Soundtracks Sale 192 Items

Ainhoa, daughter of Manex and Amanda, will embark on her journey of initiation in the mid-80s. In our country, when we talk about the 80s, how quickly words, images and a certain atmosphere come to everyone's mind (even to those of us who were born almost twenty years later). And between words, images and atmosphere, something else, pieces of a puzzle that would later help us to take a picture of the era, among other things: sounds, melodies, songs. Music, after all. Every step Ainhoa takes will be followed by a melody. The music will be, also in this case, the common thread to stitch together the different parts of the story. Needless to say, knowing the director of the film, it was foreseeable that the music would be in the foreground or very close to it. A collection of songs that will also put us out of our village. Perhaps it is more difficult for us to connect with languages and forms of music that touch us further away and to represent only with them the streets of Afghanistan or Lebanon in the 80s, for example. Most people will listen to these songs from an etic perspective, until we come to think that the last three songs are the same and the alarm of that perspective goes off. Redskins tell us about power from the UK and The Pogues combine traditional Irish melodies with Turkish flair. We will travel through Lebanon with the sweet melodies of Soapkills and Taniah Saleh, friends of Muguruza during his months in Beirut. The fundamentalists silenced the voices of the Afghans Bakht Zamina and Khan Qarabaghi, ending their lives, but as long as a people sings, you know, death is far away. The first sounds of Qarabaghi's singing brought to my mind the melodies of the bard of Itzaltzu. How far away but how close at the same time. We will approach Palestinian folklore accompanied by the voice of Amal Murkus and we will smell the streets of the south of France with the Marseille band Massilia Sound System, the sound system that performed in Pamplona in 1992 alongside Negu Gorriak. And we w...

Wrwtfww Records is absolutely honored to announce the release of Kenji Kawai’s complete soundtrack to Mamoru Oshii’s 1993 superb political thriller science-fiction mecha anime Patlabor 2: The Movie, available on vinyl for the first time ever and housed in a beautiful heavy gatefold sleeve with obi, as well as on digipack CD. Both versions come with liner notes by the great Masaaki Hara. A true soundtrack maestro, Kenji Kawai is behind the legendary soundscapes of cult animes and movies such as Ghost in the Shell, Avalon, Ring, Ip Man, and Seven Swords among numerous others. Patlabor 2: The Movie (Original Soundtrack) is one of his most experimental offerings, an outstanding palette of emotion-filled ambient atmospherics and percussion mastery breathing beautifully through Kawai’s minimalism meets modern classical approach. His symphony of moods paints a delicate picture of urban isolation, a central theme in the movie, but doesn’t hide hints of hope for a joyful future. Patlabor 2: The Movie (Original Soundtrack) is an ideal companion to Kenji Kawai’s Ghost in the Shell soundtrack, already available on Wrwtfww Records. Points of interests - For fans of electronic, soundtracks, ambient, experimental, minimalism, synth, Kenji Kawai, Geinoh Yamashirogumi, Ghost in the Shell, Akira, anime music, Japan, robots, urban isolation, hope for the future. - First ever vinyl release of Kenji Kawai’s Patlabor 2: The Movie (Original Soundtrack), in full audiophile experience

Ennio Morricone is known throughout the world for the Italian Western genre, but most of all for his famous soundtracks for Sergio Leone’s masterpieces which have entered into popular culture on an international level, and here represented by iconic themes such as A Fistful OF Dollars (1964), FOR A FEW Dollars More (1965), Once Upon A Time IN THE

West (1968), A Fistful OF Dynamite (1971) with extraordinary soloists such as the coro dei cantori Moderni di ales- sandroni, the whistle of Alessandro Alessandroni, the harmonica of Franco De Gemini, and Edda Dell’Orso’s soprano voice. For the Westerns starring the legendary Giuliano Gemma – A Pistol FOR Ringo and THE Return OF Ringo – both directed by Duccio Tessari, he wrote the songs “Angel Face” (with lyrics by Gino Paoli) and “The Return of Ringo” respectively performed by Maurizio Graf with pop music arrangements that were popular at the time. With PistolS Don’t Argue (1964) Morricone experiments with a still undefined pre-Leone sound, Death Rides A Horse (1967) presents a main theme for guitars ostinatos, exotic flutes and choir. For Life IS Tough, EH Providence? Ennio Morricone creates a theme that mixes religious elements for a female choir with modern arrangements. And A Fist Goes West (1981) a late Western in which the composer himself interprets the Indian’s screams.

Red, Green, and White Marble Vinyl Archive tape transfer and mastering by Darren Page at Abbey Road Studios Heavyweight Sleeve Artwork by John J Pearson Burning Witches Records are honored to announce the reissue of – Silent Night Deadly Night.

“Little Billy witnesses his parents getting killed by Santa after being warned by his senile grandpa that Santa punishes those who are naughty. Now Billy is 18 and out of the orphanage, and he has just become Santa himself…”

Perry Botkin’s chilling electronic score to the famed and much loved 1984 festive slasher is as charming, warm, disturbing and extreme as the movie. Immediately the record starts with the first time on vinyl track of a young child carol singer juxtaposed against the hard edged bombastic main theme. From there on it doesn’t let up.

Lovingly transferred from the original 1984 session tapes and remastered at Abbey Road Studios, this new vinyl release includes 2 new cues not before released on vinyl, plus 10 alternate mixes from the original film sessions.

A long awaited release for a wonderful soundtrack composed by Guido & Maurizio De Angelis for the first italian cop-movie. A great proof of ability by the director Enzo G. Castellari with this superb movie interpreted by a great Franco Nero.

Waxwork Records is proud to present Barbie Score From The Original Motion Picture Soundtrack composed by Mark Ronson and Andrew Wyatt! The score is featured in the juggernaut film Barbie, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling as Barbie and Ken.

On composing the score, Ronson says, “Greta’s Barbie overflows with emotion in a way that inspired us to no end, not just with harmony and melody but also textures, sonics and rhythms. Sometimes Greta wanted us to elicit tears, sometimes she wanted it to feel like a disco. Sometimes she loved the warmth of vintage analogue synthesizers, sometimes she wanted the richness of the orchestra. Often, she wanted both.

