Organic Grooves Vinyl 7 Inch Sale 261 Items

Dynamite Cuts & The George Semper Music Archives present you this third in a series of soulful dancers 'Do You Know' from Patti Williams! Her powerful, gospel inflected perfromance on the rare gem A, 'Do You Know' is an anthem of Women overcoming scorn. Written and Produced by George Semper, as part of her unreleased album, 'Do You Know' was recorded at Original Sound Record Hollywood in 1969. The master recording lay dromant in the vault until now!

Limited to 250 copies.

Limited to 250 copies.

Previously Unissued funk with killer sax

Limited Natural w/ Black Swirl Vinyl 7". This new 45 from Karma Chief Records showcases two tracks from Pale Jay's latest LP, Bewilderment.The A side, In Your Corner is an Afrobeat inspired song that addresses a conversation with the self. An uplifting tune at first glance, the lyrics lay bare the internal struggle for self-acceptance. The song explores the push and pull between self-love and self-judgement that can often leave us feeling lost and uncertain.The B side and title track to Pale Jay's latest LP 'Bewilderment' showcases the main elements of his unique sound palette: silky falsetto over soulful harmonies and dusty hip hop beats. 'Bewilderment' tells the story of the disintegration of a family, creating a captivating and soulful musical experience and a journey into self discovery.

More dancefloor dynamite from Benin's almighty Orchestre Poly-Rythmo de Cotonou Dahomey, this time in the form of 'Gbeti Ma Djro'. Confusingly described on the centre label of the 1971 original issue as ’Soul’, this is in fact a prime slice of Afro-psych-funk complete with wails and grunts over fierce drums and picked guitar. 'Angelina II’ is a much warmer affair that rides a shuffling mid-tempo pachanga groove. Both tracks were transferred, restored and mastered from the original 1/4 inch tape.

‘Just Like The Weather’ was originally released in 1965 on the Chicago Constellation label. It failed to ignite the short-lived, flagging, career of Nolan Chance, talented as he was. However, in the early Seventies it was rediscovered by the UK Northern Soul scene and would go on to become an all-time classic. Reissued here, due to popular demand, with it’s much overlooked superlative B-side ‘Don’t Use Me’, yet to have its day on the dance floor. They really don’t get much better than this. Watch out for the simply stunning unreleased version of ‘Just Like The Weather’ by Mill Evans coming soon from Charly.

Latin Afrobeat band whose debut LP "Bailalo Duro" was released at the end of 2020 has been the talk of the town. The Nkumba System, led by former Romperayo guitarist Guillo Cros, is now available on Okra!! Both sides are from completely different sessions and were not included on the album "Bailalo Duro". Guillo Cros was a guitarist in the band of Cameroonian music veteran Mama Ohanja before joining the Romperayo. The sound that this wandering French guitarist has created in Bogota with Colombian musicians such as John Socha, who was also a bassist in the Romperayo, is a hybrid groove of Afro-Latin and Latin music from the vintage tropical music revival onward that is distinctly different from the Afro-Latin music of the past. While based on traditional Cameroonian and Colombian rhythms, it also incorporates Afrobeat, champeta, and a touch of psychedelicism to create a strong dance sound that was not possible before.

The second 7inch single from the new project of Nautilus, a new generation of rare groove band, will be released on Record Day 2023!! It features the original funk featuring vocoder "A Story About You", and a cover of James Mason's "Sweet Power Of Your Embrace"!! The A-side features "A Story About You," an original funk song featuring vocoder performance by Mariko Nakabayashi (key), which was featured on "We Gettin' Down" last year. Nautilus-style cover of James Mason's 1977 classic "Sweet Power Of Your Embrace" is featured on the flip side. Recording for a full-length album to be released this winter is also underway! Expect the full picture of this new project to be revealed at last.

Dynamite cuts 45s series is proud to release two Jazz gems by the wonderful Nanette Natal – she ain’t shy! What a voice!

