Vinyl, CD & Tape Preorder 6566 Items

LP | 1972 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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California mail-order mystic MasterWilburn Burchette was first known fromhis ads, hidden in the back pages of FateMagazine, Beyond Reality, and GnosticaNews. On his 1972 sophomore album,Burchette channels dreamy early music,druid folk, electric fingerstyle, psychedelicballadry, and new age ontology to createa visionary guitar technique all his own.This faithful reproduction includes theoriginal 12-page full color instructionbook for the secret method of piercing thepsychic heart.

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Miles Davis

On The Corner

74,99 €*

LP | 1972 | JP | Reissue (P-Vine)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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SOURCED FROM THE ORIGINAL MASTER TAPES: MOBILE FIDELITY 180G 33RPM SUPERVINYL LP
REVEALS MULTIPLE LAYERS OF RHYTHM, VISCERAL BASS, AND PIONEERING PRODUCTION TECHNIQUES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches — the likes of which fill Davis' boldest and most controversial — undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling thanks to this very special pressing.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g 33RPM SuperVinyl LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid fashion. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can discern the multiple layers of rhythm Davis employed on complex tracks such as "Black Satin," as On the Corner stands as his first effort to use overdubbing and multiple tape machines. As a pioneer, Davis likely would’ve loved MoFi’s groundbreaking SuperVinyl profile that features the lowest-possible analogue noise floor as well as pristine transparency, dead-quiet surfaces, and superb groove definition.

New degrees of spaciousness and airiness — equally important to the musique concrete arrangements — give the impression Davis and Co.'s creations float in space. Instruments are portrayed in three-dimensional manners, rhythmic loops retain tonal purity, and horn solos skitter across an extra-wide soundstage that takes listeners into Columbia's Studio E. Mobile Fidelity's SuperVinyl LP captures Teo Macero's innovative production — and the trumpeter's cutting-edge aural collages — in definitive fashion.

Heavily inspired by Sly and the Family Stone, On the Corner portrays street vibes and remains Davis' Blackest-sounding record. The conscious attempt to connect with youthful audiences tapped into rock and funk is evident not only on the colorful cartoon cover art depicting hot-pants and zoot-suit revelers, but in the music's emphasis of recurring drum and bass grooves. Distinct from Davis' earlier fusion experiments, the record's long-misunderstood set dials back improvisation in favor of beats, loops, and atmospherics that generate trance-like effects. While Davis utilizes his band for core duties — Chick Corea and Herbie Hancock prominently figure — he also relies on an all-star cast of side-men for concentrated soloing and additional support.

With rhythm providing the basic foundation, other notes fall into place, with their positioning steered by Macero and Davis' editing-room techniques. Looking to the manipulation-based work of Karlheinze Stockhausen and teaming with Stockhausen disciple Paul Buckmaster, Davis re-imagines what grooves constituted and could accomplish throughout On the Corner. The shapes of the songs become completely transformed as they progress. Faint melodies, spacey chords, chunky riffs, wah-wah fills, and repeated motifs bounce in and out of a sonic funhouse that wouldn't be out of place at a Harlem block party.

Exotic, intrepid, and filled with Davis' "jungle sound," On the Corner remains daringly hip more than four decades later.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are virtually indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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The Montclairs

Dreaming Out Of Season

Close To The Edge Atlantic 75 Series Sacd

Release: 1972 / JP – Reissue

Genre: Organic Grooves

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The Montclairs are a five-piece soul vocal group featuring Phil Perry, who is still active as a solo artist. The Montclairs were located in St. Louis, Missouri, which is not Philadelphia, New Jersey, Detroit, or Chicago, and their chorus was sweet and beautiful, with Perry's distinctive falsetto at the center. The group was discovered by Oliver Sane, a big name in the area, and released this album on the prestigious Paula (Jewell) Records label in 1972, produced by Sane.

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Yes

CD | 1972 | US | Reissue (Analogue Productions Atlantic 75 Series)

50,99 €*

Takeshi Inomata & Sound Limited

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Yes' 1972 Atlantic Records masterpiece!

Hybrid Stereo SACD

Yes's 1972 3-track recording masterpiece, Close to the Edge, presents a snapshot of an adventurous rock band at the peak of its powers, daring to push itself musically, both as individuals and as a unit.

The first half of the 1970s was an especially fertile period for British progressive rock, laying claim to classics such as Tarkus, Selling England by the Pound, Larks' Tongues in Aspic, The Dark Side of the Moon, and Thick as a Brick. Collectively these and other works represent the best British progressive rock had to offer. Yet, many reviewers cite Close to the Edge as the ultimate prog rock album.

Author and music journalist Will Romano writes: "Yes had previously penned epic tracks for The Yes Album and Fragile, but nothing on the magnitude of the musical gems appearing on Close to the Edge. It's something of a small miracle — perhaps even magic — that the virtuoso quintet crafted such a cohesive and compelling album during an often-hectic recording process that very nearly relegated this monumental work to the dustbin of history."

The album's centrepiece is the 18-minute title track, with themes and lyrics inspired by the Herman Hesse novel Siddhartha. Side two contains two non-conceptual tracks, the folk-inspired "And You and I" and the comparatively straightforward rocker "Siberian Khatru." Original drummer Bill Bruford found the album particularly laborious to make, which culminated in his decision to quit the band after it was recorded, to join King Crimson.