“The late nights and crazy hours we put into Barbie were all worth it to us, because we were so in love with this film. And we truly hope listening to our score from beginning to end will give others the same emotional, whimsical experience they had watching this magical film.”

The highly anticipated film score vividly brings Gerwig’s vision to life and adds the perfect layer to the film that immerses fans into the Barbie Universe.

Waxwork Records is thrilled to present Barbie Score From The Original Motion Picture Soundtrack on several beautiful colored vinyl variants to choose from that all correspond to fun elements in the film, housed in heavyweight LP jackets with overall high gloss coating, with a 12"x12" insert.

"Quartet Records and StudioCanal present the premiere vinyl release of John Debney’s symphonic opus for the adventure classic Cutthroat Island. Directed by Renny Harlin and starring Geena Davis, Matthew Modine and Frank Langella, the movie is a big-budget, swashbuckling throwback about Morgan Adams, a female pirate, and her crew racing to find a hidden island containing a fabulous treasure before her uncle, Dawg Brown. Along the way there are sword fights, chases, storms at sea and all sorts of high adventure, all produced on an epic scale. Keeping up with the massive visuals was composer John Debney (hocus Pocus, White Fang 2, Little Giants, THE Passion OF Christ) who led the London Symphony Orchestra and the London Voices for the recording. Considered one of the 90s best adventure scores, and one of Debney’s most highly regarded works, the original soundtrack program is now available for the first time in a deluxe 2xlp set, produced by Neil S. Bulk, mixed by Mike Matessino and mastered by Chris Malone. Pressed on 180 gram audiophile black vinyl and packaged in a gatefold jacket featuring Drew Struzan’s original painting."

Cinedelic Records is proud to present Paolo Vasile’s score to Enzo Castellari’s 1980 poliziottesco fim, Il Giorno Del Cobra. This record features one of maestro Vasile’s most iconic themes as featured on various polizio compilations. This release will include three bonus tracks and will be pressed in a limited quantity. The cues on this soundtrack feature a wonderful mix of cool keyboards, horns, funky basslines, and driving kick drums — a perfect reverb-fueled accompaniment to Franco Nero’s onscreen antics. (Alfonso Carrillo)

Limited Edition 400 copies. Includes 3 Bonus Track and a postcard

Waxwork Records is proud to release Archenemy Original Motion Picture Score by Umberto (aka Matt Hill). The film follows fallen superhero turned homeless alcoholic, Max Fist (Joe Manganiello), who fell through time after saving his home planet & was left on Earth powerless. The only person to believe Max’s story is a teen named Hamster (Skylan Brooks) and together they go on a mission to take down a local drug dealer and his gang.

This electronic score uses heavy synth to form dark, gritty themes and combats them with elements of hip hop to portray a sense of teenage optimism.

Presented as a concept album entitled A Black Hole The Size Of Twelve Billion Suns Waxwork Records is thrilled to present the score music of Archenemy as a deluxe album with 180-gram “Cosmic” colored vinyl, deluxe packaging, new artwork by Robert Beatty, heavyweight old-style gatefold jackets with matte satin coating, a 12”x12” art print, and more!

The Archenemy Original Motion Picture Soundtrack Features:

The complete film score, available for the first time on vinyl 180 Gram "Cosmic” Colored Vinyl New artwork by Robert Beatty 12” x 12” Art Print Heavyweight Gatefold Packaging with Matte Satin Coating

We Are Busy Bodies is proud to announce the first official reissue of ‘Playtime’ by popular and prolific Italian composer, Piero Umiliani. Incorporating styles like jazz, easy listening/lounge, rock, funk, and bossa nova to a genre largely dominated by orchestral scores, he penned some of the most outstanding film music from the '60s and '70s with over 150 titles under his belt. Originally released on Umiliani‘s own Omicron label in 1968, the album has been remastered from the original recordings by Noah Mintz.

Black Friday Record Store Day 2022 Reissue. Color: Gold. Limitation: 50th anniversary release celebrating the John Wayne western with a score composed by the living legend, John Williams. The Cowboys was the maestro’s biggest pre-Star Wars score. A much needed restoration job featuring a complete rebuild, remix and remaster was done for a 3000 unit limited edition CD re-issue that came out in 2018 and sold out. This double LP is the first ever official LP release and is pressed on gold vinyl exclusively for Black Friday 2022

This is a record of rare beauty that collects the soundtrack of a 1975 film called "Drugged Rome: the Police Can't Intervene" (in English "Hallucination Strip") directed by Lucio Marcaccini. The soundtrack was written by Alber Verrecchia, a French composer (but I presume originally from Italy) who came to Italy in the 1960s and formed the group I Pyranas, with whom he recorded two albums released by Arc. In the 1970s Verrecchia devoted himself mainly to making soundtracks, including the one presented here. Unlike other soundtrack composers, Verrecchia preferred electric sounds to orchestral arrangements. This disc contains interesting tracks in rock and blues styles, with some psychedelic influences. Musicians featured on the record include Cyan, Baba Yaga, Toni Esposito, and singer Sammy Barbot (whom we may remember best as the host of two 1980s TV shows, Piccolo Slam and Popcorn). The Cyans are an old acquaintance of ours, who are credited with a 33 rpm in 1972 and a handful of singles; Le Baba Yaga were a female trio who made a single in 1972; and finally Toni Esposito who needs no introduction. Singer Edda Dell'Orso, with her soprano voice, also appears on two tracks. In short, a unique record in the panorama of soundtracks

Originally released in 1989, Dragon Slayer: The Legend of Heroes marks the beginning of Nihon Falcom’s Long-running turn-based RPG series “The Legend of Heroes”.

The soundtrack to Dragon Slayer VI Legend of Heroes as a whole is more relaxed and light-hearted in contrast to its other role-playing game contemporaries that Nihon Falcom released on the PC-88. From the relaxing themes of “Town” that instill a sense of peace and safety and the music of “Ship” accompanying you as you sail across the sea.