“It’s Over” b/w “Love Signs both taken from the mega rare private press and incredibly hard to find LP “My song of something”. Both were part of the original Jazz dance vibe in the 90s.

This release will be in two parts; black vinyl x400 and a limited x100 numbered Red vinyl

A – “It’s Over’” starting off mellow, with her sillky smooth voice which segways into a beautiful up-tempo vocal jazz groove, with driving bass and drums. Nanette’s vocals are so pure and fresh; easily unleashing superb vocal power. If you like vocal Jazz this is a must-have; first time on 7” for the collection.

B – “Love signs” – Is another vocal Jazz dance classic. You can’t not tap those feet…Both massive 90s Jazz club tracks. which show the smooth, dynamic vocal power that Nanette has.

Dynamite cuts 45s series is proud to release two Jazz gems by the wonderful Nanette Natal – she ain’t shy! What a voice!

“It’s Over” b/w “Love Signs both taken from the mega rare private press and incredibly hard to find LP “My song of something”. Both were part of the original Jazz dance vibe in the 90s.

This release will be in two parts; black vinyl x400 and a limited x100 numbered Red vinyl

A – “It’s Over’” starting off mellow, with her sillky smooth voice which segways into a beautiful up-tempo vocal jazz groove, with driving bass and drums. Nanette’s vocals are so pure and fresh; easily unleashing superb vocal power. If you like vocal Jazz this is a must-have; first time on 7” for the collection.

B – “Love signs” – Is another vocal Jazz dance classic. You can’t not tap those feet…Both massive 90s Jazz club tracks. which show the smooth, dynamic vocal power that Nanette has.

New 45 from Misha Panfilov, recorded April 2022 in Madeira Island, Portugal:

These two tracks from Mike Bandoni and Chip Wickham have been a long time coming. These two stable mates from the 'Craig Charles Fantasy Funk Band' have been discussing a collaboration for years and now; it's finally in the bag!

Mike brings his trademark killer funky Drums (Recorded by the legendary Malcolm Catto), Percussion, Rhodes, Bass and vintage Guitar vibes to the party whilst Chip delivers some sublime and highly complimentary work on sax and flute.

Infinity Pool sounds like a long lost Bobbi Humphrey meets Bob James composition with the flute taking centre stage underpinned by what can only be described as mammoth funk grooves on every other instrument. A true modern Jazz Funk classic with just a fraction more Funk than Jazz!

Get It! is a cool number with a phenomenally infectious groove and a hook that stays in the brain for days! Think early Kool & The Gang. You'll be humming these hooks day and night! Chip again raises the bar further with some sublime flute and sax work and is ably joined by Eoin Grace on trumpet to deliver that full fat section accompaniment that so completes this composition.

Both tracks are equally at home listened to through headphones or pumping loudly through a sound system in a club at your best Funk and Soul events.

Both tracks are getting plenty of radio play so it's likely to shift quickly! One for the collection and a must have. Limited to 500 copies.

Fully remastered reissue with replica artwork, for the first time since it's original release, one the rarest TX funk 45's. Black 7" dinked centre hole vinyl.

