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Ten years have eclipsed since French underground black metal Hell Militia released their last studio album ‘Jacob’s Ladder’. When the band regrouped in 2018, the tumult of recent years, the pandemic and real life’s comings-and-goings were perfect ammunition for Hollow Void’s creation. The resultant album is perhaps Hell Militia’s most strident effort to date. The band’s orthodox, unrelenting approach coalesce into an album that exploits the true nature of black metal: Savage, unforgiving and grim.

Re-issue of HEIDENREICH's second album! On vinyl for the first time.

Scandinavian jawbreakers Harmagedon offer up a nightmare future on their debut album Dystopian Dreams, with a refreshingly modern concoction of melodic death metal and crust punk.

Three piece riff machine from Stockholm Sweden, Harmagedon is a raw festering carcass of dynamic grind and roll. Featuring members of Martyrdöd and Freedom raising hell once again, Harmagedon’s debut record Dystopian Dreams is a fusion of heaviness that is difficult to pin down but makes all the damn sense in the world! With focus on primal minimalism but maximum animalism, Dystopian Dreams is the ground zero of an explosive power trio summoning raw energy into being. With no frills and no gimmicks, just relentless heaviness, Harmagedon is a matured brew of “crust punk” or “d-beat” (“kängpunk” for the diehards) infused with ravishing death-metal. Dystopian Dreams is made by adepts of distortion and grime to be imbibed by connoisseurs of rage and chord-fury.

Recorded live at their own studio, Dystopian Dreams was conjured with the help of Fred Forsberg of Mass Worship at the controls, capturing Harmagedon’s wildfire and blending this dense stew together. With the addition of Magnus Lindberg of Cult of Luna mastering it, Dystopian Dreams has that exceptional flavour of a future classic, where all the cogs and wheels of this merciless weapon fire on all cylinders.

Black Sabbath, Entombed, Neurosis & High on Fire spring to mind, as the calibre of Harmadgedon’s riff whirlwind is of the finest quality, the antithesis of royalty but epic and majestic in delivery. Dystopian Dreams’ hulking magnetism leads you expertly to headbang and worship at the altar of timeless metal, without the slightest remnant of doubt.

Songs like Reptilian and Controlled Chaos groove and churn, but pack a hell of a concrete punch, with nihilistic, gravelled guitars and spewing vocals of molten brimstone.

Guitarist and vocalist Tim Rosenquist says:

“Controlled Chaos is about propaganda actions and distractions but Reptilian is about how hard work makes you into this emotionless beast of a being. That song is best served blasting on the factory floor or in the car on your way to the office! Reptilian’s themes are at the core of what Harmagedon is about”.

Look to the masters to deliver true heavyweight metal when the current scene lacks enough muscle and teeth. From a band made up of underground titans, Harmagedon is drawn from the well of eternal heaviness, living in death forever, what nightmares are made of.

Harmagedon is:

Tim Rosenquist - Guitars & Vocals

Magnus Berglund - Bass

Jens Bäckelin - Drums

After two successful runs on tape, Human Worth have made the right call and put this mini album on vinyl. The Leeds duo rage through six tracks of caustic sludge and doom to deliver a incredible EP that channels their energy and the anger felt by current events. As with all Human Worth releases, 10% of proceeds will be donated to a charity of the artists choice, with Leeds Mind benefiting from this release.

Black vinyl, insert

Green Lung are “Britain’s finest folk horror -indebted heavy metalers” (The Guardian), and this is where it all started for the band in 2018. The five track demo recording Free The Witch, including the bonus track When The Axe Comes Down, now reissued on standalone vinyl.

Remastered for vinyl by the spectacular John Davis (Lana Del Rey, Led Zeppelin, Royal Blood…) at Metropolis Studios in the UK and adorned by striking covert art by the band’s perennial collaborator Richard Wells.

Grave Speaker is a doom project from Massachusetts. Risen from the ashes of High n’ Heavy, it continues the journey of 70s heavy rock inspirado. Influenced by fellow doomers Acid King, Windhand, and Electric Wizard. Grave Speaker is based off the mantra “follow the vibes, not the rules.” Formed in the summer of 2023 by former HnH guitarist/songwriter John Steele, Grave Speaker is very excited to join the EVR family with it’s self-titled debut.

