HHV Exclusives 313 Items

Created at the foot of Mount Taranaki, 'Hewn' is the sophomore release by Wellington, NZ based producer / musician Groeni. Representing a departure from one idea in order to rediscover and understand another, the record deals with the interactions of two sets of people, paralleling and contrasting them. Throughout the record, the lines become blurred - subjects merge and intertwine, adopting combined, often confused perspectives.

“There are links between the songs, things tie together and reappear at various points. Certain words, subjects and sounds are cut up and redistributed between the five songs.” - Alexander Green / Groeni

While retaining the melancholic / dark-pop quality of his previous EP, this record further explores UK bass music from a south west pacific perspective. Using elements of lo-fi mixed with clean production and resampling field recordings and digital synths through tape players and old microphones, Groeni creates an intimate and eery atmosphere that will draw in and mesmerize his listeners.

‘Hewn’ comes out worldwide on limited vinyl and limited handmade cassette edition (both including download code).

Created at the foot of Mount Taranaki, 'Hewn' is the sophomore release by Wellington, NZ based producer / musician Groeni. Representing a departure from one idea in order to rediscover and understand another, the record deals with the interactions of two sets of people, paralleling and contrasting them. Throughout the record, the lines become blurred - subjects merge and intertwine, adopting combined, often confused perspectives.

“There are links between the songs, things tie together and reappear at various points. Certain words, subjects and sounds are cut up and redistributed between the five songs.” - Alexander Green / Groeni

While retaining the melancholic / dark-pop quality of his previous EP, this record further explores UK bass music from a south west pacific perspective. Using elements of lo-fi mixed with clean production and resampling field recordings and digital synths through tape players and old microphones, Groeni creates an intimate and eery atmosphere that will draw in and mesmerize his listeners.

‘Hewn’ comes out worldwide on limited vinyl and limited handmade cassette edition (both including download code).

Limited edition of 300 copies on colored vinyl!

Created at the footstep of Mount Victoria, Groeni wanted to challenge themselves compositionally and sonically with Nihx. Nihx explores the characteristics of points of conflict between opposing forces. As in the past, and as with many electronic outfits, the music had been written ‘in the box’, so to speak. To counter this technique the three members of Groeni (Al, Mike, and James) each wrote numerous compositional sketches that were more or less complete as frameworks before entering them into the digital realm. With similar inspiration the band wanted to create unique and personalised sounds away from the computer to sample and use with most of the sonic treatment happening also away from the computer. The vast majority of the drum sounds are made from samples of Mike’s ever expanding synth collection, numerous sounds are manipulated feedback from guitars or vocals among other things. The entire record was written and recorded across three home studios in Wellington, NZ and has been almost 2 years in the making.

‘Nihx’ comes out worldwide on limited (only 300 copies) black, white marbled vinyl (including download code) & digital.

Limited to 1000 copies worldwide, only available with GUTS and HHV.

In 2022, Guts brought together his musical family for his ‘Estrellas’ album. An ambitious project that brought together musicians from: Franc, Cuba and various African countries. For a journey that was as rich artistically as it was humanly. The list of superlatives was almost endless, "Formidable", "incredible", "unforgettable" and "magical" all thrown into the pot, during these magical moments in the Dakar studio. From the seventeen tracks heard on the original album, three have been entrusted to the expert and inventive hands of four producers, who have come up with new interpretations bringing Africa and the Caribbean together for a modern dancefloor.

‘Por Que Ou Ka Fe Sa’ (Poirier Remix)

From his studio in Montreal, Canadian Poirier has opted for a strong groove and relentless bass drum to keep out intruders, putting vocalists David Walters and Brenda Navarrete in a rhythmic cocoon. Accompanied in a slightly moody bassline that adds some driving muscle to the track. The hooky guitar line eventually gives way to the saxophone that emerges from the mix to parade around the front line. The original electric piano is replaced by a synth pad that loops and spins driving the track to its conclusion.

‘Por Que Ou Ka Fe Sa’ (David Walters Remix)

Before recording this track, David Walters and Brenda Navarette didn't even know each other. So in the magic of the moment that brought them together is a genuine and sincere artistic bond. It is no longer Guts but David who is at the musical helm, and before they too can savour the connection between the two artists, the dancers will have to pass through an overheated corridor where a Caribbean rhythm resonates with percussion. Digital and woodwind swirl and clash until the vocal encounter with the artists. It's a moment of respite that's as suspended as it is life-saving, because the exit is also via the famous corridor.

‘San Lazaro’ (Bosq Remix)

On Bosq’s mix, he’s opted to maintain things focused on the dancefloor, keeping the percussion persistent for the unleashed bodies of the dancers to smile. It's once again the walking bass line rises to the forefront of the groove, softening the shocks of the relentless kick drum. Roberto Valdes's timeless piano has disappeared, while guitars float and add to the atmosphere. The track is no longer awash in cigar smoke. Under Akemis's powerful vocals the low ceiling has disappeared, and the open roof is more a brass-lit spectacle. That doesn't make things any less overheated though, this one is sweaty until the end.

‘Medewui’ (Captain Planet Remix)

Captain Planet brings the dancer’s attention to the Afrobeat flavored jam that rocked the original, highlighting the Pat Kalla & Assane Mboup duet. Despite the track remaining mid tempo, laying back is no longer the order of the day as this mix really develops. The drums are more present jolting along with the organ in the first half. Once all the storytellers have taken their microphones, the rhythmic beats are doubled and the track is carried towards a frenzy of Afro-Latin dancing. Fired up by the brass and percussion, it’s this almost switch up that takes hold of the second part of the tune, with some righteous authority and relentless piano and trumpet.

IIIII (Five Eyes) aka Eugene Chistyakov is a young talent from Ukraine, currently living in riot shaken Kiev. This February we will be releasing his debut album ‘Mother Love’ on limited chrome cassettes and digitally. The album is dedicated to his late mother, who was a great music enthusiast and passed on her appreciation, dedication and talent to him. Soaking in his surroundings like an ethnologist, he used interaction with friends and strangers as inspiration. His music is his way to vent out and deal with negativity wherefore the titles usually give away the events that led to their creation.

Jahbitat is the audio project of Simon Williams, who moved around Latin America as a young child but eventually ended up growing up in the valley located on the Venezuelan coastal range. This massive urban jungle known as Caracas, is surrounded by every aspect of nature (sky, mountain, jungle, ocean, etc..) and creatures both big and small. This fusion of man-made technology meets complete wildlife is what can be found at the core of the Jahbitat electronic yet highly organic sounds ...

Jilk release their new EP ‘In Need of Tess‘ – A wonderful collection of tracks that build on the established epic soundscapes of past releases but also demonstrate the organic development of combining experimental ambient pallets with more traditional orchestral scores and delicate pop sensibilities.

