Nu Disco | Disco Edits | Cosmic Vinyl 7 Inch 285 Items

Beatsqueeze presents two original electro funk tracks produced by the legendary producer Crazy B from Birdy Nam Nam. Limited vinyl to 500 copies with sticker included

Eastside Edits is back with its follow up to last year’s massive 001 release. After gaining support from all the top open format DJs and Donut slingers across the globe, we present you the label’s second record - 002. Bringing you a unique niche sound that is upbeat, dance floor friendly and will get the crowd moving. This record features two stellar veteran artists with impressive discographies, both making significant impact in their respective scenes. Side A is brought to you by Toronto’s very own Jackin House legend. With his signature hardhitting drums and funky soulful sound, Demuir has taken the music world by storm. Touring globally at some of the most sought-after nightclubs and festivals, as well as releasing music on the hottest labels in dance music. He has been featured as Beatport’s Hype Artist and has been awarded the #1 Jackin House Artist of the year multiple times. He takes one of the top Hip Hop songs of 2020 and injects his personal signature. This raw, edgy edit is an absolute weapon, not to be missed! Side B is brought to you by a Canadian native, residing in the USA. When it comes to the 45 community DJ Double A needs no introduction. He continues to drop release after release on the top 45 labels in the game. He’s the man behind Mountain 45s, with releases on Friday’s Funky 45s, Private Stock Records and Heat Rock. Double A premieres on this label with an edit that puts a modern spin on an 80s classic. This rework is guaranteed to have the crowd singing along and humming the vocal well after the show is done. It’s truly a DJs must have.

The duo of Parisian DJs and producers, Cléon & Jazzy Pidjay, are back under the name Last Bongo In Paris, with a new 7 inch full of Latin Funk & Jazz Funk atmosphere... With raw drums, heavy breaks and a jazzy flavor, these 3 tracks should quickly become a hit for all groovers and dancefloors!! Cléon & Jazzy Pidjay have long been united by their love of hip-hop music and culture. DJ Cleon is one of the best French producers of breakdance fight music, also respected as a fine wax seeker, mixing all kinds of music, like disco, funk, soul, jazz, breakbeat, hip -hop and older and newer. recordings. Alongside his pal Jazzy Pidjay and his great production and mixing skills, they give new dancefloor life to hidden and forgotten musical treasures, through funky uptempo tracks.

Well, we know absolutely nothing about this brand new edits label, nor the artist behind it, so in wonderfully cliched fashion, the music is left to do the talking. What we do know is that Harri Pierson must have a penchant for classic house because that's the vibe of the A-side 'Bananas'. It has retro-future vibes, a pitched-up rave vocal, and lively piano chords over shiny metallic drums. It's a real bouncer with hints of Italo madness, then 'Funk Rail' is a more worldly affair with Indian-sounding melodies, rich layers of instrumental funk and jostling, loose-limbed drums. What a scorcher.

A Berlin based collective of music aficionados launch a limited and lovely 7" platform for club-ready flipped classics.

Anané Electrifies With New Version of Dancefloor Classic “Get On The Funk Train”. Known worldwide as one of the New York City’s most vibrant, charismatic and talented producer / DJs, Anané is uniquely positioned to bring light to the 1977 Number 1 Disco Hit “Get On The Funk Train,” originally released by the Munich Machine and produced by the renowned Giorgio Moroder.

Ok, this one is different from the usual standard of re-edits releases on GAMM. Swedish duo Pomona Dream from Gothenburg is no re-edit outfit but an official artist.

London based Prescription Pricing Authority returns to GAMM with another 7" monster. With heavy doses of soul, funk and jazz infected disco this beautifully designed release delivers on both sides.

The Funky French League is a collective of intergenerational DJ’s / producers / musicians, composed of Young Pulse, Arthur Chaps, Woody Braun, Monsieur Willy, DJ Asko and Uncle T. Coming from diverse backgrounds, from hip hop to electronic music, the love of groove brought them together. Their goal is to promote funk and its derivatives through parties, mixes, remixes, radio broadcasts... This 7” release is a remake of the African Blood classic A.I.E from 1975. It goes without saying that Monsieur Willy touched this one with respect, dignity and style but yet still pumped it up to the max. The afro beat driven Bonus Beat on the flip, again caters for the DJ to give them maximum freedom to express their skills and mixing creativity.

