Vinyl Magic Soundtracks 11 Items

OST Sacco E Vanzetti Clear Transparent Vinyl Record Store Day 2024 Edition

LP | 1971 | EU | Reissue (Vinyl Magic)

Release: 1971 / EU – Reissue

Genre: Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

1971 soundtrack from Ennio Morricone Pressed on Transparent Clear Vinyl & includes a 30x30cm insert Liner notes and audio remastered by Claudio Fuiano “Sacco e Vanzetti” is a 1971 dramatic movie directed by Giuliano Montaldo and masterfully starred by the two lead actors Gian Maria Volonté and Riccardo Cucciolla; the film deals with the everpopular topic of the death penalty by recounting a real event that caused quite a stir at the time: the sentencing to the electric chair of two Italian immigrants who were executed in 1927 after a sevenyear trial.

For “Sacco & Vanzetti” Ennio Morricone composed one of the most intense scores of his long and successful career, starting with the mostly romantic and extremely sad theme for oboe and orchestra “Speranze di libertà”. Joan Baez’s charming voice interprets “La ballata di Sacco e Vanzetti”, divided into three parts alternating with the macabre theme of “Nel carcere” provided by electronic effects and ripping strings that would fit well in a giallo movie. The ballad motif is then reprised and played by liturgical organ and orchestra in “Sacco e il figlio”, while “La sedia elettrica” is an experimental electronic music cut. The closing song “Here’s to You”, sung by Joan Baez, has become a sort of anthem worldwide.

On the occasion of Record Store Day 2024, this legendary soundtrack is exclusively reissued on clear vinyl, with new artwork and a 30x30cm insert. Liner notes and audio remastered by Claudio Fuiano.

Go to Item

OST Come Imparai Ad Amare Le Donne Clear Green Vinyl Record Store Day 2024 Edition

LP | 1966 | EU | Reissue (Vinyl Magic)

Release: 1966 / EU – Reissue

Genre: Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

1966 soundtrack from Ennio Morricone Pressed on Transparent Green Vinyl & includes a 30x30cm insert First ever release of four tracks on vinyl! “Come imparai ad amare le donne” (How I learned to love women) is a 1966 romantic comedy directed by Luciano Salce; the cast includes internationally renowned actors such as Anita Ekberg, Michèle Mercier and Robert Hoffman, as well as a very young Romina Power who was only 14 years old at the time. The beginning of the artistic collaboration between Ennio Morricone and Salce dates back to 1961, with one of the Maestro’s very first soundtracks, “Il federale” (The Fascist); the partnership then continued with “La voglia matta” (Crazy Desire), “La cuccagna” (A Girl… and a Million), “Le monachine” (The Little Nuns), “Slalom”, “El Greco” and, finally, “Come imparai ad amare le donne”.

For this film, Ennio Morricone composed a soundtrack that is a true hymn to love, with an elegant and refined atmosphere led by the beat ballad “Pioggia sul tuo viso” performed by the English group The Sorrows, and by various romantic themes such as “La diva”, “La donna gattina” and “La donna romantica” that alternate with classical compositions such as “Alta moda” and “Alla corte di Luigi Xvi”. The love theme returns in a danceable version in the opening credits.

Originally released in 1966 and reissued in 1985, this soundtrack is finally reissued on clear green vinyl LP with a new artwork and a 30x30cm insert. In addition, four tracks are here released on vinyl for the first time. Liner notes and audio remastered by Claudio Fuiano.

A Record Store Day 2024 exclusive!

Go to Item

OST Allonsanfàn Clear Red Vinyl Record Store Day 2024 Edition

LP | 1974 | EU | Reissue (Vinyl Magic)

OST L'arcangelo Yellow Vinyl Record Store Day 2024 Edition

Release: 1974 / EU – Reissue

Genre: Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

1974 soundtrack from Ennio Morricone Pressed on Red Vinyl & includes a 30x30cm insert Liner notes and audio remastered by Claudio Fuiano “Allonsanfàn” is a 1974 historical film written and directed by Paolo and Vittorio Taviani; set in 1816 in Italy during the Restoration period, its cast features, among others, Marcello Mastroianni, Lea Massari, Laura Betti and Mimsy Farmer.

“Allonsanfàn” is the first collaboration between the two directors and Morricone, who would also compose the music for the film “Il prato” (The Meadow, 1979). The soundtrack starts with a main marching theme, “Rabbia e tarantella”, introduced by the piano and reworked in a thrilling way by the full orchestra; Giuseppe Tornatore liked it so much that in 2009 he asked Morricone to write a similar musical theme for a sequence of the film “Baarìa”. This motif is alternated with the bucolic passages for flute and orchestra of “Ritorno a casa”, the festive “Dirindindin”, the classical piece “Te Deum Laudamus” for orchestra and choir and “Frammenti di sonata” for solo violin and small ensemble.