Limited edition vinyl!
Only one copy per customer!
Family Tree was a coming of age band marking a change of consciousness for a group of young musicians who had started their musical careers at the dawn of Trinidad and Tobago's Independence from Britain in 1962.
They grew out of The Rockerfellars, the first band spearheaded by the internationally renowned guitarist and songwriter Michael Boothman. The successful ’60s combo band playing rock and roll based popular music had reached the limits of its potential at a time when the excitement of Independence had given way to the anger of the civil rights movement which had been bubbling in Trinidad since 1967 and eventually spilled into the streets of Port of Spain in 1970 in what came to be known as the Black Power Uprising.
It was with this movement as a backdrop that the focus for Boothman and his friends began to change.
The Boothman brothers also had the benefit of coming from one of Port of Spain's most respected artistic families. Their uncle Geoffrey Holder was already the toast of New York's Broadway theatre scene, excelling as both a dancer and actor. Their younger uncle Boscoe Holder was on his way to becoming one of Trinidad and Tobago's most important visual artists.
Family Tree represented a new generation re-discovering Trinidadian folk music forms and giving them a contemporary treatment. Under the guidance of drummers like Andrew Biddeau, Family Tree infused old Shango rhythms in their new sound. They were also the first to experiment with steel pan, fusing it with the standard instrumentation of the day.
In 1972 the band won Trinidad & Tobago's 10th Anniversary Independence Music Festival with best original composition So Dey Say and they also won the Best Arrangement of the festival song Mighty Terror's Pan Talent.
Tabu is a cover of a Cuban standard made popular in Trinidad by 1950s calypso musicians Cyril Diaz and his Orchestra and So Dey Say was an original composition by David Boothman.
Although they only ever recorded these two songs, the band toured with Derek Walcott's Trinidad Theatre Workshop and forged long standing musical connections with some of the country's leading musicians.
Among these are Andre Tanker, who plays the flute on Tabu. Tanker was another of the musicians who had made the transition from the more conservative mainstream pop music sound to embracing Trinidad's folk forms, inspired by African, Indian and Indigenous antecedents.
Family Tree consisted of the Boothman brothers Michael on Guitar and David on Keyboards; Wayne 'Barney' Bonaparte on bass; Dennis Thomas on drums; Earl 'Biter' Edwards on African drums; Allan Nightingale on percussion; Rawle Mitchell on steelpan. Rawle Mitchell was succeeded by Len 'Boogsie' Sharp, then a 16 year old pan prodigy who went on to become one of Trinidad's foremost steelpan players and composers.

mess/age is the music of Kyoto-based friends Khan Brown and Ohhki. Formed in 2021, their unique sound was developed by chance with a circuit bent karaoke machine. Now combine that with logic beats, familiar breaks, Casio tones and their signature echo poetry, and you have songs that will be stuck in your head for a lifetime. We have warned you about "Hi Wo Kaou."!

The soul CD hit of 2019 so far has been the Lowrider compilation and on that, the previously unissued ‘I’m Just Passing Time’ by Melvin Hicks & the Versatiles has impressed everyone – including the Southern Soul Spinners of California who initiated the compilation. Its flip is another stunning ballad, ‘Now Girl’, taken from the Goldwax master tapes and sung by the Lyrics. Now it is available on vinyl, it is guaranteed to have a new lease of life.

Melvin Davis’ ‘Wedding Bells’ 45 - first issued on the Ke Ke label out of Detroit in 1964, was an early Dave Hamilton project that he collaborated with Melvin for. Both sides are noteworthy, ‘It’s No News’ has particularly amusing lyrics over a dance-friendly rhythm.

Following the success of Eric B & Rakim covers on 45, touching Hip Hop and rare groove fans, Medline explores new horizons. Well known to be free from styles boundaries, the French Chilean multi - instrumentalist unveil a two side Afro Funk killer.

Marked with the "universal power" title on the label, third 7 inch on My Bags catalog, this new 45 shows Medline's abilities to produce high quality music in a wide range of styles. The compositions are produced with a brilliant contrast. The uptempo "Run For Cover" is a huge Afro beat runner with a hardcore feeling while "Azul", is a heavy downtempo soul funk anthem, and shines like a massive solar energy boost.

Medline brings back the 70's West African sound signature, carried by a hot drum and bass couple, leaded by the Farfisa organ and harmonized with a powerful brass section. The rhythm is wild, mastered by dynamical arrangements when the breaks are hitting loudly around. And yes as always Medline is the ONE playing all.