High Roller Records, reissue 2023, doublemint vinyl, ltd 400, 425gsm heavy cardboard cover, insert printed on uncoated paper, poster, Transfer, audio restoration and mastering by Patrick W. Engel at Temple OF Disharmony in March 2023. Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate audiophile reissue of this German Metal classic!

Gloson release their long-awaited second full-length album The Rift! The album features a Hexalogy of songs inspired by humanity in its worst and purest form and is an attempt to pursue the meaning of it all and to foreshadow our demise through it. A gloomy, primal and intense sophomore album The Rift was born.. Isolated in the middle of nowhere, Gloson recorded this album right before the Covid-19 hell broke loose and for the first time, allowed someone else to be in charge of the recording process, to put all their energy on being purely creative and productive whilst in the studio. “It was a very liberating feeling”, Gloson comments, who previously carried out almost everything related to production themselves.

Gritty, loud, unforgiving and uncompromising, Ghastly Soud formed around the foundation of childhood friends TJ Maynard (bass) and Ryan Lewis (drums), who began writing songs as a two-piece focused on guitarless volume worship and a love for party riffs.The band's rolling, thunderous tones blended with a splash of groove attracted vocalist Tyler Gurwicz, whose presence provided equal amounts straightforward candor and raw power.

In collaboration with Doug Smith, bass player extraordinaire and Gargoyle, we are in the pleasant position to offer you Gargoyle "The Deluxe Major Metal Edition", with an entire disc of previously unreleased Gargoyle songs, which are not just run of the mill stuff, but Killer compositions that will destroy you. Stuff like "Crimson Red", "An Eye For An Eye", "Evil Hammer" etc would easily put to shame 90% of today's releases and this is really impressive given that all those songs never made it to an official Gargoyle release.

Four Stroke Baron Return With Classics - Their Third Full Length Studio Album, Mixed By Devin Townsend And Brimming With Catchy Riffs And Unforgettable Choruses - In Other Words, Classics. Having Streamlined Into A Duo, Kirk Witt And Matt Vallarino Cast A Sardonic Eye Over The Human Condition - As Seen Through Their Own Uniquely Distorted Lens,And Told Via Tales Involving A Murderous Rampage At A Kegger While Dressed As A Knight, To Being Trapped In A Casino During A Robbery Whilst On Acid, And Other Such Adventures. They Are Our Guides As We Traverse The Filthiest Folds In Thedark Underbelly Of Reno, Nevada; Illuminating The Darkest Corners Of Their Twisted Psyches With Their Upbeat And Insanely Catchy Pop Hooks.

Limited colour variant "battlefield aftermath with blood & dirt swirl"Following their 2020 debut, Ruin, FORETOKEN's latest album sees the group expand upon their foundations of meticulously lofty soundscapes, mythological narratives, and elaborate musicianship. Utilizing traditional narratives of myths, legends, and folklore from a wide range of Western and Middle Eastern origins, Triumphs examines the ignored collateral damage of the cost of victory through these established mythos.Taking musical inspiration from melodic and tech death metal, as well as power, folk and black metal, Foretoken's core sound on Triumphs is bolstered by subtle and captivating use of traditionally Scandinavian, Southeast Asian, and Middle Eastern instruments for atmospheric depth. Reunited once again with Hannes Grossmann (Hate Eternal, Alkaloid, Obscura, Necrophagist, Blotted Science, and Triptykon) on drums and boasting a guest guitar appearance by The Black Dahlia Murder's Brandon Ellis, FORETOKEN's technical prowess shines through without overpowering any of the nine songs' rhythmic charge.Triumphs was penned throughout 2021 by both Steve Redmond (guitar and orchestration) and Dan Cooley (vocals), with the pair settling on eight original compositions and a cover of Naglfar's I Am Vengeance. Grossmann then commenced drum tracking at his own studio, Mordor Sounds, with guitars recorded by Redmond himself and vocals captured at Trepan Studios by Tony Petrocelly, before mixing and mastering duties were placed in theaccomplished hands of Jacob Hansen (Arch Enemy, Fleshgod Apocalypse, The BlackDahlia Murder, and more) at Hansen Studios. Visually tied together by portrait artist Tomas Honz's detailed cover painting, depicting aprotagonist's journey in the aftermath of battle, Triumphs aesthetic component is a symbolic embodiment of the duo's enduring fascination with historial consequence via a folkloric lens. Taking fables and fantasy to extreme sonic heights, FORETOKEN's Triumphs is as lofty in ambition as it is a...

