HHV Exclusives 313 Items

Inspired by a long lost tale from dark and cold northern lands, written many ages ago, ‘Neida‘ is the story of a young boy who one day noticed an eerie call, so peculiar and odd that he could not resist but to follow it. While it resonated through remnants of ancient settlings, the boy had to overcome many obstacles and solve numerous quests, journey through mystical forests, foggy mountains and ghostly villages, battle the forces of nature and lose himself in this adventure. Finally reaching the ocean after an exhausting voyage, a mysterious invisible force drew him closer and closer to it, suddenly entranced in a state between consciousness, floating underwater, lured by the siren of the sea.

Limited edition of 300 copies on pink vinyl!

“WILD” is the most complete musical work by Nuage up to date. Following a thought-out plan from beginning to finish – with a real introduction, development, and conclusion – the album is influenced foremost by the sun, sea and tropics. The music slowly evolves from warm and uplifting songs towards colder and more mysterious realms.

Taking a full year to finish the album, including the entire change of season from summer to winter, memories of trips to Mexico, the mountains, and the seaside fade away and are replaced by days at home and in the studio in cold St. Petersburg. At the same time the music itself goes through a very personal development from outgoing moments to parts of personal reflection.

Without adding too much weight or philosophy to the music, the album is an easy and natural listening experience that explores contrasting and at times contradicting themes between summer and winter, cold and warm, introverted and extroverted and many layers in between, while also harmonizing the musical past, present and future of Nuage.

Following his critically acclaimed “Neida” EP from 2015 (FACT, BBC Radio 1, thump, XLR8R, Clash, Ransom Note, among many others), “WILD” comes out worldwide in limited colored double vinyl and features such guests as his friend BOP, Brooklyn based BAILE, Olga Maximova (Harp), and Belle (of Left Rib).

Numaads sounds different, looks different and thinks different.

Esperanzah is like a siren calling the listeners to her as she floats on the ocean of sound, created by her long time friend and musical partner Sense (of The Q4 and Shahmen). Her smooth earthy rap voice and angelic singing are carried beautifully by the strong drums and atmospheric vibes, and speaks to us of realignment with nature, with our roots and with ourselves.

Sense skillfully combines original use of sampling, interweaved with organic instrumentation, to sculpt a sound that carries an almost mystical atmosphere. He is a craftsman who has been perfecting his art for many years and is now coming forth in to the light.

The record features four original songs and two remixes of the title song Now, by renowned producers Robot Koch and J Rawls.

The diabolical rhyme dynamics of Teknical Developments lyrics paired with beats cloaked in a blue cheese fog of THTC from Hey!zeus dwell and celebrate in the time of A.M. A time which reveals the full existence of the human cypher in its entirety, From the crooked corrupt cloaked by its shadows to the optimism of dreams and a new days break.
TO.AM is a dedication to the time
FREE.AM is an experiment in the freedoms of the infant hours
Two separate organism from the same body of concept naturally evolved from late night studio sessions all past the hour of midnight.

———————————
All Tracks Produced By Hey!zeus
All Tracks Recorded & Mixed At RDL Studios by Hey!zeus
All Tracks Mastered By Mr Cooper
Artwork & orginal paintings by Gordon of PMC/BBC.

LIMITED edition: ONLY 400 copies, worldwide!!

The diabolical rhyme dynamics of Teknical Developments lyrics paired with beats cloaked in a blue cheese fog of THTC from Hey!zeus dwell and celebrate in the time of A.M. A time which reveals the full existence of the human cypher in its entirety, From the crooked corrupt cloaked by its shadows to the optimism of dreams and a new days break.
TO.AM is a dedication to the time
FREE.AM is an experiment in the freedoms of the infant hours
Two separate organism from the same body of concept naturally evolved from late night studio sessions all past the hour of midnight.

———————————
All Tracks Produced By Hey!zeus
All Tracks Recorded & Mixed At RDL Studios by Hey!zeus
All Tracks Mastered By Mr Cooper
Artwork & orginal paintings by Gordon of PMC/BBC.

LIMITED edition: ONLY 250 copies, worldwide!!

‘The Path’ is a progression from my previous record ‘Inner Worlds’ and the focus on searching for the musical voyages is still very relevant in the building of this album. During the process of this album I moved from a vibrant city atmosphere to a rural sea town. This move played a big part in terms of influences, being close to the sea and nature brought a calming effect on the development. ‘The Path’ represents the search for a musical progression, focusing more on the smaller details and textures to create a broader dynamic sense, allowing the different elements to breathe more.
During the process of making this record there was a curiosity to explore new ways of making music, experimenting more with hardware synths, different recording techniques and including more live instrumentation as an alternative to sample based techniques. ”

‘The Path’ comes out worldwide on limited double vinyl (including download code) and limited cassette.

Limited edition of 300 copies on black vinyl.

“Morning Glow” is the first release by Natureboy Flako under the Palomo Wendel moniker, capturing positive energies with a gentle and bright attitude. Recorded during the breaking light of dawn, it embodies the pureness of the rising sun and invites for untroubled moments in time.

A darwīš is a religious monk dedicating his entire existence to the advancement of faith and meditation. Although he believes in Allah, he can be described predominantly as a mystic. Refraining from any form of material wealth and even societal appreciation, holy enlightenment is his true aim.

After finishing up their semester at University, Nicolas and Jonas – or Parra for Cuva & Senoy – decided to pack all their gear into their camper and go on a road-trip down to the eastern coast of Spain.

The car filled with all kinds of gear, from synths to speakers, guitars, and percussions amongst other tools and toys, three creative weeks ensued, creating music with a view out to the sea.

While taking everything in and doing daily trips, the two were able to create enough song ideas in three weeks to spent the rest of the year at home in the studio to finish all arrangements and mixes.

Inspired by the Spanish way of life in a small and historically rich port town, a stark contrast to life Berlin, and soaking up diverse musical influences, the individual titles are highly personal and reflect on specific emotions or intimate experiences.

During the arrangement of the title-song, the percussion track was accidentally dragged to infinity, which resulted in a trance inducing meditative sound that gave them the idea for the title. Watching turkish dervish dancers while listening should therefore enhance the listening experience.

A darwīš is a religious monk dedicating his entire existence to the advancement of faith and meditation. Although he believes in Allah, he can be described predominantly as a mystic. Refraining from any form of material wealth and even societal appreciation, holy enlightenment is his true aim.

After finishing up their semester at University, Nicolas and Jonas – or Parra for Cuva & Senoy – decided to pack all their gear into their camper and go on a road-trip down to the eastern coast of Spain.

The car filled with all kinds of gear, from synths to speakers, guitars, and percussions amongst other tools and toys, three creative weeks ensued, creating music with a view out to the sea.

While taking everything in and doing daily trips, the two were able to create enough song ideas in three weeks to spent the rest of the year at home in the studio to finish all arrangements and mixes.

Inspired by the Spanish way of life in a small and historically rich port town, a stark contrast to life Berlin, and soaking up diverse musical influences, the individual titles are highly personal and reflect on specific emotions or intimate experiences.

During the arrangement of the title-song, the percussion track was accidentally dragged to infinity, which resulted in a trance inducing meditative sound that gave them the idea for the title. Watching turkish dervish dancers while listening should therefore enhance the listening experience.

Limited edition of 300 copies of "Remixes And Version", a beautiful take on tracks by Austria's Psych-Rock legends Paternoster by the likes of Afromaniac, Dexter, Ghanaian Stallion, Kabuki, Brenk Sinatra, B-Side, Disco Rigido (Twit One & Lorenzo Merluzzo) and Badan.

Cassiopeia is a constellation in the northern sky. It was one of the 48 constellations listed by the 2nd century Greek astronomer Ptolemy and it remains one of the 88 modern constellations today. In the sky Cassiopeia sits with Andromeda on the South side. In Greek mythology it was considered to represent the vain queen Cassiopeia, who boasted about her unrivalled beauty.
This album is a mix between different sides of the concept of “Cassiopeia”. It’s about life, the universe, humans and the future. Cassiopeia includes musical approaches comparable to Prefuse 73, Robot Koch and Kryptic Minds. The record is predominantly Hip Hop, but features tracks with other artists that are not strictly part of this genre such as BekBekson, Verhovski and Fancy Mike. Pavel’s music is a trip into a fable and his medium is the music of different genres: Hip Hop, Dubstep, Glitch, Wonky and Downbeat, used to form pictures. His work is free spirited and there are hints of feelings, allusions, enigma and mystery. We won’t get into the inner workings of his music, how it finds its way into the hearts and souls of the audience, the important thing is that it serves its purpose. Tracks such as “LA” or “Andromeda” are very personal statements from Pavel, “Quant Magic” is composed using Overtone, Didgeridoo, Boomerang, Yedaki and other Australian instruments. “Sacred Chants Of Shiva” seizes the listener with a sensation of restlessness.
Pavel Dovgal’s “Cassiopeia”, the incision between intergalactic music and the human soul. The same formula that has been present for over a thousand years.

