Record Store Day 2024 193 Items

Five Live Yardbirds – 1964, their first live album contains some of Eric Clapton's earliest recordings. It was recorded at the legendary Marquee club in London. This lineup features Eric Clapton/lead guitar, Keith Relf/ lead vocals & harmonica, Chris Dreja/ rhythm guitar, Paul Samwell-Smith/bass and Jim McCarty/drums. This deluxe package includes color vinyl, an OBI side spine and printed inner sleeve.

Quantity: 4500
Release type: RSD Exclusive Release

Exclusively to RSD retailers, is the 2nd vinyl volume of highlights from these legendary shows with 19 performances. Feat: The Avett Brothers, Edie Brickell, R. Cash, Sheryl Crow, Emmylou Harris, Warren Haynes, Daniel Lanois, Lyle Lovett,Booker T. Jones, Kris Kristofferson, Margo Price, N. Rateliff,Keith Richards, Charlie Sexton, Snoop Dogg, George Strait, Billy Strings ect

Quantity: 4500
Release type: RSD Exclusive Release

Wilco’s legendary 2011 album now on three LP’s. Expanded to include all related single, EP and bonus tracks - plus A selection from The Loft's archive of live in-studio performances and previously unreleased alternate mixes and demos. Includes Wilco classics "Art of Almost", "Dawned on Me”, "Sunloathe” . 3LP Box

After a run of acclaimed albums released via New Zealand’s Flying Nun label through the 1980s, The Verlaines signed a deal with Los Angeles-based Slash Records. By mid-1992 the band were regrouping after touring in support of Ready To Fly, their first album with their new label. Second guitarist and vocalist Paul Winders joined and new drummer Darren Stedman was recruited. With Graeme Downes and Mike Stoodley, they began rehearsals at home in Dunedin, New Zealand, working on a new set of songs that would become Way Out Where. The resulting set of songs was a bigger, denser and more muscular sounding recording compared to earlier efforts, with exhilarating distorted guitars and drums and vocals to the fore. Chicarelli pushed the band in more of a rock direction, typified by songs like the rollicking This Valentine, the monolith Blanket Over The Sky, the pop perfection of Lucky In My Dreams, and the stirring, now classic Dirge. On the tail of these sessions Chicarelli joined the band in Sydney, Australia where they cut their contribution to the No Alternative compilation, “Heavy 33”. Way Out Where has never been issued on vinyl. Now on transparent black vinyl for Record Store Day 2024

On this Rockabilly LP you will find twenty of the greatest Rockabilly artists and songs from the late 1950s. To name a few: ''Blue Suede Shoes'' performed by Carl Perkins is considered one of the first rockabilly records, incorporating elements of blues, country and pop music of the time. Janis Martin was only fifteen years old when she recorded ''Will You, Willyum''. This album also features Elvis Presley with his first commercial hit, ''That's All Right,'' and Bobby Day's biggest hit should not be –and is not—missing from this collection. To close, Jerry Lee Lewis with ''Great Balls Of Fire',' a single that sold more than a million times in the week it was originally released. Enjoy the Rockabilly Heroes on ''Cool Blue” vinyl!!

An exclusive vinyl product curated for Record Store Day 2024, this 2LP features wonderful and weird nuggets from the summers of love of the 1960s, from bubblegum gems to psych freakbeats. A cratediggers paradise featuring vanishingly rare and in demand out of print jewels from the likes of The Ivy League, Velvet Fogg, alongside starpower such as a rare David Bowie and Donovan tracks, and a gem of a US hit from The Flying Machine.

Now-Again Records is completing the trilogy started with Forge Your Own Chains and followed by Tickets for Doomsday with Pale Shades Of Grey - another batch of rare, largely uncompiled - and sometimes barely heard - heavy psych-rock. Pounding drums, scathing fuzz guitar and morose, contemplative lyrics will bring you up on a downer. Pale Shades Of Grey, as the title hints, is perhaps the most contemplative of the series, heavy on ruminations of dark themes of love, death, pain and triumph, as performed by high school and college bands, Brasilian intellectuals, Nigerian rockers and even an Irish pub band from Michigan. A unique and compelling listen, and surely a worthy companion for these times.

Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia Full dynamic range 2024 remasters direct from the firstgeneration analogue master tapes Original Cover Art by Eric Adrian Lee Limited Edition 500 copies 250 'City Of Sin' Neon Orange LPs / 250 'Midnight Mayhem' Black LPs (randomly inserted) From the fiends who brought you Hillbillies In Hell...