Never before on 7" format, a special version of the title track from The Sunburst Bands critically acclaimed 4th album backed with a special 7" exclusive version of 'Look At The Stars' from Dave Lee's Produced With love II Album. Black vinyl with Z Records house sleeve.

New 7” record from Italian stallions Groove Culture, serving a high energy, high flying double dose of the good stuff. Funk & disco at its finest from Micky More & Andy Tee - check it out!

12 inch 180G vinyl with a Bonus 7 inch 180G vinyl in Printed Sleeve shrink wrapped.
Occupying a musical space somewhere between the relentless Afrobeat pulse of Fela Kuti and the interstellar sensibilities of Sun Ra, The Golden Dawn Arkestra come to RNT Reserve with a magical EP of summertime bliss. Known for their spectacularly raucous live shows in their hometown Austin, Tx and around the globe, this release captures two of their groovier songs from their last album, never before released on vinyl.
With the originals on either side of the 7”, the 12” contains a sun-soaked remix from Austin Ato, a pulsing tropical mix by JKriv, and a disco chugger from Dicky Trisco.

Metropolis; a powerful song addressing city inequalities and their impact on youth. It's a call for freedom, criticizing large corporations. The lyrics remind us of our basic human needs, while the smooth music eases the despair about environmental issues. Despite being recorded over forty years ago, the message feels relevant today, as we continue to struggle with harmful capitalism.

Originally part of a 1975 charity compilation LP raising money for environmental charities in California, which later became a collectors artifact changing has for silly money (which didn’t fit well with the Déjà vu kid team), so this Balearic nugget, the crown jewel of this album, was released on 7”…There is no better way to share it again than on it’s own 45 inch release at a fair price.

Moonboots, Danny Psychemagik, Spruzzi Monorecords, Micky Browne, Paul Hillery are just a selection of names who have championed this track from this great album and now we can reshare it with you in this first time format.

Artwork redesigned by GNB Studios.

Michael Gray's monumental crossover dance hit, 'The Weekend,' originally released in 2004, is set to make a special return for its 20th Anniversary. For the first time ever, the track will be available on a limited edition Colored Vinyl 7-inch, complete with the iconic original Sleeve Artwork. This commemorative release also includes previously unreleased 7-inch Version from Michael Gray himself. The 'Sultra 7' mix features live strings and an ambient feel, adding an extra layer of exclusivity for fans and collectors alike.

Precious gems mined from a wall of vinyl. Cut, polished and mounted for maximum love.

Precious gems mined from a wall of vinyl. Cut, polished and mounted for maximum love.

The early ’80s were a fertile time for electronic music, as the explosion of relatively affordable synthesizers and drum machines gave creative musicians a new way to express themselves. For Danny Krivit, DJing at the Roxy and soaking in the sonics of the Paradise Garage, it meant an exciting collision of the worlds of dance music and hip hop. For our latest release, Mr. K has pulled out two of his sureshots from that era and given them a tune-up for today’s sound systems.

“Pleasure Boys” by Visage was released in 1982 and epitomized the new wave crossover sound that would be co-opted and expanded on under the Freestyle banner. While the track was conceived with the vocal taking the lead, that vocal was never heard at the Roxy, Krivit’s focus being the thunderous synth bass break that he’d extend to epic proportions using twin copies of the single. It’s this routine that he’s recreated on our featured edit, a bare bones riff that still sounds enormous on a club system.

For the flip, Krivit goes a little deeper with his edit of “Emotional Disguise” by Peter Godwin. Another cut originally released in 1982, Krivit again ditches the overwrought new wave vocal in favor of the atmospheric synth stylings of the instrumental, which he accurately describes as a standout, “played at the Garage and at the Roxy for the hip hop crowd.”

Energetic, atmospheric, and with huge sonic impact, these edits are appearing on 7-inch for the first time.

We have a subtly edit of “Soul Town” by The Motherhood, the psychedelic 1969 LP “I Feel So Free. Motherhood was the unlikely name of Klaus Doldinger's psychedelic fusion band, who eventually transmuted into the bands Passport (Klaus Doldinger, Lothar Meid & Udo Lindenberg) & Hallelujah (Paul Vincent & Keith Forsey). “Soul Town” appears as the B-side to the first single “Back In The Grass”, which fetches ~$275. It was produced by Siegfried E. Loch, & written/arranged by Paul Nero. Many will recognize it as the closing track on the Ocean’s 13 soundtrack. It’s a psychedelic, jazz-funk bomb that punches hard.