Close to the Edge became the band's greatest commercial success at the time of release. It peaked at No. 4 on the U.K. Albums Chart and No. 3 on the Billboard 200 in the United States, the highest position Yes has reached on the latter chart.

In 2020, Close to the Edge was ranked at No. 445 on Rolling Stone's list of the 500 Greatest Albums of All Time.

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New Rock In Europe

LP | 1971 | JP | Reissue (Universal Music Japan)

55,99 €*

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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The Ponderosa Twins Plus One

2+2+1= Colored Vinyl Edition

LP | 1971 | US | Reissue (Numero Group)

LP | 1971 | JP | Reissue (P-Vine)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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An American soul vocal group that would go on to shape the sound of pop music much farther beyond their imaginations, The Ponderosa Twins Plus One featured two sets of identical teenage twins, Alfred and Alvin Pelham, and Keith and Kirk Gardner, along with Ricky Spicer. The group released a couple of singles and a lone album for Cleveland's Saru label in 1971, breaking up and disbanding as adolescence waned. A recent sample darling of both Kanye West and Tyler The Creator, "Bound" has revealed the Ponderosa Twins Plus One as the real Midwest kid soul deal. Numero is proud to present the first official American repressing of the original 1971 release, with fresh remasters from the original analog tapes, two previously unissued bonus tracks, and a replica tip on sleeve, making this an album you're bound to fall in love with.

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Kashmere Stage Band

Thunder Soul

Camenbert Electrique Marbled Vinyl Edition

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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Kashmere Stage Band (ksb), founded by music teacher Conrad O. Johnson was an elite performing unit of the student band at Kashmere High School, Houston, Texas, from the late 1960s until 1978. All original Kashmere LPs had 1000 copies or less originally pressed, which were sold both locally and around the world as the band toured. And now, P-vine is proud to present the historically renowned albums from the band on limited reissue vinyl! some of them will be reissued on vinyl for the first time.

[Items line-up] Kashmere Stage Band / Our Thing ('69) Kashmere Stage Band / Bumper To Bumper Soul ('70) ※First time reissued on vinyl Kashmere Stage Band / Thunder Soul ('71) ※First time reissued on vinyl Kashmere Stage Band / Zero Point ('72) Kashmere Stage Band / Kashmere "73" Live in Concert ('73) ※First time reissued on vinyl Kashmere Stage Band / Out Of Gas But Still Burning ('74) Kashmere Stage Band / Plays Originals ('74) Kashmere Stage Band / Expo '75 Concert Tour Japan/Okinawa ('75) ※First time reissued on vinyl

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Gong

LP | 1971 | UK | Reissue (Charly)

Release: 1971 / UK – Reissue

Genre: Rock & Indie

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Camenbert Electrique Black Vinyl Edition

Gong

LP | 1971 | UK | Reissue (Charly)

Release: 1971 / UK – Reissue

Genre: Rock & Indie

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Jiro Inagaki & Soul Media

Onna Tomodachi (Wandering Birds)

LP | 1971 | JP | Reissue (Nippon Columbia)

55,99 €*

Pappo's Blues Amber Black Smoke Vinyl Edition

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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This is the first time Jiro Inagaki has featured vocals in this bold take on new rock. The mysterious, blackened rock groove roars out. This jazz-rock work is particularly unique among Jiro Inagaki's works, featuring vocals by Sammy and Yasushi Sawada for the first time, and backed by Masahiko Sato, Kimio Mizutani, Hiro Yanagida, and others.

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Pappo's Blues

LP | 1971 | EU | Reissue (Svart)

28,99 €*

Pappo's Blues Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Svart Records is proud to reissue the production of Argentinian blues rock legend Pappo's Blues as vinyl versions. Guitarist-singer Pappo aka Norberto Aníbal Napolitano (1950 – 2005) is one of his country's biggest rock legends, who also managed to make a career outside his home country. He was there right from the beginning of Argentine rock, as guitarist of the first version of Los Abuelos de la Nada, Conexión Nº 5, Engranaje and Los Gatos, the band that made Argentine rock a household name thanks to the success of their first single, “La Balsa”, which sold more than 200.000 copies in 1967.

Jorge Álvarez (co-founder of the first Argentinian independent rock label Mandioca) encouraged Pappo to develop his own music. What followed was the formation of the first version of Pappo’s Blues in 1971, a trio that had Pappo himself on guitar and vocals, David Lebón on bass and Black Amaya on drums. Their self-named debut album was an unqualified success among the ever-growing audience of Argentine rock. It contained a bundle of all-time classics such as “El hombre suburbano” (The suburban man), “El viejo” (The old man) and “Adónde está la Libertad” (Where is freedom?).

Pappo’s Blues (1971, also known as “Volume One”) introduced a new element to Argentine rock: a harder rock and blues sound, combined with intelligent and sensitive lyrics with centered on the vicissitudes of a typical young man trying to live life according to his own rules, surrounded by the mores of an intolerant society. The arabesques of Pappo’s guitar, complemented by a solid and yet elastic rhythm section, made for an exciting and daring sound, where his trademark rock and blues sound also extended to embrace blues ballads and even excursions into psychedelia.