Falcom Sound Team jdk has taken great care to give the soundtrack to Dragon Slayer: The Legend of Heroes a unique identity in comparison to all of Nihon Falcom’s other numerous PC-88 offerings.

Mastered from entirely new recordings captured specifically for this release we are excited to be sharing this underappreciated piece of Nihon Falcom’s music history soundtrack with you for its first release on vinyl record!

Waxwork Records is thrilled to release Monster House Original Motion Picture Soundtrack by Douglas Pipes. This special double LP marks Waxwork's third soundtrack album release with composer Douglas Pipes following 2014's Trick 'r Treat and 2016's Krampus. Monster House is a 2006 animated Horror film directed by Gil Kenan (Scream, Ghostbusters: Afterlife). The plot tells the story of a neighborhood that is terrorized by a haunted house during Halloween. The movie features the voices of Steve Buscemi (Reservoir Dogs), Maggie Gyllenhaal (Donnie Darko, The Secretary), Mitchell Musso (Hannah Montana), Sam Lerner, Spencer Locke, Kevin James (The King of Queens), Nick Cannon, Jason Lee, Fred Willard (Spinal Tap), Jon Heder (Napoleon Dynamite), Catherine O-Hara (Beetlejuice), and Kathleen Turner (Jessica Rabbit in Who Framed Roger Rabbit).

Monster House marks Sony's first computer animated film produced by Sony Pictures Imageworks. Produced by Roger Zemeckis (Back to the Future Trilogy) and Steven Spielberg's Amblin Entertainment, the film was released in 2006 and was met with praise from fans and critics for its blending of horror and accessibility to a broad audience as a feature animated film.

Roger Ebert gave the film his highest ranking of four stars calling it "one of the most original and exciting animated movies I've seen in a long time" and compared it to the work of Tim Burton.

About the composer:

Douglas Pipes is an award winning American film score composer whose feature films include the Academy Award nominated Monster House, the Halloween horror anthology classic Trick 'r Treat, and the Christmas comedy-horror film Krampus.

Waxwork Records is thrilled to release yet another score by Douglas Pipes after the deluxe vinyl releases of the soundtracks to both Trick 'r Treat and Krampus.

Franco Micalizzi composed and conducted one of his most iconic OSTs for the crime drama genre with this soundtrack. Within the soundtrack emerges a recurring main theme, using a Moog synthesizer, that is then developed by an energetic woodwind section. It is then reprised in slow and fast versions. There is plenty of instrumental dance music and a romantic ballad with vocals. The leitmotif is alternated with suspenseful phrases written for strings.

In partnership with Milan Records and Searchlight Pictures, Waxwork Records is excited to release THE Menu (original Motion Picture Soundtrack) by Grammy Award®-winning saxophonist, multi-instrumentalist, songwriter and composer Colin Stetson (Hereditary, Color Out Of Space). The album features music written by Stetson for the satirical thriller directed by Mark Mylod. Starring Ralph Fiennes, Anya Taylor-Joy, Nicholas Hoult, Hong Chau, Janet McTeer, Reed Birney, Judith Light, and John Leguizamo.

Of the score, Colin Stetson says, “From my first reading of the script to our last moments on the mix stage, my experience creating the music on this film has been an absolute joy, as the themes, refrains, and aesthetic have seemed to jump right off of the page and screen for me with every brilliant turn of phrase, perfect edit, and wickedly delivered performance. It is pure pleasure working with such an incredible team and I am truly grateful for the whole of it.”

About THE Menu

A couple (Anya Taylor-Joy and Nicholas Hoult) travels to a coastal island to eat at an exclusive restaurant where the chef (Ralph Fiennes) has prepared a lavish menu, with some shocking surprises.

THE Menu (original Motion Picture Soundtrack) Features:

The Complete Soundtrack by Colin Stetson 180 Gram Splatter Colored Vinyl Artwork and Design by Matt Needle Deluxe Packaging Heavyweight Gatefold Jackets with Matte Satin Coatin 12"x12" Art Print

Analog Vinyl Release of Opening Theme "Akuma-kun" and Ending Theme "12friends" Announced! Analog vinyl (7inch) containing the opening theme "Demon-kun" and ending theme "12friends" of the anime "Demon-kun" will be released on March 20, 2024, which is LP Record Day! This is a reissue of the EP released on April 21, 1989.

The live record was once considered a staple of an artist’s discography. A document capturing a moment in time or perhaps reinventing older material as it was being given new life or perhaps showcasing a band at the height of their prowess, it was a standard release in every band’s catalog. Recently, the internet has made bootlegging almost non-existent as bands specialize in offering board-quality downloads that can be equally as important as a band’s official releases. The live experience has always been the going-to-church portion of our communal experience, and the live record should capture that spirit and energy. With those goals in mind, Iron & Wine offer their first official live record with the career-spanning set Who Can See Forever.

Captured over two evenings at the historic Haw River Ballroom in Saxapahaw, North Carolina, Who Can See Forever finds Iron & Wine in full flight, working their way through a catalog of songs spanning their twenty- plus-year career. The recordings happened deep into a three-year period by a band of assassins assembled by mainstay Sam Beam that included bassist Sebastian Steinberg (Fiona Apple, Soul Coughing), drummer Beth Goodfellow (Allison Russell, Better Oblivion Community Center), cellist Teddy Rankin-Parker and keyboardist Eliza Hardy-Jones (War on Drugs, Grace Potter). It was a creative period for Beam that rendered two albums (Beast Epic and Weed Garden) and garnered four Grammy nominations.