Pinball Number Count (Edit) by The Pointer Sisters b/w Soul Town (Edit) by The Motherhood | Galaxy Sound Company — Gsc45-043, test pressing | You know the drill. It’s Galaxy Sound Co. It is cop-on-site. It is yet another Gsc45 edit you need in your crates. & number 43 doesn’t disappoint. I have been wanting both of these jazz-funk nuggets on 7-inch for a minute now, so much love to the GSC crew!

Any of us who grew up on Sesame Street in the 1970s will know this A-side righ away. “The Pinball Number Count” (or Pinball Countdown) is a collective title referring to the 11 one-minute animated segments on the TV series Sesame Street that teach children to count to 12 by following the journey of a pinball through a fanciful pinball machine. These segments are notable for the colorful, imaginative animation as well as the funkysoundtrack with vocals by The Pointer Sisters. It was produced in 1976 by Imagination, Inc. in San Francisco, California for the Children's Television Workshop & debuted on Sesame Street during Season 8 .

Mr. K is back with a tribute to one of the great tape editors that updates a timeless DJ crate staple, plus a proto-hip hop instrumental that works as a standalone groove or a useful disco tool, specially reworked for maximum sonic potential on the compact vinyl format.

First up is an extended edit of the Frankie Beverly and Maze sureshot “Before I Let Go.” Originally released on the best-selling 1981 Live In New Orleans LP, the track was not actually a concert recording but a new studio track made to fill out the final “D-side” of the double album live release. A smash hit on Black radio right out of the box, “Before I Let Go” was chosen as a single and went on to become a must-play standard for parties of all varieties, from club nights to family barbecues. 1991 saw the noteable edit on Moo Records that quickly became a DJ favorite with its skillfully extended intro and outro. Some 30 years later it can be revealed that this was the work of beloved NYC DJ and editor Gail “Sky” King, a formidable technician with the razor and tape, who considered this one of her best works. “Gail’s edit was unfortunately pressed at the lowest quality,” Krivit explains, “and as good and useful as the edit was, I often chose not to play it because of its harsh quality.” Working from a new, high resolution source, Mr. K carefully recreated some of King’s iconic highlights, while optimizing it for the 7-inch format.

Our flip side is a bit more unusual, but also a fun and funky one. legendary hip-hop pioneer DJ Hollywood, “Hollywood’s Message” was a self-released single from the man who was one of the first to grab the microphone at a jam and rhyme over records. In this case however, as a backing track for his rhymes Hollywood took a shortcut and used the renowned “Love Is The Message” edit created by Mr. K that repeatedly runs the groovy clavinet break from MFSB’s tune. Mr. K tightens up the instrumental chant version for it's first time on a 7" release, also adding a touch of Millie Jackson "Now That I Got Your Attention Again" at the top of the song as an intro, which in itself could be used to introduce almost anything, all custom fitted for 7-inch vinyl.

3mm spine Kraftboard sleeve with sticker. Quiet Village, Tapes (Jahtari / Rezzett / Good Morning Tapes etc ) and Goodblock remixes

The label say: "A remix 12” of three Jura Soundsystem classics featuring interpretations from Quiet Village, Tapes and Good Block. “Having released a few Eps and an LP it felt like a fun thing to get some remixes. I’ve ticked off a few musical bucket list items with this 12”, Quiet Village being the big one. I’m a bit of a fanboy and Joel & Matt have not disappointed with a remix that sounds simultaneously futuristic and classic. Tapes brings his unique brand of Dub House and Good Block round off the party with a 90’s influenced slice of Balearic house”. (Kevin / Jura Soundsystem).

Designed by Bradley Pinkerton.

Dive into the timeless groove of "Jibaro" by Elkin & Nelson, rejuvenated with an electrifying version and dub by the dynamic duo Daniele Baldelli & Dionigi. Known their partnership in crafting the legendary Cosmic Sound, Baldelli and Dionigi bring their signature magic to this Balearic classic.

Transport yourself to the iconic era of The Haçienda, as Baldelli's innovative approach to DJing and production infuses "Jibaro" with an irresistible late-night twist. Picture the indie rave vibe pulsating through the dance floor, as the duo's dubbed-out sound breathes new life into this track while retaining its Balearic essence.

As pioneer of the Italian disco scene, Baldelli alongside Dionigi continue to push boundaries with their eclectic, tribal aesthetic. From their own label Pedivelle Records to collaborations with Eskimo Recordings remixing renowned artists like Holger Czukay and Torch Song, their influence spans continents and genres.

