfound critical clout, Stillmatic's release did nothing to squash his then ongoing feud with fellow New Yorker Jay-Z, who had gone so far as to challenge Nas to a pay-per-view rap battle. A challenge Nas rejected, stating "If Jay-Z wants to battle, he should drop his album the same day I do and let the people decide."

Nas fans never would get the no-holds barred lyrical battle with Jay-Z many had speculated. What they got instead was one of Nas' most personal and introspective releases to date in 2002. Not long after Stillmatic's release, Nas spent much of his time away from the limelight to tend to his ill mother, who would pass on from breast cancer in 2002. His experiences with his mother's mortality as well as the fallout of his feud with Jay-Z, who continued to produce diss tracks as Nas tended to his mother, would inspire much of the lyrical material on his next record.

God's Son was released in December of 2002, and like Stillmatic before it, was subject to major critical acclaim. On God's Son, Nas effectively took the battle-hardened demeanor he had cultivated and tore it down across 14 tracks that were emotionally insular, though still dusted in urban grit, and still finding time to shoot back at Jay-Z's potshots on tracks like "Last Real Nigga Alive" and "Mastermind." Assisting Nas was a slew of top-tier producers like The Alchemist, Eminem, Ron Browz, and Salaam Remi, over samples of James Brown, the Incredible Bongo Band, Fela Kuti, and Beethoven, and guest vocals from Alicia Keys, Kelis, Claudette Ortiz of City High, and even a posthumous 2Pac.

God's Son has been out of print on vinyl since 2020. This deluxe pacakge was remastered from its original audio and pressed on colored vinyl!

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Vulture Party

LP | 2023 | UK | Original (Lnfg Komponist)

30,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (El Gran E)

Perseph One

Zenith

Release: 2021 / US – Original

Genre: Hip Hop

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Rising Sun Interpretations

Freund Der Familie

2x12" | 2023 | Original (Freund Der Familie)

17,99 €*

12" | 2023 | EU (Girada Unlimited)

Release: 2023 / Original

Genre: Electronic & Dance

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Rising Sun marks his return to Freund der Familie with a release of a double 12-inch album delivering 8 reinterpretations of the recent albums "Alfa" and "Omega" including unwavering dub techno, deep house and ambient electronics.

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Julian Perez

Command Station EP

Release: 2023 / EU

Genre: Electronic & Dance

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Minna Tanoshiku Shonen Knife

Shonen Knife

LP | 1982 | JP | Reissue (P-Vine)

Release: 1982 / JP – Reissue

Genre: Rock & Indie

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After the release of their world debut Catch A Fire, Bob Marley & The Wailers would embark on a U.S. tour supporting the legendary Sly And The Family Stone. Yet after five dates, they were fired from the tour, supposedly for upstaging the main acts! Left with no money and nowhere to go, they performed one legendary show at San Francisco's The Matrix! These recordings, taken from a studio session before their legendary performance, find Bob Marley and The Wailers at their best. Featuring the classic lineup of Bob Marley (vo/gt.), Peter Tosh (vo/gt), Joe Higgs (per.), Earl Lindo (pf.), Family Man Barrett (b.), and Carlton Barrett (ds.), the Wailers are imbued with the kind of Rock and Roll energy that could only come from outshining Sly Stone! Even sweet rocksteady ballads such as “Stir It Up” take on the form of a rock and roll anthem in this session. Discovered and released on CD by P-vine in 2005, these mythical studio recordings are finally getting a long deserved analog release! The double LP on black vinyl comes complete with an obi-strip! Don’t miss this reggae gem from Bob Marley and The Wailers!

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LP | 1997 | US | Reissue (Studio One)

Toughest

33,99 €*

LP | 1973 | US | Reissue (Friday Music)

Release: 1997 / US – Reissue

Genre: Reggae & Dancehall

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Single LP 13 Tracks

Beautiful Songs from the Studio One Archives (First Release 1997)

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Doobie Brothers

Captain And Me

40,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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12" | 2023 | EU | Original (Heavenly)

Working Mens Club

Steel City EP

12" | 2023 | EU | Original (We Play House)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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5-track EP featuring remixes of Fear Fear tracks from some of Sheffield’s most innovative producers - Toddla T, Charla Green, Ross Orton, Diessa and Warp originals, Forgemasters.

The EP was previously only available on CD which came exclusively with purchases of the album via the Bear Tree record shop in Sheffield. This will be the first time the remix tracks have been widely available and today the band have also shared the ‘Money Is Mine’ remix which sees Toddla T set the track to a full on klonking two step rhythm.

Toddla T said of the remix: As the original version stank of Sheffield, I wanted to do something that I would be itching to play in a set back home, particularly at Kabal or if I wasn't in attendance something that I know Winnie or Pipes would draw for which was made for the dance-floors of Sheffield.

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Red D

22 Shoulders / Compelled

LP | 2020 | US | Reissue (New West)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Sampler for RED D's forthcoming LP project " How does one select a single from an upcoming full album? When you have someone like Lady Linn on vocals that is actually quite easy. Lady Linn has been the go to singer for Red D and San Soda’s infamous FCL project since day one. Tracks like ‘It’s You’, ‘More Than Seven’, ‘Can We Try’, etc would not have been the same without her sultry voice.

When making his debut album Red D called upon his musical peers to join in for some collabs and when Linn heard the basis of the track and the Red D-penned lyrics for ’22 Shoulders’ she was all up for it. Melancholy is the order of the day, but not without losing the power of the dance floor. It was after all the missing of that very same dance floor that inspired Red D to write this one.

Add the depth of the Larry Heard-inspired ‘Compelled’ on the B-side and you will know what to expect from Red D’s upcoming full album. Promotional copies of the album are already being rinsed by the likes of Prosumer, Laurent Garnier, Oliver Dollar and many more of Red D’s peers. So get on it matey!"