This score was only partially issued on vinyl in 1979, and subsequently only on CD; for the first time, then, it’s here released on clear red vinyl in an extended version, including a 30x30cm insert. Liner notes and audio remastered by Claudio Fuiano.

A Record Store Day 2024 exclusive!

Go to Item

Piero Umiliani

LP | 1969 | EU | Reissue (Vinyl Magic)

Release: 1969 / EU – Reissue

Genre: Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

1969 soundtrack from Piero Umiliani Pressed on Yellow Vinyl & includes a 30x30cm insert First ever vinyl release of several tracks! “L'arcangelo” (The Archangel) is a 1969 comedy characterised by police and judiciary tones, directed by GIorgio Capitani and starring, among others, Vittorio Gassman, Pamela Tiffin, Adolfo Celi, Irina Demick and Carlo Delle Piane.

This soundtrack follows the previous “La notte è fatta per... rubare” (Night is Made for Stealing) which marked the beginning of Umiliani’s collaboration with the director. Mainly displaying a Latin American flavour, it contains several elements typical of the composer’s style, mixing bossa nova and samba with beat rhythms and Hammond organ, and is enriched by various vocal contributions from Alessandro Alessandroni’s Cantori Moderni and the delightful scat singing of Giulia De Mutiis, one of the choir’s female voices. Distorted electric guitars with orchestral ensemble also create an atmosphere between spy and detective story.

None of “The Archangel” tracks have ever been released in any form for many years, and to date there are only three CD editions only issued in Japan. This clear yellow vinyl version therefore fills a void and finally returns these wonderful compositions to us in the format that suits them best!

A Record Store Day 2024 exclusive!

Go to Item

Amore Clear Vinyl Ediiton

Release: 2024 / EU – Original

Genre: Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The romantic side of Maestro Morricone contrasts the dramatic side of Thriller and Crime genre where dissonances always dominate. For TIE ME UP! (1989) Morricone composed a delicate love theme for his one and only collaboration with the great Spanish film director Pedro Almodovar. For FOR Love (1976) he created a motif for piano and orchestra as a back- ground to a love triangle. The first sexual experiences of a teenager with older women at the end of the war in Disobedi- Ence (1981) are accompanied by piano, strings and oboe. “Desperate love theme” from Making Love (2000) is a very nostalgic classic tune for violin and orchestra. “Per le antica scale (Preludio)” from Down THE Ancient Stairs (1975) is a captivating, slow and sensual, love tune for piano and orchestra with a predominant flute solo. “Beata and Joe” from THE Star Maker (1995) a sentimental theme for the two protagonists performed by an orchestra with the intervention of a classical guitar in the second part. The crystal voice of soprano Edda Dell’Orso appears very frequently in Ennio Mor- ricone’s soundtracks as in the case of THE Good Thief (1980), THE Master AND Margarita (1972), What Have YOU Done TO Solange? (1972), Orient Express (1979).

Go to Item

Bossa And Groove Clear Red Vinyl Ediiton

Release: 2024 / EU – Original

Genre: Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In his long and successful career Ennio Morricone composed many dance songs as it was in fashion in the late sixties and early seventies. Themes that were usually not directly connected with the subjects of the soundtrack, but which were played in disco clubs, on jukeboxes, turntables and on the radio. This collection contains a selection of very cool pieces such as the brilliant main theme from Grand Slam (1967), the shake rock (opening credits) from Dario Argento’s classic Four Flies ON Grey Velvet (1971), the danceable from the noir film Violent City (1970), the beat version of the opening credits of “Pioggia sul tuo viso” by The Sorrows, from HOW I Learned TO Love Women (1966), “Per Vittorio (Bossa)” elegant bossa nova with flute and percussions from THE Success (1963), the tribal shake from I Cantori Moderni which winks at the Dies Irae from Garden OF Delights (1967), “Scuola di ballo al sole” a wild surf piece from THE Hawks AND THE Sparrows (1966), the supreme bossa nova from ONE Night AT Dinner (1969) with the super iconic voice of Edda Dell’Orso, the shake music of “Ostinazione al limone” from What Have YOU Done TO Solange? (1972), “Donnabossa” from Full Hearts AND Empty Pockets (1964), a delicate bossa nova with a prominent harpsichord.