Cassiopeia is a constellation in the northern sky. It was one of the 48 constellations listed by the 2nd century Greek astronomer Ptolemy and it remains one of the 88 modern constellations today. In the sky Cassiopeia sits with Andromeda on the South side. In Greek mythology it was considered to represent the vain queen Cassiopeia, who boasted about her unrivalled beauty.
This album is a mix between different sides of the concept of “Cassiopeia”. It’s about life, the universe, humans and the future. Cassiopeia includes musical approaches comparable to Prefuse 73, Robot Koch and Kryptic Minds. The record is predominantly Hip Hop, but features tracks with other artists that are not strictly part of this genre such as BekBekson, Verhovski and Fancy Mike. Pavel’s music is a trip into a fable and his medium is the music of different genres: Hip Hop, Dubstep, Glitch, Wonky and Downbeat, used to form pictures. His work is free spirited and there are hints of feelings, allusions, enigma and mystery. We won’t get into the inner workings of his music, how it finds its way into the hearts and souls of the audience, the important thing is that it serves its purpose. Tracks such as “LA” or “Andromeda” are very personal statements from Pavel, “Quant Magic” is composed using Overtone, Didgeridoo, Boomerang, Yedaki and other Australian instruments. “Sacred Chants Of Shiva” seizes the listener with a sensation of restlessness.
Pavel Dovgal’s “Cassiopeia”, the incision between intergalactic music and the human soul. The same formula that has been present for over a thousand years.

‘The Aura‘ and the belief in it can be found in almost all cultures in one form or another. Often signifying fields of energy and spirituality, an aura is a luminous radiational halo surrounding a person or object. It is said that all objects and all living things manifest such an aura. In other respects the aura has also been described as a map of the thoughts and feelings surrounding a person.

Pieced together from sounds and samples from all over the globe, the album’s aim is to charge listeners with harmony and a feeling of connectedness to the world. Reflecting on his own attitude towards life and the importance of inner balance, Pavel attempts to share some of the spiritual experiences he made while traveling.
The lengthy process of creation included numerous reworks of each track and intensive listening sessions in order to keep the balance between the essential details and those that are redundant to the album’s atmosphere.

The album includes collaborations with old friends like Mujuice, Graciela Maria as well as some newly added artists – L.A. rapper BLU, Starving Yet Full – ex-vocalist from Azari III and Mitia Dedoni, who created the haunting album cover.

‘The Aura‘ comes out worldwide on limited grey-marbled vinyl (including download code).

Ten years of existence and constant progress is no easy endeavor and it’s honouring all the more to celebrate all these years of succesful cooperation with the tenth and concluding release of the ‘10 YRS HHV 45‘ series.

The limited 7“ contains four exclusive tracks produced, coproduced or remixed by label-avantgarde Pavel Dovgal, Long Arm, 40 Winks and Robot Koch, who could not embody the development of Project: Mooncircle any deeper, and, moreover, introduces just recently signed Pyur and Darius Vaikas, foreshadowing a possible future of the label.

Project: Mooncircle, as the name reveals, has been on a journey to the moon since day one, exploring the frontiers of music and art, always looking for new discoveries and giving a different perspective to look at the earth. In it’s 10 year history the label has published roughly 100 releases by equally as many artists from all corners of this globe and, therefore, the selection of sounds on this compilation represents the development of the label from the past, present and going into the future.

Some of the artists featured on this compilation have been a part of the label from its very beginning, like CYNE, Manuvers and Jahbitat, whose song will be the last one he produced and published under this moniker, while others, like Robot Koch, fLako and Long Arm, are outstanding examples of its growing popularity and success. Furthermore, the box also features an exceptional selection of close musical friends and inspirational artists like Jehst, Dday One, Kwala and Ichiro_, just to name a few.

The logo and artwork represent someone who was very close to the label, especially in the early years but unfortunately passed on and whom this box is dedicated to. Featured on the compilation are artists such as Mike Slott x Diane Badié, CYNE, Sweatson Klank aka Take, Jahbitat, Robot Koch, fLako, Jehst, Beat Butcha, Long Arm, Kelpe, Pavel Dovgal, Blossom, Daisuke Tanabe, Dday One, Inner Science, Substantial, Arts The Beatdoctor, Rain Dog, Kidkanevil + Microkorg by Dorian Concept, John Robinson, Sorrow, Rumpistol, The Red Baron, Christoph El’ Truento, 40 Winks, Sina., 1000Names, DZA, Ichiro_, EAN, Tom Dicicco, Headshotboyz, Graciela Maria, Gards From KC, Sekuoia of Kilimanjaro, Sense of The Q4, Sneaky, I.V.A., Empt, John LaMonica, Mike Gao, Bambooman, Manuvers, Krts, Kwala, Soosh, Memotone, Sun Glitters, Called Understandable Souls & Szenario.
The limited box includes 4 white vinyls LP’s with 32 tracks, 13 additional digital bonus tracks, and a poster (with digital download code) all in a specially designed box that features a special light-reflecting varnish, which makes this truly a collectors and music lovers item.

Berlin-based label Project: Mooncircle and it’s two sublabels Project Squared and Finest Ego is an official label from HHV. It was founded in 2002 and is specializing in the conjunction between electronic and organic music. The label, at first envisaged as a compilation project only, soon released the first instrumental and vocal solo releases by such artists as The Q4, CYNE, Mr Cooper, Robot Koch, fLako, 40 Winks, John Robinson & MF Doom, DZA, Krts, Sina., Graciela Maria, Manuvers, Lambent, Lewis Parker, Non of Shadowhuntaz, Strand, Ta-Ku, Mika Gao, Onra, Obba Supa, Asusu, Furesshu, AnD. Kowton or Glen Porter. The work of illustrators and graphic designers such as Bioniq, Dan May, Iain McArthur, Ima One, LNY, Gordon, 44 Flavours, La Mano Fria, and The Binh create images that accompany the acoustic spaces.
Project: Mooncircle with its various producers & vocalist shall be an interesting experience for anyone looking for the extraordinary.

A&R: Laurent Fintoni, Jinna Morocha, Karolina Kaczor, Gordon Gieseking and Malte Tarnow. Mastering by Sven Friederichs. Artwork and original paintings by Gordon, LNY & Bioniq. Webdesign 2006 – 2012 by Thimo Hörster & Hendrik Stein. Animation trailer by Sebastian Muñoz.

Release date: March, 23rd.

10th Anniversary Showcase with Mike Slott, Robot Koch, fLako, Long Arm, Jehst, Arts The Beatdoctor, Sekuoia of Kilimanjaro, & Graciela Maria @ Club Gretchen in Berlin, Kreuzberg – March, 17th!

Project: Mooncircle, as the name reveals, has been on a journey to the moon since day one, exploring the frontiers of music and art, always looking for new discoveries and giving a different perspective to look at the earth. In it’s 10 year history the label has published roughly 100 releases by equally as many artists from all corners of this globe and, therefore, the selection of sounds on this compilation represents the development of the label from the past, present and going into the future.

Some of the artists featured on this compilation have been a part of the label from its very beginning, like CYNE, Manuvers and Jahbitat, whose song will be the last one he produced and published under this moniker, while others, like Robot Koch, fLako and Long Arm, are outstanding examples of its growing popularity and success. Furthermore, the box also features an exceptional selection of close musical friends and inspirational artists like Jehst, Dday One, Kwala and Ichiro_, just to name a few.