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John Hiatt

Crossing Muddy Waters

26,99 €*

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Door Open At 8 AM Orange Vinyl Edition

Merzbow

LP | 1999 | MX | Reissue (Aurora Central)

54,99 €*

Merzbeat Pink / White Vinyl Edition

Release: 1999 / MX – Reissue

Genre: Electronic & Dance

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We are proud to announce a new edition of Door Open at 8 AM, Masami Akita's powerful masterpiece of melted jazz/noise, on red colored vinyl. This will be a limited edition of 300 copies Worldwide. Regarded as one of Masami’s best work, Door Open at 8 AM combines the harsh noise world into a jazz sample driven world, creating a blueprint of what experimental compositions could achieve.

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Merzbow

LP | 2002 | MX | Reissue (Aurora Central)

59,99 €*

Release: 2002 / MX – Reissue

Genre: Electronic & Dance

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A beautiful and distorted dream of drum samples, jazz, swing, noise and bliss by Harsh Noise giant, Masami Akita (Merzbow), remastered for the first time since its original release in 2002. To celebrate the 20th anniversary of this incredible albu we are doing a limited second edition, gatefold, vinyl pressing on white/ pink colored vinyl limited to 300 copies worldwide. It includes updated artwork by the artist. Consider by many a landmark album and a turning point in Merzbow’s discography, Merzbeat serves as a powerful introduction to the world of experimental music.

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2LP | 2023 | UK | Original (Nuits Sonores)

Atlantic Stereo

12" | 2023 | UK | Original (1432 R)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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A cultural and collective exercise, Atlantic Stereo brings 24 Colombian and French artists together for a 11-track sound experience connecting two continents. Nuits sonores, an urban festival showcasing electronic cultures in Lyon (France) since 2003, began building bridges with Colombia in 2017 as part of the French Institute’s Année France—Colombie. The festival invited representatives from the new Colombian electronic scene to go on tour in France and organised a series of events in Colombia (Bogotá, Medellín, Manizales). This multi-city event in Colombia would go on to be repeated in 2018 and 2019, allowing a total of 25 of the most captivating artists on the French electronic scene to perform in Colombia over the course of three editions. Between 2020 and 2021, although forced to cancel the 4th edition of Nuits sonores Colombia due to the health crisis, the festival team offered to pursue the exchange by initiating, with the support of the French Institute and the French Embassy in Colombia, the production of a brand new compilation. Atlantic Stereo reflects the artistic riches found in two territories that Nuits sonores intends to carry on bringing together. A shared conversation in a moment of profound crisis for culture, thus becoming a perfect opportunity to reimagine it. The compilation opens with artists who know how to listen to the world and the diversity of its sounds, as shown by the soaring Cumbia psychedelic track by Dani Boom (Systema Solar, El Leopardo...), Tushen Raï & Cornelius Doctor. It then digs into Reggaeton and Dancehall influences with a collaboration between Linapary, Simo Cell & Low Jack: a subtle alliance between the Colombian artist’s sensual trap music on the one hand, and the kicks and heavy basses of the French electronic duo on the other. With ‘Full Friction’ (Voiski and Verraco’s track) and the Julianna and Zadig collaboration, the compilation moves on to another atmosphere: a more vaporous and syncopated one, made of powerful breaks and kicks, with ice-cold and bewitching electro and breakbeat tracks. Atlantic Stereo’s last tracks eventually lean towards Dance and Club, inviting us to dance to Bambounou’s solar techno, revisited by Gladkazuka, and the Balearic house remix of Laurent Garnier’s ENCHANTé by Julio Victoria. Atlantic Stereo is a compilation standing at the crossroads of different cultures, permeable to all sound research. It is also the result of a shared friendship and trust that drives Nuits sonores, determined to make such music resonate across all four corners of the glob

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Sosa Tharpa

Evolution EP

15,99 €*

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Toolroom Sampler Volume 3

12" | 2023 | UK | Original (Toolroom)

14,99 €*

Selected Rhythm Tracks 1988-1994 Volume II

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Landing next on Toolroom is our most recent instalment in our 4-track vinyl sampler with some of our biggest recent releases including Kurd Maverick vs Adeva, Friend Within, Retna, Toolroom head-honcho, Mark Knight and label favourite, GW Harrison.

First up is Kurd Maverick vs Adeva who makes a huge return with the infectious 'In & Out My Life'. A straight up cut of 90's house & rolling tech house influences mixed into one, sampling cuts from the feel-good classic 'In & Out My Life' by Adeva, turning the original on its head.

Next on the sampler is fresh heat incoming from DJ and producer Friend Within, the artist behind previous toolroom hits 'Lonely', 'The Truth' and 'Waiting'. Having been a secret weapon of choice for the likes of Paul Woolford, John Summit, Dombresky and Danny Howard to name a few, 'Monkeys Bars' has been bubbling for months and is now set to blow!

London based producer Retna returns to the label with Mark Knight as the pair deliver a debut collab that's been carving up dance floors worldwide in 2022. 'What I Need' takes things to the next level, focusing on Retna’s raw, arpeggiated synth line that cuts through the records tough, chunky bassline and groove. Throw in Mark Knight's magic touch for creating top-quality, club focused productions that'll tear through any system it's played through, and you'll get their latest outing – 'What I Need'.

Abode resident DJ and frontrunner GW Harrison completes the package with latest outing, ‘Feels Good’, enlisting the powerful voice of Laura Davie, the vocalist behind some of Toolroom’s most popular releases from Mark Knight’s ‘If It’s Love’ to Illyus and Barrientos’ ‘Disco Hearts’. Feels good’ offers a summertime piano house belter featuring a staunch bassline and pumping groove that pushes that euphoric, hands in the air feeling to the max.

Four killer cuts that you will not want to miss, this is ‘Toolroom Sampler Vol. 3’!

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L.G. Mair, Jr.

2LP | 2023 | US | Original (Choon!!)