Birthed accidently at Bradley's Owen's Nashville studio in July 1960 on a Marty Robbins session, the Fuzztone was soon appropriated by the hipster punks of Garage Rock and Psychedelia across countless iconic underground and overground recordings like The Electric Prunes' 1966 'I Had Too Much To Dream Last Night' and The Stooges 1969 'I Wanna Be Your Dog.'

Less known, however, was that Country Music also embraced the Fuzztone across the mid1960s and produced Fuzzedup Bawdy Trucker ballads like The Willis Brothers' raucous 'Soft Shoulders, Dangerous Curves', buzzing odes to Psychic Vengeance such as Johnny Darrell's sweet 'Mental Revenge' and surreal Lovesick Screamers like Billy Gray's 'Rotten Love.'

The Original Hayseed Fuzztone Freak Out is here.

Get ready. Waylon Jennings makes fingers bleed on his blisteringly poignant poverty parable 'Six Strings Away', Ferlin Husky breaks the bridge on his smooth 'I'll Sail My Ship Alone' and the man who invented it all, Grady Martin, delivers in spades 'The Fuzz.'

Years in the making from Music City U.S.A, come 18 screeching slices of serious Nashville cowpunk mayhem and nervous backwoods niche novelty.

You have been warned...

Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia Full dynamic range 2024 remasters direct from the firstgeneration analogue master tapes Original Cover Art by Eric Adrian Lee Limited Edition 666 copies 333 (randomly inserted) 'Hooch Hellscape' Splatter LPs / 333 (randomly inserted) 'Binge Blackout' Black LPs Beelzebub loves Booze...

The Demon Drink. That necrotic amber liquid that drives the Innocent to Sin and the Fallen into Depravity...

Presented here for the very first time are 16 Timeless Tribulations and Pickled Revelations: Lustful Odes to Drunken Vice, Beersoaked Homicides and the Eternal Unpaid Price.

Years in the making – ‘Hillbillies In Hell: Whiskey Is The Devil' presents a dank barroom of battered Hayseed Inebriates, Bizarre Bottlefed Hallucinations, Slithering Saucedup Serpents, Righteous Hellfire Prophets and the Endless Infinite Liquid Battle between the Dark and the Light.

Moments of true Beauty amidst moments of Terror, Torment and Trial.

A musty backwoods shack of forgotten 45s: Phantastic Moonshine Visitations, Delusional Rotgut Initiations, Autocidal Confrontations, Guiltridden Graveside Lamentations and Redemptive Revival Remonstrations most of these sides are impossibly rare and are reissued here for the very first time.

Fill your glass and feel the infernal heat...

SEE Larry Doig suffer Alcoholic Hallcinations! Hear the Dan Sheaffer 3 ask HOW FAR IS IT TO Hell?! Witness Stonewall Jackson's pain from Drinking AND Driving!

Cheap Price Compilation CD of rare, unreleased, forthcoming, and brilliant tracks from the Agitated Label,and friends.. Like a massive bag of pick and mix to have a party with.. features Straight Arrows, Kelley Stoltz, Carlton Melton, oldboy, Headland, Laurel Canyon, Catatonic Suns, Last of Easy Riders, Icarus Line, Blamers, and much more besides.. 500 CD ...cheap...and tasty.. some tracks first time on CD, some exclusive to this release.. its fun! But whats that?..its not just a single CD label comp, its been double bagged with a extra CD, put together as a collection of “Radio Shows” by good friends of Agitated, The Hawk and Kbcd radio!!! Heres what they had to say about Disc 2!!!! “cd2: The Agitated Radio Show on Kbcd Radio - The Hawk presents a chemical hit of underground medicine all the way from Nixon County... "a repeat of CD1?" you may unreasonably ask - no, friends, it most certainly isn't.” Only 500/.. grab it on RSD 24..

Starting out as pub rock band the Marauders, shifting to the Subversives after getting hip to punk at the Roxy and finally settling on UK Subs, the revered band were part of the initial London punk scene and one of the first to go hardcore, despite frontman Charlie Harper’s blues roots. Live At The Roxy Club captures the group on the rise in 1977, delivering an intoxicating set of full-throttle winners, with ‘Illegal 15’ and ‘Lady Esquire’ sounding better than their subsequent studio recordings. This in-demand first live offering has stood the test of time – a definite must-have for all fans of the band and for lovers of original British punk.