Following their successful collaboration with Haiku Salut on the emotionally charged ‘Periscopes’; Jilk return with warped vocals, soaring strings and a techno core tying the spiralling dense walls of ambience together.

The lead single, ‘In Need of Tess’ is a collaborative piece; a pulsating slice of chamber pop about dead dogs and dreams which also draws on the considerable talents of video director Nic Kane, the sculptures of Hester Sorel Moriarty Thompson.

The rest of the EP comprises of a two-part piece developed from a soundtrack Jilk produced for a lovely short film by Nim Jethwa. Building, developing and fleshing out the ideas; Jilk combine the sweeping beauty of orchestral timbre with driving 4/4 pulse and rusty sounding guitars for Nim and Nim (Sit Down Outro).

Baby Hannah is an epic piece of post rock inflected electronica making full use of the bands wide range of players. Vibraphone, violins and guitars cling to foundation drum patterns as the piece moves from ambient drone through to a rain storm of melodic percussion that even Steve Reich would approve of.

Be Heart: A short but emotionally charged clattering lo-fi electro love song built from home found sounds and frazzled broken synths. The most aching club romance to take place in a child’s toy box.

Then a collaboration with the incredible Nuala Honan as Jilk rework her stand out track ‘All is Not Lost’, (taken from her 2014 album The Tortoise). Jilk mould the song into a hazy blanket of clicks, whirs, strings and heart wrenching vocals from snippets.

Limited edition of 300 hand-numbered packs!

Following on from their EP ‘In Need Of Tess‘ Jilk are excited to release their album ‘Joy In The End‘ with Project Mooncircle. Their most fully realised and beautiful set of compositions yet. Through an apocalyptic narrative, the album explores themes of hope found in desolation and the eventual and inevitable cyclical return of loss and joy. An album for the current worrying times as well as the personal joys that can combat those worries.

This is Jilk’s most collaborative effort yet as a collective. The influences and styles are eclectic; strings, guitars, synths, brass, voice, percussion, noise, concrète and glitch meet to create an overwhelmingly alluring set of compositions. Delicate electronic textures frame neo-classical arrangements while heart wrenching vocals and guttural bass lines drive the album forward through 11 tracks of folktronic, drone based walls of sound.

In the words of Elie Wiesel “Just as despair can come to one only from other human beings, hope, too, can be given to one only by other human beings.”

‘Joy In The End’ comes out worldwide on limited handmade postcards (including download code) & digital.

This is the clear vinyl edition plus an autographed art print, exclusively available at HHV, limited to 100 copies!

Limited edition CD!

To forget the pursuit of harmony.
To recall the past to make a future.
Forever seeing yourself reflected, feeding back in eternal repeating cycles.
A dialog with oneself within the natural world.
Choosing a final destination as the journey ceaselessly repeats.
I hope to share what I’ve experienced in this big journey.
I hope you will feel both a sense of nostalgia, and a sense of newness.
That makes our harmony.

– Kazuomi Eshima

Limited edition of 300 copies on black vinyl!

To forget the pursuit of harmony.
To recall the past to make a future.
Forever seeing yourself reflected, feeding back in eternal repeating cycles.
A dialog with oneself within the natural world.
Choosing a final destination as the journey ceaselessly repeats.
I hope to share what I’ve experienced in this big journey.
I hope you will feel both a sense of nostalgia, and a sense of newness.
That makes our harmony.

– Kazuomi Eshima

Kiasmos - Icelandic composer Ólafur Arnalds and Faroese musician Janus Rasmussen – are returning, renewed and restored, with II. The triumphant follow-up to their universally acclaimed self-titled debut in 2014, which re-envisioned minimal techno with orchestral flourishes and weightless production. They’d made most of that album in just two weeks; this time it’s been 10 years. The making of II was a test of their friendship, but also testament to how great musical chemistry can always go the distance and be just the same as it ever was.

They worked on a lot of II during the lost year of 2020-2021, including a trip to Ólafur’s studio in Bali. “We spent a month there and wrote a few songs that ended up on the record,” says Janus. The pair sampled traditional Balinese percussion like the gamelan and incorporated Janus’s field recordings of their natural surroundings – the sound of birds, crickets and, on standout track ‘Dazed’, echoing the sunrise over the lush landscape.

Kiasmos have an enviable knack for conveying complex emotions and evocative visuals with instrumental music. But this time they’ve got more experience as producers to draw on. The album’s expansiveness can be linked to Ólafur’s intervening years as a Grammy-nominated composer and prominent soundtracker in film and TV. And they’ve subtly shifted from four-to-the-floor to the frenetic broken beats of UK dance music, experimenting more with BPMs, echoing Janus’s time spent DJing in major venues worldwide. There are still those aching melodies that fans know and love but they’re catchier too: tracks like ‘Laced’ and ‘Bound’ have an irresistible, elastic bounce beneath the ethereal palette.

2nd pressing on black vinyl! A child agrees then screams the name. Kid-o-suke. Did you hear that right? The music trickles in. It sounds like it was made in a toy factory. Hold on. Let me reach for the button over there. Childhood memories. The magical sounds of a roundabout sending you to sleep. The wonders of the world seen through eyes that don’t yet ully comprehend and ears that find musical potential in everything. Two kindred souls find each other, distance never the issue, they share and laugh the only way they know how.

A child agrees then screams the name. Kid-o-suke. Did you hear that right? The music trickles in. It sounds like it was made in a toy factory. Hold on. Let me reach for the button over there. Childhood memories. The magical sounds of a roundabout sending you to sleep. The wonders of the world seen through eyes that don’t yet fully comprehend and ears that find musical potential in everything. Two kindred souls find each other, distance never the issue, they share and laugh the only way they know how.

The wonderful pixelated world of a video game. Where does reality end and where does the imagination start? Somewhere in the distance an explosion can be heard, or was it a booming bass drum? There are birds singing a crystalline melody. One I heard before, in a dream perhaps. All of a sudden a child exclaims ‘come, let’s go’. Where did he come from? Is he real or another pixelated fragment of imagination?

Yokatta desu. There’s a castle in the sky. Two boys team up to reach it, carried by the power of their dreams. The same dreams that marked their childhood and brought them to be men. If ever there was music worthy of becoming the soundtrack to a Ghibli movie this could be it. There’s a girl asleep on a plastic deer, going around and around. She reminds me of the hand drawn versions of the pixelated heroes of my childhood. I imagine her dreams filled with exciting adventures.

I swear I heard the sounds of Tokyo’s public transport. It told me we’d arrived at Shibuya yet I can’t see the neon bright lights when I look around. Oh well, I’ll just have to imagine them.