42,99 €*

12" | 2022 | EU | Original (Literature)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Available for the first time on vinyl and presented over two expansive volumes, the Selected Rhythm Tracks 1988-1994 of L.G. Mair, Jr. reveals a hidden archive of introverted electro-minimalist songwriting culled from over 30 years of unreleased cassettes. Produced in cooperation with the artist’s estate for chOOn!!. Remastered for 180g heavyweight 2LP vinyl, with sleeve artwork by the internationally acclaimed book designer Luke Bird

As the resident bass player for renowned Manhattan comedy club Catch A Rising Star, Lloyd George Mair, Jr. worked alongside a host of iconic entertainers and comedians from the past 50 years inc. Robin Williams, Jerry Seinfeld, Andy Kaufman, Billy Crystal, Eddie Murphy, Larry David, Chris Rock and plenty more. This was a creatively vibrant and socially dynamic period in New York’s history marked by the unique meeting and synthesis of post-disco, post-punk and early hip-hop; shaped by a hybrid party culture in which cross-cultural music scenes (Afrika Bambaata, Anita Sarko) collided with artistic ones (Keith Haring, Jean-Michel Basquiat) as well as intellectual spheres (Sylvère Lotringer, Antonio Negri) on NYC’s dance floors (Danceteria, Mudd Club), offering unique social and sonic possibilities of interaction, openness and exchange.

As the 1980s progressed, together with increasingly tough Reaganomics, the crack epidemic, real estate inflation, demographic shifts and musicians and clubs catering to increasingly segregated audiences, the synergistic elements that first set the scene apart weakened severely from 1984 onwards. However, thanks to a dedicated underground, the forward-looking sensibilities of Mair, Jr. found an audience, gripping the imaginations of a select group of collaborators and peers from the so-called ‘cassette culture’ movement.

These were not simply ‘demos’, but fully realised art projects primarily traded with other like-minded artists around the world. All kinds of folk found this a simpatico space to make music, think aloud, drift in and out of focus.

Mair, Jr. started recording a dizzying array of home-baked cassettes, most of which remained unreleased or traded internationally. Captivated by the promise of possibility, his sound totally embraced the plastic potential of MIDI and digital, in all their unreal perfection. The sound of placeless, dream-like environments: movie sets,photo shoots, videogame backdrops. Dense webs of flickering neon, laser-strafed minimalism and thick sawwave synths.

This expansive second volume of rarities is drawn from Mair, Jr’s ‘Selected Rhythm Tracks 1988-1994’, a hidden archive of introverted electro-minimalist songwriting culled from over 30 years of private and unreleased cassettes. There's the boogie of the opening ‘Rhythm Track’, rendered in such perfect hi-res, it approximates digi-Motown via sci-fi Library Music soundtracks. ‘The Escape’ strings the most plastic of trumpets over an avant- funk stroll that’s so laidback you feel like it must be hiding something. The Afro-tropicalia of ‘Winefride XL’ is a beatific series of polyrhythmic kalimba lines that you can imagine gathering and drifting over and over again, like tides. There’s a distinct cinematic quality in Mair, Jr’s sequencing, and most of all on the outro to the blissful sweet-sour synth spirals of ‘Winefride LIV’, which sounds like Angelo Badalamenti scoring Perry Henzell instead of David Lynch.

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Eusebeia

Illusion Of Time

18,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Elisa / Resonant Memories Feat. Paul Shapiro

Felipe Gordon

12" | 2022 | UK | Original (Nervous Chill)

18,99 €*

LP | 2022 | EU | Original (Crypt Of The Wizard)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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One of the keys to Nervous’ longevity has been our willingness to take chances on new producers and new sounds. As long as a track contains the essence of House, we encourage producers to experiment with combining House with other musical genres. And if the results are creative and fruitful enough we are always ready, willing and able to create a new sub label and logo to go along with a fresh sound.

In the 90’s we felt a movement toward House being juiced with Jazz elements and we created the Nervous Chill Sub-label. Now all these years later we are once again seeing a new appreciation for the sounds, flow and energy of Jazz on the part of some of the world’s premier House Music Producers, and so we are embarking on a re-launch of the Nervous Chill imprint.

Onboard for the re-launch is the very talented and dynamic producer Felipe Gordon with the two tracks “Elisa” and “Resonant.” Both songs feature the legendary musician Paul Shapiro, who has played a key musical role in many of House Music’s most celebrated tunes including “The Whistle Song” for which he supplied the eponymous “whistle.” “Elisa” features an uplifting and bouncy rhythmic vibe that’s topped and energized with Paul’s jazzy flute, while “Resonant” has a deeper and slightly more aggressive tone that’s propelled with Paul hypnotic and free wheeling sax instrumentation.

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Riders Of Rohan

LP | 2022 | EU | Original (Crypt Of The Wizard)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Crypt of the Wizard is proud to announce the debut LP from Riders of Rohan. Arise now, arise, and listen to these here ballads of courage, kinship, gracious good and ultimate evil heralded by Sweden's Riders of Rohan. This power trio of epic proportions was forged in the dark smithies of Gothenburg and founded of black steel by Marcus Ferreira Larsen at No Master's Voice studio in Copenhagen. Our heroes play an enchanted breed of heavy adventure-rock, where KISS-like melodies merge with the punk rock 'n' roll delivery of Dead Moon to tell tales written for the love of Tolkien. Don't miss out on the first release from this fine fellowship. Stream it now or look out for it on cassette and vinyl later on this year. Ride now, ride now, ride! Ride for ruin and the world's ending! Death! Death! Death! Forth Eorlingas!