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Pappo's Blues

LP | 1971 | EU | Reissue (Svart)

26,99 €*

LP | 1971 | JP | Reissue (Warner Musi Japan)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Flower Travellin' Band

Satori

56,99 €*

No Secrets Pink Vinyl Edition

Release: 1971 / JP – Reissue

Genre: Rock & Indie

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Released in 1971, this was the first album produced by a Japanese artist with the overseas market in mind. It was released simultaneously in the United States, Canada, and Japan, and the single ""satori Part 2"" reached number 8 in Canada. Due to the trend of Oriental thought in Europe and America, his works are characterized by incorporating more Eastern and Japanese sounds. Japan at this time was also in the transition period from GS to folk, and there were still few people who accepted rock, but they continue to be supported by their advanced sound. Of course, it is very popular overseas and its popularity is still undiminished.

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Carly Simon

LP | 1971 | US | Reissue (Friday Music)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Chicago II Blue Vinyl Edition

Chicago

2LP | 1971 | US | Reissue (Friday Music)

84,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Takanaka Clear Red Vinyl Edition

Masayoshi Takanaka

LP | 1971 | JP | Reissue (Universal Music)

54,99 €*

Mal Waldron & Gary Peacock

Release: 1971 / JP – Reissue

Genre: Pop

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Pressed on clear red vinyl
180g weight
Remastered by Alex Wharton at Abbey Road 53 years after his debut! The remastered popular works of Masayoshi Takanaka, one of Japan's leading super-guitarists, are now available on limited edition colored vinyl! Alex Wharton of Abbey Road Studios, London, has remastered and cut this can't miss album from the original master tapes of ""SEYCHELLES,"" ""TAKANAKA,"" ""AN INSATIABLE HIGH,"" and ""SUPER TAKANAKA LIVE!"

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First Encounter

LP | 1971 | EU (Trading Places)

20,99 €*

LP | 1971 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1971 / EU

Genre: Organic Grooves

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After playing with Mingus, Coltrane, Lady Day and Abbey Lincoln, inventive jazz pianist Mal Waldron moved to Europe and first reached Japan in 1970, where he met Idahoborn double-bassist Gary Peacock, who had played with Art Pepper, Bud Shank, Bill Evans and free-jazz giant, Albert Ayler before moving to Japan to study zen buddhism. First Encounter, recorded in Tokyo in 1971 for French producer Herve Bergerat, shows that the intense pairing was quite natural, the harmonic dissonance of Waldron’s “She Walks In Beauty” contrasted by the up-tempo groove of Peacock’s “What’s That”; future Native Son founder Hiroshi Murakami makes important contribution on drums.

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Miles Davis

Tribute To Jack Johnson

83,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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The Yes Album Atlantic 75 Series Sacd

Yes

CD | 1971 | US | Reissue (Analogue Productions Atlantic 75 Series)

50,99 €*

LP | 1971 | UK | Reissue (Westbound)

Release: 1971 / US – Reissue

Genre: Pop

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

One of the finest albums of the classic rock era!

Hybrid Stereo SACD

After half a century of crafting an astonishing array of chart-topping albums and embarking on triumphant global tours, Yes's The Yes Album marks the origin of their meteoric rise, through the recording sessions for this 1971 masterpiece.

With an ever interesting line-up of world class musicianship, this highly regarded chapter of Yes consisted of Jon Anderson (vocals), Chris Squire (bass/vocals), Bill Bruford (drums), Tony Kaye (keyboards) and the introduction of Steve Howe (guitars/vocals), The Yes Album was the band's breakthrough album, ultimately remaining on the sales charts for 34 weeks, selling more than 1 million copies.

This important piece of music consists of six amazing Yes workouts such as the definitive album opener "Yours Is No Disgrace," the hard rocking "Starship Trooper" and the brilliant "I've Seen All Good People" plus the massive hit single "Your Move." From this moment on, there was no looking back for this superstar quintet.

Yes enthusiasts were superlatively rewarded with even more progressive rock favorites as the brilliant acoustic driven guitar work of Steve Howe's "Clap," Chris Squire and Jon Anderson's superb "Perpetual Change" and the jazz-rock fusion of "A Venture" truly made this album a standout.

The album was a critical success and a major commercial breakthrough for Yes, who had been at risk of being dropped by Atlantic due to the commercial failures of their first two albums. It reached No. 4 in the United Kingdom and No. 40 in the United States, and was later certified platinum by the Recording Industry Association of America for surpassing 1 million copies.

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The Counts

What's Up Front That

21,99 €*

LP | 1970 | EU | Reissue (Le Très Jazz Club)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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The Counts formed in Michigan in 1964 as the Fabulous Counts, releasing two singles, ‘Jan Jan’ and ‘Get Down People’ on the Moira label in 1968 and 1969 that became R&B chart hits. This led to the album “Jan Jan”, issued by Cotillion in 1969.

Snapped up by Westbound, the line-up that recorded “What’s Up Front That Counts” included Mose Davis (Organ), Leroy Emmanuel (guitar), Demetrius Cates (sax) and Andrew Gibson (drums). Although tenor player Jim White is on the front cover, he left the band shortly before the album was recorded. Extended, mostly instrumental tracks like ‘Why Not Start All Over Again’ and the title track are now recognized as some of the juiciest funk ever laid down in the studio. Shorter tracks like ‘Rhythm Changes’, ‘Thinking Single’ and ‘Bills’ are equally sweet. What gives the album such powerful musical chemistry was the fact that the Counts were jazz players weaned on the likes of Miles Davis who were also into the funk of James Brown and Sly & The Family Stone so every track features groove-driven interplay. One might argue this is the sound that Miles Davis was trying to find on his early 70s albums.