The logo and artwork represent someone who was very close to the label, especially in the early years but unfortunately passed on and whom this box is dedicated to. Featured on the compilation are artists such as Mike Slott x Diane Badié, CYNE, Sweatson Klank aka Take, Jahbitat, Robot Koch, fLako, Jehst, Beat Butcha, Long Arm, Kelpe, Pavel Dovgal, Blossom, Daisuke Tanabe, Dday One, Inner Science, Substantial, Arts The Beatdoctor, Rain Dog, Kidkanevil + Microkorg by Dorian Concept, John Robinson, Sorrow, Rumpistol, The Red Baron, Christoph El’ Truento, 40 Winks, Sina., 1000Names, DZA, Ichiro_, EAN, Tom Dicicco, Headshotboyz, Graciela Maria, Gards From KC, Sekuoia of Kilimanjaro, Sense of The Q4, Sneaky, I.V.A., Empt, John LaMonica, Mike Gao, Bambooman, Manuvers, Krts, Kwala, Soosh, Memotone, Sun Glitters, Called Understandable Souls & Szenario.
The limited box includes 2 white & 2 black vinyl LP’s with 32 tracks, 13 additional digital bonus tracks, a T-shirt (only at HHV) and a poster (with digital download code) all in a specially designed box that features a special light-reflecting varnish, which makes this truly a collectors and music lovers item.

Berlin-based label Project: Mooncircle and it’s two sublabels Project Squared and Finest Ego is an official label from HHV. It was founded in 2002 and is specializing in the conjunction between electronic and organic music. The label, at first envisaged as a compilation project only, soon released the first instrumental and vocal solo releases by such artists as The Q4, CYNE, Mr Cooper, Robot Koch, fLako, 40 Winks, John Robinson & MF Doom, DZA, Krts, Sina., Graciela Maria, Manuvers, Lambent, Lewis Parker, Non of Shadowhuntaz, Strand, Ta-Ku, Mika Gao, Onra, Obba Supa, Asusu, Furesshu, AnD. Kowton or Glen Porter. The work of illustrators and graphic designers such as Bioniq, Dan May, Iain McArthur, Ima One, LNY, Gordon, 44 Flavours, La Mano Fria, and The Binh create images that accompany the acoustic spaces.
Project: Mooncircle with its various producers & vocalist shall be an interesting experience for anyone looking for the extraordinary.

A&R: Laurent Fintoni, Jinna Morocha, Karolina Kaczor, Gordon Gieseking and Malte Tarnow. Mastering by Sven Friederichs. Artwork and original paintings by Gordon, LNY & Bioniq. Webdesign 2006 – 2012 by Thimo Hörster & Hendrik Stein. Animation trailer by Sebastian Muñoz.

Release date: March, 23rd.

10th Anniversary Showcase with Mike Slott, Robot Koch, fLako, Long Arm, Jehst, Arts The Beatdoctor, Sekuoia of Kilimanjaro, & Graciela Maria @ Club Gretchen in Berlin, Kreuzberg – March, 17th!

The limited box (only 500 copies worldwide) includes five colored vinyl LP’s with over 35 exclusive tracks plus four additional digital bonus tracks (with digital download code), a bonus double CD version exclusively designed by Lorena Assisi, a T-shirt (only size L) and an exclusive documentary about the label – all in a specially designed box by Dave McKean.

Only 1 per customer!

A journey to the moon that began fifteen years ago now reaches another milestone – 15 years, one and a half decades, over 150 individual releases, many many artists, countless professional relationships but also friendships along the way. Many many stories and shared memories – not all of them good, not all of them bad either. While modern space age technology would make it possible to reach the moon’s surface a lot faster, for us it is not only about moving forward as quickly as possible, but also to turn around, look back and around ourselves and to reflect on everything that happened and is happening. This is why we have such a broad range of artists guesting on our latest compilation. Some that have been part of the voyage from its earliest stages, others that have been with us for major milestones along the way, and even more that might move ahead with us into new and unchartered musical regions.

Working with Dave McKean – a true legend, especially for anyone into comic illustrations – wraps up this whole trip in the sweetest way. Not only is it a big honour, but – in a way – it completes the circle, as Dave has been a major influence for the label’s artworks from its earliest beginnings already.

Luckily, we have not crashed into any lunar crater with our listeners. We want to thank you for making this long journey possible and we greatly look forward to celebrating this milestone with our partners, musical family and of course with you, our listeners.

Since our 10th anniversary the face of one of our founding members who passed away way too early graces our logo. This release is dedicated to her and commemorates the 11th anniversary of her death.

Featured on the compilation are such artists as Synkro, Rain Dog, Monsoonsiren, Tom Day, Robot Koch, Flako, 40 Winks, Long Arm, submerse, kidkanevil, 1000 Names, Tendts, Kafuka, Erik Luebs, My Panda Shall Fly, CYNE, Soosh, Nuage, Michał Lewicki, Jilk, Sieren, Olof Melander, KRTS, Deft, Barnaby Carter, Rumpistol, Fau, Button Eyes, Deceptikon, Pavel Dovgal, Memotone, Graciela Maria, Mujuice, Stompy’s Playground, Sina., Sweatson Klank, Senoy, Parra for Cuva, Fybe One, and many more. Artwork by Dave McKean (Dark Horse Comics / DC Comics / Tundra).

with new & unreleased stuff from DDay One, CYNE, Seven Star, Mathematik, Jahbitat, Lackluster, Epstein, Mr Cooper, Antti Szurawitzki, Manuvers, 40 Winks, Pablie, Glen Porter, Xndl, Rumpistol, Deviant and Dave Ghetto ... limited edition, only 500 copies made!!

with new & unreleased stuff from DDay One, CYNE, Seven Star, Mathematik, Jahbitat, Lackluster, Epstein, Mr Cooper, Antti Szurawitzki, Manuvers, 40 Winks, Pablie, Glen Porter, Xndl, Rumpistol, Deviant and Dave Ghetto ... limited edition, only 500 copies made!!

This compilation brings together many different artists from across the globe that are here to get heard and make a predication through their music. Tracks like “Barn Burning” from Mat Young (Bully Rec.), “Brava” from Paten Locke (Therapy) and “Why’d You Lie” from John Robinson (Lil’ Sci) are more like statements from the mind. Mr Cooper brings a new track in the style of his recent album “What Else There Is”… Carlo (Bully Rec.) contributes “Trapped In The Attic”, 40 Winks give “At The Lunar Bar (Live)” and Simon of Jahbitat brings the organic sound from the canopy of the Barcelona night with “Timber (An Ode To Trees Gone)”. Political lyrics & real Hip Hop come from Miami with the group Intifada… Other artists include MF Doom, Aether, Inner Science, The Q4 with Arts The Beat Doctor and many more. All tracks are exclusive… This is the sound of Project Mooncircle for 2009. Speak with your mind, think with your soul & change with your heart! We aim to stop the destructive elements of the music business and bring music back to the people.

Artists: Inner Science, Escher, Therapy, Carlo, Mat Young, Jahbitat, John Robinson aka Lil’ Sci, MF Doom, Aether, 40 Winks, Mr Cooper, Dday One, The Q4, Glen Porter, Lambent, Intifada, Mathematik & more…

Artwork By Gordon of Beta Bodega Coalition Europe for Project: MoonCircle.
Letterings By La Mano Fria of Beta Bodega Coalition.

Limited 500 copies only!

This compilation brings together many different artists from across the globe that are here to get heard and make a predication through their music. Tracks like “Barn Burning” from Mat Young (Bully Rec.), “Brava” from Paten Locke (Therapy) and “Why’d You Lie” from John Robinson (Lil’ Sci) are more like statements from the mind. Mr Cooper brings a new track in the style of his recent album “What Else There Is”… Carlo (Bully Rec.) contributes “Trapped In The Attic”, 40 Winks give “At The Lunar Bar (Live)” and Simon of Jahbitat brings the organic sound from the canopy of the Barcelona night with “Timber (An Ode To Trees Gone)”. Political lyrics & real Hip Hop come from Miami with the group Intifada… Other artists include MF Doom, Aether, Inner Science, The Q4 with Arts The Beat Doctor and many more. All tracks are exclusive… This is the sound of Project Mooncircle for 2009. Speak with your mind, think with your soul & change with your heart! We aim to stop the destructive elements of the music business and bring music back to the people.

Artists: Inner Science, Escher, Therapy, Carlo, Mat Young, Jahbitat, John Robinson aka Lil’ Sci, MF Doom, Aether, 40 Winks, Mr Cooper, Dday One, The Q4, Glen Porter, Lambent, Intifada, Mathematik & more…

Artwork By Gordon of Beta Bodega Coalition Europe for Project: MoonCircle.
Letterings By La Mano Fria of Beta Bodega Coalition.