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Parish

A Journal Of The Plague Year

Release: 2022 / EU – Original

Genre: Rock & Indie

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Welcome to the Parish. Come, gather round dear lambs, as today's sermon is about to begin. Crypt of the Wizard proudly presents the highly anticipated debut LP from pastoral proto-metal power trio Parish, available to pre-order on vinyl now. The two years since the release of their EP God's Right Hand have proved to be no fallow period for the band, who used the time to write and hone the 10 songs laid out on their self-titled debut. They returned to the majestic Holy Mountain to record the album. Making use of the studio's bumper crop of vintage equipment, Parish were able to unearth a sound that draws on the roots of heavy metal. The band's lyrics continue to revel in notions of the pastoral. Themes concerning the works of witches and the changing of the seasons are explored with economic and elegant storytelling. Songs of villagers besieged by strange travellers and poor wretches locked away in gaol conjure up a feeling of uncanny dread. Elsewhere, other songs suggest a sacerdotal attitude towards the earth and those who walk it. Parish stir up sweet memories of those subtle moments of perfection found deep in the discographies of heavy metal's historic luminaries. Their sound reaches into places previously ventured by the likes of Wishbone Ash, Pagan Altar and Budgie, as well as folk revivalists Fairport Convention - a less obvious resource for heaviness, but a fine repository for musical depth. With any luck, Parish will in time join the aforementioned bands whose records will be played on repeat, locked in the unchangeable hearts of those unbothered by novelty and changes in musical fashions. Now our sermon has come to a close, peace be with you, and go forth in glory.

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Tom Rapp

LP | 2022 | EU | Original (Blue Matter)

Time Flies + Rats Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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What a privilege to start a new record label with an album of such quality. As we're sure most of you will know, Tom was the front man of the legendary US psychedelic/folk band PEARLS BEFORE SWINE. Recording for the ESP label in the 60s, then moving to Reprise, PBS left us a legacy of strange, beautiful music. In the early 70s Tom went solo, recording more albums for Reprise and Blue Thumb. As a schoolkid he came third in a talent show in which fellow schoolboy, Bobby Zimmerman (yes, that Bobby Zimmerman), came fifth! He played gigs with Pink Floyd, Crazy Horse, Patti Smith and many more before calling time in 1976, and becoming a Civil Rights lawyer. Renewed interest in Tom and PBS in the late 90s led to him making some staggeringly good live appearances. Then in 1999 he released his first album for over 25 years. The prophetically titled 'A Journal Of The Plague Year'. Featuring appearances from Damon Krukowski and Naomi Yang (of Galaxie 500 fame) and Masakai Batoh of Japanese band Ghost, came out on the British label Woronzow to great acclaim. This is the first ever reissue of 'Plague Year' and it comes with the original artwork and lyric insert, as a limited vinyl edition of 400 and a CD version of just 200. Tragically, Tom died in 2018 aged 70. It was a joy to count him as a friend. Blue Matter would like to thank Lynn Madison-Rapp & Ade Shaw for their help with making this reissue a reality.

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Subhumans

LP | 1983 | US | Reissue (Pirates Press)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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EP-LP Black Vinyl Edition

Subhumans

LP | 1985 | US | Reissue (Pirates Press)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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29:29 Split Vision Black Vinyl Edition

Subhumans

LP | 1986 | US | Reissue (Pirates Press)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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7" | 2022 | UK | Original (Dollar Discs)

Rider Shafique / O$Vmv$M

When Will We Learn

LP | 2022 | Original (Assemble Music Portugal)

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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When Will We Learn sees O$vmv$m reunite with Gloucester voice of thunder Rider Shafique for the spiritual successor to 2017’s Lion (lava Lava). These tracks have been circling around in various forms for a few years and graced dancefloors / soundsystems from Riga-Bristol-NYC - but for various reasons are only now coming to light. The A side features Rider delivering a wake up call / warning over a Computer Paul via Radiophonic workshop style rhythm track while on the B side Dj Neek sends it through the desk on the fly and strips the instrumental down to its core essence.

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Reedale Rise

This Beautiful Life

Release: 2022 / Original

Genre: Electronic & Dance

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Blame / Cold Leader / Sync Dynamic

Shapes In Time Marbled Vinyl Edition

12" | 2022 | UK | Original (Good 2 Go)

16,99 €*

Release: 2022 / UK – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Rural Tapes Ings)

Rural Tapes

Inner Space Music

A Million Dreams Pink Marble Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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On November 18th, Rural Tapes is back with a follow-up to the highly acclaimed debut album "Rural Tapes" from 2021. A year and a half ago, Arne Kjelsrud Mathisen was declared a genius by Mojo, who described his music as a hybrid between Kraftwerk, Air, Tortoise and Serge Gainsbourg. While the debut album was created over a period of almost 10 years, the music on "Inner space music" has been composed and recorded during one intense month in January 2022 in Mathisens own studio in the countryside of Grimstad, Norway. Again, a number of high-profile musicians have left their mark on Rural Tapes' music, including The Dream Syndicate frontman Steve Wynn, PJ Harvey saxophonist Terry Edwards and REM guitarist Peter Buck and Scott McCaughey, both of whom are Mathisen's bandmates in the psychedelic jangle pop group The No Ones. ACCLAIM FOR RURAL TAPES: "A level of its very own" MOJO "Rural Tapes delights in the unexpected. At every turn, you encounter something new, something to be marvelled over. Kjelsrud Mathisen has said he wants this music to stand the test of time. It will." The Independent "A dreamy self-titled debut full of broad soundscapes... Melding smooth jazz with floaty puffs of synth, the album is both meditative and uplifting, the sort of soundtrack you might expect from a dream sequence in a 1970s film." GQ Magazine "From the first notes of this debut album from respected Norwegian producer Arne Kjelsrud Mathisen, you know you're in for a treat. As Rural Tapes he makes rich, warm technicolour soundtracks_ it really is delightful stuff." Electronic Sound "This is an excellent debut album." Prog Magazine "Mathisen's musical pedigree makes Rural Tapes an intriguing musical journey of an album that takes in pulsating Krautrock, neo-classical moods and dreamy, proggy pop, all formed through an intuitive composition process."