The Counts were to tour with Funkadelic and record more singles and albums but it is this 1971 offering that is, and remains, an all-time classic. Indeed, the track ‘What’s Up Front That Counts’ has been sampled by artists like Queen Latifah and Eric B & Rakim, keeping the music of the Counts firmly in the minds of a young contemporary audience.

Out of print on vinyl for nearly two decades, Ace is proud to reissue this beauty.

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Terumasa Quintet Hino

Into The Heaven

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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We can"t really say that Japanese jazzmen benefit (not justify in fact) from a great international fame. However, trumpet player Terumasa Hino is an exception, undoubtedly because since the 70s he has collaborated with numerous Americanmusicians : Gary Burton, Roy Haynes, Herbie Hancock ... On Into the Heaven, which was released in 1970, Terumasa Hino is surrounded by the same musicians as on Hi- Nology, released a year earlier : his brother Motohiko Hino on drums, Hiromasa Suzuki on electric piano, Kunimitsu Inaba on electric bass and Takeru Muraoka on tenor sax. The eponymous piece, which lasts more than 20 minutes, is a jazz fusion giving room to choruses and which is reminiscent of the music that Miles Davis then oï¬Çered, in what we will call his "electric period". B side opens with "Love More Train", a brilliant and long hard bop song, while the album closes melancholy with the peaceful"Feeling Blues As YouAre Feeling".

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LP | 1970 | US | Reissue (Nature Sounds)

Dave Pike

The Doors Of Perception

28,99 €*

LP | 1970 | JP | Reissue (P-Vine)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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"The Doors Of Perception Is Presented In A Unique Blue Swirl Colored Vinyl Pressing. The Doors Of Perception is among the most experimental and innovative releases by famed jazz vibraphonist Dave Pike. Recorded in 1966 and released in 1970, the album finds Pike indulging in full fledged psychedelic jazz, with trippy grooves and a new sound. Produced by Herbie Mann, The Doors Of Perception features an all-star cast of musicians, including Eddie Daniels, Lee Konitz, Don Friedman, and Chuck Israel. Their talents are complemented by a wide range of sound effects, from echo chambers to piped-in applause to thunderstorms to fuzzy distortion, making for a dynamic and unique listening experience."

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Kashmere Stage Band

Bumper To Bumper Soul

LP | 1970 | UK | Reissue (Charly)

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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Ken Boothe

Freedom Street

29,99 €*

Release: 1970 / UK – Reissue

Genre: Reggae & Dancehall

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LP | 1970 | UK | Reissue (Charly)

Don Cherry

Mu. Second Part

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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Jiro Inagaki & Soul Media

Head Rock Clear Blue Vinyl Edition

LP | 1970 | JP | Reissue (Nippon Columbia)

55,99 €*

Montreux II Blue Vinyl Edtion

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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This is a work by the legendary Jiro Inagaki that represents Japanese jazz-rock. Jiro Inagaki was one of the key musicians in the development of jazz rock in Japan. Inagaki, who felt the limitations of existing jazz music at the time, quickly turned his attention to jazz rock with this work, recorded in 1970. From the opening track, "The Vamp," to the closing track, "Head Rock," Inagaki poured all his ideas and passion into this jazz-rock showcase that leaves no time to exhale. This is a masterpiece that has an overwhelming presence in the history of Japanese jazz.

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Bill Evans

LP | 1970 | EU | Reissue (Klimt)

19,99 €*

Skinhead Revolt / The Thief

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Recorded live at the Montreux Festival, 1970, and originally released on CTI, this stunning album features a piano trio led by Bill Evans with bassist Eddie Gomez and drummer Marty Morrell.

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Joe The Boss

7" | 1970 | UK | Reissue (Harlem Shuffle)

17,99 €*

Blows The Blues Acoustic Sounds

Release: 1970 / UK – Reissue

Genre: Reggae & Dancehall

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“Skinhead Revolt” by Joe The boss aka Joe Mansano was first released in 1970 on the Trojan sublabel Joe as a B side to the track “Tony B’s Theme” by Joey’s All Stars. “The Thief” was released in 1969 on the Joe Label with the track “Gun The Man Down” by Dice The Boss on the flip. “Gun The Man Down” is also being repressed by us on a separate single. Both titles are British Boss Reggae classics that are very much demand.

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Sonny Stitt

LP | 1970 | Reissue (Verve)

43,99 €*

Release: 1970 / Reissue

Genre: Rock & Indie

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LP | 1970 | EU (Wiseraven)

The Sun Also Rises

24,99 €*

LP | 1970 | Reissue (Moosicus)

Release: 1970 / EU

Genre: Rock & Indie

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Released in 1970 on the british cult label The Village Thing (owned by singer/songwriter Ian A. Anderson), the sole album by couple Anne and Graham Hemingway is a superb acid folk manifesto. Coming all the way from Cardiff, the duo has been described as a mystical, magical hippie small family. Alongside classic guitars, they played dulcimer, glockenspiel, vibes, bells, kazoo and small percussion, joined throughout by label-mate John Turner (bowed and finger-picked string bass) and Andy Leggett.