Limited 500 copies only!

This year’s label-compilation thematically revolves all about the rise up from the generic. It is about young talented artists who are still struggling on their way up and are out there to make a name for themselves.

A wild stallion fights it’s way up from the dirt and tries to receive recognition by separating itself from the herd. Breaking through the anonymity of the group to the freedom of running through endless land- and soundscapes into horizons of new sonic worlds.

The compilation includes IIIII (Five Eyes), KRTS, Sieren, my.head, FiJi, Long Arm, Kidkanevil, Daisuke Tanabe, Hanami, Julien Mier, Deft, submerse, opti, Den5hion, Tom Day, Monsoonsiren, Tendts, Thriftworks, DH the Mythicalifornian, PYUR, Rain Dog, Daixie, FauDeam, Jean du Voyage, Djéla, Pierre Harmegnies, Robot Koch, Robert Valsinger, Blossom, Neema, Tomika, How Green, Drogtech, Bruises, Night Logic, Deep Shoq, Stèv, Cass., Anna Marjamäki, Vitrion, and MockSun.

Limited edition of 300 copies on colored vinyl!

‘There Be Monsters‘, the sophomore full length effort by Samuel Evans, or Rain Dog, is an auditory exploration into the unchartered regions of his own mind and the edges of experience. Dealing with many personal changes which continuously prolonged the creation process of the album, Evans channelled and processed a variety of experiences into a highly personal album. Essentially coming full circle, ‘There Be Monsters‘ attempts to draw a map for your mind – it is on the fringes of consciousness that the interesting things happen.

David Foster Wallace wrote ‘loneliness is not a function of solitude’, paraphrasing Marianne More: ‘the cure for loneliness is solitude’. A common thread throughout the album.

After his highly acclaimed debut album “Two Words” in 2014 (BBC Radio 1, BBC Radio 3, BBC 6 Music, Boiler Room, Red Bull, Thump, XLR8R) Rain Dog comes back to deliver his sophomore full length ‘There Be Monsters’. Avoiding the plight of the second album and keeping his signature sound while also not repeating himself, the album is the result of years of work, scrapped previous projects and simplifying his writing process and gaining experience by creating soundtracks for Vice Documentaries. The track titled ‘Eyes On The Aether’ is representative of a turning point and each track has particular relevance to a point in Sam Evans life over the last few years.

‘There Be Monstes‘ comes out worldwide on limited vinyl (including download code).

For Samuel Evans, or Rain Dog, creating this album was a vast experiment to combine different attempts of blending more traditional elements of song writing and composition with the more contemporary influences of modern electronic dance and bass music, all within the confines of his computer and chair…

Being compelled by melody and variation, Rain Dog, by his own admission, never had much talent for songwriting in terms of lyrics. To circumvent this, however, he focuses on creating a narrative within the music through the combination of synth work and samples. He starts with anything that sparks an interest or emotion in him – Tom Waits, Joni Mitchel, Ella Fitzgerald, Portico Quartet and moments from movies, samples like these usually work as a foundation for the tracks. He then adds layers of unique and organic synth sounds (a notion he finds quite interesting when working entirely from a digital platform) before eventually completing the production with the beat. He likes his music like a nice pie – warm, hearty, and crusty.

Artwork by Felicia Simion. Guests: Robot Koch, BigsonTomika & Sam Rogers.

With their head-bopping, hip-thrusting, zalghouta-inducing tunes, Restless Leg Syndrome have tastefully-crafted a mélange of global references and in their work.. The Vienna-based group is made up of longtime DJ and producer d.b.h and turntable maestros Chrisfader and Testa. A seasoned enthusiast of Lebanese music, d.b.h offered the influence for their critically acclaimed second EP Dabkeh. The project paid tribute to the Mediterranean form of line-dancing by flipping Lebanese samples into irresistibly groovy beats.

Over the course of 2021, RLS dropped four eclectic EPs that seamlessly fuse long-forgotten tunes with foot-stomping breaks. Their first EP Venom cinematically takes off with Arabic melodies coupled with their signature electronic bounce. The latter half of Venom introduces a fat bass and a tasteful sample selection highlighting the trios’ affinity for Hip Hop. To follow-up the trio released Falcon, a borderless trip through a range of samples from Gwen Stefani’s iconic “uh huh” in the third track ‘My Shit’ to homages to the golden age of Arabic music. Standout track “Represent the Fucking Planet” really underscores the trios’ appreciation for drums that knock.

The third EP ‘Spirit’ progresses the trio’s genre-defying sound through five tracks. The quintessential boombap sound in ‘Direction’ is contrasted with the African-inspired drums and oriental strings on ‘Anamur’. The groups’ mastery of the art of scratching is tastefully peppered throughout the EP to complement their arsenal of vinyls.

The fourth and final EP of the collection ‘Fool’ is immersively inventive and addictive. The single ‘Gönndir’ is studded with polyrhythms and a seductive bassline. With skittering backbeats and funky riffs, the EP is dynamic in its beat switches and laden with North African gems. ‘Embassadors of Rhythm’ features an instructional workshop by the iconic Egyptian percussionist and composer Hossam Ramzy (sampled by Timbaland for Jay-Z’s song ‘Big Pimpin’). Bass-heavy track ‘The Fools’ alludes to the popular Tunisian mizwed music, which uses the traditional ‘mizwad’ bagpipes and the ‘darbouka’ drum. ‘The Fools’ is accompanied by a music video composed of photographs taken in and around Beirut in 2021 highlighting the fruits of labor of a city plunged in crisis over the past two years.

Restless Leg Syndrome wraps up their marathon of releases with Totem, a 2LP vinyl release featuring the full collection of tracks from all four EPs. Its gatefold cover was crafted by Lebanese illustrator Raphaelle Macaron and imagines each EP as a tarot card.

After last year`s critically acclaimed full length album ‘The Other Side‘, Robot Koch is back with a new limited double white vinyl 2×10” LP on entitled ‘Cosmic Waves‘.

The EP features both new Robot Koch tracks as well as collaborations he made with affiliated artists. Instead of going the “usual route” by asking fellow artists to simply remix his music, Robot chose to send out half-finished tunes to his selection of musicians in order to have them finish and complete them in their very own way. To avoid the “name-dropping game” of asking the same intrenched names over and over again, he chose to collaborate with young and upcoming artists he personally favors and whose sound he really digs. For this reason the EP includes collaborations with Headshotboyz, Pavel Dovgal, Kuhn, Submerse and Rain Dog.

The EP also features 3 new solo songs by Robot Koch. ‘Nano’ and ‘Follow Birds’ have only been released digitally and will now come out on vinyl for the first time. The title track ‘Cosmic Waves‘, is a new song in the vein of classic Koch tracks like ‘Lights‘ (‘The Other Side’ 2011).

‘Cosmic Waves’ derives from the very old concept that everything and everyone is connected with and through an universal energy that comprises all that is. The music reflects a deep interest in anything spiritual and mythical but also concepts of outer- and inner-space and the balancing of new digital and futuristic influences with nature and ancient wisdom. Therefore, it represents the idea that every matter in this universe exists in this cosmic ocean of waves, constantly materializing and dematerializing. In the words of Bobby Friction of the BBC, Robot’s music sounds like “artificial intelligence discovering religion“.

While this EP is dedicated to the international scene of beat-makers and focuses on instrumental beats again, Robot Koch contiunes writing new material with vocalist John LaMonica (featured on ‘The Other Side’ as a vocalist on songs like ‘Nitesky’). Robot and John are in the studio right now, working on a new project entitled ‘Robots Don’t Sleep‘, a bandproject that takes the songwriting and melody-focus of ‘The Other Side’ to a next level – more info about this will be revealed soon.

Death Star Droid is technically Robot Koch’s debut LP, but all that this means is that the record drops with his name on it alone – the man is no rookie! Having released numerous records with his projects JAHCOOZI and THE TAPE VS RQM, as well as having made beats and remixes for for many artists internationally, Robot established himself as a household name in the world of Bass, Glitch and Lazerbeams. Lately his tunes became staple drops in the playlists of Bass Luminaries such as Starkey, Gas Lamp Killer, Hudson Mohawke, Mary Anne Hobbs and Rustie.
Death Star Droid is a Dubstep and Wonky Hip Hop infused affair, but the introduction of live acoustic instruments and heartfelt melodies is what sets it apart from the rest in the loosely defined genre.
It’s a sincere musical statement made in the tradition of his mixtapes. Expect to be surprised – this is music made for true music lovers.