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Rynald Colom

2LP | 2022 | EU | Original (Whirlwind)

LP | 2023 | EU | Original (Whirlwind)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Trumpeter Raynald Colom immediately captivates with the hauntingly beautiful dream-like opening notes of his live recording, A Million Dreams. Colom demands the listener"s attention throughout the cohesive eight-track outing, alongside pianist Tony Tixier, Joe Sanders on double bass and Francesco Ciniglio on drums. French- born and Barcelona-based, Colom is a seasoned musician inspired by many genres and artforms, but with firm roots in flamenco

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John Escreet

Seismic Shift

LP | 2022 | JP | Original (Jet Set)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Pianist John Escreet, hailed by Time Out London as a "transatlantic jazz genius," continues his artistic ascent with the bold, exploratory album Seismic Shift. It is Escreet"s ninth album as a leader but his first at the helm of a trio, and also one of the first to see release since his move to the West Coast in early 2020. The UK native, former Brooklynite and now Los Angeles transplant teams up with fellow Angelenos Eric Revis (bass) and Damion Reid (drums) for a set brimming with fire and invention.

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Soakubeats

Never Pay 4 Music

67,99 €*

Release: 2022 / JP – Original

Genre: Hip Hop

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12" | 1984 | EU | Reissue (Thank You)

Ze Carlos

Venha

15,99 €*

The Golden Ass Gold Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Imagine for a moment that Arthur Russel had learned to speak Brazilian and then moved to Italy to produce an Italo-Disco single back in 1984. There's a good chance it would sound like the Dub version of the B side on this record (Remixed by Bob One). A percussive foundation channeling Latin Freestyle beats sets the groundwork for the chill sunset vibed melody to pleasantly unfold intertwined with the alluring Brazilian lyrics. The recording engineering on this production is clearly at a higher standard (than the usual neighborhood italo disco studio from back in the day) with some of the techniques at play giving it a very balanced and sophisticated sound for its time. The meticulous remastering this re-issue underwent allow for a generous low end with crystal clear mid range – game changing on any well calibrated dance floor sound system.

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Fauness

LP | 2022 | EU | Original (Cascine)

Release: 2022 / EU – Original

Genre: Rock & Indie

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10" | 2022 | US | Original (Get Better)

Dazey And The Scouts

Maggot

Release: 2022 / US – Original

Genre: Rock & Indie

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Pauline Oliveros & James Ilgenfritz

Altamirage

Tape | 2022 | US | Original (Infrequent Seams)

10,99 €*

Release: 2022 / US – Original

Genre: Electronic & Dance

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Tourists From The Future EP

12" | 2022 | EU | Original (Future Tones)

LP | 2022 | EU | Original (Mono-Tone)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The Future Tones crew is back with 'Tourists From The Future EP', this time it's the turn for two of the co-owners (Just Someone and On Jetlag), and the intro & outro are done by the Barcelona resident turntablist Iron F4c3.

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Paper Lips

The Sound Of Sound

25,99 €*

Magnificent Sounds Records

Release: 2022 / EU – Original

Genre: Rock & Indie

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First psyché solo album from The Baron Four's Mike Whittaker, nine original songs and a cover of the 13th Floor Elevators' Splash 1!Mike Whittaker from The Baron Four's new solo project. Far from his previous English "Rhythm' n' Beat" à la Milkshakes, early Kinks, he dwells here into the spaced-out sound of the Spaceman 3/Spiritualized/ Brian Jonestown Massacre. Slow motion tremolo and psyched fuzz guitar, languid vocals and floating drones.

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A Chant About The Beauty Of The Moon At Night: Hawaiian Steel Guitar Masters 1913-1921

LP | 2022 | US | Original (Magnificent Sounds)

Sweet Night Dew / Love In Oputer Space

Release: 2022 / US – Original

Genre: Rock & Indie

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A collection of rare original recordings, unheard for over a century, of captivating Hawaiian steel guitar music that influenced the first generation of Delta blues and country artists, changing the sound of music forever. Ghostly transmissions from paradise, beamed across time from a lost century, carefully remastered and restored with extensive historical notes & rare photos.

Predating the craze for kitschy Westernized “hot” Hawaiian music, the raw recordings here represent the original sounds of the Hawaiian islands that took America by storm in the early years of the 20th century. In 1893 the native Hawaiian monarchy was overthrown by US-backed business interests. Fleeing a repressive regime that even banned the Hawaiian language itself, hundreds of native Hawaiian musicians emigrated to the United States. In a few short years they had conquered America, as audiences flocked by the millions to hear native Hawaiian musicians perform anti-colonial protest songs of Hawaiian independence while playing a unique new Hawaiian invention: the steel guitar.

By 1916 Hawaiian music was the bestselling genre of recorded music in United States. From the biggest cities to the most isolated rural towns, millions of Americans flocked to see touring Hawaiian steel guitarists perform using never-before-seen sliding techniques that produced strange new sounds which audiences found electrifying. It was in some of these isolated Southern towns that pioneering black musicians like Leadbelly, Son House, and Tampa Red first heard Hawaiian guitarists playing steel guitar and began to imitate their slide techniques, bringing a new style of guitar playing to bear on blues music and changing the sound of America forever.

While to Western ears these songs sound jovial and romantic, they also carry other layers of meaning. By celebrating the Hawaiian language, landscape, and people, the music gave voice to a resistance against the white colonial interests that had seized the Hawaiian government. Other songs openly critical of the regime and called for the restoration of native rule, and many were even written by the deposed royal family. Just beneath the surface of these beautiful melodies that spoke of soft waves, warm breezes, and moonlight were political messages about colonialism and white supremacy that resonated deeply with Hawaiian listeners.

Too often, indigenous stories are written out of American history, particularly when it comes to music. This release seeks to bring new attention to the groundbreaking contributions of pioneering Hawaiian artists to the sound of American popular music, as well as transport listeners back to a now-forgotten period of American history when millions of Americans, of every color and walk of life, were obsessed with the innovative, stridently-political, deeply-evocative sounds of native Hawaiian steel guitar music.

All of these tracks have been lovingly restored from original 78rpm releases. Most of them have been unissued in any format since their original release over 100 years ago.