Combining symphonic elements with genres such as folk metal, melodic death, tech deaths, and black metal, have allowed Foretoken to create something familiar yet unique.

ARE YOU A Good Witch OR A BAD Witch?

Prog-metal pranksters Flummox are back with IN Hindsight, featuring the hit second amendment anthem "Trans Girls Need Guns" along with 4 heavy new cuts. IN Hindsight is Flummox at their most playful, a whirlwind of chaotic energy centered on the satanic personality of frontwoman Alyson Dellinger. "Good Witch" kicks off the set, backing rock and roll mayhem with big band jazz, while "Bad Witch" and "Holy Ejaculate" pay homage to Mr. Bungle's tongue-in-cheek bangers. "Excelsior" works nostalgic throwbacks to 70s prog virtuosity into the havoc, packing all the jaw-dropping goodness of a King Crimson epic into a bite-sized 4-and-a-half minutes. Everything culminates in Dellinger's manic, magnetic performance at the heart of "Trans Girls Need Guns," a finale as empowering as it is groovy. Miss the mosh pit? Just light your candles, draw you

Formed in late 2015, New York's False Gods whip up a unique blend of sludge/doom metal mixed with melodic noise and down-trodden hardcore. Neurotopia marks the band’s sophomore full length and further fuses, while at the same time, expands upon their marriage of Doom and Hardcore.

In 2019 BC (Before Covid) Discharge frontman Jeff Janiak reached out to longtime friend and musician JP Parsons to assist on a new project. The pair wrote and recorded various ideas before reaching out to Amebix guitarist Stig.C.Miller who joined them in the midst of the global pandemic. The trio utilized this new creative climate of physical restriction and went on to set the foundations for their first album, via file sharing home recordings, which would be arranged and produced by Stig. It was several months later when he would call upon Nausea, Ministry and former Amebix drummer Roy Mayorga to complete the line up. Roy went onto record drums, mix and produce the band's debut album 'let Them EAT Fake'.

In these unprecedented times of global restriction, fear and the everlasting lack of faith in the hierarchy 'False Fed' has cultivated a heavy sound that is drenched in melody, aggression and shrouded in darkness. It is not bound by genre, yet still offers subtle hints to the creators lineage.

No one album could ever capture the claustrophobia-to-catharsis of an Eyehategod show, but this compilation of live tracks and demos comes as close as it gets. Giving you an idea of Eyehategod’s uncompromising, single minded purity of expression and exertion of raw nerve, “10 Year Of Abuse” is a monumental document all the way from the demo era to their later, legendary relentless live tour set. Many other bands have tried unsuccessfully to emulate Eyehategod and have never quite captured their dynamic. Formed in 1988 in New Orleans they have become one of the most well known bands to emerge from the Nola metal scene. Eyehategod note bands like Melvins, The Obsessed, Discharge, Black Flag, Black Sabbath and Saint Vitus as major influences, but are often mentioned in the same breath as any of these legendary bands. Drawing comparisons to Grindcore, Crust Punk and Sludge Metal, their heavy bluesy, detuned rock and roll has been a lynchpin for the misanthropic and disenfranchised. Eyehategod has released five studio albums to date with a sixth in the works and have toured all over the world in a career spanning over thirty years. Though the band has never released a live album, we are left with “10 Years” as the only official witnessing document to decades of decimating live sonic abuse. Released on May 29, 2001, “10 Years” spans seven live tracks from their European tour in 2000, a live radio show from August 1994 and four songs from an early 1990 demo. The result is a feedback-laced window into that wonderful, brutal Eyehategod “sound”, that addictive, lower-than-low note that nestles somewhere in the pit of your burning, alcohol-soaked, nauseated stomach. The booklet alone is a delight for anyone who worships at the altar of Eyehategod’s oppressively heavy, crushing riffs. With personal liner-notes, that set the scene and describe the unique vibe of the band’s sound and live show, including old flyers and posters from concerts and photos of the different line-ups from 1990 until today, the package is an immersive insight into one of the paramount heavy Sludge bands of our time. A vision of pain and neglect, they’ve done thousands of shows, never predictable in their tension and ultimately, release. Glory in their downtuned vision of depravity and despair, for the End Times aren’t coming, they’re here and they’ve always been here. Revel in the power of Nines, in the power that is Eyehategod. Licensed from Century Media and released in a limited edition of 600 on black vinyl, and 400 on green splatter vinyl. Expertly remastered by Jaime Gomez Arellano (Paradise Lost, Cathedral, Ghost).