Oscar winning Director Hayao Miyazaki and composer Joe Hisaishi’s popular songs will be released on vinyl in a brass quintet piece By performance “Ueno No Mori Brass” Featuring music from Castle In the Sky, Porco Rosso, Kiki’s Delivery Service My Neighbor Totoro, Nausicaä Of the Valley Of The Wind…

Fortnite is more than just a game. It’s a bonafide, genuine, global phenomenon – a platform for players and creators alike to express themselves, a cross-media megaton of diverse characters, concepts, & artwork, and a mind-bendingly massive digital space to hang out with your friends after work, between classes, or whenever you’ve got time to play. Fortnite represents the cutting-edge of what’s possible where creativity meets technology.
Here at iam8bit, we love to live in that particular intersection. So it’s with great pride that we teamed up with the innovative & clever polymaths at Epic Games to present this album for your listening pleasure: Say hello to the Fortnite: Best of the Lobby vinyl!

It’s 1xLP positively packed with the Fortnite community’s favorite Lobby tracks and tunes. It includes hits like Default Vibe, Solid Groove, Afterburner, and even festive jams like Frosty Serenade. They’re all there on gorgeous, peely yellow vinyl.

Of course, it wouldn’t be Fortnite without spectacular art, aesthetics and presentation. That’s why we tapped the infinitely funky Jim Mahfood for the album art and design, featuring tons of iconic Fortnite friends and characters hanging out and enjoying the jams.

Fortnite is more than just a game. It’s a million moving parts, an intersection of online community, technology, and of course, artistry. We are humbled to play a small part in that symphony with this album – a true labor of love.

Developer Dontnod has become synonymous with both evocative and progressive narrative design, pushing game story into a brave new space with Tell Me Why. Music plays a critical role in that emotional expression, with the score by Ryan Lott deepening the entire experience in a way that is both beautifully bold and subtly nuanced. It’s an incredibly intricate composition, weaving a complex and acoustically thoughtful story. It’s such a uniquely personal soundtrack that the album art had to be something incredibly intimate too. Artist Theo Randall’s approach is nothing short of perfection, employing hand-quilted, linotype-stamped and painstaking applique techniques for a truly original take on the idea of album art. To accentuate these handmade tactile qualities, the jacket is embossed and debossed, so when you run your hand across it, your senses are activated, bringing you closer to the musical journey of the telepathic twins, Tyler and Alyson.

In partnership with MangaGamer and Novect, Materia Collective is thrilled to announce our newest project: The House in Fata Morgana, available on vinyl for the very first time.

This release contains tracks from The House in Fata Morgana, The House in Fata Morgana: A Requiem for Innocence, The House in Fata Morgana: Reincarnation, and Seventh Lair.

We have selected some of the best tracks from four of the Fata Morgana games to capture a robust experience of the games. Music composed by Yusuke Tsutsumi, tetem., and Mellok'n.

This is the Retail Edition, available on 180g 33rpm black discs.

Waxwork Records is beyond thrilled to release WENDELL & WILD Original Soundtrack From The Netflix Film! Wendell & Wild is a 2022 stop-motion animation film directed by Henry Selick (The Nightmare Before Christmas, Coraline) and written by Selick and Jordan Peele. It stars Keegan-Michael Key and Jordan Peele as the titular characters Wendell and Wild, with Angela Bassett, Lyric Ross, James Hong, and Ving Rhames in supporting roles. The film marks Selick's first feature since Coraline (2009).

Wendell & Wild is an animated tale about two scheming demon brothers Wendell (Keegan-Michael Key) and Wild (Jordan Peele) who enlist the aid of 13-year-old Kat Elliot, a tough teen with a load of guilt and a love for punk rock, to summon them to the Land of the Living. But what Kat demands in return leads to a brilliantly bizarre and comedic adventure like no other, an animated fantasy that defies the law of life and death, all told through the handmade artistry of stop motion.

Waxwork Records is proud to release the soundtrack to Wendell & Wild as a deluxe vinyl album featuring score cues by composer Bruno Coulais and tracks by X-Ray Spex, Death, TV On The Radio, and more. Features include 180 Gram "Wendell & Wild Demon Swirl" colored vinyl (Green and Purple swirl), new album artwork by TV On The Radio frontman Tunde Adebimpe, a four page booklet with an exclusive essay by Adebimpe, heavyweight gatefold jackets with matte satin coating, and more!

WENDELL &WILD Original Soundtrack From The Netflix Film Features:

Score Cues By Composer Bruno Coulais
Tracks By X-Ray Spex, Death, TV On The Radio, and more
180 Gram Green and Purple "Demon" Swirl Colored Vinyl
Artwork by TV On The Radio Frontman Tune Adebimpe
Exclusive Essay by Tunde Adebimpe
Four page Booklet
Heavyweight Gatefold Jackets with Matte Satin Coating

A soundtrack vinyl record release of a popular Mecha Anime series “SSSS.DYNAZENON” (2lp Vinyl). Contains 27 tracks, all music composed by a Japanese composer, arranger and music producer Shiro Sagisu. The cover art is a special edition, newly drawn by a Japanese animator and director Akira Amemiya.

Waxwork Records is proud to present MALUM Original Motion Picture Soundtrack by Samuel Laflamme. MALUM is a bold and expanded reimagining of the 2014 horror cult classic, LAST SHIFT. On a search to uncover the mysterious circumstances surrounding her father’s death, a newly appointed police officer, Jessica Loren (Jessica Sula) is assigned to the last shift in a decommissioned police station where a notoriously vicious cult saw their demise years prior. The lone officer at the station, she soon finds herself barraged by terrifying paranormal events, and in the process, is taken on a journey during which she learns the shocking truth behind her family’s entanglement with a demented cult leader. MALUM takes the premise of the 2014 festival hit and flips it on its head, thrusting viewers into an unrelenting, adrenaline-fueled, bloody cult nightmare.

About the Composer

Samuel Laflamme is a composer who has strengthened projects across the film, television and video game worlds. Samuel Laflamme began his composing career scoring numerous television shows, documentaries, and ad spots across a multitude of genres. He has collaborated with many of the top video game companies in the industry, including Ubisoft, Activision, and Red Barrels where he worked on the critically acclaimed survival horror-game Outlast. Samuel’s other credits include French Canadian dramatic comedy series Le Chalet, along with the 2016 Canadian-American co-production, fantasy film Wait Till Helen Comes, based on Mary Downing Hahn’s best-selling novel from the 1980’s.