It’s an album, so of course it’s real. The music is the result of a desire to create regardless of outcome, for the simple fact that there is a story to tell. People will consume it whichever way they want. Is it this sound or that sound? Does it really matter? Stop for a minute and enjoy the music for what it is. A synthesis of two aesthetics joined not just by a love of music but also a love of the abstract and the childish, the things that remind us we were all young one day and things were simpler. Things like dancing as if no one was looking or making music as if the outcome never mattered.

Kidsuke is a collaborative project between the UK’s Kidkanevil and Japan’s Daisuke Tanabe. Their self-titled debut is released by Project Mooncircle in November 2012 on double colored vinyl LP and digital.

A bright and colourful scenery: Shrill blinding sights, piercing foreign sounds, a fusion of disparate scents blended into a cocktail of curiosity. Fleeting attempts embrace a thousand senses in one single second. Bustling around in the shadows of buildings as high as mountains, an almost eerily overwhelming sense of contentment is omnipresent - but something doesn't appear to be right...
Stranded on a lonely island in the midst of a chaotic metropolis, disconnected - a feeling of drowning in an ocean of overstimulus and importunities of disproportionately inflated personalities, without ever even being registered or taken notice of.
What's left is nothing more than the ghost of a young soul, wandering about and curiously studying the surrounding, forever looking for answers that would otherwise seem trivial.

After “Kidsuke” the critically acclaimed collaboration project with Daisuke Tanabe, “Tokyorkshire” based producer kidkanevil continues his fascination with Japan and readies his latest solo album My Little Ghost. Inspired by a summer spent in Tokyo collaborating, exploring and generally refusing to grow up, the double vinyl is due May 2nd on Project: Mooncircle and features a wide range of guests including PMC's own submerse and Tokyo vocalist Cuushe.

'My Little Ghost' comes out worldwide on limited gatefold, double, pink vinyl (including download code) as well as a limited edition CD including a bonus track via flau records - http://www.flau.jp/ in Japan.

A bright and colourful scenery: Shrill blinding sights, piercing foreign sounds, a fusion of disparate scents blended into a cocktail of curiosity. Fleeting attempts embrace a thousand senses in one single second. Bustling around in the shadows of buildings as high as mountains, an almost eerily overwhelming sense of contentment is omnipresent - but something doesn't appear to be right...
Stranded on a lonely island in the midst of a chaotic metropolis, disconnected - a feeling of drowning in an ocean of overstimulus and importunities of disproportionately inflated personalities, without ever even being registered or taken notice of.
What's left is nothing more than the ghost of a young soul, wandering about and curiously studying the surrounding, forever looking for answers that would otherwise seem trivial.

After “Kidsuke” the critically acclaimed collaboration project with Daisuke Tanabe, “Tokyorkshire” based producer kidkanevil continues his fascination with Japan and readies his latest solo album My Little Ghost. Inspired by a summer spent in Tokyo collaborating, exploring and generally refusing to grow up, the double vinyl is due May 2nd on Project: Mooncircle and features a wide range of guests including PMC's own submerse and Tokyo vocalist Cuushe.

Limited handmade and handpainted pink cassette edition (including download code).

A bright and colourful scenery: Shrill blinding sights, piercing foreign sounds, a fusion of disparate scents blended into a cocktail of curiosity. Fleeting attempts embrace a thousand senses in one single second. Bustling around in the shadows of buildings as high as mountains, an almost eerily overwhelming sense of contentment is omnipresent - but something doesn't appear to be right...
Stranded on a lonely island in the midst of a chaotic metropolis, disconnected - a feeling of drowning in an ocean of overstimulus and importunities of disproportionately inflated personalities, without ever even being registered or taken notice of.
What's left is nothing more than the ghost of a young soul, wandering about and curiously studying the surrounding, forever looking for answers that would otherwise seem trivial.

After “Kidsuke” the critically acclaimed collaboration project with Daisuke Tanabe, “Tokyorkshire” based producer kidkanevil continues his fascination with Japan and readies his latest solo album My Little Ghost. Inspired by a summer spent in Tokyo collaborating, exploring and generally refusing to grow up, the double vinyl is due May 2nd on Project: Mooncircle and features a wide range of guests including PMC's own submerse and Tokyo vocalist Cuushe.

'My Little Ghost' comes out worldwide on limited gatefold, double, pink vinyl (including download code (on the insde of the cenetr fold)) as well as a limited edition CD including a bonus track via flau records - http://www.flau.jp/ in Japan.

Coming this winter via the Berlin, Germany label Project: Mooncircle, is KRTS’s second full-length LP, Close Eyes to Exit. Inspired by recent world events, each of the album’s 12 tracks dwell upon the world we live in now, a world struggling to rid itself of corruption, hate, bigotry, and ignorance. The resulting record is equal parts raw, emotional, dense, and danceable. This is KRTS at his creative peak.

“White Privilege” is a perfect example. Elegant melodies and a speedy jungle beat will have you bopping your head without a care in the world.

“My Head is Jumpin’” features Charles Larson and Tito Ramsey of the Brooklyn-based indie-pop act, Legs. The track is a biting meditation on our internal struggles and the many different bodies that encase them. How do we process the hurt, the pain, and the unreal? How do we manage these feelings living inside of us?

“Serve and Protect” features Sacramento MC Mad Flows. It speaks to the media’s portrayal of death in the black community as an unjustly “normal” occurrence. Mad Flows spits out fear, rage, and loss—a direct response to the policing of America.

Your head will spin. Move to the rhythm within the chaos and let it lead you through. Your head is jumping. The world is bigger than you or I. Keep moving. Turn up the volume. Close your eyes. Exit.

Last year, Brooklyn’s Krts released Remixes for Beards and Flannels, a mix-tape of top shelf classics from hip-hop’s ‘80s and ‘90s heyday. This September, he’ll follow this with his newest and first-ever proper EP release, Hold On, on the Berlin label Project Mooncircle.

With sounds ranging from the eclectic side of Hip-Hop, Broken Beat, Downtempo, soulful Dubstep, Indie Rock, and Fusion Jazz, Krts crafts a soundtrack to an ever-changing NYC landscape, fraught with struggles and flashbacks of what-was, all while letting go of ideals in favor of a new, raw, and heartfelt future. The album’s title track, "Hold On”, concerns the battle of a fleeting love – electronic and psychedelic sounds lead to a heavy, mid-range looped chorus and a deep, rumbling dubstep-style bassline. A taste of struggle is represented in “Whatever”, with it’s 808 kicks, layered snare, eerie and rattling samples, sweeping syths, and improvised piano… all as an ode to the cluttered market of Brooklyn’s indie art scene.

23 minutes in 5 tracks, with a bonus remix of “Hold On” by Afro-House/2-Step artist Glenn Astro. Beat culture thumbed and molded into one emotive EP.