Artwork by 44 Flavours

Death Star Droid is technically Robot Koch’s debut LP, but all that this means is that the record drops with his name on it alone – the man is no rookie! Having released numerous records with his projects JAHCOOZI and THE TAPE VS RQM, as well as having made beats and remixes for for many artists internationally, Robot established himself as a household name in the world of Bass, Glitch and Lazerbeams. Lately his tunes became staple drops in the playlists of Bass Luminaries such as Starkey, Gas Lamp Killer, Hudson Mohawke, Mary Anne Hobbs and Rustie.
Death Star Droid is a Dubstep and Wonky Hip Hop infused affair, but the introduction of live acoustic instruments and heartfelt melodies is what sets it apart from the rest in the loosely defined genre.
It’s a sincere musical statement made in the tradition of his mixtapes. Expect to be surprised – this is music made for true music lovers.

Artwork by 44 Flavours

Widely acclaimed by press (Crack Magazine, Dazed & Confused, RA, XLR8R, Cyclic Defrost, RBMA, DE:Bug to name a few) since its initial release in 2009 and heavily sought after by vinyl hunters and devoted listeners ever since, this album marks a decisive juncture in the artistic direction not only for Robot Koch and his career as a solo artist, but also for Project: Mooncircle.

Six years, four full-length albums and 5 EP’s, plus various production and remix credits later, the true magnitude of this classic album only becomes apparent. The new ground both label and artist have discovered since their mutual starting point proved to be their contribution to the evolution of sound. Even with so many changes in the musical landscape during the last years, this album has lost none of its relevance and shows the exceptional talent of Robot Koch.

‘Death Star Droid’ is now available on vinyl again for the first time since the original pressing. The exclusive remastered double vinyl repress deluxe set with reworked gatefold cover includes remixes by Flako and Shlomo and comes out worldwide on the 28th of April, 2015.

Death Star Droid is technically Robot Koch’s debut LP, but all that this means is that the record drops with his name on it alone – the man is no rookie! Having released numerous records with his projects JAHCOOZI and THE TAPE VS RQM, as well as having made beats and remixes for for many artists internationally, Robot established himself as a household name in the world of Bass, Glitch and Lazerbeams. Lately his tunes became staple drops in the playlists of Bass Luminaries such as Starkey, Gas Lamp Killer, Hudson Mohawke, Mary Anne Hobbs and Rustie.
Death Star Droid is a Dubstep and Wonky Hip Hop infused affair, but the introduction of live acoustic instruments and heartfelt melodies is what sets it apart from the rest in the loosely defined genre.
It’s a sincere musical statement made in the tradition of his mixtapes. Expect to be surprised – this is music made for true music lovers.

Artwork by 44 Flavours

Death Star Droid is technically Robot Koch’s debut LP, but all that this means is that the record drops with his name on it alone – the man is no rookie! Having released numerous records with his projects JAHCOOZI and THE TAPE VS RQM, as well as having made beats and remixes for for many artists internationally, Robot established himself as a household name in the world of Bass, Glitch and Lazerbeams. Lately his tunes became staple drops in the playlists of Bass Luminaries such as Starkey, Gas Lamp Killer, Hudson Mohawke, Mary Anne Hobbs and Rustie.
Death Star Droid is a Dubstep and Wonky Hip Hop infused affair, but the introduction of live acoustic instruments and heartfelt melodies is what sets it apart from the rest in the loosely defined genre.
It’s a sincere musical statement made in the tradition of his mixtapes. Expect to be surprised – this is music made for true music lovers.

Artwork by 44 Flavours

Shortly after the release of his hugely successful album “Death Star Droid” , Robot Koch returns with this Remix EP, that also includes 2 brand new tunes by the sleepless robot.On this EP, Robot gathered some friends and like minded artists from around the globe to flip his original compositions.
The EP kicks off with a brand new original tune from Robot Koch: “Blind” featuring Grace on vocals, who also appeard as a guest vocalist on on Death Star Droid.
Robot and Grace are working on some new stunning material at the moment that will come out sometime in fall 2010.
When Robot played in NY last time, he met Brooklyn based band Body Language, who release on Machine Drum's Normrex label, and shared a stage with them at Coco66 in brooklyn.
For this EP Robot remixed their tune “New day” and they made a surprising flip of Koch's dubstep infused album tune “Gorom Sen” in return.
Robot's berlin mate fLlako, who recently grabbed the attention of the likes of Giles Peterson and Stones Throw, make a nice re-edit of the title track of Robot's album: “Death Star Droid”.
Phon.o (of CLP/Shitkatapult fame) took the club banger potential of the tune “Gorom Sen” to the next level and made it sound like zomby and boy 8 bit jamming it out.
Upcoming beatmaker Shlohmo from San Francisco also remixed “Gorom Sen”, making some noise on the blogoshpere about it prior to the release already.
Loops Haunt from Scotland, who could be found recently in Rustie's Fact magazine mixtape and Hudson Mohawke's BBC Essential Mix, made a ten remix of “Gorom Sen”.
Producer Beat Laden from Portugal, that recently caught attention with his KUBO remix on man recordings gave that original sengalese vocal scatting a rerub and turned it into a solid club banger.
Talen, from Switzerland made their very own unique interpretation of Robot Koch's frenetic original.
And last but for sure not least, UK Producer Blue Daisy made a sublime remix of the song “While” feat. Manya one of the few vocal tracks on Robot Koch's Album. His mix does the cinematic original justice and takes it even further out of space or underwater. A pure sound trip.

From a laments perspective you can call this Jahcoozi’s Robot Koch meets Scienz of Life’s John Robinson. However we here at Project: Mooncircle like to see this as two dynamic forces of nature coming together in parallel universes, delivering cosmic opted sonics with science-fiction narrative conventions in a metaphysical tone. Robot Robinson is the FUTURE from Earth to Mars to Venus to Jupiter and Beyond, this project spells out the attempts to bring a different pitch of vocals to the world of Electronic Music. Robinson being no stranger to the scientifical lyrical approach along with Robot’s evolutionary voyage prone soundscapes this one is a sure shot! The Future of Music is in Good Hands.
All tracks produced by Robot Koch. All lyrics by John Robinson.
Artwork and original paintings by Ima One (Japan). Design by Gordon Gieseking.

From a laments perspective you can call this Jahcoozi’s Robot Koch meets Scienz of Life’s John Robinson. However we here at Project: Mooncircle like to see this as two dynamic forces of nature coming together in parallel universes, delivering cosmic opted sonics with science-fiction narrative conventions in a metaphysical tone. Robot Robinson is the FUTURE from Earth to Mars to Venus to Jupiter and Beyond, this project spells out the attempts to bring a different pitch of vocals to the world of Electronic Music. Robinson being no stranger to the scientifical lyrical approach along with Robot’s evolutionary voyage prone soundscapes this one is a sure shot! The Future of Music is in Good Hands.
All tracks produced by Robot Koch. All lyrics by John Robinson.
Artwork and original paintings by Ima One (Japan). Design by Gordon Gieseking.

After last year's release “Death Star Droid” Berlin stromtrooper Robot Koch kept himself busy. He finished off the new Jahcoozi album “Barefoot Wanderer” which is coming out on BPitch this spring. Coinciding with the release of his “Death Star Droid Remix EP” (incl fresh mixes by Loops Haunt, Blue Daisy etc). Robot Koch was on tour in the USA and Mexico, stopping by in LA for a stunning gig at Low End Theory and finally settled down for 2 months in Mexcio City, where he found time to work on new material with his girlfriend and singer Grace . Visiting some ancient Maya and Atztec sites and Pyramids sure added to the spaced out magic of the new EP. The new material is dark, percussive and surreal. Like an audible painting my leonora carrington. Its dubby but not dubstep, rather next step maybe. The songs are heavy and dripping with analog and organic sounds…. Lo Fi field recording mashed up with heavy bass and unquantized grooves. Live sounds like guitars work like samples. Vocal talent Grace, that was already featured on the Death Star Droid album and the last EP brings in a dark and yet soulful gospel vibe over Koch’s twisted beat concoctions. This EP is only a taster of the new album that should be ready to drop in october on Project: Mooncircle. In the meantime Koch will keep himself busy with playing shows (with Dorian Concept, Stagga, Darkstar, Boxcutter) and festivals including a live show appearance at this year's Sonar Festival.