About the Director

Protégé of filmmaker/novelist Clive Barker, Anthony DiBlasi partnered in Barker’s production company Seraphim Films for nearly ten years, serving as a key executive & producer on films such as MIDNIGHT MEAT TRAIN starring Bradley Cooper and BOOK OF BLOOD. DiBlasi adapted and directed DREAD from the Barker short story, starring Laura Donnelly (HBO’s The Nevers) which won "Best Independent Feature" at the Spike Scream Awards. DiBlasi has adapted several Barker novels for the screen including THE DAMNATION GAME (Warner Bros) and THE THIEF OF ALWAYS (Fox).

DiBlasi directed, co-wrote and edited “Last Shift” a critically acclaimed supernatural horror film released by Magnolia Pictures in 2015. Last Shift was named among the top 5 horror films of 2015 and won both a Golden Skull award and an iHorror award. DiBlasi has directed 8 features including the critically acclaimed thriller MISSIONARY and MOST LIKELY TO DIE for Netflix. DiBlasi recently wrapped production on MALUM, an expanded reimagining of “Last Shift,” and is currently in development on the thriller THE STEP COUNTER with his writing partner and wife Natalie Victoria and Malcolm Spellman’s The 51 (The Winter Soldier).

The debut vinyl release of MALUM features the complete soundtrack by composer Samuel Laflamme pressed to 180 gram colored vinyl.

MALUM Original Motion Picture Soundtrack Features:

The Complete Soundtrack by Samuel Laflamme
180 Gram Colored Vinyl
Original artwork by Jérémy Pailler
Deluxe gatefold packaging

In collaboration with Milan Records, Mondo is proud to present the premiere physical release of Devonté Hynes' (Blood Orange) score to Gia Coppola's 2021 film Mainstream. The film skewers our predilection with internet fame and how social media is dominating our lives, following three 20 somethings looking to the internet for fame and fortune, but being corrupted by the very power they seek. Maya Hawke delivers an incredible performance, and Andrew Garfield once again proves he is one of the best actors of his generation, the score by Devonte Hynes is both beautiful and tender yet has a dark undercurrent bubbling under the surface. This vinyl edition features an exclusive vocal track from Hynes in the shape of the incredible 'Backhand', which you can only hear on this vinyl pressing.

Quartet Records and Paramount Pictures present the premiere vinyl edition of Ryuichi Sakamoto’s classic score for 1992 adaptation of Emily Bronte’s Wuthering Heights, starring Ralph Fiennes and Juliette Binoche, and directed by Peter Kosminsky. Ryuichi Sakamoto (1952–2023) was one of the most personal and important voices of the world music scene for several decades: from rock to pop, new age, opera, concert music, electronic and film music, no genre was foreign to him, and he managed to stamp his own style on each of them. His acclaimed score for Wuthering Heights is written in the symphonic tradition of his scores for Bernardo Bertolucci’s THE Last Emperor (for which he won the Oscar for Best Original Score) and Little Buddha. One of Sakomoto’s most special and beloved scores, Wuthering Heights is haunting, beautiful, romantic and tragic. Specially mastered for vinyl by Chris Malone from original stereo master tapes and following the order of the original album produced by Sakamoto, the album is presented on 2xlp 180 GM clear transparent vinyl, in an elegant gatefold with images of the film.

Doctor Who – Revenge Of The Cybermen was the season 12 finale first broadcast on April 19th, 1975. As with so much television music of the 1960s, ‘70s and ‘80s, the original master tapes of Carey Blyton’s score for Revenge of the Cybermen were not retained. The only surviving copy is a set of four 7”, 7.5ips “composer’s copy” domestic 1/4-inch tape. It is from those digital transfers that this release is taken. Sadly, and to Carey’s obvious and understandable disappointment, the completed music did not meet with the complete approval of the production team, and much of it was not used. Peter Howell of the BBC Radiophonic Workshop added some electronic embellishments and arranged some additional cues for parts two and three but some of that was also left on the proverbial cutting room floor. For this release, Carey’s original score is presented (and heard here for the first time) as written. This is followed by the additional, alternative, and “enhanced” cues, all of which were also on Carey Blyton’s tapes.

Doctor Who – Time And The Rani was the opening serial of season 24, first broadcast on September 7th, 1987. It marked the debut of Sylvester McCoy and featured CGI in a very basic form as the technology was still in development. It also debuted a new computer animated opening title sequence with a new synthesiser version of the theme created by Keff McCulloch.

The composer was invited to create incidental music for the series and became a regular member of the team also writing music for Delta & The Bannerman, Paradise Towers, Remembrance Of The Daleks, Silver Nemesis, Battlefield, Dimensions In Time and Shada.

Keff, Dominic Glynn and Mark Ayres were the composers for the last three years of Doctor Who on its original run that ended in 1989, the latter compiling and producing this release.

I PREDATORI DI ATLANTIDE (AKA Atlantis Inferno) is a post-atomic movie directed by Ruggero Deodato in 1983. It narrates the adventures of Mike Ross (Christopher Connelly), Washington (Malik Farrakhan) and of a group of characters bound to the events revolving around the sinking of a Soviet submarine, close to Florida shores. A series of twists will bring the group on an island, just submerged from the abyss which is the mythical Atlantis. The score, unreleased if we pay exception to a 7” vinyl of the 80s featuring the song BLACK INFERNO, is finally integrally available on CD, displaying a magnificent electronic style in the prevalent mood of many of the De Angelis’ bros scores of that decade such as Alien 2 sulla terra or 2019 dopo la caduta di New York. A much requested title by fans of the composers, we put an end to the waiting thanks to this release featuring a jewel case edition, mastering by Enrico De Gemini, graphic layout by Daniele De Gemini and derailing liner notes by eclectic musical critic Fabio Babini.

