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Aguirre

Aguirre Folk 4 Items

Name: France - Occitania
Brand: Aguirre
SKU: 953080v1
Price: 26.99 EUR
Availability: InStock

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Reset all Filters No Used Vinyl Aguirre

France

Occitania

LP | 2017 | EU | Reissue (Aguirre)

26,99 €*

Incl. VAT plus Shipping Costs

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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France is the trio of Jeremie Sauvage on electric bass, Mathieu Tilly on drums and Yann Gourdon on amplified hurdy-gurdy. They play one note / one rhythm producing energetic performances reminiscent of the early collaborations between Faust and Tony Conrad. Creativly recycled influences result in intense shows with pounding overtones and repetitive pulsing rhythms. Loud straight and trance-inducing.

The pertinency of the recordings only slowly appear On “Occitanie" in the mass of sound, the rhythmic repetition and the elongated drones. The hurdy-gurdy forces you deeper, highlighting points of microtonal flux, cracking open the single note, the nodding rhythm, to imply the presence of every note, every sound, inside it. The insensible evolution, lurks in a corner of noise and finally imposes itself slowly on careful listening.

The band members of France perform in various other projects: Tanz Mein Herz, Toad and Jérico, all are member of the collective La Novià, an organisation based in Haute-Loire which brings together professional musicians and is a place for reflection and experimentation around traditional and / or experimental music.

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Blod

Knutna Nävar

LP | 2022 | EU | Original (Aguirre)

23,99 €*

Incl. VAT plus Shipping Costs

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Edition of 500 includes insert & large poster.

Swedish progg is not to be confused with "prog" as in progressive rock music. When we are talking about progg, we are refering to the Swedish music movement influenced by the political climate of the late 60's, to some extent the hippie movement and in many cases also Swedish folk music. Music highly driven by an political agenda. Blod's Knutna Nävar, originally released in an edition of 150 copies on Förlag För Fri Musik in 2018 and later a small cassette run, is pretty much a lost progg classic from the 70's. This is not a case of copying a certain sound though, far from it, neither are ideas really rehashed nor does the album feel nostalgic in that sense. Rather it feels like if someone has read about the progg movement and all the records but never actually heard it, yet decided to do an album and somehow managed to succeed big time.

Further developing the sound palette and ambience initiated with parts of the Leendet Från Helvetet recording, the music feels slightly louder and more in your face. It's like it's more of everything. The melodies are immediate and it's quite impossible to resist the brash catchiness of it all. Albeit mentioning progg music and it's importance for this recording, the actual musical side of Knutna Nävar has in reality more in common with soundtrack/library music and Swedish composers like the late Björn Isfält when you attempt to break it down. The crude DIY approach and anything-goes mentality just adds an extra dimension to it all and ultimately places the music somewhere else. There's a rather blunt use of samples throughout the record (sources probably best to leave out, though you don't have to be a Einstein to figure these out), but then again this is made by the same guy that gave the world the Abba album. Those samples have managed to become an integral part of the music through the few years that has passed and though well familiar with the records those snippets are now to me genuinely Blod and nothing else.

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Blod

Leendet Fran Helvetet

LP | 2022 | EU | Original (Aguirre)

23,99 €*

Incl. VAT plus Shipping Costs

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Edition of 500. Includes insert.

It's been a true pleasure but also a rather chaotic experience to follow the progress of Blod from a close distance since the beginning. I have fond memories of receiving the odd cassettes from the early days, like the severely fucked up Unga Röster (later issued as an LP on Förlag För Fri Musik) and the awfully mesmerising Prat Om Depression recording. Returning to Leendet Från Helvetet for the first time for long a while, it's quite evident that the album marked a new phase in the troubled Blod universe. There's few traces left of the found tapes/audial voyeurism and brutish stop/rec editing that made up the first few releases, instead we are served with what is pretty much a proper album in a, sort of, traditional sense.

The record opens with a sole beat from a hand drum soon accompanied by a beautiful and very Blod-ish subtle melody from a glockenspiel but it only takes a few minutes before Gustaf's past as a free jazz aficionado is noticeable with the rather rough saxophone burst of 'Natten'. It's not until the title track that things kicks off for real though, most likely the first example of the sound and, maybe more so, very special feeling that I would say most people associate Blod with nowadays. To me, it's the sound of growing up in Sweden in the 80's; having two channels on the TV, eating brown food, rainy summers, taping commercial stuff on the radio, playing D&D in a purple tent in the garden. Memories of that certain bright light that can occur during the Scandinavian summers, those warm days when the skies are foggy. Long windswept grass and a very peculiar feeling of utter boredom. Arguably, Blod has never sounded more Blod than on this track, this is the very essence of the man's work right here. The progamm continues on side B with the solemn piano piece 'Lust', another saxophone rager and then the flipside's centrepiece 'Tro, Hopp & Kärlek' which pretty much mirrors the title track in it's larger-than-life scope and pure beauty.

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Jericho

De Dreit Nien

2LP | 2022 | EU | Original (Aguirre)

28,99 €*

Incl. VAT plus Shipping Costs

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Double album in gatefold sleeve with artwork by Elodie Ortega. In co-production with La Nòvia & released in an edition of 500.

The Jericho project is fully in line with the approach of the La Nòvia collective from which it originates, a hub for like-minded musicians reinventing regional folk repertoires, marrying traditional French song with minimalism via the use of drone. Jericho is just one of many available permutations of La Nòvia members, with the line-up including Yann Gourdon, Clément Gauthier, Jacques Puech and Antoine Cognet – you could say it’s La Nòvia’s flagship, or super-group. There are no dramatic stylistic shifts here, this is a story of gradual evolution within parameters that Jericho, and La Nòvia, have set for themselves. That also applies to their interpretation of individual songs, which are largely traditional.

They can build from almost nothing to reach a furious, near-hallucinatory pitch, underpinned by Gourdon and driven higher by Cognet’s banjo and Gauthier and Puech’s cabrettes (Auvergnat bagpipes). Gauthier and Puech also sing in unison but drift marginally in and out of time with each other, creating a natural delay effect. Many of the songs slide into each other in long sequences, adding to the sense of disorientation; the one which runs from ‘Revenant Des Noces’ to ‘Trois Mariniers’ takes in both eerie, keening balladry and wild dances. When Jericho hit their stride at these moments – see also, especially, the glorious ‘Planh De la Madalena’ – they leave you feeling like you’re spinning forever, encircled by whirling bodies caught up in dancing mania.

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