In 2011 we saw KRTS breaking free from the boundaries of NYC's five boroughs, releasing his first EP, Hold On, with the Berlin-based label Project: Mooncircle. The five tracks of Hold On represent the organic, heavily emotional and lively style of broken-beat, fusion jazz, boom-bap, and dubstep.

With the end of 2012 comes The Dread Of An Unknown Evil, KRTS's first LP (limited, colored, double vinyl / uv-varnish print cover) for Project: Mooncircle. With bass-culture styles reflecting the darker side of everyday reality, the album explores themes such as fear, apprehension, doubt, angst, and sorrow, with the prevailing dread of an unknown and uncertain future—always there, peering around corners, waiting and watching.

"Your Eyes" features Stevee Wellons — a soulful diva and KRTS's own mother — telling the story of lost loves and abandoned hopes.
"Knuckle Under" is an immediate cinematic ride through the chaotic New York City underground, each bass line like an elbow to the shoulder, spinning you and pushing you down until it all turns black.
"Something New" featuring sibling Jon Hairston on vocals, is a plea to love and the risks involved when we hold hearts back.

The ten tracks of The Dread Of An Unknown Evil form an intimate LP from a musician battling to make it between cities, families, loves, losses, and futures — on to the next chapter.

After KRTS toured his successful LP The Dread of an Unknown Evil, left with only one pair of boots and a few spare clothes of baggage, KRTS obtained his visa and began a new life as The Foreigner in Germany.
The Foreigner is looking through an alien’s eyes from the first step of landing on new soil. The outsider position – Not knowing the language, direction, new set of rules, personalities, and learning how to become a part of a new society.

KRTS’s often approach to music creation normally follows zero rules and boundaries of genres. This time, KRTS welds together influences of genres but, places them in a bubble of hard hitting Boom-Bap HipHop percussions, thumping bass-lines, and combines a melodramatic set of layered vocals sung by KRTS with rows of melodies that weave in and out creating various atmospheres within one song. As if creating different cities inside one country.

"Smoothness Extract (Deep Night At Ishigaki)" is Lambent's third full-length album, and his first on the Project Mooncircle label. Whilst his earlier work was rooted in Ambient and Electronic music, this record presents his sound in the context of Instrumental Hip Hop, with strong elements of Electronic music still present. You could group this record with the recent wave of Dilla inspired Hip Hop, but equally you could group it with Autechre when they're at 90 BPM.
The record came about after Project Mooncircle heard some of Lambent's tracks and feel in love with the calmer and smoother pieces of his often intense sound. Hence, Lambent compiled these seventeen extracts from the smoother side of his repertoire.
This album is made as his dedication towards a small Japanese island, "The Isle of Ishigaki". Lambent is originally from Japan (although he has lived in Berlin for many years), but he has never visited this place... The album is the sound track to a summer time night trip around the Island, visiting the many different aspects of the scenery, nature, feelings, emotions, sights and sounds as Lambent imagines them.

"Smoothness Extract (Deep Night At Ishigaki)" is Lambent's third full-length album, and his first on the Project Mooncircle label. Whilst his earlier work was rooted in Ambient and Electronic music, this record presents his sound in the context of Instrumental Hip Hop, with strong elements of Electronic music still present. You could group this record with the recent wave of Dilla inspired Hip Hop, but equally you could group it with Autechre when they're at 90 BPM.
The record came about after Project Mooncircle heard some of Lambent's tracks and feel in love with the calmer and smoother pieces of his often intense sound. Hence, Lambent compiled these seventeen extracts from the smoother side of his repertoire.
This album is made as his dedication towards a small Japanese island, "The Isle of Ishigaki". Lambent is originally from Japan (although he has lived in Berlin for many years), but he has never visited this place... The album is the sound track to a summer time night trip around the Island, visiting the many different aspects of the scenery, nature, feelings, emotions, sights and sounds as Lambent imagines them.

Project: Mooncircle & Finest Ego have teamed up to establish a fresh new 12” producer series, entitled “Faces”. On every edition, you will find two different producers. Respectively, each producer will have their own record-side and unique cover artwork by the aspiring Bioniq, known for his surrealistic portraits, blending humans and technology.

On our fourth “Faces” edition we are featuring the two ascending artists Lomovolokno and Sieren, presumably the two most unknown so far. Originally hailing from Krasnodar, Russia and Bielefeld, Germany, one was inspired by naive childhood memories of imaginative creatures seen floating in the nighttime sky, while the other looks into an uncertain future that holds the anxiety of a fresh start but also the ever present risk of failure. The artwork takes these motifs and implements them in a vision of technological enhancements of human capacities and evolvement, forming a futuristic symbiosis that enables for synaesthetic senses heightened to an subatomic degree. But it is unsure, however, if these augmentations can actually expand our human experience or rather amplify our solitary existence and emotional void while traveling across fantastic worlds and the universal vacuum filling the space between.

Krasnodar, Russia: In the midst of grey soviet housing projects, a young boy enjoys playing and improvising his first little melodies on his parents piano. Always being inspired by the nature nearby the city - memories of peaceful springtime swimming sessions in the Black Sea come to mind – Lomovolokno grows up fascinated by machinery like samplers and the rapidly increasing possibilities of modern computers. Delving deeply into twisting melodies, building sounds and crossing notes leads his way to first field recordings resulting in an influx of elements ranging from waves of the sea, the wind, sand, crackling noises, banging and rustling becoming a part of his sound.

Sieren is the maiden name of Matthias Frick’s mother and also his current alias under which he started to release his first free tracks in 2011. Rumor has it that he has a dark secret history of producing experimental techno, albeit his love for UK influenced bass music existed for more than one handful of years. It was not until recently that he began to make the most of his love for field recording and experimental soundscaping and is now throwing his full force into music, while simultaneously finishing a university degree in computer science and design before moving from small town to métropole to follow a new set of challenges and advance to the next stage of his life.

Bioniq is an artwork designer, DJ and producer from St. Petersburg in cold Russia and Project: Mooncircle's special KGB agent. With his drawings he aims to create new horizons on paper and draws inspiration from historic tales, events of the present age but also possibilities the future might hold.

"Darkly" comes out worldwide on limited double grey vinyl (500 copies) including download code & digitally.

Fascinated by the piano and with a little reluctance in regards to working on more electronic music, ‘Darkly‘ by Long Arm was originally started in 2015. Although it took him a while to get accustomed again to playing only the piano, at some point he had some raw and unfinished work. Around the same time he also got back into more electronic musical experiments, including different textures and multilayerdness. While simultaneously working on soundtracks for NOIR films, he was able to finish two compositions that would later help determine the direction of the new album and served to bridge the early solo piano compositions and the later electronic tracks. At the start of 2018 he was finally able to get back to his solo piano compositions and adding those missing elements that he could not hear three years earlier.