The reputation of the Japanese hip-hop production team Grey October Sound is spreading both in Japan and abroad. While they have released quality albums such as "Timeless" and "The Cave," their two lo-fi hip-hop cover albums, "Lo-Fi Ghibli" and "Lo-Fi City Pop," have become hits in record stores around the world. For the third installment of this series, they have set their sights on Japan's world-famous anime songs!

They will be covering songs from "Bleach", "Saint Seiya", "Puella Magi Madoka Magica", "k-on! and "Dragon Ball", all of which are lo-fi arrangements of theme songs and insert songs of high quality, while still showing respect for the originals. The cover of this album was designed by Rika Hase, an illustrator who also created the artwork for "Lo-Fi Ghibli" and "Lo-Fi City Pop".

Waxwork Records in partnership with Back Lot Music is honored to release NOPE Original Motion Picture Soundtrack by Michael Abels. Oscar® winner Jordan Peele disrupted and redefined modern horror with Get Out and then Us. Now, he reimagines the summer movie with a new pop nightmare: the expansive horror epic, Nope.

The film reunites Peele with Oscar® winner Daniel Kaluuya (Get Out, Judas and the Black Messiah), who is joined by Keke Palmer and Oscar® nominee Steven Yeun as residents in a lonely gulch of inland California who bear witness to an uncanny and chilling discovery.

NOPE marks Abels’ third feature film score with director Jordan Peele, having previously scored Peele’s GET OUT and US. The album also features songs from the film, including a new version of Corey Hart’s classic “Sunglasses at Night (Jean Jacket Mix)”, Dionne Warwick’s “Walk on By”, The Lost Generation’s “This is the Lost Generation”, Exuma’s “Exuma, the Obeah Man”, and a never-before-released gem by a young Jodie Foster, “La Vie C’est Chouette” from the 1977 film MOI, FLEUR BLEUE. “NOPE is my most ambitious score to date,” says Abels. “There are elements from the genres of sci-fi, action, horror, and westerns, but always through the tonal palette of Jordan Peele’s unique vision. The lines between source music and score are blurred, as a good part of the score seems to be playing at the theme park, which is a key location in the story. The score is at times terrifying, yet also invokes the sense of awe and wonder that the characters feel as they realize what they are seeing. The film eventually becomes a grand adventure, and so the music expands into the larger-than-life scale we expect of a summer blockbuster.” He goes on to say, “it was a joy to compose a score that encompassed such a broad range of genres and emotions, and I’m thrilled to have audiences experience all of them through this album.”

“Michael is one the most exciting composers working today - he has this amazing ability to create new sounds which was important for this film,” Jordan Peele says. “He's able to play in the familiar and in the unfamiliar at the same time, so that helps give every film its own character, and he has an incredible mastery of so many different music genres.” Abels is known for his genre-defying scores for the Jordan Peele films GET OUT and US, for which Abels won a World Soundtrack Award, the Jerry Goldsmith Award, a Critics Choice nomination, and multiple critics’ awards. The hip-hop influenced score for US was short-listed for an Academy Award® and was named “Score of the Decade” by The Wrap. Abels is also co-founder of the Composers Diversity Collective, an advocacy group to increase visibility of composers of color in film, gaming and streaming media.

Waxwork Records is thrilled to present the official NOPE deluxe double LP soundtrack album. The package comes complete with 180-gram colored vinyl, quality packaging, original artwork by Ethan Mesa, heavyweight gatefold jacket with matte coating, a multi-page 12”x12” booklet, liner notes, & more!

According to Morricone’s 60th professional anniversary as a composer, „Morricone 60“ collects his definite greatest and most famous pieces of work to date.

Package includes a gatefold jacket with grisly custom cover artwork by Shagrat, extensive liner notes by Rob Strangman (West Mansion: The Splatterhouse Homepage) plus original Japanese arcade flyer art, sprites and other rare and historical horrors from the cult classic game Original arcade soundtrack album features the earliest published video game work by legendary composers Katsuro Tajima and Yoshinori Kawamoto (Super Smash Bros Ultimate, Star Fox Assault) For fans of retro gaming, 1980’s slasher films, synthwave, chiptunes and John Carpenter. Welcome to the Splatterhouse (スプラッターハウス, Supurattāhausu)!! Spacelab9 in conjunction with Bandai Namco invite you to relive the 1988 classic hack and slash horror! Re-trace the gore-drenched footsteps of protagonist Rick in his Terror Mask as he hacks his way through the dungeon and the West Mansion grounds, killing hordes of pus and guts-oozing creatures!

Mondo and Back Lot Music are proud to present the soundtrack to the award-winning documentary: BATHTUBS OVER BROADWAY.

BATHTUBS OVER BROADWAY is the hilarious, touching story of former Letterman writer and record collector Steve Young, whose discovery of the bizarre world of corporate musicals leads him on an unexpected journey as he tracks down the creators and performers of these secret industrial extravaganzas.

This album contains complete versions of over two dozen vintage industrial show-tunes, with selections from Anthony DiLorenzo's original orchestral score, plus three original songs written for the film.

Composed by Carl Thiel
Pressed on 2x 180 Gram Black Vinyl with artwork by César Moreno
Mondo, in collaboration with Powerhouse Animation and Viz Media are proud to present the soundtrack to the Netflix Original Series: Seis Manos.

Composed by Carl Thiel (Machete, From Dusk Til Dawn) the music for the Seis Manos is a unique blend of soundscapes from the exploitation films of the 60’s and 70’s, modern action adventure films, all anchored by classical mexican instrumentation. It’s a one of a kind soundtrack for a one of a kind animated series.