After last year's release of his debut full length album entitled “Death Star Droid” Berlin stromtrooper Robot Koch kept himself hella busy. In 2010 alone he dropped the new Jahcoozi album “Barefoot Wanderer” on BPitch, released his EP “Listen To Them Fade“ on Project:Mooncircle, did a bunch of remixes and productions for both major and indie artsits and played stunnig live shows everywhere from Low End Theory in LA to the Sonar Festival in Barcelona.

And now he's back to do some serious damage with his 2nd LP “Songs for Trees and Cyborgs”.

The album shows Robot’s versatility as a producer – it mixes and blends fresh, forward thinking electronic beats with heartfelt melodies and organic live instumentation.

On choice tracks Mr. Koch teams up with the likes of Boxcutter (Planet Mu), 1000 Names (Black Acre), Doshy (Robox Neotech), RQM (Baby Sumo) and Graciela Maria (Project Mooncircle) to present the point where dubstep, hip-hop and its myriad of influences fuse into a kaleidoscopic collage of sounds.

Artwork by 44 Flavours.

After last year's release of his debut full length album entitled “Death Star Droid” Berlin stromtrooper Robot Koch kept himself hella busy. In 2010 alone he dropped the new Jahcoozi album “Barefoot Wanderer” on BPitch, released his EP “Listen To Them Fade“ on Project:Mooncircle, did a bunch of remixes and productions for both major and indie artsits and played stunnig live shows everywhere from Low End Theory in LA to the Sonar Festival in Barcelona.

And now he's back to do some serious damage with his 2nd LP “Songs for Trees and Cyborgs”.

The album shows Robot’s versatility as a producer – it mixes and blends fresh, forward thinking electronic beats with heartfelt melodies and organic live instumentation.

On choice tracks Mr. Koch teams up with the likes of Boxcutter (Planet Mu), 1000 Names (Black Acre), Doshy (Robox Neotech), RQM (Baby Sumo) and Graciela Maria (Project Mooncircle) to present the point where dubstep, hip-hop and its myriad of influences fuse into a kaleidoscopic collage of sounds.

Artwork by 44 Flavours.

After last year's release of his debut full length album entitled “Death Star Droid” Berlin stromtrooper Robot Koch kept himself hella busy. In 2010 alone he dropped the new Jahcoozi album “Barefoot Wanderer” on BPitch, released his EP “Listen To Them Fade“ on Project:Mooncircle, did a bunch of remixes and productions for both major and indie artsits and played stunnig live shows everywhere from Low End Theory in LA to the Sonar Festival in Barcelona.

And now he's back to do some serious damage with his 2nd LP “Songs for Trees and Cyborgs”.

The album shows Robot’s versatility as a producer – it mixes and blends fresh, forward thinking electronic beats with heartfelt melodies and organic live instumentation.

On choice tracks Mr. Koch teams up with the likes of Boxcutter (Planet Mu), 1000 Names (Black Acre), Doshy (Robox Neotech), RQM (Baby Sumo) and Graciela Maria (Project Mooncircle) to present the point where dubstep, hip-hop and its myriad of influences fuse into a kaleidoscopic collage of sounds.

Artwork by 44 Flavours.

After last year's release of his debut full length album entitled “Death Star Droid” Berlin stromtrooper Robot Koch kept himself hella busy. In 2010 alone he dropped the new Jahcoozi album “Barefoot Wanderer” on BPitch, released his EP “Listen To Them Fade“ on Project:Mooncircle, did a bunch of remixes and productions for both major and indie artsits and played stunnig live shows everywhere from Low End Theory in LA to the Sonar Festival in Barcelona.

And now he's back to do some serious damage with his 2nd LP “Songs for Trees and Cyborgs”.

The album shows Robot’s versatility as a producer – it mixes and blends fresh, forward thinking electronic beats with heartfelt melodies and organic live instumentation.

On choice tracks Mr. Koch teams up with the likes of Boxcutter (Planet Mu), 1000 Names (Black Acre), Doshy (Robox Neotech), RQM (Baby Sumo) and Graciela Maria (Project Mooncircle) to present the point where dubstep, hip-hop and its myriad of influences fuse into a kaleidoscopic collage of sounds.

Artwork by 44 Flavours.

Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being “One of Europe's finest producers of the beat generation“ (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” (“Essential listening” – Bobby Friction BBC) and “Songs For Trees and Cyborgs“ (“Music for a modern age that has rarely sounded so good” – Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch's production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch's fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being “One of Europe's finest producers of the beat generation“ (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” (“Essential listening” – Bobby Friction BBC) and “Songs For Trees and Cyborgs“ (“Music for a modern age that has rarely sounded so good” – Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch's production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch's fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being “One of Europe's finest producers of the beat generation“ (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” (“Essential listening” – Bobby Friction BBC) and “Songs For Trees and Cyborgs“ (“Music for a modern age that has rarely sounded so good” – Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch's production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch's fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being “One of Europe's finest producers of the beat generation“ (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” (“Essential listening” – Bobby Friction BBC) and “Songs For Trees and Cyborgs“ (“Music for a modern age that has rarely sounded so good” – Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch's production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch's fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

Robot Koch and director Lukas Feigelfeld have teamed up to create a special collaboration project. After Lukas directed the video “Autodreams“ (“The Other Side“, Project: Mooncircle) in 2011, they wanted to go a step further. The idea behind the release “Unpaved“ was to create a short film in which the music and the images are equally important.

Imagine the old mystic character “Pan”, which represents nature, animalism and freedom, in a contemporary and realistic setting; becoming a modern vagabond, a drifter, living in the woods and roaming the lands, always accompanied by his friend, the dog. As his path leads him into the city of modern society, he is quickly confronted with its harsh reality – The conflict between living in an urban space and wanting to be at piece in a remote place in nature. Can we consider ourselves animals or have we already evolved into something too distanced from its natural enviroment and essence?

“When I write music it’s always very visual. I have images in my mind that put me in certain moods while I produce – oftentimes I make music to a film that hasn’t been shot yet. This has been something I wanted to do for a long time: compose music for a film.“ – Koch
„As a film director, the great aim of this project was to create a symbiotic piece of work that allows the musician and the director to work on an equal level. By bouncing back and forth ideas, images, sounds and moods, we were finally able to combine these elements and establish a harmonious piece that reflects both his and my creative expression.“ – Feigelfeld

“Unpaved“ will be released on 12“ vinyl including a download code for the film.

Danish electronic artist Rumpistol, aka Jens B. Christiansen, releases his fourth and most ambitious album yet – Floating – a collaboration with LA based vocalist Red Baron that further explores the post dub-step vocal territories opened up on last year’s Talk To You EP. With tighter song structures, intimate lyrics and the Baron’s ecstatic vocal projections, the two create a parallel world in which the domestic breakdowns of wintry Copenhagen are filtered through surreal sun-bleached Californian dreams, resulting in a robotic and hypnagogic hybrid of soul.
The sound, while still recognizably “Rumpistol” in its organically unstable clicks and gurgles, marks an evolution in Christiansen’s thinking, shedding light on the interior landscapes of existential crisis and bliss that he’s been essaying over the last ten years.

The introduction of Red Baron does a great deal to carry this forward. Many of the tracks were written in partnership with the elusive vocalist on an almost subconscious level, through a process where different phrases were recorded until the atmosphere was properly expressed. It’s through the Baron’s heavily processed voice, hovering between male and female timbres, that the ghost of American pop culture finds itself here too. In this way Grace Jones stands tall in a frozen stream on I’m Not Listening, Lionel Richie gets stuck in traffic on a bad trip in Colors Breaking while Kanye pushes his auto-tuned bicycle through the blizzard of Floating. But as the arctic arpeggiated synths let you know, the album is more about the future than any past, a future where Rumpistol and Red Baron dare to take current genres from the post dub-step and wonky scenes and defy them with the human voice for a dystopic soul music of their own.