„I wanted to do a piano album, but instead this album organically formed by itself and became a reflection of my experiences, worries, and life events that occurred during these years. I dedicate this work to a human, which I share this life with, who supports me and believes in me like nobody else! I dedicate it to my wife.“ – Georgy Kotunov

Limited edition of 500 copies, exclusive to HHV!

"Drafts & Lost Tracks" is a compilation of previously unreleased tracks. This album includes selected works from the period between 2010 – 2014. Unfortunately, many of these were never finished because of an incident at the beginning of 2014. But for me every single one of these compositions is an important point on my musical way. That is why I want to share them with my listeners, just like I share my memories with good friends. Includes download code.

‘Kellion’ is the story of a young boy who was born into a mysterious world he explores with his curious eyes, ears and hands. Every new experience lets him grow as a person and also expands his knowledge of the world that surrounds him. His young mind is sometimes blurrying the lines between imagination and reality, dreaming and being awake, reality and fantasy. Making sense of this world in its very own unique way, his world is filled with fantastic and surreal magical creatures and quirky characters.

Over the course of the ten songs many different little adventures unfold and await the young boy, slowly building his character while he explores nature in all its varieties and learns to appreciate it. He lives through new emotions and gets to learn about his own feelings during the process. The title track ‘Kellion’ represents the very inner world of the kid – it is his cocoon where he can always return to and be safe after his journeys and adventures.

„I was trying to live his life with him together and feel what he felt. I tried to understand and recollect what it feels like as a little boy walking around in this big world. I attempted to see the world through his eyes, to experience his fears and happiness and in doing that, just helping him to be a kid.“ – Long Arm

‘Kellion’ is the long awaited sophomore full length album by Long Arm and will come out worldwide on double vinyl in a beautiful gatefold cover as well as on CD and cassette tape, all including download codes.

‘Kellion’ is the story of a young boy who was born into a mysterious world he explores with his curious eyes, ears and hands. Every new experience lets him grow as a person and also expands his knowledge of the world that surrounds him. His young mind is sometimes blurrying the lines between imagination and reality, dreaming and being awake, reality and fantasy. Making sense of this world in its very own unique way, his world is filled with fantastic and surreal magical creatures and quirky characters.

Over the course of the ten songs many different little adventures unfold and await the young boy, slowly building his character while he explores nature in all its varieties and learns to appreciate it. He lives through new emotions and gets to learn about his own feelings during the process. The title track ‘Kellion’ represents the very inner world of the kid – it is his cocoon where he can always return to and be safe after his journeys and adventures.

„I was trying to live his life with him together and feel what he felt. I tried to understand and recollect what it feels like as a little boy walking around in this big world. I attempted to see the world through his eyes, to experience his fears and happiness and in doing that, just helping him to be a kid.“ – Long Arm

‘Kellion’ is the long awaited sophomore full length album by Long Arm and will come out worldwide on double vinyl in a beautiful gatefold cover as well as on CD and cassette tape, all including download codes.

‘Kellion’ is the story of a young boy who was born into a mysterious world he explores with his curious eyes, ears and hands. Every new experience lets him grow as a person and also expands his knowledge of the world that surrounds him. His young mind is sometimes blurrying the lines between imagination and reality, dreaming and being awake, reality and fantasy. Making sense of this world in its very own unique way, his world is filled with fantastic and surreal magical creatures and quirky characters.

Over the course of the ten songs many different little adventures unfold and await the young boy, slowly building his character while he explores nature in all its varieties and learns to appreciate it. He lives through new emotions and gets to learn about his own feelings during the process. The title track ‘Kellion’ represents the very inner world of the kid – it is his cocoon where he can always return to and be safe after his journeys and adventures.

„I was trying to live his life with him together and feel what he felt. I tried to understand and recollect what it feels like as a little boy walking around in this big world. I attempted to see the world through his eyes, to experience his fears and happiness and in doing that, just helping him to be a kid.“ – Long Arm

‘Kellion’ is the long awaited sophomore full length album by Long Arm and will come out worldwide on double vinyl in a beautiful gatefold cover as well as on CD and cassette tape, all including download codes.

"I would never fallen in love with the spring, if I wouldn't know the autumn. I would never leave my home, if I wouldn't feel how dear it is to me. The world is full of contrasts. Every day is full of conflicting emotions and events. And all of these leaves an imprint, and leads to the world formation in my mind. World - where dreams meet reality, and where the white can't exist without the black." - Long Arm

Recorded, mixed and arranged by Long Arm | Georgy Kotunov in Orenburg, RUSSIA. Remix versions by Krts, Daisuke Tanabe, FiJi, Eugenia Peters. Vocals by Graciela Maria, Teknical Development & Tinavie.

Limited edition of 300 copies on colored vinyl.

“Silent Opera” album is an attempt to describe the states of the human soul. The state of rising and fall, of despair and hope, of humility and expectation of a miracle. The search for peace inside against the background of flowering life around and elusive time.

"The Branches" album is a reflection of a world, where human feelings and natural powers are bound together. Everything is correlated in this world. There is no alive-dead distinction. The season change depends just on state of mind. Every move, every wind breath, every sound brings an information, opened for everyone who believes and ready to accept it, who hears and knows how to listen.

When listening to "The Branches" it will stimulate diverse brain areas, creating short movies and stories in your mind's eye. From Soviet era hand-drawn animated fairy tales in winterly forrest-landscapes to narratives of urban struggle or even classical tales in dark and gloomy basement bars – let the record spin and your mental cinema flow.

This album made it into the radio shows of Mary Anne Hobbs (XFM) as well as Gilles Peterson‘s “All Winners” show on BBC Radio 1, his personal list of favorites of the year 2011, alongside various other highly respected stations across the globe.

For the 2012 winter season we decided to give "The Branches" a proper repress treatment, not only pressing a new batch for all our listeners that weren't able to acquire a copy yet but also spicing it up and making it a true collectors item for anyone that already owns a copy.

Therefore, the – now gatefold – artwork / transparent 2LP vinyl version, originally drawn by Bioniq was colourized by Roman Pokrovsky and, besides everything being remastered and including new work from Long Arm himself, we also added a second vinyl with various remixes by on the one hand like-minded artists like Hidden Orchestra, Dday One and 40 Winks, with whom Long Arm also shares artistic relationships and friendships, and on the other hand more genre-overarching and experimental remixes from such acclaimed artists as Robag Wruhme, Sieren, Yoko Duo, Berry Weight, Empt and Speck from CYNE, which will surely make for a unique listening experience.

HHV Exclusive edition limited to 300 copies.