The artistic fate offered beautiful colors and forms to the music. Clément Laurentin's elegant painting "Run For Cover" reminding Bob Marley and Lee Perry's records, baptized the first composition which includes a "Jamaican" surprise. "Azul" (Blue in Spanish) is the main color of Clément's creation which remind the look of the famous azulejos. The link happens without any previous consultation, all was here to be done this way, connecting cultural areas and eras. To end, the acrylic painting on linen canvas is the perfect organic mirror to this new 7 inch.

My Bags is happy to offer this "tratra" (Ivorian pancake), designed with all the elements of a ready to dig holy grail, Soul inspired, Afro beat to the core.

Massan×bashiry is a duo with unique 1MC+1Guitar style. Their new recordings featuring Ryo-z from RIP Slyme and Teriyaki Boyz are now out on a 7inch record!! Artist: Massan×bashiry

Japan's Wilson Pickett, the incomparable soul singer Masakazu Sunagawa. This 7-inch version of a cover (1978 live version) of Sam Cooke's classic "A Change Is Gonna Come" is as if it became his own. This is a Japanese cover of "A Change Is Gonna Come" from a 1978 live performance with Nasty Chain, his first solo band after the breakup of Sooo Baad Revue, which had made a name for itself. The vocals seem to penetrate from the earth to the sky, and the tension-filled performance is overwhelming. The B-side is a cover of Wilson Pickett's "Something You Got" from a live session with Cold Rubbish featuring Masaki Ueda and Yoshiro Hagiwara, an original member of South to South. The generous sense of rhythm and the extension of the voice are the quintessence of Masakazu Sunagawa.

We're presenting under our New Tape label Mark's debut release "Sound-In-The-Round", that draws a deep inspiraton by the golden era of Italian Library and Soundtrack Music. Something akin to the legendary Prog-Rock ensemble Goblin and the avant-garde composer Giuliano Sorgini, but with a rich plenty of grooveness. Mark Saddlemire is a multi-instrumentalist, composer, and producer from Philadelphia, passionate about creating instrumental compositions from a blend of acoustical and electronic sounds using analog techniques. An electrical engineer by trade, he's customized and repaired much of the vintage gear used for his recordings - his studio is a collection of unique and rare analog instruments from the 1960s to the 1980s.

Welcome to Masters Series - for people who understand that some things just can't be tamed. (Read: these are scratchy, poppy, and rough recordings from busted acetates. Click the listen tab to preview quality. These are cleaned up as best we can get them - if that's not going to work for you, don't order!)

For the third installment of our Master Series we present This Is Me by Mark Bluford. A heavy slice of early 70s Psychedelic Deep Funk from the Bay Area. Hard to miss the massive wah-wah guitar leads, but the arrangement is pretty complex with piano, bass, and strings backing the earnest vocals.

There are breaks on both sides, parts one and two. The first break is a string break, very unique to a Funk record. But, somehow this fits for a Bay Area Funk record. The break in part two is one of the heaviest drum breaks no one has heard in 50 years.

A very limited special upgrade option for this release: choose to get Ms-003 in a one of a kind, hand-painted sleeve by the legendary McBoing Boing. Only 12 completely unique sleeves were hand painted by the man himself, and one of those 12 is staying right here in our HQ. So there are now only 11 out there! (Yes, the vinyl comes with the sleeve.)

Big thanks to Dr. Scott Bulleit for digging this acetate out of a flea market and contributing it to the Preservation Project! This is a sure shot, don't miss out on this limited run!

Sometimes it is meant to be. I remember years ago Ian Wright (a notorious 45s collector, not a footballer) played me Marion Javius, it was about $1 at the time. I really love the record, but the "sshumwere" vocal in the chorus and the cha cha at the end of the bars did my head it a little.

Roll on 15 years and I was speaking to my record fiend and friend David Haffner who helps with releases on Aotn. It turned out he had been sitting on the multi-track tapes for Marion Javius for some time and was cool with us doing a 45. Having multi-track was an opportunity for me to fix the little bug bears with the OG mix. On first listen, I was delighted to hear a vocal take without the "Shamwooon" on the chorus, so myself and Linkwood got on the case to rebuild an Ecla version without the Game Show bar ends and "Shamons" that had been haunting me for years.