Eye Flys are a quintessential Philadelphian band whose aggressive brand of noise rock is leading a wave of bands that harken back to classic era AmRep noise rock. Their rage is palpable and their wit is biting. Eye Flys are unsparingly heavy, driven by the colossal rhythm section of bassist Kevin Bernsten and drummer Patrick Forrest. Vocalist/guitarist Jake Smith delivers sharp humor with a healthy dose of venom and bile with each bestial growl while his dirty riffs roar at you. Recorded by Bernsten at his own Developing Nations studio (Full of Hell, Integrity, Jarhead Fertilizer) and J Robbins" The Magpie Cage, the band"s self-titled album features artwork drawn by artist and drummer John Herndon (Tortoise), known for his singular drawings and his band"s iconic TNT cover. Eye Flys wades deeper into the muck and mire of modern living to take an unflinching look at the horrors of late-stage capitalism and offer a caustic remedy for its ravages. Expanding on their bludgeoning debut Tub of Lard, Eye Flys is lean and aggressive, fast and unforgiving. Trepanation Summer"s ferocious riffs bore directly into the skull, mimicking the crude pressure release of the ancient surgical process of the same name, Smith crying to "release the pressure" from within a wall of feedback. Eye Flys offers a reassuring reminder that you haven"t gone mad and you"re not alone - that weird "n" heavy music is still here as a respite from the madness of modern living and an outlet for righteous rage.

After a long silence New Zealand bestial death metal horde Exaltation finally unveil their first proper full-length offering, Under Blind Reasoning, after a demo tape had surfaced back in 2017 amongst generalized obscurity. Indeed what we find on this debut offering is something distant from the lo-fi quality of the promising but under-produced demo, and sees the band tap instead into a realm of vehemence and aural destruction of unseen magnitude and terror. Feral, enveloping, monumental and sprawling in its unrelenting wrath, Under Blind Reasoning sees the obscure New Zealand death-bringers whip the sum of their influences (Immolation, Morbid Angel, Incantation, Deicide, Blasphemy) into a coercive realm of shelshocking torment and rise from the depths of obscurity like a cataclysmic weapon of mass-destruction. The album's dense and multidimensional recording quality has yielded a death metal beast of truly unsettling proportions. Every instrument and the utter violence with which it is wielded appears on full display, as the listener is helplessly left annihilated, blow after to blow, to witness the band's tight, savage and merciless performance and technical proficiency literally maul down the fabric of reality piece by piece.

Escumergamënt is the latest addition to the Avantgarde Music roster, a newborn band hiding long-standing musicians from the Swedish black metal scene, with an essential, old-school approach. We may dwell on pretentious descriptions trying to explain why their debut . . . ni degu fazentz escumergamënt e mesorga; is worth your time, but we thought it best to let the band speak for themselves.

The Album Has Been In The Making For Years Now, The First Studio Appointment Athicktown Was Planned For Early 2019, Back Then With Michael "Mikey" Bensch At Thedrums. Due To Illness, A New Appointment Was Planned For April 2020, This Time Thedate Was Canceled Due To Corona. In November 2020 The Recording Could Finallytake Place.As Far As Songwriting Is Concerned, The Monkeys Don't Have A Set Process, But Mostof The Time Florian "Flo" Rößle Arrives With A Great Riff Or Apreggio, Which Is The Basisof The Song. During Rehearsals Everyone Brings In Their Ideas, Where Should It Getmore Brutal, Where Should Be Breaks Etc. Istvan Ladanyi Then Writes The Lyrics To It,And The Song Gets Better With Every Rehearsal ...The Texts Are A Call To Wake Up, To Break Out, An End To Foul Compromises And An Endto Clinging To False Values And Self-Deception. We're All Alive But Dead. Wake Upasshole Now! Smash These Keepsakes As They Ki...