Embrace the fusion of past and present as Daniele Baldelli & Dionigi's reimagination of "Jibaro" takes listeners on a journey through time and space. With its irresistible blend of nostalgia and innovation, this track is destined to captivate audiences on digital streaming platforms worldwide. Don't miss out on the cosmic experience – add "Jibaro" to your playlists today.

Footin’ It by George Benson b/w The Harlem Buck Strut by Les McCann | Galaxy Sound Co. — Gsc45-037 | Master grade edit kings & beat makers Black Cash & Theo AKA Thelonious Beats have a vast catalogue of essential sounds & much of it comes on their Galaxy Sound Co home label. We are now up to number 37, &, like its predecessors, is crate-essential heaters. Their latest donut is a remastered & limited 7" pressing of two glorious jazz-funk nuggets that any DJ worth their weight in vinyl will want in their crates.

Side A’s “Footin’ It” by #GeorgeBenson is a serious treat for me. It is taken from Benson’s 5th studio LP from 1968, “The Shape Of Things To Come”. It was his first album for A&M Records & his first album to be produced by Creed Taylor, who would remain his producer until 1976. The track features #jazz legends Stan Webb on flute & Herbie Hancock on piano. While I knew the track from my dad’s record collection, I lovingly am taken back to DJ Neil Armstrong who’s highly-coveted mixtape/CDR “2Original” mashed it & extended the break with Diamond D & The Psychotic Neurotics’ “Freestyle (Yo, That’s That Shit)” who sampled the track in 1992. Still grooves me to this day.

Side B’s “The Harlem Buck Strut” is taken from pianist Les McCann’s 1973 #jazzfunk LP “Layers”. The LP was a groundbreaking jazz-synth record that was unlike any other McCann had made. Aside from a 3-man percussion section & electric bassist Jimmy Rowser, the LP & track are entirely electronic, one of the first jazz albums with such an emphasis. The track is truly forward-looking & ahead of its time, & clearly why it resonated with so many artists as a source to sample. Heads will recall it being lifted for Pete Rock & C.L. (“The Main Ingredient” 1994) & Funkdoobiest (“Rock On” 1994). But the best, for me, was Massive Attack’s “Teardrop” & “Bullet Boy”.

Legofunk Series continues the series on 7" with two tracks with Afro House & funky influences. For starting the day in a good mood, you will find “Yesaye “ the greatest way...Definitely not to be missed.

Strictlybutters is a music lover, DJ, skateboarder, cyclist, and sneakerhead. He is also a dad with a full-time career, who somehow still manages to go cratedigging on his lunchbreaks. Strictlybutters fully embraces that Danny Tanner "Full House" lifestyle and comes from the same small town that gave us Lyman Woodard. When he is not doing yardwork, making dinner for his daughter, or detailing his Jeep, he is upstairs in his lab making beats, cutting up the 1200's, or listening to music. Strictlybutters is meticulous in everything he does. Although he has been buying records since the early '80s and beat digging since '91, every record that he owns is a gem. His choice of weapon is the Mpc3000, Mpc2000xl, and Sp-303, and he only uses original pressings when making beats. He has also been skating and landing tricks consistently for nearly 30 years, has a half dozen rare '80s BMX cruisers that he rides no matter the weather, as well as a massive collection of kicks. Strictlybutters' love for hip hop began like most people his age who grew up outside of the vicinity of NYC... after seeing "Beat Street" and "Breakin'", he was hooked. He was heavy into breakdancing in '83-'84 and began listening to The Boogie's "Saturday Night Fresh" hip hop/electro show on 107.1FM-Saginaw. In '89, he started listening to the "Cultural Vibe" hip hop show on 88.9FM-Lansing, and it cannot be understated just how important this show was to him throughout the '90s. Also, throughout the '90s and even to this day, Strictlybutters would drive all over Michigan to hit up numerous record spots. If the record excursion took place on a Friday, it was a guarantee that he would end up in Detroit. Every Friday night between '95-'00, you could always find Strictlybutters somewhere in the crowd at St. Andrew's Hall while House Shoes and others would DJ. In the late '90s, Strictlybutters began to hang out with the Starving Artists Crew and would eventually become one of their DJ's. He provided scratches on their first 12" single in ’01 (“Four Square”), and on their "Up Pops The Sac" album in ’03 (“Intro”, “The Kick Clap”, “Up Pops The Sac”, and “96 West Ferry”). It was the time that he spent with the Starving Artists Crew that got him interested in making beats. Ever since '03, Strictlybutters has been making classic '90s hip hop beats for the fun of it, with no intention of ever doing anything with them… until now. In ‘20, he worked with Shepard Fairey (obey) and contributed a couple of Strictlybutters beats that were used in multiple promo spots for the New Deal x Shepard Fairey skateboard collection. And in ’21, Strictlybutters will be releasing his first 7” single on the Galaxy Sound Co. label, with more to come in the future!