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Canned Heat

Future Blues

Release: 1970 / Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Anagram / Elemental / Motown)

Four Tops

Still Waters Run Deep

50,99 €*

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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The Definitive Album By Louis Armstrong Blue Vinyl Edition

Louis Armstrong

LP | 1970 | EU | Reissue (L.M.L.R.)

24,99 €*

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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LP | 1970 | US | Reissue (Sundazed)

Truth

Rock Communication Yagibushi

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Back on LP for the first time since its 1970 release! Their sole album boasts members of the Wrecking Crew along with three Motown producers, all experimenting with a commercial psychedelic sound that defined the end of an era. Sitar head-swirlers, sunny, melodic harmonies and a country folk influence all blend together to bring listeners Truth!

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Norio Maeda & All Stars

LP | 1970 | EU | Reissue (Wewantsounds)

LP | 1970 | EU | Reissue (Endless Happiness)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Wewantsounds is delighted to announce the reissue of Norio Maeda"s cult classic "Rock Communication Yagibushi" released in Japan in 1970. The album has since become a Japanese Jazz Funk cornerstone and is now highly sought-after on the international DJ scene. The album reinterprets 14 traditional Japanese folk songs into jaw-dropping Jazz Funk instrumentals featuring killer arrangements by Maeda that would fit perfectly between David Axelrod and Lalo Schifrin. One of the most prolific Nippon arrangers, Norio Maeda on a par with Yuji Ohno and Kentaro Haneda and this album has long been on many collectors" wantlist. "Rock Communication Yagibushi" is reissued internationally for the first time, with newly remastered audio, original gatefold artwork and new liner notes by Paul Bowler.

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Gal Costa

Legal

John Surman, Eddie Louiss, Daniel Humair

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Pure class as always from Gal Costa! The record is her first after the immediate Tropicalia years, and it's a stunning blend of styles that seems to draw heavily from changes going on in the American rock scene at the time. The core of the music is still steeped in Brazilian elements – but there's a lot of influences coming into play on the album, like bluesy rock phrasing, showy nostalgia-heavy arrangements, psychedelic production elements, and some of the baroque orchestrations that would show up on Gal's later albums in the 70s.

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Our Kind Of Sabi

LP | 1970 | EU | Reissue (Endless Happiness)

Bridge Over Troubled Water

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Recorded in Japan during a tour in 1970. Featuring famous French musicians Eddie Louiss on organ and Daniel Humair on drums. A classy trio album with Louiss’ superb Hammond organ play front and center and a glimmering of the Caribbean dancing in the shadows.

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Simon & Garfunkel

LP | 1970 | US | Reissue (Mobile Fidelity Sound Lab)

83,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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LP | 1970 | US | Reissue (Wax Trader)

Natural Four

Good Vibes

Release: 1970 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | UK | Reissue (Proper)

Spooky Tooth

Spooky Two

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Le Très Jazz Club)

Terumasa Quintet Hino

Hi-Nology

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Terumasa Hino is undoubtedly one of the most famous Japanese jazzmen. Learning the trumpet at the age of 9, he began his career as a professional musician by playing in the orchestra of an US Army base, before joining Hideo Shiraki"s Quintet and then forming his own band in 1964. On Hi-Nology we find his brother Motohiko Hino on drums, Hiroma Suzuki on electric piano, Kumitsu Inaba on electric bass and Takeru Muraoka ontenor sax. The inspiration from the "electric period" of Miles Davis (notably Miles In The Sky released in 1968) is felt and is even accepted, since the opening piece is entitled "Like Miles". Coincidentally, Hi-Nology was recorded on July 31, 1969, the day after the release of In a Silent Way and has nothing to envy of this great record by Miles Davis.

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LP | 1969 | JP | Reissue (P-Vine)

Kashmere Stage Band

Our Thing

LP | 1969 | UK | Reissue (Charly)

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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Don Cherry

Mu. First Part

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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Genesis Black Vinyl Edition

Wendy & Bonnie

LP | 1969 | EU | Reissue (Cinedelic)

25,99 €*

LP | 1969 | EU (Endless Happiness)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.

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The Cyrkle

Neon

23,99 €*

Matthew, Mark, Luke And John

Release: 1969 / EU

Genre: Rock & Indie

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Cykle produced one album's worth of solid garage rock, and it certainly proves that the band was an enthusiastic bunch of musicians. Much closer to late 60’s garage (proto) punk than psychedelia, the album was released in 1969.

They were best known for their 1966 song "Red Rubber Ball" (written by Paul Simon) which went to #2 on the Billboard Hot 100 chart. The band was discovered and managed by Brian Epstein and given the unique spelling of their name by John Lennon. The group was formed by guitarists and lead singers Don Dannemann and Tom Dawes (bass guitar), who met while studying at Lafayette College in Easton, Pennsylvania. The other members were Earl Pickens on keyboards and Marty Fried on drums.