By the early 80s punk had become something else compared to what it was when Year Zero stabbed a flag in the sand and established ‘War!’ on boredom and normality. You could argue that in 1982 when Endangered Species arrived...UK Subs were very much that. The vanguard of the second wave. A crucial nook in the subculture. Still alive. Still kicking. Still prowling around the town with their best point yet to be proven. From Ambition, essentially an annihilated bluegrass-skank version of the Stones’ Satisfaction, to Indie Chart hit single Countdown and the atomic sonics of a post punk dub attack in Ice Age, all blistering guitar razors that chime against the night as well as chew it up, it's easy to see both why Charlie Harper considers the group's fifth LP to be their strongest and Guns ‘n’ Roses covered Down on the Farm.

Tricky’s 2nd most sought-after vinyl LP, repressed for the first time, exclusively on orange Colored Vinyl. The 2LP includes 2 tracks not included on the original CD release: Peyote Sings + Taxi. Martina Topley-Bird is once again on vocal duties but also featured are English singer-songwriter PJ Harvey (on “Broken Homes”), Anthrax guitarist Scott Ian (on “Carriage for Two”) plus Marc Ribot adds his twisted guitar lines to a number of tracks. Continuing Tricky’s penchant for covering hip-hop tracks ‘Angels…’ features a cover of Slick Rick’s “The Moment I Feared”.

In 2003, Swamp Pop pioneer Tommy McLain self-released his album Moving to Heaven. An extremely rare piece of Louisiana music history, Moving to Heaven only existed as a CD that Tommy himself pressed 500 copies of more than two decades ago. Tommy sold the CDs at his shows on the bayou and that was the only place to purchase this mysterious album. Featuring extremely DIY production techniques and spooky synthesizer sounds, this was Tommy McLain at his most raw and spiritual. Tommy wrote every song and plays every instrument on Moving to Heaven as he vocalizes about life, death and forgiveness. Many years later, Elvis Costello found a CD of Moving to Heaven in a Louisiana record store and fell in love with the music. Costello was a fan of Tommy ever since hearing him back in the ‘70s on the compilation Another Saturday Night, but he knew that Moving to Heaven was something special. Costello and Tommy would eventually meet in 2010 at a Bobby Charles tribute concert where Costello professed his love of Moving to Heaven to Tommy in-person. “I would go to local, secondhand record shops looking for albums by people like Tommy McLain,” Costello told the New York Times in 2022. Yep Roc Records is excited to announce the first-ever vinyl pressing of Moving to Heaven. Pressed on heavenly blue color vinyl and featuring updated lyrics and liner notes from Tommy McLain, this pressing is limited to 1,000 copies worldwide. The album has been remastered for vinyl by Mike Westbrook at MW Audio, the vinyl lacquer cut by Kevin Gray at Cohearent Audio, and the record itself pressed at the state-of-the-art facilities at Citizen Vinyl in Asheville, North Carolina, This rare artifact of the Swamp Pop genre is finally found and sounds better than ever.

Sir Tom Jones UK No.1 single It’s Not Unusual, first released in 1965, is an international megahit. Written by Les Reed and Gordon Mills, the song also made waves in the US reaching No. 10 in the charts paving the way for Sir Tom’s global success. Released for the first time on 7” vinyl since 1965, this limited edition amber record is key to any fans collection.

From the Acclaimed Live and Dangerous box set, this for the first time on vinyl is one of the stand-out shows from the collection and shows the band at their peak, pressed on 180gm Vinyl with a gatefold sleeve.

Sometimes regarded as the most complete Who Best Of, this version with a replica of the original 8-page booklet and pressed on Colored Vinyl (Pink and Green) was mastered by long time Who engineer Jon Astley and cut by Miles Showell at Abbey Road.

The Verve’s compilation album of B-sides and outtakes, No Come Down celebrates its 30th anniversary in 2024, to mark this UMR will be releasing it on vinyl for the very first time. With outtakes from the band’s debut album A Storm in Heaven sessions. “Blue” is a different (vocally upfront) “usa Mix” – released to coincide with Verve playing Lollapalooza Festival Chicago in 1994, this also features acoustic versions of “Make It Till Monday” & “Butterfly”, “Gravity Grave” is the live recording from the bands first ever Glastonbury performance in 1993. This LP is pressed on black vinyl with printed inners.