Disco Bits are back with another party time 45. Cannon & Mirrorball are in the edit suite once again re-touching and consensually grappling with funky old 70's grooves and late nite club accapellas to bring you the heat that your record box has been needing. Ain't no party like a Cannon & Mirrorball party, y'all. Get 'em while you can.

While Bobby was the track that sparked the idea for Caserta to start BridgeBoots, Diana was always in the back of his mind. Diana started off as a release on the long since defunct LegitMix platform. Now it gets new life remixed and mastered by Caserta @TheBridge StudioLA, with a more concise 7 inch edit as well as a brand new Sing A Long dub on the flip, it's sure to be a main stay in the crates for years to come.

Polyfunktional returns with his second single off "New Walls" album, this time the sound is more bouncy, the influences are from early Roger Troutman or Prince to more contemporary bands like Tuxedo, with fat claps, moog synth bass lines, funky guitars and the never disappointing Talkbox for some vocal inserts. Wut Bout is the mood that you have everytime you're in a new relationship, like: ok I'm ready to be the best lover that I can, but "What about you?"

1st single off "New Walls" album, soundwise the title "Smooth Like Honey" is self explanatory, the mellowness of guitars and jazzy chords of the rhodes piano accompanies the un-quantized rhythm of the drums, while the opalescent artist-producer Polyfunktional tells you the story of his relationship with music, singing his melodies first with the vocoder, then with the talkbox, paying homage to some of his early influcences from Delagation to Roger Troutman, in a whole new mixture of a Modern Funk mid-tempo ballad.

Smooth & breezy London post-jazz-funk pre-street soul has a layover in Ibiza before heading home just outside Naples. The result is this balearic/bacolearica tribute to MODULA's homeland of Bacoli. 2 mellow groovers perfect for the patio, rooftop or whatever your preferred lounge area is.

Mexico City's SHIRO SCHWARZ returns with their 3rd 7" release on STAR CREATURE. "UNDER THE MOONLIGHT" is a pure dose of California slap funk dedicated to the Funk Freaks crowd. On the flip, "POWER OF LOVE" is a raw boogie soul, dedicated to the Boogie Munsters & Sweater Funk crews.

Andrés (aka DJ Dez) is back on David A-P’s Hot Pot Records with uptempo 7” flips, done only in the way Andrés can! “I Can’t Understand It” kicks off the release with plenty of drums and bubbly bass to keep the dance floor pumping. On the other side is “Loleatta Disco Flip”, a full on MPC chop with Dez’s chunky drum programming and just the right amount of Synare. We love a 7” that knocks like a 12”!

LA via Paris classically trained keyboard wizard David Zylberman AKA Ghost from Egyptian LOVER's spaced out synthfunk backing band follows up his sold out/out of print Star Creature debut with another set of Contemporary Electronic Jazz Funk primed for peak hour dance floor action. After flipping bananas covers of Lonnie Liston Smith and ROY Ayers, he drops an original production that gives that same synth driven, rhythm forward dance vibe. The B Side takes us straight to deep space with an uptempo cracker of a remix of Brian BENNETT's ‘SOLSTICE” done in a zero-gravity flavor previously considered impossible. The promo copies have already seen major support from Chicago and NYC heavyweights.

French collectors have been bullish on the boogie for decades now & have spawned some of the best sounds in the genre of recent years with artists like Dabeull, Holybrune, Rude Jude, Mofak, Doggmaster & now Frankfurt & Voyear. 2 cuts here of vintage meets future synth funk with a French touch.

Italian stallions Groove Culture let loose a new 7” (only) imprint, with the inaugural release serving a high energy, high flying double dose of the good stuff. Funk & Disco at its finest from Micky More & Andy Tee - check it out!