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Methuselah

LP | 1969 | EU (Trading Places)

24,99 €*

Release: 1969 / EU

Genre: Rock & Indie

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Obscure psychedelic gospel act Methuselah had its roots in Scunthorpe ‘Beat’ group the Dimples, which became Gospel Garden, whose only 45 infused Northern Soul with psycheleanings. Regrouping as Methuselah, the group signed to Elektra for this sole religious rock concept LP, their sound deceptively American, with vocal harmonies evidencing bluegrass influences; guitarist Les Nicol is never short of excellent. Certain members would later form Amazing Blondel, but Matthew, Mark, Luke And John has a unique flavour, and our edition includes two rare bonus tracks. This slice of obscure psyche must be heard to be believed!

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LP | 1969 | JP | Reissue (P-Vine)

The Ballads

The Gift Of Love

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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The only original album by West Coast soul vocal group The Ballads, released in 1969, is still a favourite among soul fans, but has only been reissued on vinyl once before, in 1982. P-vine is honoured to be able to reissue it on LP with a Japanese obi.

The album is extremely rich and wonderful, with gems such as Gene Chandler's 'God Bless Our Love' and 'The Gift Of Love', as well as Detroit-style dance numbers, and will also include a bonus track that was only released as a single. The album captures the band's cradle period in the 1970s, when they began to fully embrace a sweet soul style.

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Sunshine & Shadows Black Vinyl Edition

LP | 1969 | US | Reissue (Sundazed)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Touted as the “new Doors,” Ars Nova’s second release shows the band genre-bending jazz and heavy psychedelia in a style that’s their own. Shifting from a largely classical centric sound, this was the group’s last album before going their separate ways. Pressed on pink vinyl!

Sunshine & Shadows takes the baroque-meets-psych sound of the debut and turns a bit more to the psych side. The stately brass interludes are gone, but horns still figure prominently in the mix. There’s some jazzy New Orleans flavor to a couple of the tunes, albeit twisted into a 7/4 vamp on “You Had Better Listen.”

The instrumentalists in the band, featuring trumpet and trombone, really give the music a unique flavor, setting them apart from the multitudes of other American psych bands. Ars Nova might be likened to Ultimate Spinach (but without the overly serious, pretentious lyrics) or later Zombies (though with less emphasis on the keyboards).

It’s all very well written and nicely played, and when they do a tender ballad like “Temporary Serenade,” the acoustic guitar is very lute-like, much more along the lines of classical than folk (like the later work of Jan Akkerman with Focus), and the trumpet descant adds a lovely spice.

“Well, Well, Well” is the heaviest rock tune in their repertoire, with a great electric guitar riff and hot organ playing, again set apart by trombone and trumpet. This one is definitely worth seeking out for baroque pop fans.

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Sunshine & Shadows Pink Vinyl Edition

LP | 1969 | US | Reissue (Sundazed)

LP | 1969 | EU | Reissue (Endless Happiness)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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The Orient Express

LP | 1969 | US | Reissue (Craft)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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The Orient Express' sole LP from 1969 stands today as an early experiment in world fusion - and a pretty successful one at that, at least artistically. Guitarist Guy Duris is a Frenchman who became enamored with the oud, a classical Arabian guitar. Belgian Bruno Giet is a bass player with a rock background. Iranian Farshid Golesorkhi is an award-winning percussionist in the Persian tradition. As a trio, they only left 35 minutes for posterity, but these minutes are filled with interesting ideas and kitschy songs, all originals.

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Joe Henderson

Power To The People

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Les McCann & Eddie Harris

Swiss Movement Atlantic 75 Series

2LP | 1969 | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves

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180g 2LP 45rpm Gatefold Sleeve

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Dusty In Memphis Atlantic 75 Series

Dusty Springfield

2LP | 1969 | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*

LP | 1968 | UK | Reissue (Proper)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm Gatefold Sleeve

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Spooky Tooth

It's All About

Release: 1968 / UK – Reissue

Genre: Rock & Indie

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Nobuo Hara Meets Hozan Yamamoto

New Jazz In Japan

LP | 1968 | EU | Reissue (Le Très Jazz Club)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Nobuo "Hara", whose real name is Nobuo Tsukahara, is a Japanese saxophonist who became known in 1951 with his big band, the Sharp & Flats. Together they recorded more than a hundred album during their career. Hozan Yamamoto is, for his part, a Shakuhachi player, a traditional Japanese flute, enjoying such recognition in his country that he was awarded a Living National Treasure in 2002. The first record bringing together the two musicians is a live recorded in 1967 during the Newport Jazz Festival. It was a year later, in 1968, that New Jazz in Japan, their first studio recording, was released. Accompanied by the ower of the Sharps & Flats, Nobuo Hara"s tenor sax and Hozan Yamamoto"s shakuhachi respond subtly to give this record, which had not been reissued since 1971, a completely unique style.

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LP | 1968 | Reissue (Real Gone Music)

Listening

41,99 €*

Release: 1968 / Reissue

Genre: Rock & Indie

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Julie Driscoll / Brian Auger

Jools/Brian

LP | 1968 | UK | Reissue (Charly)

29,99 €*

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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OST La Morte Ha Fatto L'uovo Orange Vinyl Edition

Bruno Maderna

LP | 1968 | EU | Reissue (AMS)

Dance Mania Colored Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Soundtracks

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“La Morte Ha Fatto l’Uovo” (1968), here reissued for the very first time on vinyl, is a unique score characterized by avant-garde sounds that combine with the bright tones of an atypical thriller that pays homage to the cinema of Luis Buñuel.