So here we are, the Ecla version, with the OG on the flip in case you think I'm talking rubbish.

This Is What You Are is now available on 7”. This release is enriched by a brilliant and elegant Brazilian version in a typical samba-jazz mood.

While the original record label says the song was written and produced by Diamond Jim & G.Current, Manuel Holcolm says that he had a little more creative input than the credited for. Diamond Jim ran the studio and was apparently a gentleman of questionable reputation. In fact he ended up getting himself shot in a Detroit nightclub (Watt’s Club Mozambique) in the early 1970s. Holcolm says the song, released in 1969, is about returning home from Vietnam and finding your lady couldn’t wait for you! It’s a rough tune for rough times, although Holcolm admits he has never been to Vietnam and the wayward woman was only in his imagination. In fact Holcolm began his music career in 1961 in the Motown Studios recording “Please Wear My Ring”, a song written for his future wife, whom he has been married to for over 40 years. All of his releases were on 7” and all recorded in MI.

EPS023 is the second Mantis 45rpm on Epsilon Record Co.
This is a sensational previously unissued double sider from 1976.
Do We Have Love is a beautiful sweet soul side with killer vocal from Rocky Whitaker.
Click on play and put on your dancing shoes!

Standard Edition on black vinyl WITHOUT picture cover.

Remastered form the original Session Tapes.

First time ever on the flip - It's The Music That Makes Us Do It.

The Lowdown Band is an African American funk and soul group from the United States that gained popularity in the early 1980s with their hit single "Music Is The Answer". Formed in San Diego, Ca in the late 1970s, the band was comprised of musicians from both the East and West Coasts of the United States. The track was an immediate hit and gained popularity which peaked at #72 on the US Billboard Hot 100 chart and #20 on the US R&B chart. It also achieved success overseas, reaching #61 on the UK Singles Chart

The Lowdown Band is an African American funk and soul group that gained popularity in the early 1980s with their hit single "Music Is The Answer". Formed in San Diego, Ca in the late 1970s, the band was comprised of musicians from both the East and West Coasts of the United States. The track was an immediate hit and peaked at #72 on the US Billboard Hot 100 chart and #20 on the US R&B chart. It also achieved success overseas, reaching #61 on the UK Singles Chart.

LOS Cirros are one of the most obscure Spanish rock bands from the late 60s. Coming out of a tiny village in one of the smallest provinces of the country sure helped them being fully ignored, but how cool those guys proved to be when discovered in compilations such as “Viñedos” or “Pentecostés Vibrations”!!! They released two seven inches (1969 and 1970), both very very rare and featuring pretty cool songs in a blend of garage, light psychedelia and pop. Now, these two 45s are reissued (marketed together, not to be sold separately!), including an unreleased bonus track and with the usual attention to detail of the Madmua label, with the addition of an insert and two postcards. Limited to 500 copies.

3 tracks of jazzy pop influenced by the US scene and the Mario Kart OST.

Loleatta Holloway’s sojourn at Aware records in Atlanta in the mid-70s was just about as good as soul music can get. We have taken the wonderful two-stepper ‘I Can’t Help Myself’ (not the 4 Tops song) from her “Cry To Me” LP for DJs and collectors and added the originally unreleased – until it’s Kent CD appearance in 1996 – ‘Mrs So And So's Daughter’. That track is a more raunchy, sister-funk number compared to the smooth top side; each side oozes class.

Four of the most popular tracks have been selected from the classic and sought after album produced by the "King Of Boogie", Leroy Burgess. The unedited tracks now on very limited double 7" vinyl with full pic sleeve. Debut release on BB Boogie Records.