Project: Mooncircle & Finest Ego have teamed up to establish a fresh new 12” producer series, entitled “Faces”. On every edition, you will find two different producers. Respectively, each producer will have their own record-side and unique cover artwork by the aspiring Bioniq, known for his surrealistic portraits, blending humans and technology.

Faces number three will invite the two young producers Sekouia and Rain Dog to share sides on this disc and expose their musical crafts. Coming from Denmark and the UK, respectively, they are with certainty looking forward to long-lasting succesful careers. What they share is a an intrinsic feel for tiny musical details which give their music an intimate feel to keep the listener mesmerized for ages. On this record they experiment with different sounds and tempos to create a dynamic collection of unique compositions that congregate an EP of colourful, low slung and ambient tunes or simply ‘chocolatefudgebrownieplasticmusic‘.

Born in Düsseldorf, Germany and grown up in Detroit, Sekuoia is a project by the 19-year old danish producer Patrick Alexander Bech Madsen. His music, based on guitar melodies, deep bass, organic beats, and chopped and screwed vocal samples, is a take on various genres and he is best described as an experimental electronica producer. His debut EP “Trips“ was released in December last year.

Having originally studied as an artist, newcomer Rain Dog has spent the last couple of years experimenting with production software, building speakers, composing music for indie shorts and making beats out of various small bedrooms scattered across the north of England. Recently he has settled in London and with a release on Echodub‘s imprint, Cut and a track featured on Project: Mooncirlce‘s 10th anniversary box LP, he continues to develop his lowslung melodic compositions.

“From Love To Dust“ is a two side EP of Barry Gordon, Ireland / UK based producer. He grew up listening to classic rock like Led Zeppelin & Rolling Stones and played in several bands. Barry fell in love with hip-hop after hearing Wu – Tang Clan for the first time, and started making music as Sina. in 2009. He owns and plays many different music instruments and has got a wide range of music influences, anything from blues and folk, to ambient and hip – hop.
The 6 track EP, set to drop in November, bleeds creativity, with influences from all aspects of music being incorporated in the works of Sina. He lets you submerge, full body, into impeccably produced, brittle clean sound with amazing groove control, touching and emotional. Thus, From Love To Dust never bores and features remixes of Switzerland rising star producer Gards From KC, UK beat smith Kelpe, and UK-based producer Soosh, who has had a collab with Gards From KC for Project: Mooncircle earlier this year.
Sina.:
“I suppose the tune “From Love To Dust” (a play on the funeral phrase “From Dust To Dust”) is about the idea of human love as eternal, or at least as continuing to have a life when we are gone- through family, friends, art & music. “Remembrance” is a wistful song about the rare personal moments when we realise the beauty of the world and our life in it, and of the importance of remembering those moments when things seem darkest.“

Special uv varnish artwork print. Limited edition: 300 copies.

HHV exclusive for the "Berlin Record Store Day 2011"" November, 5th at our SelectedStore!

This EP is the outcome of a five month spanning transition between warm and bright summerdays to dark and dusky winterdays resulting in a change of moods that accompany this shift from lights, colours and sounds perceived everyday. It is a soundtrack made for commuting between different places in large urban spaces, filled by swarms of people shoaling and funneling across intersections, subway stations and central hubs like corpuscles pulsating in the cities veins, conducted by invisible algorithms in the symbiotic superorganism that is a metropole.

“I took a lot of inspiration from 3 main points of Tokyo City. There are traditional parks and shrines/temples that really take you away from the high rise buildings and make you feel like you could be in the countryside. Next, there are typical shops, neon lights, offices and general city life, and lastly, there is the red light area which is a great place to see all walks of life, from gangsters, working girls and strange things behind closed doors. I’m fascinated by this place, It seems like another world to me, I’m always drawn to it out of curiosity and the feeling I get while passing though is really inspiring.”

The EP also features a collaboration with Sorrow from Birmingham, UK, who has been making a name for himself in the scene since 2010.

Late night music from the back seat. ‘Are You Anywhere‘, sophomore album from Tokyo based UK native submerse blends early 90’s slow-jams and instrumental hip hop wrapped in smooth DX7 keys hybridized with his own unique sound. ‘Are You Anywhere’ is the second full length release from submerse on Project: Mooncircle with features from fellow Tokyo based beat maker fitz ambro$e.

Limited edition of 500 copies on colored vinyl.

Late night music from the back seat. ‘Are You Anywhere‘, sophomore album from Tokyo based UK native submerse blends early 90’s slow-jams and instrumental hip hop wrapped in smooth DX7 keys hybridized with his own unique sound. ‘Are You Anywhere’ is the second full length release from submerse on Project: Mooncircle with features from fellow Tokyo based beat maker fitz ambro$e.

"Awake" is a soundtrack for roaming around vast city landscapes between late night and early morning. A lone wolf observes the scenery and watches over people, their heads low, on the path home to sleep. Inspired by 1980’s movies, drone and video game soundtracks, Rob Orme aka Submerse returns with an update to his signature sound.

Original photography by Repeat Pattern.

When you know your time at a certain beloved place is coming to an end, it leaves you in a state of emptyness and sadness. An important period of your life has come to closure and there is nothing left but appreciating the beautiful time you had. Right when you have finally gotten acustomed to a very foreign place and its own set of rules and regulations, you have yet again to readjust to an old, yet strangely new place once again and change your world completely. The aim of this EP is to soak in any sensory impressions, all details of light, color, smell of air and other odors and the look of the sky and the people going about their daily business, in order to make the most out of these last days.

’See You Soon’ is the third album from Tokyo-based UK native submerse on the Project: Mooncircle imprint. A mélange of Slow-Jams, R&B, Hip Hop and Soul created while on a steady diet of 90’s NBA basketball and Dreamcast games. ’See You Soon’ features collaborations from fellow Tokyo-based artist Fitz Ambro$e and L.A.-based Devin Morrison and Pink Siifu.

’See You Soon’ is the third album from Tokyo-based UK native submerse on the Project: Mooncircle imprint. A mélange of Slow-Jams, R&B, Hip Hop and Soul created while on a steady diet of 90’s NBA basketball and Dreamcast games. ’See You Soon’ features collaborations from fellow Tokyo-based artist Fitz Ambro$e and L.A.-based Devin Morrison and Pink Siifu.

’See You Soon’ is the third album from Tokyo-based UK native submerse on the Project: Mooncircle imprint. A mélange of Slow-Jams, R&B, Hip Hop and Soul created while on a steady diet of 90’s NBA basketball and Dreamcast games. ’See You Soon’ features collaborations from fellow Tokyo-based artist Fitz Ambro$e and L.A.-based Devin Morrison and Pink Siifu.

Slow Waves is a collection of multi-layered memories, stacked like grainy polaroids in an old box in the closet or under the bed while the colours fade. A young Rob at the beach or on his first day of grammar school. Images of travels across Europe and Japan, moments slipping in trains or planes while landscapes pass by. Memories so unique to his life, yet so similar to the fading memories of youth and adolescence we all have...

After a series of well acclaimed EP’s, each of them created at very specific moments in the artists life, submerse took the time and sat down to reflect and convert all these memories into his first full length album on Project: Mooncircle.

'Slow Waves' comes out worldwide on limited double vinyl, limited handmade and handpainted cassette edition (both including download code) as well as a limited edition CD including a bonus track via flau records in Japan.

Slow Waves is a collection of multi-layered memories, stacked like grainy polaroids in an old box in the closet or under the bed while the colours fade. A young Rob at the beach or on his first day of grammar school. Images of travels across Europe and Japan, moments slipping in trains or planes while landscapes pass by. Memories so unique to his life, yet so similar to the fading memories of youth and adolescence we all have...

After a series of well acclaimed EP’s, each of them created at very specific moments in the artists life, submerse took the time and sat down to reflect and convert all these memories into his first full length album on Project: Mooncircle.

'Slow Waves' comes out worldwide on limited double vinyl, limited handmade and handpainted cassette edition (both including download code) as well as a limited edition CD including a bonus track via flau records in Japan.

Slow Waves is a collection of multi-layered memories, stacked like grainy polaroids in an old box in the closet or under the bed while the colours fade. A young Rob at the beach or on his first day of grammar school. Images of travels across Europe and Japan, moments slipping in trains or planes while landscapes pass by. Memories so unique to his life, yet so similar to the fading memories of youth and adolescence we all have...

After a series of well acclaimed EP’s, each of them created at very specific moments in the artists life, submerse took the time and sat down to reflect and convert all these memories into his first full length album on Project: Mooncircle.