“(Got To) Move On / Rosa Da Ribeira” continues the series of edits and remi¬xes from Stefano Tirone aka S-Tone Inc.’s latest studio album, “Body & Soul” (2020, Sccd/lp493); this 7” is also a preview of the forthcoming release of a project named “Body & Soul - The Disco Experience” where Stefano, with the help of some of his faithful collaborators, reinvents and transforms into a new boogie disco groove dress the entire “Body & Soul” LP. Both songs here combine nu-disco with late ’70s funk / soul / dance, Stefa¬no’s first real ‘musical love’: a way therefore to underline his unconditional passion for the music that represented his youth and, at the same time, the awareness of the inevitability of the modern times we live in. “Got To (Move On)” is an up-tempo song with a leading pulsating bass that sees the participation of Afra Kane, a Nigerian singer who has lived in Italy, England and Switzerland, and who gives ‘black’ shades to the songs with her splendid voice. “Rosa Da Ribeira”, sung by Toco with the additional backing vocals of Prisci¬la Ribas, Luzia Dvorek and Gui Hargreaves, shows off an exotic touch given by the Brazilian melodies and the Portuguese lyrics, and is further enriched by Gilberto Tarocco’s baritone sax and Randy Freeman’s trombone.

Mikal Asher hails from the legendary reggae group Morgan Heritage and he was behind plenty of top musical moments. His vocal work here comes on top of original off stems from disco don Gary Davis, but served up with all-new fire in the form of two mixes by DJ and producer Knoe1 and Warehouse Preservation Society. Knoe1 goes first and flips the OG into boogie-laced funky stepper with squelchy bass and lush melodies. Warehouse Preservation Society then go for a more heavy, percussive and dubbed-out house cut that has tropical sound effects and humid grooves to make you move. All this comes on a mega limited 7" that is sure to vanish in quick time.

Eddie C's always on-point RED Motorbike moves effortlessly into its 20's with another fine double A, dinked 7". A beautiful lost folk-Disco frugger from Tel Aviv's Elado greets us on the A, while Eddie expertly re-jams a Turkish delight with some punchy 606 rhythms. Pure class.

Hello Sailor Recordings is back with its first (and last) release of 2020, this time with another excellent addition to the beloved 7" series. The chaotic sounds and lyrics of 'Sera que eu to Pirada' originally released in 1995 by short lived band Silvanna & A Maquina do Tempo, feels current amidst the challenging times we face and it's accompanied by 'Vem Viver Pra Mim' on the flip side. Both songs were elegantly edited by Sao Paulo mystery producer Hotaru for this Brazilian holy grail of early electro and proto-house

The Funky French League is a collective of intergenerational DJ’s / producers / musicians, composed of Young Pulse, Arthur Chaps, Woody Braun, Monsieur Willy, DJ Asko and Uncle T. Coming from diverse backgrounds, from hip hop to electronic music, the love of groove brought them together. Their goal is to promote funk and its derivatives through parties, mixes, remixes, radio broadcasts... Much more than a musical style above all, they defend a state of mind: celebration, diversity, inclusivity, good vibrations and the spirit of the party. They have release compilations through Universal and Warner Music and have their own label Funky French League records.

An epic team up with NYC's J Kriv (razor N Tape) and Star CREATURE's Saucy Lady. A positive upbeat floor filler with an infectious bassline and saucy vocals (pun intended). B/w a slick disco dub and full remix treatment from J Kriv. A real disco cut future classic.

Elusive Italo duo Maurizio e Dandolo return with Demin, a dreamy disco dancer celebrating the iconography of 1980s Italian summer and the heydays of Italo Disco. Unfolding over an equally suave and hard-hitting tapestry of synths and drum machine, Demin plays with the authors’ nostalgia for the hazy and sun-drenched summers on the Italian eastern coast of their hometown of Pescara. In the unmistakable and unmatched tradition of Italo Disco, Demin strikes a balance between the irrepressible desire to let loose on the dancefloor and the touching nostalgia for a past that, perhaps, was never lived but only dreamed of. That of the halcyon days of Italian design cars blasting synthy bangers from the radios, beach establishments with their candy-striped umbrellas, neon-lit discotheques and dancers in outrageous designer shirts, teenage flirts, and denim bracelets, the true icons of that era which Maurizio e Dandolo tribute in the song title. Demin is set to become one of the ultimate dancers of the summer of 2024, an anthem for cheeky disco riviera flirts and boogies. After being originally released on digital platforms, Demin is now finally out on 7” vinyl format too, accompanied on the B-side by an unreleased scratch version: a dub mix by Rome DJ and establishment Francisco.