Since her re-discovery in 2013 via cult favourite The Space Lady’s Greatest Hits, The Space Lady’s mission of galactic
peace and celestial harmony has grown into a world-wide underground phenomenon. Recorded in 1990, The Space
Lady’s original repertoire is a parallel universe greatest hits: songs familiar are transmogrified into shimmering bliss
while new compositions amplify the message. The Space Lady’s Other Hits, released on April 20th for Record Store Day
2024, constitutes the songs recorded by Susan “The Space Lady” Dietrich Schneider as part of that repertoire that
never made the original Greatest Hits, save for a limited bonus CD on the first CD pressing. Remastered by Mikey Love
for vinyl, The Space Lady’s Other Hits completes the picture.

The Space Lady began her odyssey on the streets of Boston in the late 70s, then San Francisco ten years later, playing
versions of contemporary pop music with an accordion and dressed flamboyantly. Following the theft and destruction of her
accordion , The Space Lady invested in a then-new Casio keyboard, complete with a phase shifter, delay pedal and headset
mic, birthing an otherworldly new dimension to popular song that has captured the imaginations of the underground and its
leading exponents ever since.

The Space Lady’s Other Hits were recorded as they were played on the street, live, one-take, with Schneider playing, singing
and simultaneously manipulating the various effects. Beginning with Elvis Presley’s iconic All Shook Up, the walking bassline
underpinning the vocal, phasing in and out of this dimension, providing a fragile, extraterrestrial shadow to Presley’s original
lust-driven performance. Slapback Boomerang is an original composition, written by Schneider’s then-husband Joel Dunsany
a Rock ’n’ Roll pounder that could have been performed by The Cramps, its tale of relationship turmoil changed into a
meditation on the nature of echo and feedback. There are moments where Schneider performs vocal caesuras, swimming in
delay and phase for the pleasure of it, a pantomime drama performance that rings out. Closing Side B, Puttin’ On The Ritz is
Irving Berlin’s 20s smash hit manipulated into a sombre ballad with its latent class struggle narrative brought to the fore.

A staple of The Space Lady’s performances to this day, Golden Earring’s 70s global hit Radar Love retains something of the
original’s driving gallop but in The Space Lady’s telling it is shorn of the tight-trousered, taut machismo. The Space Lady coos
and reaches up into the heavens away from the road, the phaser waves drenching the composition with transcendence.
Schneider’s falsetto performances in the choruses do nothing but lift the spirits ever-arching upwards. Next, The Space Lady
emasculated Jim Morrison’s performance in The Doors’ 20th Century Fox. Faithfully playing Ray Manzarek’s keyboard parts on
her Casio, Schneider disintegrates Morrison’s lust into waves of echo and delay, creating a Dubbed out version of the song,
sounding eroded and decayed in all its ghostly glory. Pioneering Rock ’n’ Roll outfit Pete & The Pirates’ 1960 hot Shakin’ All
Over, something of a response to Elvis’ All Shook Up, is blown out in warm fuzz and the celestial hug of The Space Lady’s
spirit.

The Space Lady’s Other Hits is released on April 20th 2024 on clear vinyl 12”, limited to 500.

Recorded live at Racket, NYC on October 19th 2023. Previously only available as a bonus disc on the 2CD version of Hackney Diamonds, the band's first studio album since 2005. Heavyweight solid white vinyl.

To celebrate 60 years since its original release, The Rolling Stones, ‘uk’ edition, is being released in a special bespoke package for RSD 2024.The band’s debut studio album, was released in the UK on 16 April 1964. The American edition of the LP, with a slightly different track list, came out on London Records on 30 May 1964, subtitled England’s Newest Hit Makers, which later became its official title. The remarkable, ground-breaking album arrives like a jet-fueled rush of white hot R&B. Pressed on stunning 180gm blue + black swirl vinyl / includes lithograph print with images by renowned photographer Terry O’Neill / limited edition stamp-numbering on outer sleeves

For the first time on vinyl the Outsiders demos from the "Calling on Youth" debut album and "One To Infinity" Ep, both released in 1977. Here's Adrian Borland first band, before he went to form obscure synth-wave project Second Layer and then joining iconic new wave heroes The Sound. The compilation comes with the addition of several early compositions too.The Outsiders were probably the first post punk band ever, altogether with The Wire.

Die cut picture disc version of the album Splinter

10" yellow Vinyl , 4 Track of his first UK Hit Single

Quantity: 4000
Release type: 'RSD First' Release
Swedish indie rockers The Hives released their 4th studio album The Black and White Album on 8th October 2007. For the album the band worked with Pharrell Williams. The albums lead single “Tick Tick Boom” has been used in the computer game Madden NFL 08 and many TV shows and films such as CSI: Miami, Friday Night Lights, Jumper, Taken and Friday the 13th. In 2023 the band released their first album in 11 years, going straight in at #2 in the UK album charts putting The Hives fully back on the map. For Rsd2024 the album is to be re-pressed for the first time since its release, this exclusive version will be on black and white vinyl and features a two-sided poster.