On this 7”, we present two lost jazz tracks by the trombonist and Horace Tapscott-collaborator, Lester Robertson. Lester has worked with some of the greats of jazz including Gerald Wilson, Anita O'Day, Lionel Hampton and Roy Porter Sound Machine on the classic 'Jessica' album. Lester was a member of Horace Tapscott's The Pan-Afrikan Peoples Arkestra and features on the iconic underground jazz albums 'The Call' and 'Live At I.U.C.C.'. The Arkestra was set up in 1961 in Los Angeles and over the years has included wonderful, inspirational musicians such as Adele Sebastian, Kamasi Washington, Dwight Trible, Phil Ranelin, Arthur Blythe, Jesse Sharps and Nate Morgan. These two recordings have recently been discovered on an archived master tape that little information on it other than Lester's name and the track titles. Sadly, the other players on the tracks aren’t credited on the tape, so a line-up can’t be 100% confirmed. Still, the magic of what they laid down in the session pays testament to their artistry. First up is the lively popping track 'Akirfa' in which Lester gets space to let rip and exercise his talents. On the flip is the euphonious 'Untitled Ballad', a mellifluent lullaby for an end-of-the-day wind-down. Lost for a while, but thankfully not forgotten, these beautiful recordings finally get their chance to shine.

Chicago's Magic Touch label gets the Numero Group treatment. Available for the first time ever on 7", Boogie Holy-Grail "Too Far Gone" has been "Too Hard To Find" on the second hand market since first introduced to the masses via the legendary cratesmith Mark Grusane of Mr. Peabody Records. Rare Groove Windy City Disco at its finest sliced, diced and remastered for maximum dancefloor potential. Bonus: Housed on replica "Double Disco Smash" 7" Magic Touch Sleeve.

When growing up as a young teenager many dream of hitting the recording studio and getting that record deal.
The sheer musical drive inside you to lay down those raw and emotional feelings.
The chances of going to high end studios were slim and expensive. Opportunities were sparse to say the least.
So the next best thing was to go into one of the ever growing number of home studios that were popping up in the 1980's
Studios in peoples garages or in the spare bedroom.
And so we bring you to a small group of teenagers called Klimate.
They ventured into a un-named 8 track studio in Walsall around 1981 to record a series of 2 tracks.
There is little remembered about the group of lads from member Harbans Srih who played drums on both tracks and was in charge of writing duties. Harbans Srih was also the man behind sde 42 Sticks & Co "Jazz Dancin"/"Jazz funkin" .
The 5 piece band was very multicultural that really represented music in britain at the time. 3 of the players were of Afro-Caribbean decent giving us lead vocals, guitar, bass and keyboard. The 4th member was only known as a ginger haired youth (we like him!!) who was on saxophone duities.
shortly after these recordings tragedy struck Klimate and the bass player was killed in a car accident whilst on vacation in Italy.
fast forward 37 years and Harbans Srih discovers just a single D.A.T from that 1981 session.
We did our utmost to sonically get the recordings up to our very high standards at Super Disco Edits. Whilst we feel it perhaps just falls short, we couldn't ignore these recordings that optimises British youth culture and the heritage of Brit funk .
We hope you enjoy them.

The illustrious, London-based duo Kit Sebastian, aka Kit Martin and Merve Erdem, return with a limited edition 7” single. It features ’L’addio’, a breakbeat driven, sultry ballad, and ‘Hayat’, a hazy, psychedelic scorcher that delves into the band’s Turkish and Azerbaijan influences.

‘L’addio’ saw the band perfecting their production and orchestration, with strings, horns and double bass, and an Italian synth found in a French dump. The music was greatly influenced by Italian soundtracks and Italian female singers, such as Mina or Rita Pavone. The track announces itself with a break that is guaranteed to get samplers twitching. The tone of the melody and lyrics is heartfelt and aching. It has a beautiful, intimate sadness like the closing scenes to a love affair, and it exquisitely rides over the slow, psych-funk-dramatic backing track. The lyrics are inspired by a flat opposite Merve's window that's occupied by drug addicts, with many guests coming in and out every night. Merve elaborated “Being both neighbours and strangers, and with the boredom of a post-tour everyday domestic life and a pinch of urban voyeurism, it was hard not to wonder what was happening in that flat. The words imagine an addict before her/his golden shot as if it's a love relationship between them that comes to an end.”