“La Morte Ha Fatto L’Uovo” (Death Laid an Egg) is a 1968 detective movie directed by Giulio Questi, featuring an international cast whose main actors are Ewa Aulin, Gina Lollobrigida and Jean-Louis Trintignant; the warm and bright tones of its photography strongly contrast against the dark and gloomy atmospheres and plot. The soundtrack of the film, composed and directed by Bruno Maderna, is even more peculiar and distant from the typical sounds of the time, and from almost any other soundtrack released in the 60s: there’s no trace of beat or psychedelia at all, but rather a collection of abstract and dissonant compositions, which we could classify as avant-garde and partly associate with certain experiments made by a contemporary group called Gruppo di Improvvisazione Nuova Consonanza, but also with the less common side of the library music genre. All the songs were created with the sole use of strings, acoustic guitar, piano and spoken word. A truly unique work, unpredictable and almost impossible to categorize!

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Tito Puente

LP | 1968 | EU | Reissue (Dol)

32,99 €*

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Ars Nova Black Vinyl Edition

LP | 1968 | US | Reissue (Sundazed)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Classical infused psych from NY groovers Ars Nova! Through their creative use of medieval modes, hook-driven pop, & trombone, Ars Nova delivers psychedelia within a classical & prog rock lens, a style that’s their own, yet recalls bands like Left Banke, Honeybus, and Aphrodite’s Child - all who were experimenting with the short-lived baroque pop craze. Pressed on green vinyl! Ars Nova was something totally different for the musical ears of 1968, and still sounds fresh and exciting today, when you think of the great albums of ‘68, like Abbey Road, White Light/White Heat, The Hangman’s Beautiful Daughter, The Move, Electric Ladyland, This Was or Wonderwall Music shows how influential the year was and yet, Ars Nova with its wide sphere of influences has nothing in common with the trends of the year. The only albums that it can be vaguely compared to is either the Velvet Underground or United States of America, both bands that, like Ars Nova, bucked against existing trends and the end of psychedelia, instead preferring to go their own unique way. This is American progressive music, and takes the art of music making into a different genre, an alternative alleyway. The intelligence and musical nous that spans [this album] is really worth diving into and enjoying. It’s always great to get to hear albums like this, as it provides a counterpoint to the contemporary of the time and gives a real insight into the underground and alternative scene of that era. The beauty of being underground and away from the mainstream is that something that is not of its time ends up being timeless.

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Ars Nova Green Vinyl Edition

LP | 1968 | US | Reissue (Sundazed)

2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Johnny Cash

At Folsom Prison

84,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Buddy Rich And Alla Rakha

Rich A La Rakha Gren Vinyl Edition

LP | 1968 | US | Reissue (Moder Harmonic)

LP | 1968 | EU (Survival Research)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Jazz snare & ride cymbal meet classical Indian tabla & pakhawaj!

What happens when one of the best jazz drummers of all time combines efforts with one of India’s most renowned tabla players? Voilà! Rich À La Rakha. Calypso-flavored compositions, spontaneous jams, and a genuine instrumental dialogue between the two greats truly makes this a one-of-a-kind listen. Cut all analog and pressed on colored vinyl!

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Apryl Fool

20,99 €*

LP | 1967 | UK | Reissue (Be With)

Release: 1968 / EU

Genre: Rock & Indie

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The story of Japanese psychedelic band Apryl Fool and their eponymous debut album is simply extraordinary. It was the vehicle by which bassist Haroumi Hosono first came to prominence, years before he became known as the “Godfather of Japanese electronica” as the founding member and leader of Yellow Magic Orchestra, though this musical titan had work released prior to the group’s 1968 founding, such as the song “The Sea Of Summer Day,” recorded with Yuko Okuyama and released by King Records the year before. Drummer Takashi “Rei” Matsumoto was a Beatles maniac that had covered songs by Them and Sam & Dave in his earlier group, Burns, while pioneering prog-rock keyboardist Hiroyoshi Yanagida and guitarists Chu Kosaka and Eiji Kikuchi had all been part of a group called The Floral, formed in 1967 through the Japanese wing of the official fan club of The Monkees (whom they supported during a Japanese tour enacted in October 1968). In September 1969, Apryl Fool played behind musical theatre group Tokyo Kid Brothers, the recording issued in minute quantity as the Love & Banana EP, issued on Columbia Japan’s Musicolor subsidiary; Apryl Fool’s own LP, also issued on Musicolor that year, had extended spacey psychedelic freak jams in the form of “Tanger” and “Pledging My Time,” marathon blues-rock tracks such as “April Blues” and “Honky Tonk Jam,” with the employed English sounding fairly credible, though both parts of epic opus “The Last Mother Land” feature Japanese lyrics. Of course, the day that the LP was actually released is reportedly the day that Apryl Fool announced their termination, giving this scarce release another level of legend for connoisseurs.

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Al Hirt

Soul In The Horn

29,99 €*

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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Yes, *that* Al Hirt record. Featuring the godlike "Harlem Hendoo", looped unforgettably by De La Soul for the legendary Buhloone Mind State cut, "Ego Trippin' (Part Two)"!