Eleventh issue in a series of limited picture discs celebrating Radiation Records’ storefront in Rome, Italy for Record Store Day. For the first time available on a picture disc 7", the legendary Uk82 punk band Exploited fourth single originally released in 1981 on Secret Records.Limited to 500 copies.

Recorded at the Damned's live debut at the 100 Club on 6 July 1976 supporting the Sex Pistols. Recorded on a Sony cassette recorder, hidden in a sports bag, onto a Scotch 120 tape. Killer set!

2024 marks the 40th Anniversary of The Cure’s 5th studio album, ‘The Top’. First Time on Picture Disc. Remastered by Robert Smith and cut by Miles Showell at Abbey Road Studios, London. Released in May 1984 the album reached Number 10 in the UK albums chart and features the single “The Caterpillar” ( #14 in the UK Singles Chart) The Picture Disc is housed in beautiful die-cut sleeve designed by the original designer, Andy Vella, and is printed both inside and out.

This is a Record Store Exclusive release celebrating the 25th Anniversary of the Cranberries 4th Studio album. This includes the Bonus Tracks from the Complete Sessions album on Vinyl for the first time, newly remastered! – 2LP Standard Black, gloss imprinted cover

The Morning Papers Have Given Us the Vapours was made with the black watch bandmates and producers/engineers Rob Campanella (Brian Jonestown Massacre, The Tyde, The Warlocks) and Andy Creighton (The World Record, Parson Red Heads). Ben Eshbach, formerly of The Sugarplastic, arranged the strings. Kesha Rose guests on lead vocals on the second single, Oh Do Shut Up. And the great Lindsay Murray once again lends her beautiful backing vox to a number of tracks.

the black watch songwriter/frontman John Andrew Fredrick wrote the ten songs on this, his Los Angeles-based band's latest album, entirely unselfconsciously, with no set goal in mind other than to revel in the joy of songwriting, and, eventually, the luxury of recording his music with his more-than-accomplished band. The Morning Papers Have Given Us the Vapours, produced separately and together by Rob Campanella and Andy Creighton evinces the black watch's often stunning ability to, as Andy Gill once observed in The Independent, "find chaos in the calm, melody in the miasma."

Fredrick, who has also published four comedic novels and a book on the early films of Wes Anderson, jovially describes himself as "a recovering Anglophile--one who'll never, one hopes, fully recover." From his home studio in the Angeleno Heights district of L.A., he waxes eloquent about how being branded, as it were, as a too-ardent lover of British music, film, and literature has left him as bemused as has the tag "prolific" that is often affixed to reviews of his work.

"I just don't think it's all that interesting to note that we've made so many records. Looked at one way, it's a sort of deflection from talking about the timbre if not the quality of the individual songs. Though I know it can be intimidating for fans who've just discovered us--a sort of 'My goodness, where do I start with this band that has put out LPs since 1988?' I get it. I do. I picture someone standing at our slot at a bin at a record store becoming overwhelmed at the prospect of picking the 'wrong' title. And then walking away and not picking up anything from us!" Fredrick laughs. "What can you do indeed?"

He started his career as a songwriter as a result of an American Football injury that left him bedridden in the home he grew up in in Santa Barbara, California. The year The Beatles immortal double-album came out at Christmastime he broke his leg so badly that he had to be home-schooled for an entire year. His parents, ex-teachers themselves, refused to let him watch telly for more than an hour a day. He propped a Silvertone acoustic on top of the massive cast that screamed all the way up to his thigh from his toes, and began to write little melodies and lyrics that, doubtless, did not in the least mask his love for the Fabs, The White Album in especial.

And he read and read and read--histories of the American Revolution and Civil War, mostly, and as many Dickens novels as his mum and dad could bring him. "That year," Fredrick observes, "surely made me who I am today. Proof that intensely unfortunate-seeming events can prove most fortunate. As a sport-mad kid, it made me absolutely mental that I was exiled from the activities I loved most and the school teams I played on. What a blessing undisguised that injury was! Not that I'd like to experience anything like it ever again, mind you."