Having spent much of 2022 touring and writing, ‘Hayat’ was the first original composition the band recorded since their October 2021 album, ‘Melodi’. Here we see them weaving a psychedelic tapestry of Mugham melodies, organ-driven grooves, and jazz-pop harmonies in classic Kit Sebastian fashion. Recorded to Fostex 1/4” tape, the essence of the production is perfectly balanced between being brand new and retro, which is a feat very hard to pull off.

‘Hayat’ is sung in Turkish and the title translates as ‘Life’ in English. The song examines our desire to find one's place in the world and the provisionality of existence. Merve's searching lyrics ask “Where are you? Where is the universe?”. Her vocal delivery perfectly reflects the lyrical focus, its texture is probing and ethereal, almost as if sung from looking above us.

The first single cut from "We Are King" which is the 1st album of soul group "King", which was generously praised by famous big-name artists such as Prince, Kendrick Lamar, Robert Glasper, Erykah Badu…

Ultra obscure funk (official re-issue)

For Fans Of Lady Wray, Amy Winehouse, Alice Russell, Sharon Jones.Kendra Morris Recalls Singers Who Straddled Soul And Rock During The Early '70s, Such As Ruth Copeland And Chaka Khan. After Touring With Dennis Coffey And Releasing Singles That She Did With Collaborator Jeremy Page Including "Concrete Waves," With B-Side Remixed By DJ Premier, Morris Released The Album Banshee (2012). In 2013, Morris Returned With The Covers Album Mockingbird, With Both Banshee And Mockingbird Garnering Successful Followings And Impressive Film/Tv Placements. Morris Also Worked On A Project-Band With Friends Scarlett Johansson, Julia Haltigan And Holly Miranda. With Este Haim Joining On Drums, They Released One Single, "Candy" And A Cover Of "Bizarre Love Triangle" For Amfars The Time Is Now Record.Now Presenting Her Debut 45 On Karma Chief Records, A Division Of Colemine Records, Kendra Showcases A Textured And Contemporary Take On R&B, All While Retaining The Old-School Flavor. The A Side Track 'This Life' Is A 70's Soul Super Dive Carrying You Through Fuzzy Guitars, Lush Harmonies And Straight Into The Old Vegas Casinos Of The Main Strip. Who We Are, The B Side, Counters The Upbeat Side A With Its Epic Introspective Look At The Human Psyche. Combining Kendra's Wide Vocal Range And A Partnership Of Solid Drum And Thick Bass, 'Who We Are' Provides The Perfect Backdrop For It's Carefully-Threaded Lyrics.

Flowers’ is an homage to the journey of my first love, the patience it requires, and the pivotal moment I met my wife. It reflects on our memories and tells the story of the comfort I feel in that relationship.” This new single from Jordan Rakei showcases his affecting vocal and ability to reveal his truest feelings, wrapped in his captivating production.

Hailing from Las Vegas, Johnny Ruiz and the Escapers offer up two sides of the haunting group sounds, sure to scratch the itch of doo-wop and soul enthusiasts alike. Adorning the a-side is 'Sorry', a stark, creeping, dirge like ballad with a sparse rhythm track that swings eerily underneath Johnny's sublime lead and the Escapers plaintive harmonies, creating a hypnotic vibe that will have you dropping the needle over and over again. Continuing with the dark vibes but picking up the pace a couple of BPMs, 'The Prettiest Girl' brings a measure of hopefulness to the tune, evoking the earnest, lovelorn memories of youth. A must for fans of Nolan Strong and the Diablos Fortune Records output.