This Banger form 2010 by croatia`s finest Ilija Rudman get a 7" re-issue treatment from personal records. A soulful pre-house journey filled with 80's keyboards and a heavy bass! With the Instumental on the flip.

Jacques Renault draws inspiration from the rich heritage of Latin Underground music, Renault embraces the vibrant rhythms, soulful melodies, and irresistible beats to create a captivating soundscape that bridges the gap between eras. He weaves together a collection of handpicked Latin Underground Classics, each chosen for its historical significance and cultural impact. With great respect for the original compositions, Renault breathes new life into these hidden gems, preserving their authenticity while crafting alluring edits that speak to contemporary audience

Jacques Renault draws inspiration from the rich heritage of Latin Underground music, Renault embraces the vibrant rhythms, soulful melodies, and irresistible beats to create a captivating soundscape that bridges the gap between eras. He weaves together a collection of handpicked Latin Underground Classics, each chosen for its historical significance and cultural impact. With great respect for the original compositions, Renault breathes new life into these hidden gems, preserving their authenticity while crafting alluring edits that speak to contemporary audience

Black Bones are back to outdoor digging it seems, coming over all Balearic for this, their 7th outing. Not a cm of precious vinyl wasted again as we get another indispensable 4-tracker deftly combining excavations from the Scottish highlands, a buried blue beat classic, and some more of their expertly unearthed idiosyncratic pop from the tiled discoteca's of yore.

RNT welcomes Amy Douglas to their ever-growing lineup of illustrious talent with a double A-side 7" of pulsating, Rough-N-Tumble NYC Disco. Known to the heads as a voice and pen behind Horse Meat Disco, Roisín Murphy, and as the face of Hard Feelings (her project with Hot Chip’s Joe Goddard), Amy’s distinctive vocal swagger and songwriting talent are on full display on this EP. Co-written with and produced by RNT co-honcho JKriv, both tracks are bass heavy instant earworms, and wickedly naughty party starters. Grab this pair of future modern disco classics, conceived by a pair of experienced dance-floor auteurs.

One of Fake Blood’s most seminal hits, the 2009 nu-disco / electro powerhouse ‘I Think I Like It’, gets a much-deserved reissue for RSD 2023. This instantly recognizable, high energy dancefloor destroyer comes backed with Fake Blood’s debut single ‘Mars’, also reissued here for the first time since initial 2008 release. With copies of the original Fix Your Accent EP that ‘I Think I Like It’ was first housed on, having sold for over £100 on Discogs, it will be a welcome sight for many to see this available for the first time on red 7” vinyl nestled in a fresh picture sleeve.

A little masterpiece brimming with exoticism, whimsicality and psychedelia, presented here in two different versions recorded by Enzo Minuti and his group in 1981 – an afro-dub one propelled by sax, synths, percussion and weirdly processed choir vocals (side A), and a tropical-downtempo mix with claves and flute exuding Caribbean/cinematic vibes (side B). Both perfect for a sunset DJ set.

Casual Connection is back with another double dose of classic mashups over more recent instrumentals. Back-to-back club Bangers.

AS WE Continue ON! Caserta is back with another vocal you haven’t heard on it’s own before with music that defies the time period the song was actually recorded in. If it wasn’t for the recognizable vocal that is Curtis the A Side could be confused with something you might of found on Beat Electric back in the day. Growling bass and boogie synths stabs make for a west coast post disco affair.

While the B side is a cheeky take on another 80s classic from the legendary Solar Records catalog. With the familiar 808 drum and lush 80s synths it might be a bit of a task to figure out what version to sing along with!

Free Soul 1969 The groove is heavy too ñ and a popular hip hop sample ñ but really itís all about Klemmerís blisteringly intense, stream of consciousness freak-out. Been sampled over 16x from INI to Ed O G & Da Bulldogs to Kurious, Akinyele, Dred Scott to name a few. Klemmer just wyles out on the sax keep that Psychedelic funk moving!! Up Above the Rock Edit 1968 You wonít find too many jazz songs that start with a drum break, but then this is probably one of the better jazz/soul hybrids Iíve heard in some time. Produced by Richard Evans this song is a perfect display of acoustic jazz funk with Ron Carter & Grady Tate filling out the Rhythm section. Dance Floor classic!!!