Go to Item

Thrillers & Noir Clear Yellow Vinyl Ediiton

Release: 2024 / EU – Original

Genre: Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ennio Morricone in his long and wonderful career has composed a large number of soundtracks for Thrillers and Noir. Here is a selection of ten scores which once again demonstrate his immense musical genius. THE Palermo Connection by Rosi (1990), Violent City by Sollima (1970), What Have YOU Done TO Solange? by Dallamano (1972), Behind THE Trial (1978-1980), THE Flower IN HIS Mouth by Zampa (1975) THE Human Factor (1975), Short Night OF Glass Dolls by Lado (1971) Almost Human (1974), THE Death Dealer (1974), Three Columns IN THE News (1990) by Vanzina, musically represent the entire dramatic and my- sterious side of Ennio Morricone who wrote, orchestrated and conducted soundtracks for two genres that always had a huge following of fans all over the world.

Go to Item

OST Il Serpente Record Store Day 2023 Edition

LP | 2023 | US | Reissue (Vinyl Magic)

32,99 €*

LP | 1977 | EU | Reissue (Vinyl Magic)

Release: 2023 / US – Reissue

Genre: Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Record Store Day 2023 exclusive release on transparent yellow vinyl.

“Il Serpente” (Night Flight from Moscow) is a 1973 spy and thriller film directed by Henri Verneuil, starring among others Yul Brinner, Henry Fonda and Philippe Noiret. It’s one of the French director’s six movies that feature a soundtrack composed by Ennio Morricone, who here managed to describe the thrilling atmosphere of this high-voltage espionage, alternating dramatic and mysterious passages ("Assassinio sul Lago", "Il Serpente") and experimental ones ("Astrazione con Ritmo", "Esplicitamente Sospeso") to other soft and sensual ("Canzone Lontana"), still with the amazing contribution of Edda Dell'Orso and Alessandro Alessandroni’s I Cantori Moderni.

"Tema per una Donna Sola" Morricone is a sweet and melancholic theme with modern rhythmic patterns; There is also music with a danceable flavor such as "Nadine" with organ, groovy drums and rock guitars, always with Cantori Moderni’s wonderful voices, a solemn church organ-only composition (“Orazione”) and an excited march ("Parata Militare"). Clear yellow vinyl edition for Record Store Day 2023, with remastered audio and new artwork.

Go to Item

Remigio Ducros

America Giovane

Release: 1977 / EU – Reissue

Genre: Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale.

Remigio Ducros, pianist and composer, author of about 20 library music LP's, with "America Giovane" (Young America) produces a heterogeneous compendium of musical genres coming from the United States, that could perfectly fit as an accompaniment to the '60s/70s hippie gatherings and events. Country (Country Feeling, On the West Road), funk (Black Not Coloured), blues (Ride On, Village Blues, State of Harlem), soul/r&b (Black Congregation), southern rock (Rock - H), psychedelic-tinged prog (The New Phylosophy), hard rock (Hendrix Memento, Campus Sit In), plus three songs for solo armonica (Week-end Down Town, Sunday in Central Park) and flute (Lonesome Voice).

"Ritmo dell'industria N. 2" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers.

First official reissue ever, on 180gr. black vinyl.

Go to Item

Avantgarde Clear Acid Green Vinyl Edition

Release: 2024 / EU – Original

Genre: Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The studies with Goffredo Petrassi and the association with Gruppo di Improvvisazione Nuova Consonanza let the Avant-garde playing an important role in the career of Ennio Morricone, who wrote many contemporary pieces for himself, but then the author composed soundtracks where dissonance played a major role. For the Italian edition of the film Space: 1999 (1975), the cult British TV series, he composed a very neurotic Jazz with muted horns. Also for the science-fiction film THE Humanoid (1979) Ennio Morricone created hallucinating strings scores mixed with electronic effects. For Sacco E Vanzetti (1971) an electronic score by Walter Bianchi evokes all the drama of the undeserved death sentence of the two protagonists. Experimental music of great impact in the film and off the screen for famous thrillers such as THE Death Dealer (1974), Short Night OF Glass Dolls (1971). Avant-garde music has always been present in Elio Petri’s films set to music by Morricone such as Property IS NO Longer A Theft (1973). Avant-garde music in the noir cinema of Violent City (1970) and A Pure Formal- ITY (1994) and in auteur films such as Garden OF Delights (1967) and Sarah’s Last MAN (1972).

Go to Item

For A Fistful Of Western Clear Orange Vinyl Edition

27,54 €* 28,99 € -5%