Magic Source invites you to a journey to the obscure side of disco music. Led by producer & notorious tape operator Björn Wagner (of Mighty Mocambos, Bacao Rhythm & Steel Band and Mocambo Records), the group follows up on their rootsy cosmic debut LP Earthrising and last year's EP Riviera Drive, whose stunning flute jazz cover of “Genius of Love” is also featured on this longplayer. Further exploring the more unusual facets of disco in its otherworldly and international stylings, Voyage Spectral travels through a wide musical scope, ranging from “lost” tropical grooves, Mediterranean funk, outernational boogie, to cosmic sci-fi soundtracks. All 100% organic - created by real musicians with real vintage instruments, captured on 16-track analog tape. An all-star cast of musicians invites you to a fantasy trip where angelic voices blend with spaced-out synths, ethnic string instruments interplay with sharp horn lines while the rhythm section is holding

‘Memoosh’ is the collaborative project between William Yates (memotone) and Soroosh Khavari (Soosh).

Without any pre-planning, the project started to grow and develop a life of its own as soon as the first session started. Over the course of more than eight weekends spread over a year, the two visited each other for recording sessions, not relying on modern modes of communication. Making all the music in person to keep to the collaborative nature of the project, leaving more room for improvisation and opportunity to jam out all their ideas.

The album is a mixture of live instrumentation (guitars, piano, cello, zither, drums, clarinet, synths and numerous others) coupled with effect boxes, samplers, vocals and field recordings, influenced by everything from random static and buzz, to a beautiful early morning rain or the bass thud of a closing door. The whole album being more an exploration of their approach rather than anything conceptually thematic, representing both characters and personalities in the music.

“To be honest, had we not been asked by Project Mooncircle to make the album we probably would never have met to make music. Thankfully they did ask! And it has been a very fruitful conquest. Not only has the album created music we are proud of, but in it’s construction it created a new and lasting friendship.“

‘Memoosh’ comes out worldwide on limited grey-marbled double vinyl, limited handmade and handpainted cassette edition (both including download code) as well as a limited edition CD including a bonus track via flau records in Japan.

All tracks written, performed and produced by William Yates and Soroosh Khavari. Vocals on ‘This Hush’ by William Yates. Recorded in the Soosh Studio, Brighton. With Thanks to all our close friends, family and the team in Berlin.

‘Memoosh’ is the collaborative project between William Yates (memotone) and Soroosh Khavari (Soosh).

Without any pre-planning, the project started to grow and develop a life of its own as soon as the first session started. Over the course of more than eight weekends spread over a year, the two visited each other for recording sessions, not relying on modern modes of communication. Making all the music in person to keep to the collaborative nature of the project, leaving more room for improvisation and opportunity to jam out all their ideas.

The album is a mixture of live instrumentation (guitars, piano, cello, zither, drums, clarinet, synths and numerous others) coupled with effect boxes, samplers, vocals and field recordings, influenced by everything from random static and buzz, to a beautiful early morning rain or the bass thud of a closing door. The whole album being more an exploration of their approach rather than anything conceptually thematic, representing both characters and personalities in the music.

“To be honest, had we not been asked by Project Mooncircle to make the album we probably would never have met to make music. Thankfully they did ask! And it has been a very fruitful conquest. Not only has the album created music we are proud of, but in it’s construction it created a new and lasting friendship.“

‘Memoosh’ comes out worldwide on limited grey-marbled double vinyl, limited handmade and handpainted cassette edition (both including download code) as well as a limited edition CD including a bonus track via flau records in Japan.

All tracks written, performed and produced by William Yates and Soroosh Khavari. Vocals on ‘This Hush’ by William Yates. Recorded in the Soosh Studio, Brighton. With Thanks to all our close friends, family and the team in Berlin.

Be fast and get the highly limited PMC134 - memotone & Soosh 'Memoosh' album deluxe bundle with handpainted cover sleeve and a handmade wooden necklace by OddSupply.

‘Memoosh’ is the collaborative project between William Yates (memotone) and Soroosh Khavari (Soosh).

Without any pre-planning, the project started to grow and develop a life of its own as soon as the first session started. Over the course of more than eight weekends spread over a year, the two visited each other for recording sessions, not relying on modern modes of communication. Making all the music in person to keep to the collaborative nature of the project, leaving more room for improvisation and opportunity to jam out all their ideas.

The album is a mixture of live instrumentation (guitars, piano, cello, zither, drums, clarinet, synths and numerous others) coupled with effect boxes, samplers, vocals and field recordings, influenced by everything from random static and buzz, to a beautiful early morning rain or the bass thud of a closing door. The whole album being more an exploration of their approach rather than anything conceptually thematic, representing both characters and personalities in the music.

“To be honest, had we not been asked by Project Mooncircle to make the album we probably would never have met to make music. Thankfully they did ask! And it has been a very fruitful conquest. Not only has the album created music we are proud of, but in it’s construction it created a new and lasting friendship.“

‘Memoosh’ comes out worldwide on limited grey-marbled double vinyl, limited handmade and handpainted cassette edition (both including download code) as well as a limited edition CD including a bonus track via flau records in Japan.

All tracks written, performed and produced by William Yates and Soroosh Khavari. Vocals on ‘This Hush’ by William Yates. Recorded in the Soosh Studio, Brighton. With Thanks to all our close friends, family and the team in Berlin.

Immensely inspired by the beautiful simplicity embodied by the laws of nature, especially the number Pi and the notion of the golden ratio, Michał Lewicki has always been searching for new ways to implement mathematics into his music. But aiming for the perfect proportions while making the music feel natural and complex at the same time has been no easy feat. In the creation of “Ton” he applied a very technical approach, utilizing various random midi generators, midi delays, polyrhythms, pitch shifters, scales and more in order to create something that posseses a live on its own, bringing him as close as possible to a naturally occurring chaos we can find in the surrounding nature every day.

“One of the basic rules of aesthetics – man’s senses enjoy objects that are properly proportioned. He referred to the direct relationship between beauty and mathematics, which is often measurable and can be found in nature.” – R. Fisher on philosopher St. Thomas Aquinas

After painstakingly accurate and detailed editing of these generators, they would create something unique and different upon every single run. The result are unique non-recurring snapshots as foundation for most tracks, a quasi-mathematical experiment in audio-randomization. Now Michal really started his work, creating arrangements and progressions based on the simple sines and natural convolution, giving the track dynamics, adding layers of synths and instrumentation.

Project: Mooncircle & Finest Ego have teamed up to establish a fresh new 12” producer series, entitled “Faces”. On every edition, you will find two different producers. Respectively, each producer will have their own record-side and unique cover artwork by the aspring LNY, known for his surrealistic portraits, blending humans and animals.

Going to be released upcoming February, the second edition of our “Faces“ series will exhibit works by the two extraordinary producers Daisuke Tanabe and Mike Gao. Again, coming from very distinct biographical backgrounds – despite their obvious Asian descent – the two are connected through their artistic excellence and uncompromising musical creations and visions. In symbiosis with these nocturnal flying mammals they use their ultra-precise sonic waves to navigate imperturbably through dark nights, leaving their prey with no chance of escape.