Originally released on white vinyl for Record Store Day 2021, this much sought after soundtrack is now available on a limited run of Transparent Red Vinyl. 2020 saw the release of the critically acclaimed “Audrey”, a documentary film taking an intimate look at Audrey Hepburn’s life with access to never-before-seen footage from her family’s personal collection and produced by the multi award-winning team behind “McQueen” and “Churchill”. The soundtrack was composed by Alex Somers, an American composer and producer who has written and collaborated on soundtracks including “We Bought A Zoo”, “How To Train Your Dragon Trilogy”, “Aloha”, “The Circle”, “Captain Fantastic”, “Shia LaBeouf's Honey Boy” and Taylor Swift's Netflix original documentary “Miss Americana”. His work was first noticed in 2009 with Riceboy Sleeps, his ambient album collaboration with partner Jónsi (Sigur Rós). Following “Riceboy Sleeps”, Alex co-produced Jónsi’s 2010 debut solo album “Go”. He then opened his own recording studio in Reykjavík where he co-produced and mixed Sigur Rós’ 2013 album “Valtari”, and continued to collaborate with artists Jónsi, Julianna Barwick, Jóhann Jóhannsson, Gyða Valtýsdóttir, Damien Rice, Amiina, Sin Fang, Briana Marela. “Audrey Hepburn was such a special person” Says Alex Somers. “It was my goal to tap into what made her such a one-of-a-kind soul and create a melodic and sonic accompaniment for her. Collaborating with Helena was a beautiful and rewarding experience. The music poured out and together we experimented and pushed deeper to tell Audrey’s story; there is music here that is dark and there is music here that is light and uplifting, but the common thread is that it is honest and true to the spark that was Audrey.”

Waxwork Records is thrilled to release THE FUNHOUSE Original Motion Picture Soundtrack by John Beal! THE FUNHOUSE is a 1981 American slasher film directed by Tobe Hooper. The plot follows four teenagers who become trapped in a dark, horror-themed ride at a local carnival in Iowa and are stalked by a mentally disabled, murderous carnie. The film was Tobe Hooper's first major studio production after Eaten Alive (1976) and The Texas Chain Saw Massacre (1974).

About the composer:

John Everett Beal is an internationally recognized American music composer, military veteran, classical musician and musical conductor. He has conducted for major recording artists, movies in concert such as Star Wars, Toy Story, Home Alone, and the Harry Potter series, and he is the principal conductor of the Hollywood Symphonic Orchestra. Beal is considered by The New York Times as the pioneer of original scores for film trailer music including Star Wars, Titanic, The Matrix, Aladdin, Mean Girls, Planet Of The Apes, Ferris Bueller's Day Off, Cruising, Bram Stoker's Dracula, First Blood, The Bodyguard, Ghost, The Nightmare Before Christmas, The Mask, True Lies, Police Academy, and many more.

Waxwork Records is proud to present THE FUNHOUSE Original Motion Picture Soundtrack by John Beal officially for the first time on vinyl. Features include heavyweight double LP "Dark Carnival Ride" pinwheel colored vinyl, all new artwork by Ghoulish Gary Pullin, old style tip-on gatefold jackets with matte satin coating, liner notes, a 12"x12" art print, vertical inner gatefold artwork, and more!

THE FUNHOUSE Original Motion Picture Soundtrack Features:

The Complete Soundtrack by Composer John Beal
Officially Available For The First Time On Vinyl
"Dark Carnival Ride" Pinwheel Colored Vinyl
New Artwork By Ghoulish Gary Pullin
Heavyweight Old Style Tip-On Gatefold Jackets with Matte Satin Coating
Liner Notes
12"x12" Art Print
Vertical Gatefold Artwork

Waxwork Records is thrilled to present Texas Chainsaw Massacre (2022) Original Netflix Motion Picture Soundtrack by Colin Stetson!

In partnership with Milan Records, Texas Chainsaw Massacre (soundtrack From THE Netflix Film) by Grammy Award®-winning saxophonist, multi-instrumentalist, songwriter and composer Colin Stetson (Hereditary, Color Out Of Space) features music written by Stetson for the long-awaited sequel to the 1974 horror classic. The 23-track collection finds Stetson expertly layering a multitude of sounds and instruments to create a hauntingly brutal, industrial soundscape.

From a filmmaking team that includes Fede Alvarez (Evil Dead, Don’t Breathe) and Kim Henkel, co-writer of the 1974 classic, The Texas Chain Saw Massacre, Texas Chainsaw Massacre arrives on Netflix today, February 18, 2022.

Of the album, composer Colin Stetson says, “It has been an honor and just way too much fun getting to musically world-build in the Texas Chainsaw Massacre universe. As with the subject matter and our iconic villain – all sputtering engines, metal scraping metal, faces on faces – the music is the sound of an old and decrepit abattoir, stirring to life and rattling off the dust after a great many years idle; made with Contrabass Saxophones, Tibetan bowls, and a hearty dose of wild turkey hunting calls; all twisted, stretched, and wearing masks of their own.”

About Texas Chainsaw Massacre

Directed by David Blue Garcia, the film centers on Melody (Sarah Yarkin), her teenage sister Lila (Elsie Fisher), and their friends Dante (Jacob Latimore) and Ruth (Nell Hudson), head to the remote town of Harlow, Texas to start an idealistic new business venture. But their dream soon turns into a waking nightmare when they accidentally disrupt the home of Leatherface, the deranged serial killer whose blood-soaked legacy continues to haunt the area’s residents — including Sally Hardesty (Olwen Fouéré), the sole survivor of his infamous 1973 massacre who’s hell-bent on seeking revenge. Texas Chainsaw Massacre is based on a story by Fede Alvarez and Rodo Sayagues. Fede Alvarez, Herbert W. Gains, Kim Henkel, Ian Henkel and Pat Cassidy produced. The screenplay was penned by Chris Thomas Devlin.

Texas Chainsaw Massacre (soundtrack From THE Netflix Film) Features:

The Complete Soundtrack By Composer Colin Stetson 180 Gram "Sunflower and Blood" Colored Vinyl Heavyweight Gatefold Jacket with Matte Satin Coating Original & Official Teaser Key Art

'Waxwork Records is thrilled to announce the release of GET OUT Original Motion Picture Soundtrack Music By Michael Abels. Written and directed by Jordan Peele, GET OUT is a critically acclaimed 2017 American horror film starring Daniel Kaluuya and Allison Williams. The film received numerous accolades and won the Academy Award for Best Original Screenplay. It was also nominated for Best Picture, Best Director, and Best Actor for Kaluuya.