Fredrick can even recall a few of the melodies he wrote as boy ("Utterly trite, of course, completely jejune"); and in a way, The Morning Papers Have Given Us the Vapours showcases a kind of get-back-to-where-you-once-belonged sensibility. "I didn't intend, this time, to make an album per se. I write both songs and fiction in order to find out what happens, to find out what I might want to say," he notes. "Rob often asks me what a particular song is about; and I often reply that I either don't know, or would prefer that others say. Same thing goes for when people ask me where they should start with our discography. I never know what to say. Our LP from 2011, Led Zeppelin Five (remastered in 2021 for its tenth anniversary), has been our best seller, I think--but that may be because some stoned Zepheads thought their gods had perhaps put out a record they'd missed!"

Despite being deadly serious about music-making, TBW's been known to either whimsically or perversely title their albums. Examples: Jiggery-Pokery (an allusion to John Lennon assessing George Martin's productions), After the Gold Room (a pun on the Neil Young classic plus a local eastside L.A. watering hole), Sugarplum Fairy, Sugarplum Fairy (echoing Lennon's famous count-off to A Day in the Life), Fromthing Somethat (a garbled spoonerism/lyric while doing a vocal), Brilliant Failures (the 2020 release that, along with Fromthing Somethat, was named Album of the Year by venerable indie rock magazine The Big Takeover), and the aforementioned LZ5.

For the new LP, the band recruited longtime friends and allies Ben Eshbach (the Emmy-Award-winning frontman of The Sugarplastic) and Lindsay Murray (Gretchens Wheel) to compose and arrange strings and sing heaps of lovely backing vocals, respectively.

And the result? A collection of songs that Fredrick, in his quite-but-not-quite self-deprecatory way, might call another set of brilliant failures. "Every song, every LP we do, is a failure of sorts--no matter how powerful or beautiful or pleasing-to-us it turns out," John concludes. "I have often said that my aim is to write songs as good as anything on The Beatles... and I will never achieve my goal. And thus I'll have to keep at it, keep trying. And chin-chin to that!"

And now your attention's been brought to a band (or you've heard of them or heard a track or two down the years) that has been pegged by The L.A. Weekly as "a national treasure" as well as "the most criminally-neglected indie pop group imaginable."

So here's to the prospect of that ostensible neglect becoming as much of a thing of the past as John Andrew Fredrick's year-long stint in bed.

Quantity: 7500
Release type: 'RSD First' Release

1st February 2023 The 1975 played their debut album The 1975 in full for the first time since its 2013 release. The album debuted at number one on the UK charts in September 2013, is certified platinum (us) and 2 x platinum (uk), and set the path toward a solid run of international chart-topping, awards, and sell-out arena tours across their subsequent releases. For the 10th anniversary in 2023, the band recorded the gig making this available on digital and CD. Rsd2024 sees the album released on vinyl for the first time pressed on white vinyl with brand new artwork.

London-based singer/guitarist Dan Treacy took the Mod sound of the mid-1960s and channelled it in other directions through the Television Personalities, the oddball, on-off group he founded with two friends in 1977. The 1995 solo Treacy effort I Was A Mod Before You Was A Mod veers between the humour of ‘As John Belushi Said’ and ‘Little Woody Allen’ to the angst and self-loathing of ‘A Long Time Gone’ and ‘I Can See My Whole World Crashing Down,’ and there’s the catchy Mod homage of the title track. Tragic, spastic, and wildly fearless, this is one of Treacy’s most personal, vulnerable, and sought-after releases.

Supergrass is thrilled to unveil an exclusive 10” EP for Record Store Day 2024, commemorating the 20th anniversary of the unforgettable track "Kiss Of Life." This special edition has been pressed on transparent recycled vinyl, adding a unique and environmentally conscious element to your collection. In addition to this iconic track, the EP includes two previously unreleased gems, "Ocean" and "We Are Your Children," offering fans an exclusive insight into Supergrass's musical brilliance. "Kiss Of Life Is 20" encapsulates the spirit of celebration, marking two decades of timeless music. This exclusive transparent vinyl serves as a commemorative token, inviting you to relive the magic that has defined Supergrass over the years

Embark on a sonic journey with this exclusive Record Store Day 12" ‘Green Bottle’ vinyl release of 'B Sides & a collection of rare tracks by the avantgarde rock group Super Furry Animals. Curated by the band themselves this album includes a collection of rare B Sides taken from their classic album ‘Fuzzy Logic’. Including the rebellious anthem 'The Man Don’t Give A Fuck,' the whimsical 'Don’t Be A Fool, Billy!,' and the anticipatory rhythms of 'Waiting To Happen.’ Plus, many This rare release is a must have for Super Furry Animals enthusiasts and vinyl collectors. With only a limited number available, it's a true collector's item. Elevate your music collection with this celebration of musical excellence, bringing the distinctive sound of Super Furry Animals to the forefront

Reissued for the very first time on vinyl "Wadada Magic", Suns Of Arqa's majestic second album. The wicked world of Michael Wadada is well represented here: an ever-changing kaleidoscope of tribal dub, early electronics , proto-wave and global beat. Special guests on vocals Prince Far I and Prince Hammer, while on bass the true genius of Lizard from Creation Rebel / Singer & Players.