Limited 12” vinyl for serious collectors, DJ’s and record addicts only!

Mike Gao is a music technology researcher, holds a Masters degree in Music Technology at Stanford and is pursuing his PhD in Electrical Engineering at UCSD. After a career as underground Hip Hop and Scratch DJ in Chicago (working with such names as Qwel, Mestizo and Luckyiam) he began partaking and winning in numerous beat battles, Low End Theory being the most prominent one, which makes him one of the best kept secrets in the Los Angeles beat scene. He released music on labels such as All City with Tokimonsta, Galapagos4, Project: Mooncircle and many more…

Tokyo resident Daisuke Tanabe, a former art student who also lived in London for a while, developed from his techno/breakbeat background into a very unique sound between Hip Hop, Electronica, Folk and Jazz. He released music on labels such as Ninja Tune, BBE, Project: Mooncircle and Brownswood Recordings, performed with Zero DB and remixed artists like Elan Mehler and Aaron Jerome.

LNY is an artist living and working between New Jersey and New York. He makes art that is drawing based, social and open to the public in general; hence his drawings can be found pasted on buildings all over the world as well as in galleries and on 16-year-old kids’ tumblrs all over the internet. He is one half of Doodledrag, a New Jersey based doodling collective and always welcomes collaboration.

Limited edition of 300!

The debut album 'Pyramids' comes out worldwide on limited double, green vinyl (including download code).

Pyramids. Jagged teeth pushing through immaculate skies. The ever-changing light. The expansive sense of freedom. The wide open spaces. The textured landscape seen from above. Mountains. Watchful and immobile for thousands of years, weathering seasons, transcending change.

It's December 2016. I've left the London madness to hit the reset button and compose new music in a tiny village in the Swiss Alps. I'm over 10,000 feet high, it's minus 15 degrees and the snow is scintillating under a rich blue sky. I turn around and suddenly this gigantic pyramid-shaped peak is towering over me, staring me in the face. Mind blown. Senses overwhelmed. Perspective. Lightbulb moment. I have my album concept.

I wanted to put into sound my cathartic experiences of the mountains. Every track title was chosen before composing. The title would be a catalyst for visual memories, narrative and overall vibes. I continued developing the tracks on occasional trips to Switzerland, but mainly back in the gritty habitat of London's Hackney Wick. The urban-nature contrast had an impact on the music too.

I use a lot of found sound, stuff I have collected over the years, and a lot of resampled guitar sounds and textures. I love imperfections in sound. Detuned synths. Distortions and glitches. Rhythmic flutters and percussive frenzy. 'Manual' cut-ups. I love moving to house and disco and getting lost in the more melodic side of techno. I love polyrhythms and melodic counterpoints. I love the energy and rawness of a live rock band. I channel all this to create my own sonic palette.

Artwork by Jimmy Turrell, graphic artist and video director who combines a love of handmade collage, drawing, screen printing and painting alongside digital techniques. He has worked for Universal Music, Nike, Lexus, Levis, MTV, The New Yorker, Intro, Capitol Records, The New York Times, Green Peace, Beck, The Prodigy/XL Recordings, Channel 4, The Guardian, GQ, The Times, LA Times, Newsweek, Getty Images, Adidas, Sony Music, New York Magazine, Wired, Glastonbury Festival, and Vanity Fair amongst others.

I was heavily inspired by Chris Marker’s film Sans Soleil (Sunless) just before I began recording the EP. He talks about remembering and memories; we preserve our recollections through photographs, films, literature and in my particular case, music. Each track on the EP is essentially a memory preserved.

The EP deals with ennui or just the overlying feeling of listlessness that usually props up when one thinks life is futile. Again, like my last release, this EP is quite melancholic in nature except the themes are more mature. I’ve focused on the artificial gratifications such as drugs, sex and what these temporary distractions can do to you and the relationships around you. I tend to take these dark subject matters and try and transform them into something beautiful, it’s incredibly cathartic. This is why I find it amusing and overwhelming when people call my music “ethereal” or “uplifting”.

I really love Dostoyevsky’s work or just any Russian author to be honest. His novels are incredibly detailed and meticulous, everything is palpable. I want any release I put out to feel this way. When people listen to my music I want them to be able to really feel the sounds, as if they can touch them: I work really hard to try and accomplish this. Lastly, I think what inspires me the most about being a musician: is the story telling. To be able to project your stories and memories through sound knowing that there’s at least somebody out there that will listen to what you have to say.

Featuring production by such renown producers as Go Yama, Insightful, Laplace and Galimatias, ‘Falstrati’ comes out worldwide on limited clear vinyl in December 2014.

I was heavily inspired by Chris Marker’s film Sans Soleil (Sunless) just before I began recording the EP. He talks about remembering and memories; we preserve our recollections through photographs, films, literature and in my particular case, music. Each track on the EP is essentially a memory preserved.

The EP deals with ennui or just the overlying feeling of listlessness that usually props up when one thinks life is futile. Again, like my last release, this EP is quite melancholic in nature except the themes are more mature. I’ve focused on the artificial gratifications such as drugs, sex and what these temporary distractions can do to you and the relationships around you. I tend to take these dark subject matters and try and transform them into something beautiful, it’s incredibly cathartic. This is why I find it amusing and overwhelming when people call my music “ethereal” or “uplifting”.

I really love Dostoyevsky’s work or just any Russian author to be honest. His novels are incredibly detailed and meticulous, everything is palpable. I want any release I put out to feel this way. When people listen to my music I want them to be able to really feel the sounds, as if they can touch them: I work really hard to try and accomplish this. Lastly, I think what inspires me the most about being a musician: is the story telling. To be able to project your stories and memories through sound knowing that there’s at least somebody out there that will listen to what you have to say.

Featuring production by such renown producers as Go Yama, Insightful, Laplace and Galimatias, ‘Falstrati’ comes out worldwide on limited clear vinyl in December 2014.

Original foundations by many respected artists. Manipulated, arranged, mixed and mastered by Mr Cooper. Made with samples, a PC and a crude bass guitar. Some tracks and many techniques born of late night sessions with Chatro in his chicken stinking room above KFC. Produced between 2002 and mid 2005. Remixes by Induce and Epstein 2006. JUST ONE COPIE IN STOCK! OUT OF PRESS!

Very limited accompaniment 7 Inch for the Q4’s forthcoming Project Mooncircle released album “Sound Surroundings” with remix versions by Mr Cooper & Dday One. The cover is presented like a letter with handnumbered stencil artwork by Binh & Gordon. We say good bye because it’s the last production of Paul as Mr Cooper. 300 copies worldwide!!!

Project: Mooncircle (the Indie Label from HHV) & Arepaz present: Mr Cooper with his Limited Edition 10 Inch. Remixes from DDay One, Gordon and Jahbitat. The Incredible Sound from the "Amongst Stranger" LP continues...