'Slow Waves' comes out worldwide on limited double vinyl, limited handmade and handpainted cassette edition (both including download code) as well as a limited edition CD including a bonus track via flau records in Japan.

Limited edition on white vinyl!

Slow Waves is a collection of multi-layered memories, stacked like grainy polaroids in an old box in the closet or under the bed while the colours fade. A young Rob at the beach or on his first day of grammar school. Images of travels across Europe and Japan, moments slipping in trains or planes while landscapes pass by. Memories so unique to his life, yet so similar to the fading memories of youth and adolescence we all have...

After a series of well acclaimed EP’s, each of them created at very specific moments in the artists life, submerse took the time and sat down to reflect and convert all these memories into his first full length album on Project: Mooncircle.

'Slow Waves' comes out worldwide on limited double vinyl, limited handmade and handpainted cassette edition (both including download code) as well as a limited edition CD including a bonus track via flau records in Japan.

Taking in the smooth silky feeling and textures of 90’s Slow Jams and R&B music videos, ‘Stay Home’ converts these into submerse’s unique style of beats. Aiming to work as the soundtrack to urban scenes of life, whether you’re roaming the city streets at night or by just staying home and capturing these moments from a window. ‘Stay Home’ also ventures into footwork rhythms on a few occasions. The cover-photo is shot from submerse’s apartment just after sundown.

„Back living in Shibuya on the 9th floor I can see day turn to night and watch the city breathe.“ – submerse

While his first EP’s and his recently released debut album ‘Slow Waves’ dealt with nostalgia and exploring the city life of Tokyo, submerse has finally found a place to stay and call home.

‘Stay Home’ comes out worldwide on limited vinyl, including download code on the 26th of May, 2015.

Hailing from Cheshire, Submerse is an esteemed producer/DJ with a distinct and recognisable sound that traverses Beat Music, Ambient, 2-step and Autonomic whilst being punctuated by a myriad of unique and personal influences. The past year has seen him at his most prolific, releasing tracks & remixes with R&S sister label Apollo Records, Med School and many more. Submerse was featured by Pioneer Japan and was also named ‘Band Of The Week’ In The Guardian newspaper (2012).
Amidst a plenitude of productions, Submerse has also seen support emerge from influential media titans such as DJ Mag, XLR8R, Big Up, BBC Radio 1 and BBC Radio 1xtra.

After his “They Always Come Back“ EP on Apollo Records, “Tears“ is already his second vinyl release this year. The EP is all about the feeling of solitude you’re in upon finding yourself in a foreign country and a strangely different culture. In this situation the smallest and most usual tasks – simply finding a can of your favorite soft drink for instance – have the potential to become almost insuperable obstacles. Soaking in the atmosphere created by dim street lights on a nightly stroll to explore new territories in a vastly unknown urban space, while contemplating about new experiences and memories of home are activities to indulge in when you’re stranded all alone in an alien world.

Limited edition blue transparent vinyl!

Limited edition of 300 copies on orange vinyl!

In the span of just over 5 years, Rob Orme hast released 5 individual EP’s and a full length LP with Project: Mooncircle. Due to high demand and the fact that all of his releases are out of print, we decided to release “works”, a best-of compilation with some of his best and most prominent works, including 4 entirely new and unreleased songs.

“A collection of works created between 2011-2016. The tracks sum up where I’ve been at for these last 5 years. It’s a checkpoint. It represents many influences and the way things were for a period of time. For me personally “works” are memories.” – submerse

With over ten years’ experience in the music game, including three full length albums and a slew of EPs, Sweatson Klank – formerly known as Take – is one of L.A’s longest standing producers working at the periphery of hip hop and electronic music, a man who had a direct hand in shaping L.A’s beat scene in the 00s through the Sketchbook night alongside Kutmah. Whether or not you’ve heard his music before you’ll n have felt the impact of his work. After a two-year hiatus Sweatson Klank returns with the Elevate Me EP on Project Mooncircle, five tracks that further cement him as one of the nicest and most articulate producers in the game today. Elevate Me is both a departure from Sweatson’s previous output and a continuation of what has made him a unique voice in L.A’s thriving instrumental hip hop and electronic scene.

From the opener Always You the bar is set high with music that could only come from someone with musical savoir faire born of experience and hard work. The music is intricate and playful, the rhythms are hard to resist and the melodies perfectly match the uplifting mood, qualities that are carried throughout the EP.

Own almost feels like a band is playing yet it’s all coming from one man’s mind. The track references both Sweatson’s hip hop lineage and a deep understanding of the emotional potentials of electronic dance music. The tempo might surprise you at first but once you let the music take you in you’ll be pressing play again in no time.

I Can’t Explain is an ode to Sweatson’s love of hip hop, of the beat. The crunchy breaks will make your head nod before you’ve even realised it while the melodies and samples evoke images of sunny, lazy L.A days.

All of these ideas are further explored on My Love Is Here where certain tropes of popular dance music are put to use in a way that is rarely heard today. Instead of being the all-consuming focus of the song, the bass is used to reinforce the rhythmic foundations and combined with a beautifully emotive vocal sample that can seem jarring at first yet makes perfect sense. There is a subtlety to the music that really shines through on repeated listens.

In Between closes proceedings, winding things down with a smoother mood that’s still full of musical intricacies. Combining melancholic vocal samples with uplifting melodies and intricate rhythms, Sweatson manages to push through emotions that seem to burst out of the music, rendering any discussion of genre or style irrelevant.

Elevate Me is genuine, honest music born of emotions and offered to the listener with no disguise. It’s subtle and beautiful and it lets Sweatson Klank’s experience shine through in a way that will no doubt appeal to both old and new listeners. Jump aboard and let yourself be taken on a ride.

12" EP clear vinyl - Limited edition

From its opening notes ‘You, Me, Temporary’ announces itself as music from the soul reaching for the soul. The album recounts a modern day love story through the musical eyes of its protagonist, Sweatson Klank. It’s a story of love in the fast lane that touches on the good – innocence, romance, lust, sex – and the bad – drugs, debauchery, loss of self, despair – before closing with the peaceful beauty that comes with total acceptance of what is. ‘You, Me, Temporary’ is Sweatson Klank’s third full-length album in 10 years, and it shows just how extensive the Los Angeles native’s artistic growth has been. The music tight ropes between electronic, hip hop and futuristic R&B, sidestepping obvious boxes while finding its own effortlessly. ‘You, Me, Temporary’ transcends genres, balancing the vulnerable and sensual with the rough and jagged. The album has an emotive and sometimes pressing quality, in direct opposition to today’s disposable music mania. The hypnotic interplay of chords, melodies and rhythms draws you in and is equally effective in headphones as it is on the dancefloor. The warmth of analogue equipment flirts with expert sampling and chops that evoke the playful soul of ‘90s R&B and the heartfelt angst of classic hip hop while remaining forward thinking.

A wide cast of vocal guests help recount the different tales and stages of this story: Vikter Duplaix, Ango, Selfsays, Doc Illingsworth, Deniro Farrar, Anna Wise of Sonny Moon and Pat Parra. Upbeat and energetic songs sit next to hypnotic ballads, the sort most conducive to ‘baby making’ you might even say. The music is often elating, sexy and at times dreamy but also progresses to show melancholy and despondency in the sincerest way. Sometimes playful, sometimes serious the vocal tracks add a human dimension to the story that ‘You, Me, Temporary’ tells, completing its message and taking the album to that proverbial next level.

With this third album Sweatson Klank puts aside self-indulgence for simple honesty and the maturity that only comes with being a seasoned artist. ‘You, Me, Temporary’ tells a timeless story in a compelling way, and while its title hints at the trials and tribulations behind relationships, the overt concept lies in the impermanence of everything around us.

We’re proudly announcing our first Finest Ego solo releases. Available digitally and on limited chrome cassettes (with digital download code), we are releasing a series of albums and EP’s from talented and promising artists. Expect all facets of instrumental hip-hop, future beats and electronic beat music….

Images of classic movies come to mind while listening to the “Hypnotic Machine“ by Vienna-based beatsmith Szenario. Wether a thriller, crime story or action flick, this album will turn your imaginary cortex into a screen for a true cinematic experience.

Mastered by Dj Buzz of Waxolutionists. Original paintings by Simon Walter.