This Record Store Day, Suede release a live version of their critically acclaimed album ‘Autofiction’, which debuted at #2 in the UK Album Chart and marked Suede’s highest charting LP since 1999’s Head Music, available on limited edition grey vinyl in a fold out envelope sleeve. Following the release of ‘Autofiction: Expanded’ in December 2023 digitally and on 3CD, the ‘Autofiction: Live’ limited edition LP will feature live recordings from the band’s highly anticipated headline tour of the UK in March 2023, for the first time on vinyl and exclusive to Record Store Day.

Formed in Birmingham in 1976, English punk quartet Suburban Studs built their reputation through fearsome early live gigs, supporting the Pistols and the Clash at the 100 Club, and having the Clash return the favour at a gig the Studs headlined in their home town; they later supported Ac/dc and Judas Priest, among many others. Signing to the independent Pogo label in l977, debut album Slam had 16 brisk originals and a double-time take of the Who’s ‘My Generation’; this edition comes with four bonus tracks taken from their unfinished in-progress second album, which was never released. A must-have for all original punk fans.

Auf "Harmonic Divergence" sind Tracks von Steven Wilsons letztem Album, dem hochgelobten "The Harmony Codex" von 2023, neu abgemischt und neu interpretiert worden. Mit dabei sind Remixe von Manic Street Preachers, Mogwai, Ewan Pearson und anderen.

SRC was born out of a smashing up of two of Detroit’s brightest bands, The Fugitives and The Chosen Few (which also featured future Stooge Ron Asheton). The

new band gained a fanatic local following, eventually capturing the attention of Capitol Records.

On this record, the band shifts effortlessly from mountaintop introspection to wild distorted crescendos creating one of the most melodically heavy LPs ever made, an over-the-top psychedelic fuzz guitar masterpiece.

When it was released in the US in 1968, the LP created fan and critical excitement. Still, it was in the UK where the cultdom made its most significant impact, with John Peel playing the hell out of it on his radio show and even Genesis’ Peter Gabriel claiming that this first SRC album was one of his favorites, saying he “wore the record out” (and you can absolutely hear SRC’s melodies buried inside Gabriel’s musical DNA!).

This Record Store Day 2024 release was cut from the analog master tapes by Kevin Gray, in an All Analog Process (aaa).

Sleep Now Forever is the second and final album released by Sorrow, the post-Strawberry Switchblade group fronted
by singer Rose McDowall. Originally released in 1999 and long since deleted it is a cornucopia of pastoral, elegiac folk
music, swirling atmospherics, hymnal compositions and above it all the alternating towering and fragile vocal
performances of McDowall. Recorded in the late 90s with fellow band member and co-songwriter Robert Lee, Sleep
Now Forever is the definitive statement by the now defunct group and Rose McDowall’s most complete long-form work
to date.
Released through the group’s own Piski Disk Records, Sleep Now Forever was distributed by World Serpent which
struggled through the early 2000s with financial woes, eventually folding due to bankruptcy in 2004. Due to the company’s
troubles, Sleep Now Forever was never distributed widely and was a victim of the company’s failure. Released on CD only,
original copies are now rare and only traded on second hand channels. Remastered by Mikey Young for a limited vinyl release,
Sleep Now Forever will be released on April 20th on double vinyl format, with one side an exclusive etching by Glasgow artist
Holly Allan.
Despite its rarity, Sleep Now Forever enjoys a firm cult following. The album’s textures are expansive, lush, deliciously detailed
and celestial. Recorded in home study Velvet Hole by Rose McDowall and then-husband Robert Lee, the album enlists an
array of players from the underground Neo-folk / industrial scene: Nigel McKernaghan (Uilleann pipes, Whistles), Susan
Franknel (Bassoon), John Contreras (Cello) and Lawrence Frankel (Oboe, Cor Anglais). The eleven songs here revolve
around McDowall’s instantly recognisable voice. Brought up singing in the Catholic Church, McDowall’s vocals are impeccable
and angelic, particularly on tracks like Turn Off The Light where her experiences with religion are canted over soaring oboe
and guitar backing. By far the most evolved and realised version of Sorrow’s vision, it feels somewhat criminal that music this
beautiful could be lost to time until now.
McDowall’s lyrics throughout Sleep Now Forever deal frankly with mental health, depression, altered states, death and
redemption. Wave upon wave of harmony drench each song, McDowal’s vocal multi-tracked and imperious. Opener Soldier
benefits from Robert Lee’s use of the studio as instrument, summoning forth a lilting group performance of sparkling guitar and
percussion that recalls the Velvet Underground. Mikey Love’s master treats the compositions to brand new frequency
dynamics and space. Harmonium and string drones form the counter to McDowall’s vocal on Love Dies, a slow, lurching
lament that feels transcendent. On Haunting, the arrangement is orchestral and aching, bleeding into Fear Becomes You, with
chord and harmony structure that recalls the baroque sixties pop of West Coast Pop Experimental Art Band or the 60s
psychedelic folk movement. A towering, beautiful statement, this elegy for times lost and moonlit-illumination is finally
resurfacing from the darkness.
Sleep Now Forever is being released on 2LP on April 20th, 2024. Limited to 500.