The brand new album after the top seller "Amongst Strangers"! The sound of the album can be described as a mixture of Hip Hop, Dubstep, Ambient and ‘electronic music’. The record is darker, harder, faster and more tenuous in the array of sounds used than previous work. CD version with gold stamped letterings!

The brand new album after the top seller "Amongst Strangers"! The sound of the album can be described as a mixture of Hip Hop, Dubstep, Ambient and ‘electronic music’. The record is darker, harder, faster and more tenuous in the array of sounds used than previous work. Limited Vinyl version with gold stamped letterings!

‘Push’ sees the bridging of two minds, a spontaneous event of shared loops, ideas and vision. My Panda Shall Fly & Mau’lin join creative forces giving birth to five abstract free-form compositions. Having followed each others work for some years, the pair found themselves in an East London studio first commencing a sonic dialogue just days before Christmas.

Each track breathing a new life; a conventional genre is hard to pin down. Fusing elements of neo-jazz, broken house and down-tempo ambient, resulting as an eclectic product of unforeseen joint creativity.
Opening track ‘Sea Beast’ heralds entrance into a murky journey through time and space. With jilted, broken keys drizzled upon a throbbing bassline a distant moan finds its way through dense textures. ‘Red’, eases up tightened bolts, it lifts a hazy smog with its loose, almost ‘Buddha Lounge’ melodies. A poly-rhythmic venture of crossing synths, snares and percussion each teasing the other in & out. Taking you into a videogame-like realm, ‘Gingerbread House’ summons intrigue with a conflict of virtuous and sinister emotives. Its minimal pulsing bass line transports an ethereal synth with playful bleeps and shuffling stirs. Calling in Irish outfit Lakker, they instinctively gravitate towards the more organically moulded ‘15Keys’. Dismembering a canon of cascading marimbas and chromatic percussions they splice and reconstruct it into a euphoric slow burner. Marking the last leg of an enchanted journey, ‘I’ finds its dance-floor energy in swelling melodies and a confident staccatoed bass gifted with sharp hi-hats & breaks. Twinkling keys descend as if embossing a newly-cleared night sky with falling stars.

Devoid of preconceived concepts, MPSF & Mau’lin have managed to bind together their own musical idiosyncrasies creating an EP of seductive suspense and intelligent textures.

The meaning of dreams usually stays hidden in stacks of abstract layers, obscuring their essence in surreal and bizarre imagery. Exploring the depths of our subconscious, they lead us from stories of lighthearted innocence to our most gruesome ghastly fantasies, making us live through multiple scenarios each and every night. While in sleeping-state, we are at our most vulnerable and at a total loss of control over mind and body. At the same time, we feel most free and safe during REM, with none of our worldly worries breathing down our neck while our minds find ways to cope with exactly these worries.

For his debut full length “Too”, My Panda Shall Fly decided to collaborate with a variety of singers from all over the globe to explore their subconscious anxieties and fears together. Giving away control over the songs himself, he was only amazed by the results of this process that took over more than a year until final realization.

Just like in Ursula K. Le Guin‘s classic sci-fi novel “The Lathe of Heaven”, you can shape your dreams by becoming aware of the inner forces that invisibly guide you every day.

‘Too’ comes out worldwide on limited 2LP red vinyl, CD, MC (including download code) and digital.

The meaning of dreams usually stays hidden in stacks of abstract layers, obscuring their essence in surreal and bizarre imagery. Exploring the depths of our subconscious, they lead us from stories of lighthearted innocence to our most gruesome ghastly fantasies, making us live through multiple scenarios each and every night. While in sleeping-state, we are at our most vulnerable and at a total loss of control over mind and body. At the same time, we feel most free and safe during REM, with none of our worldly worries breathing down our neck while our minds find ways to cope with exactly these worries.

For his debut full length “Too”, My Panda Shall Fly decided to collaborate with a variety of singers from all over the globe to explore their subconscious anxieties and fears together. Giving away control over the songs himself, he was only amazed by the results of this process that took over more than a year until final realization.

Just like in Ursula K. Le Guin‘s classic sci-fi novel “The Lathe of Heaven”, you can shape your dreams by becoming aware of the inner forces that invisibly guide you every day.

‘Too’ comes out worldwide on limited 2LP red vinyl, CD, MC (including download code) and digital.

The meaning of dreams usually stays hidden in stacks of abstract layers, obscuring their essence in surreal and bizarre imagery. Exploring the depths of our subconscious, they lead us from stories of lighthearted innocence to our most gruesome ghastly fantasies, making us live through multiple scenarios each and every night. While in sleeping-state, we are at our most vulnerable and at a total loss of control over mind and body. At the same time, we feel most free and safe during REM, with none of our worldly worries breathing down our neck while our minds find ways to cope with exactly these worries.

For his debut full length “Too”, My Panda Shall Fly decided to collaborate with a variety of singers from all over the globe to explore their subconscious anxieties and fears together. Giving away control over the songs himself, he was only amazed by the results of this process that took over more than a year until final realization.

Just like in Ursula K. Le Guin‘s classic sci-fi novel “The Lathe of Heaven”, you can shape your dreams by becoming aware of the inner forces that invisibly guide you every day.

‘Too’ comes out worldwide on limited 2LP red vinyl, CD, MC (including download code) and digital.

Imagine Plantasia was an animated film narrated by Jacque Cousteau and the musical score reminds you of your favourite library record. “Ambitus Of Beauty” invites you on yet another beautiful and timeless full-length journey through various magic moments, scenes and soundscapes created by Natureboy Flako. You will be floating on a vast stream of memories, ideas, thoughts, wishes and feelings translated into sound while your mind starts dancing gracefully and is likely to drift into nothing and everything at the same time. Carefully crafted with a great sense of oneness, this album is offering a mind travel to focus and re-calibrate. Music Heals!

For fans of Plantasia (Mort Garson), Brian Eno, Suzanne Ciani, Vangelis or Ryuichi Sakamoto.

Limited edition of 300 copies of Natureboy Flako's all new 4-track EP "Besito".

Dario Rojo Guerra aka Natureboy Flako is set to release a unique musical room shaker. Picking up the energy of productions such as “Kuku” from his debut album, these four new banging tracks invite to dance and have fun while bouncing them out loud. The title track “Besito” is carrying a sincere message of love with an unmistaken production quality, also found on his previous release entitled “Theme For A Dream” which explores the boundaries of music, science and spirituality. His rather unpredictable but inspiring output will be continued with a full length album of library-like songs & soundscapes which is set to be released before summer also. But for now level up the energy and enjoy singing along to “Besito”.

“WOW I’m happy you are still making such incredible heat! I actually lost my fucking mind as well as the rest of the club.” - Gaslamp Killer