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Ossy Little Noise Weaver

7" | 2022 | JP | Original (Right Place)

LP | 2023 | UK | Original (Marathon Artists)

Release: 2022 / JP – Original

Genre: Reggae & Dancehall

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Exquisite mood of exotic electronic dub, rhythm box organ reggae instrumentals at its finest! This is a completely limited 7" from the second album "Woven" released in 2007! This is the first analog version of the very popular Ylnw self-cover of the last single by the Determinations in 2003. This one is a must have! Yossy Little Noise Weaver consists of ex-Determinations keyboardist Yossy and trumpet player Icchie, and the A-side is a self-cover of a classic song from the latter years of the Determinations' career, written by Yossy. The A-side is a self-covered version of a late Detami classic composed by Yossy. The minimalist composition of rhythm box, organ, and trumpet creates an exotic mood, and the endlessly sweet melody with just the right amount of dub is a superb organ reggae instrumental number! The B-side features a cover of the spiritual jazz classic "Love In Outer Space" by Sun Ra. This one has a cosmic exo-jazz groove with electronic sounds, organ, and trumpet, and is super cool! This is a super strong double-sider single without any complaints.

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Lava La Rue

Hi-Fidelity EP

21,99 €*

LP | 2022 | US | Original (Gilgongo)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Hi-Fidelity, as a project, is the music Lava wants to hear blasted “out the back of someone’s pickup truck going on a road trip with their mates, or a cheeky remixed version being played in a dingey gay dive bar.”

Sonically, Hi-Fidelity is rooted in the shared cultures of West London and the West coast of America: a slow-moving, laidback culture as opposed to their peers to the east, creating a distinct instrumental tie between the two places. Some of it self-produced -- alongside collaborations with Foster The People’s Isom Innis and Biig Piig, Lava’s best friend -- the project dwells on everything from languorous love in the sun to masochistic heartbreak.

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Sissy Spacek

Blear

20,99 €*

LP | 2022 | EU | Original (Whirlwind)

Release: 2022 / US – Original

Genre: Electronic & Dance

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An entropic vortex of full-room tear-up texture. Duo lineup of Charlie Mumma and John Wiese. Originally released in 2018 on Lp/cs, this crucial CD reissue brings back into a print a pinnacle of modern, harsh musique concrète - with nearly 15 minutes of bonus material!

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Harish Raghaven

In Tense

Release: 2022 / EU – Original

Genre: Organic Grooves

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PST FLCL Season 1 Volume 2 Blue Vinyl Edition

The Pillows

2LP | 2000 | JP | Reissue (Sony Interactive Entertainment)

14,99 €*

Abdication ... For Your Love

Release: 2000 / JP – Reissue

Genre: Soundtracks

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First released in 2000, the original Flcl is a coming-of-age anime set in the fictional Japanese city of Mabase revolving around an alien detective, Haruko, who seeks the space pirate king, and Naota, a sullen young man facing the tribulations of adolescence. The original series of Flcl was eventually followed by Flcl Progressive and Flcl Alternative, which continued to follow Haruko as she careens through the lives of young people in her ongoing hunt. Two more series of Flcl – Flcl Grunge and Flcl Shoegaze – were recently announced for release in 2023.

Produced by the studios Production I.G. and Gainax, the Flcl series have become beloved outside of Japan for its unique animation style, robust action sequences, and unforgettable soundtrack. The music to Flcl was composed and performed by the Japanese alternative rock band the pillows. Flcl Season 1 Vol. 2 (Original Soundtrack and Drama Album) contains music by the pillows from the first season of the show, as well as a series of Japanese audio drama tracks. This two LP release includes 16 tracks pressed on purple vinyl and blue marble vinyl housed in a gatefold jacket along with a credit insert.

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Reigning Sound

LP | 2011 | US | Reissue (Merge)

20,99 €*

Release: 2011 / US – Reissue

Genre: Rock & Indie

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W.I.C.K.E.D. Twiztid 25th Anniversary Black Vinyl Edition

Twiztid

LP | 2022 | US | Original (Majik Ninja)

32,99 €*

Release: 2022 / US – Original

Genre: Hip Hop

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Ol' Gorilla Bones X The Dirty Sample

Revenge 1

LP | 2022 | US | Original (Hand'Solo)

34,99 €*

Release: 2022 / US – Original

Genre: Hip Hop

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Tape | 2022 | EU | Original (Remecier)

Picture
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Remer Cier X Deepart

Échange 1:1

Mutant Volume 2 25th Anniversary Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Deepart, vétéran de la Techno bizarre Londonienne des années 90 et l’artiste inaugural du label Rush Hour, rencontra Remer Cier, debutant sur Youth, à Plastic People, lors de la soirée séminale CDR, un set improvisé de nouvelle musique électronique. Après presque 20 ans de dialogue erudite, de performances et expositions au Chelsea College of Art et au Royal College of Art, nous présentons leur collection d’improvisations afrofuturistes, enregistrée au Beaconsfield Gallery, Vauxhall, Londres en 2021.

Dédié à Søren Holm et tous amis absents

Merci à Joviale, collaboratice au dessin

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Twiztid

LP | 2022 | US | Original (Majik Ninja)

Release: 2022 / US – Original

Genre: Hip Hop

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Nancy Sinatra & Lee Hazlewood

Nancy & Lee Gold Colored Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

26,99 €*

4LP | 2022 | EU | Original (Nervous)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Louie Vega

Expansions In The NYC

47,99 €*

In My Own Time Super Deluxe 50th Anniversary Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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What is it about New York City, that concrete jungle that continually inspires the creative spirit? From Warhol’s Factory to Larry Levan’s Paradise Garage to David Mancuso’s Loft, collectives that celebrate and nurture unfettered, organic artistry have been absolutely intrinsic to the story of this sprawling metropolis. Its latest chapter is being written at the hands of ‘The Maestro’, Grammy Award winner Louie Vega and his Expansions NYC parties, the sound documented in his latest album Expansions In The NYC (Nervous Records).