GET OUT is the directorial debut of accomplished actor and long time horror-fanatic, Jordan Peele. The film’s music was scored by composer Michael Abels, and it also features his debut as a film composer.

Included in the new deluxe double LP release of GET OUT are exclusive liner notes in the form of an in depth essay by Peele that illustrates the director’s first meeting with Michael Abels, their approach to the film’s music, and how it all came together to conjure a new sound. “I had some ideas. I envisioned distinctly black voices harmonically creating an unnatural sound. The absence of hope. The void of the voiceless. A disembodied Negro spiritual. The Sunken Place.”

GET OUT Original Motion Picture Soundtrack features the complete soundtrack by composer Michael Abels, deluxe packaging, new artwork by Leslie Herman, a printed insert with exclusive liner notes by Jordan Peele, 180 gram “The Sunken Place” Black with White Splatter colored vinyl, and old style tip-on gatefold jackets with satin coating.

* Transferred from the original master tape reels * Pressed on 180 gram hand poured marble vinyl with deluxe gatefold jacket * Includes full color printed inner sleeve liner notes and Roberta Findlay interview * Score has never been released on any format ever until now / Soundtrack to Roberta Findlay's NYC action exploitation film “Tenement”(1985), music composed by Walter Sear, recorded at Sear sound recording studio NYC. Features music spanning from heavy prog rock to 1980's NYC rap theme by Kool Krew, with horror synth score throughout.

Everything Everywhere All At Once Soundtrack by Son Lux. Nominated for the 2023 Academy AWARDr for Best Original Score. Includes "This is A Life," featuring Son Lux, Mitski and David Byrne _ nominated for Best Original Song. Also includes the songs ü"Now Weü're Cookinü' (with Randy Newman)ü" and "Fence (with Moses Sumney)". Limited Edition of 15,000 double albums, on black & white vinyl.

Waxwork Records is thrilled to present THE Midnight Club Original Netflix Series Soundtrack By The Newton Brothers. Created and directed by Mike Flanagan (The Haunting Of Hill House, Midnight Mass, Doctor Sleep), the series brings back Flanagan’s longtime collaborators THE Newton Brothers who once again bring their expert scoring blend of orchestral and synth driven cues wrapped in an eerie, ambient shroud of emotion and darkness.

Starring Iman Benson, Igby Rigney, Ruth Codd, and Annarah Symone, The Midnight Club tells the story of a group of eight terminally ill young adults residing at the Brightcliffe Home hospice center. Each night at midnight, they gather in the Brightcliffe library to share scary stories. They have also formed a pact: the first to die from their disease must come back and communicate with them from the other side.

With the score, The Newton Brothers lean on their classic roots of piano, effect pedals, synths, and skillful melody to create a dynamic and haunting composition. The continued sense of dread and fear undercuts the beauty of the music. Though bright orchestral themes highlight the score, the electronic and ghostly arpeggiated sounds create a feeling of tension-building unease.

Waxwork Records is so excited to continue our series of official soundtracks with filmmaker Mike Flanagan and composer duo The Newton Brothers with the premiere release of The Midnight Club Original Netflix Series Soundtrack. Featuring the complete series music by The Newton Brothers pressed to heavyweight "Beyond The Grave" swirl colored vinyl, deluxe gatefold packaging with design by Creepy Duck Design, an art print insert, and more!

THE Midnight Club Original Netflix Series Soundtrack Features:

The Complete Series Music By The Newton Brothers 2xLP "Beyond The Grave" Swirl Colored Vinyl Deluxe Gatefold Packaging with Matte Satin Coating Design by Creepy Duck Design Art Print Insert Catalog Number: Ww166 UPC: 657768405969

Coop between Sacred Bones and Waxwork.
Legendary hip hop pioneer DJ Muggs and frequent David Lynch collaborator Dean Hurley join forces for the original score to the 2023 Sundance-premiering feature film Divinity. Equal parts sonically punishing and ethereal, the soundtrack delivers a unique punch that further intensifies the mind-bending, acid-trip experience of the film.

Divinity is a sci-fi dystopian odyssey produced by Steven Soderbergh and helmed by visionary director Eddie Alcazar. Set in the distant future, scientist Sterling Pierce dedicated his life to the quest for immortality, slowly making progress developing a serum named Divinity. Jaxxon Pierce, his son, now controls and profits from his father’s once benevolent dream. Society on their barren planet has been entirely perverted by the supremacy and pervasiveness of the drug. Two mysterious brothers arrive with a plan to abduct the mogul, and with the help of a woman named Nikita, they set on a trajectory hurtling toward true immortality.

Amidst the film’s extraordinary tapestry of stark aesthetics and themes, the score is a ten ton barbell of sonic weight. Crafted with 8-bit samplers, Wavestation synths, extended choir and string techniques, the soundtrack manages to swing wildly between the arenas of both music and sound design. Like all rich soundtracks, listening to the score on its own re-conjures the imagery of the film in the screen of the listener’s mind, an aural experience that manages to encapsulate and pulse a matched intensity of the film.

Tracks like ‘The Brothers’ and ‘Reflective Dreams’ cascade Vangelis-esque tones, painting with broad strokes of cinematic grandeur and ethereal wonder. ‘Main Titles’ and ‘Infinity Techno’ conversely swing hard into relentless, punishing sonics; with brutal, pulsing energy representative of the twisted, relentless pursuit of immortality. A standout of the album is undoubtedly “Divinity 2 Infinity: The Odyssey,” featuring cult hip-hop hero and lyrical-savant Kool Keith. Written for the film’s end credits, the track is a satisfying throwback to the 90’s original soundtrack cut bespoke-tailored to the film’s narrative themes.

DJ Muggs and Dean Hurley’s synergy yields a soundtrack that takes Divinity beyond the screen and into a multi-dimensional experience, inviting its listener along uncharted aural terrain for an unforgettable odyssey in sound.