First pressing since 2010, never pressed on Colored Vinyl previously – gold nugget vinyl + jacket art that includes gold foil

Little Rope von Sleater-Kinney ist eine der feinsten und vielschichtigsten Platten in der 30-jährigen Karriere der Band. Oberflächlich betrachtet reicht Little Rope von sparsam bis hymnisch, von eingängig bis absichtlich hart. Doch darunter verbergen sich die vielleicht komplexesten und subtilsten Arrangements aller Sleater-Kinney-Alben. Nach der von der Kritik gefeierten Veröffentlichung von Little Rope präsentieren Sleater-Kinney zwei spezielle Bonustracks aus der ursprünglichen Aufnahmesession auf einer exklusiven RSD 7".

Formed in the small town of Hensham, Surrey in 1975, Sham 69 embraced punk after seeing the Sex Pistols, their working class populism attracting a wide audience as they built a fierce and fearsome reputation through their legendary live performances. Recorded in Stockholm in February 1980, Live And Loud!! captures all the glory of Sham at their peak, including riveting renditions of the Clash’s ‘White Riot’ alongside fine takes of original favs such as ‘Angels With Dirty Faces,’ ‘Hersham Boys’ and ‘If The Kids Were United.’ This is easily the best Sham 69 live album, ever – get your copy now!

Back in the year 2000, Julien Temple directed this account of Punk pioneers the Sex Pistols short but hugely influential initial career. The soundtrack – a mix of their classic tracks, rarities and a sprinkling of diverse artists from the Bay City Rollers and Sailor to Tappa Zukie and The Who – was only ever available on CD, making this its vinyl debut. Uncluttered by the other artists tracks, the OST spread across 2 slices of red and white vinyl includes sing along family favourites Liar, Anarchy In The UK and No Fun alongside lesser known but no less essential cuts Don’t Give Me No Lip, Road Runner and What’cha Gonna Do About It. The latter cover of The Small Faces classic comes complete with amended lyrics reflecting the spirit of the times. Ltd edition and numbered to 3k units.

Originally conceived 1995 as the first in a trilogy that went on to include ‘The Drift’ (2006) and ‘Bish Bosch’ (2012), ‘Tilt’’s atmospheric soundscapes and trance-like percussion combined with influences from as far afield as industrial music and traditional classical ‘lieder’ works. Throughout, Scott’s unmistakable baritone enhances an overall work of haunting beauty. For this 2024 Record Store Day limited edition release, UMR have worked with the full consent of Scott’s estate and the album’s original producer, Peter Walsh. For an enhanced listening experience, it has been mastered for 140 gram vinyl by Frank Arkwright at Abbey Road Studios and cut by Miles Showell to play at 45rpm.

Written and Produced by Songwriter’s Hall Of Famer Linda Perry, “Crooked Boy” features four brand-new tracks from Ringo Starr with his trademark vocals and legendary drumming. The EP also includes compelling guitar performances on every song from Nick Valensi of The Strokes. Available exclusively at participating Record Store Day retailers on black and white marble custom vinyl.

Richard Pinhas' playing offers quite a few surprises alongside his trademark guitar sound, on this new collaboration with French/ British multi instrumentalist RG Rough. Ambient , noise, post rock and a fair share of motorik drums blend together in a heady flow which evokes a contemporary take on psychedelia.