Starting in February 2019 in Manhattan and Brooklyn venues, Vega’s Expansions NYC parties have their origin not in his revered prowess as a DJ but rather his whole-hearted appreciation of the different elements of the dance floor surrounding him: the dancers, the musicians who bring their instruments to join him ad-hoc on the night, the small, dedicated crowd of clubbers whose ears to the ground keep them informed on the underground party information. The events included 6-hour DJ Sets with Louie under his select curation, and would usually end with 3 AM jam sessions involving keyboardists, guitar players and poets all performing in front of a jam packed crowd. In just a few short years the Expansions NYC events have evolved into an NYC-clubland institution, an intimate celebration of house, funk, disco, afro, R&B and more.

As with his parties, so goes his album. The collective vibe that forms the beating heart of Expansions NYC parties is absolutely front and centre in Expansions In The NYC, Vega drawing in one of the most comprehensive lists of collaborators in recent memory. House heavyweights Honey Dijon, Joe Claussell, Moodymann, Kerri Chandler and Anané rub up against legendary vocalists Bernard Fowler, Cindy Mizelle, Lisa Fischer, Audrey Wheeler and Tony Momrelle. Gospel royalty BeBe Winans and Debbie Winans, pop icon Robyn and rising star Karen Harding sit alongside disco-era champions Unlimited Touch, Cuban jazz pianist Axel Tosca, Nico Vega, Two Soul Fusion with Josh Milan and Vega and underground legend DJ Spinna. At the centre of it all, fingerprint on every beat, touch on every groove, sits a master at work, weaving the individual threads into a rich dance music tapestry.

"In the past few years I’ve found new inspiration both from the musicians I’m working with and the audiences coming to see me at my DJ shows,” Vega says. “So for me this album represents new beginnings, bringing together a beautiful mosaic of artistic perspectives to express musically what we call Expansions In The NYC."

At its heart, Expansions In The NYC is a love letter to New York, as much as melting pot as the city it represents, the scope of its line-up possible only because of the influence and reverence of Vega the artist, the DJ, the producer, the curator. In creating this album, Louie Vega has once again utterly enriched the lives and libraries of music lovers the world over, far beyond the hustling streets of NYC that have so indelibly left their mark on his work.

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Karen Dalton

Box | 1972 | US | Reissue (Light In The Attic)

45,99 €*

Betty Davis 8-Track Cartridge Edition / 8-Spur-Kassette

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Definitive edition of Karen Dalton’s 1971 Masterpiece
Two 180-gram, 45 RPM LPs cut from new 2021 transfers and pressed at RTI, featuring bonus tracks from the original album sessions 12” 180-gram, 45 RPM EP: Live at The Montreux Golden Rose Pop Festival (May 1971), newly remastered (2021) and previously unreleased in any format. B-side includes a beautiful etching of Karen, illustrated by renowned artist Jess Rotter. Previously unreleased 7” single: Live at Beat Club, Germany (April 1971) Repro of 1971 French edition 7” single: Something On Your Mind b/w One Night Of Love Both 7” singles pressed at Third Man Pressing and housed in old-style tip-on jackets 20-page booklet featuring unseen photos and liner notes by Lenny Kaye, plus contributions from Nick Cave and Devendra Banhart Replica Playbill for Montreux performance, CD of all tracks. Housed in a special, expanded trifold jacket Limited to 2,000 sequentially foil numbered copies worldwide

Featuring Dalton’s interpretations of songs like “Are You Leaving for the Country,” “When a Man Loves a Woman,” “Katie Cruel,” and her posthumously recognized signature performance, “Something On Your Mind,” will be available in a variety of formats, including a bonus-filled, 50th anniversary Super Deluxe Edition, which expands exponentially upon Light in the Attic’s 2006 reissue of the album, co-produced by Nicholas Hill.

The 50th Anniversary Super-Deluxe Edition features the newly remastered (2021) In My Own Time album, presented on three sides of 45-rpm, 180-gram vinyl pressed at Record Technology Inc. (rti), with the fourth side showcasing alternate takes from the album sessions. The Super Deluxe package also includes the previously unreleased audio from her rare, captivating performance, Live at The Montreux Golden Rose Pop Festival, May 1st, 1971. This is the first time this audio has been made available in any physical format — presented on 180-gram 12-inch vinyl, pressed at Third Man Record Pressing, and featuring a stunning etching of Dalton by acclaimed artist Jess Rotter on the B-Side. Accompanying the bonus record is a replica playbill from The Montreux Golden Rose Pop Festival, 1971, meticulously arranged and compiled from vintage source material by Darryl Norsen. In addition to the bonus 12”, the set contains a CD of all tracks included in the package and two 7-inch singles, featuring previously-unreleased live recordings captured at Germany’s Beat Club in 1971, both pressed at Third Man Record Pressing and housed in tip-on jackets. All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters. A 20-page booklet—featuring rarely seen photos, liner notes from musician and writer Lenny Kaye, and contributions from Nick Cave and Devendra Banhart—rounds out the package, which comes housed in a special trifold jacket, individually foil-stamped and numbered in a strictly limited worldwide edition of 2,000 copies.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

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Betty Davis

8Track | 1973 | US | Reissue (Light In The Attic)

47,99 €*

Tape | 1973 | US | Reissue (Light In The Attic)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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In 1973, Davis would finally kick off her cosmic career with an amazingly progressive hard funk and sweet soul self-titled debut. Davis showcased her fiercely unique talent and features such gems as “If I’m In Luck I Might Get Picked Up” and “Game Is My Middle Name.” The album Betty Davis was recorded with Sly & The Family Stone’s rhythm section, sharply produced by Sly Stone drummer Greg Errico, and featured backing vocals from Sylvester and the Pointer Sisters.

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Betty Davis

8Track | 1974 | US | Reissue (Light In The Attic)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Ms. Davis’s unique story, still sadly mostly unknown, is unlike any other in popular music. Betty wrote the song “Uptown” for the Chambers Brothers before marrying Miles Davis in the late ‘60s, influencing him with psychedelic rock, and introducing him to Jim i Hendrix — personally inspiring the classic album ’Bitches Brew.’

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Betty Davis

They Say I'm Different

47,99 €*

Have You Heard This Story Clear Gren Vinyl Edition

Release: 1974 / US – Reissue

Genre: Organic Grooves

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One can hardly imagine the genre-busting, culture-crossing musical magic of Outkast, Prince, Erykah Badu, Rick James, The Roots, or even the early Red Hot Chili Peppers without the influence of R&B pioneer Betty Davis. Her style of raw and revelatory punk-funk defies any notions that women can’t be visionaries in the worlds of rock and pop. In recent years, rappers from Ice Cube to Talib Kweli to Ludacris have rhymed over her intensely strong but sensual music.

There is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago – we live in an age that’s been profoundly changed by flamboyant flaunting of female sexuality: from Parlet to Madonna, Lil Kim to Kelis. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? Marva Whitney had the voice but not the independence. Labelle wouldn’t get sexy with their “Lady Marmalade” for another year while Millie Jackson wasn’t Feelin’ Bitchy until 1977. Even Tina Turner, the most obvious predecessor to Betty’s fierce style wasn’t completely out of Ike’s shadow until later in the decade.

Ms. Davis’s unique story, still sadly mostly unknown, is unlike any other in popular music. Betty wrote the song “Uptown” for the Chambers Brothers before marrying Miles Davis in the late ’60s, influencing him with psychedelic rock, and introducing him to Jim i Hendrix — personally inspiring the classic album Bitches Brew.

But her songwriting ability was way ahead of its time as well. Betty not only wrote every song she ever recorded and produced every album after her first, but the young woman penned the tunes that got The Commodores signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. Heading to the UK, Marc Bolan of T. Rex urged the creative dynamo to start writing for herself. A common thread throughout Betty’s career would be her unbending Do-It-Yourself ethic, which made her quickly turn down anyone who didn’t fit with the vision. She would eventually say no to Eric Clap ton as her album producer, seeing him as too banal.

Her 1974 sophomore album They Say I’m Different features a worthy-of-framing futuristic cover challenging David Bowie’s science fiction funk with real rocking soul-fire, kicked off with the savagely sexual “Shoo-B-Doop and Cop Him” (later sampled by Ice Cube). Her follow up is full of classic cuts like “Don’t Call Her No Tramp” and the hilarious, hard, deep funk of “He Was A Big Freak.”

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Swamp Dogg

LP | 1974 | US | Reissue (Alive)

Moon Boy Black Vinyl Edition

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Limited Pressing of the1974 album. Includes an Insert with lyrics and photos. Features Swamp DOGG's original liner notes as well as brand new ones .

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Yung Bleu

2LP | 2022 | US | Original (Empire)

26,99 €*

Another Side Black Vinyl Edition

Release: 2022 / US – Original

Genre: Hip Hop

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Yung Bleu, also known as, Bleu Vandross, is a rising Hip-Hop/R&B artist from Mobile, Alabama. After scoring several major hits and racking up over 1 Billion streams and YouTube views over the past few years with a series of smash love anthems, the multi-talented artist scored his first Billboard Hot 100 hit with “You’re Mines Still,” a joint single featuring Drake, which debuted at #52 and still stands on the charts. It’s parent EP, Love Scars: The Five Stages of Emotions, likewise hit the Billboard 200 Chart. Following the success, Yung Bleu delivers his debut album, Moon Boy. Featuring the hit song “Baddest (feat. Chris Brown & 2 Chainz),” which continues to rack up streams, views and climb the radio charts, the album sees appearances from H.E.R, Big Sean, John Legend, Kehlani, Kodak Black, Davido, Moneybagg Yo, Jeezy, Gunna & A Boogie Wit Da Hoodie. Prepare for takeoff.

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Leo Nocentelli

LP | 2021 | US | Original (Light In The Attic)

11,99 €*

Mob Justice Picture Disc Edition

Release: 2021 / US – Original

Genre: Organic Grooves

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“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet alongside hand-written lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960’s and early 1970’s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard...Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.

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The Rival Mob

LP | 2013 | US | Reissue (Revelation)

LP | 2021 | EU | Original (Bedouin)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Drawn up by some of the most unsavory souls in the Boston, MA underground hardcore scene and reinforced by members who have done time in infamous area bands like Mind Eraser, Righteous Jams, Mental, Xfilesx and many others, THE Rival MOB have become the darlings of the current hardcore scene, inspiring shameless violence and playing high on the bill at the most important hardcore festivals in America; This Is Hardcore in Philadelphia, Sound And Fury in California, and Chaos in Tejas in Austin, TX. In between serving time with their current other projects World WAR 4, Give, NO Tolerance, and Boston Strangler, the band will be playing on both coasts highlighted once again by the big summer festivals as well as their first-ever trip across the Atlantic to Europe. The band’s Revelation Records debut picks up right where their previous EP, Hardcore For Hardcore, left off, with vocalist Brendan Radigan spewing venom at the ills that plague both the outside world and the scene itself, all delivered over fast, stage dive-inspiring hardcore that brings to mind the best of mid-to-late ’80s New York hardcore bands like Youth OF Today, Warzone, and Breakdown.

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Haku Sungho

The Farthest Creole

LP | 1966 | US | Reissue (Light In The Attic)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Haku Sungho is a Korean-Japanese musician and artist, from Tokyo, who lives and works in Berlin. In addition to his work as a musician, he uses conceptual methods to create his own instruments and to develop his video and installation works.
A developing circle, pinwheeling, restarts at every rotation before completing the circle. The circle does not close, but indicates the shape it seeks to finish. Each time, it seems nearer to closing, and the patience maintains. Still, no circle closes, in each rotation. Anxiety develops with the inability to resolve the shape, but the shape turns, a graph develops, two circles pinwheel, unable to close, but overlap now. One circle, pausing, casts a straight to indicate the radius, and stops, still one moves above the other, now clarifying. A message is buried in the charts and figures, an odious one. "I am breathing. You, too, are breathing. We are breathing. The subtle scent of us both breathing." Spelled out now, the circle never completes, just makes a letter in a message and makes difficult the reading.

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Nancy Sinatra

Boots Blue Vinyl Edition