Al Hirt's infamous Soul In The Horn is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of "Harlem Hendoo". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000.

However, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the "soul" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for.

A Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most "diggers" claiming otherwise - this here gem is genuinely hard to come across "in the wild". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull "thrift store record", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills!

Soul In The Horn represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical "Harlem Hendoo" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for "Stay Cool" and Nightmares On Wax for "Damn".

The rest of the record makes for a mighty fine listen. From the opening cover of Booker T. & The MG's "Honey Pot", to the propulsive, ultra-funky "Mess Around", it's nothing but a good time. Given its title, the elegant stepper "Calypsoul" sounds exactly as you'd hope whilst the melancholic, wistful "Long Gone" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of "Sweetlips" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky "Girl" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of "Love Ya' Baby" shines brightly before the skipping funky-jazz of true highlight "Sunday-Goin' To Meetin' Time" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched "Snap Back" serves as the sumptuous prelude to "Harlem Hendoo"'s main character energy before the irrepressible, upbeat R&B of "Ludwig" closes out this quite remarkable album. An album deserving of a place in every serious record collection.

The audio for Soul In The Horn has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.

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LP | 1967 | JP | Reissue (P-Vine)

B.B. King

The Jungle

The Best Of Sonny & Cher Pink Vinyl Edition

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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The Jungle, regarded as one of the best of B.B. King's many albums, is being reissued on P-vine! Recorded in 1961-62, at the height of his career, and released on Kent after he moved to ABC, six R&B charting hits came from this album. All of the songs are superbly crafted, and are truly the king of the blues. Slow songs such as '5 Long Years' are typical of B.B.'s music of this era. You can't talk about B.B. King without listening to this album!

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Sonny & Cher

LP | 1967 | US | Reissue (Friday Music Two)

Release: 1967 / US – Reissue

Genre: Pop

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The Mugwumps Orange Vinyl Edition

The Mugwumps

LP | 1967 | US | Reissue (Sundazed)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Easter Everywhere Half Speed Master Edition

The 13th Floor Elevators

LP | 1967 | UK | Reissue (International Artists)

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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Headquarters Blue Vinyl Edition

The Monkees

LP | 1967 | US | Reissue (Friday Music)

Release: 1967 / US – Reissue

Genre: Pop

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Music For The Small Hours

Clarke-Boland Sextett

LP | 1967 | JP | Reissue (P-Vine)

Headquarters Red Vinyl Edition

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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Formed by Kenny Clarke and Francy Boland, the Clarke-Boland Sextett, with the participation of numerous musicians from both Europe and the United States, made significant contributions to the development of jazz in Europe. At the core of this ensemble, the powerhouse sextet consisting of Kenny Clarke, Francy Boland, Sahib Shihab, Jimmy Woode, Joe Harris, and Sadi came together to record the album "Music For The Small Hours" in 1967, and it is now set to be reissued with an obi.

This album spans a wide range of styles, from standards like Burt Bacharach's "Wives & Lovers" to Brazilian and Afro-Cuban influences such as Luiz Bonfá's "Ebony Samba" and Dizzy Gillespie's "Tin Tin Deo." Additionally, it features original compositions like Shihab's "Please, Don't Leave," where he takes on vocal duties. The entire recording exudes a sophisticated and relaxed mood, showcasing the utmost skill of this formidable sextet. "Music For The Small Hours" is a masterpiece that deserves a place in the history of European jazz, boasting the ultimate level of refinement.

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The Monkees

LP | 1967 | US | Reissue (Friday Music)

Release: 1967 / US – Reissue

Genre: Pop

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Baden Powel E Vinicius De Moraes

Os Afro Sambas

LP | 1966 | EU | Reissue (Forma)

25,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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The Psychedelic Sounds Of The 13th Floor Elevators Facsimile Mono Edition

The 13th Floor Elevators

LP | 1966 | UK | Reissue (International Artists)

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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LP | 1966 | US | Reissue (Friday Music)

The Monkees

Release: 1966 / US – Reissue

Genre: Pop

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The Biggest Twang Of Them All

LP | 1966 | EU | Reissue (Sundazed Music Inc.)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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The Biggest Twang Of Them All Coke Boittle Clear Vinyl Edition

LP | 1966 | US | Reissue (Sundazed)

Release: 1966 / US – Reissue

Genre: Rock & Indie

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A Twangy Touch On 1960s Hits!

As one of America’s most influential guitarists, Duane Eddy’s famed twangy, reverb-drenched guitar shines on a wide variety of pop-rock hits, standards, and more!

Backed by two drummers, four more guitars, organ, piano, bass, saxes, and that's just the beginning, Duane goes unafraid at the kind of tunes that normally are "one person songs" Like "Ballad of the Green Berets" which becomes a twang-bang march under Duane's banner. Like "Monday, Monday" which was "The Mamas and Papas" and now has the wild newness of Duane Eddy.

After rising to fame in the late ‘50s with “Rebel Rouser,” Eddy’s influence on radio inspired musicians like George Harrison and Bruce Springsteen. Rockabilly and country music were both major factors in Eddy’s trademark sound; heavy, catchy guitar riffs over a ska-type beat. His hits included “Peter Gunn,” “Because They’re Young,” and “Twistin’ ‘n’ Twangin’.”

As music morphed into melodic sunshine pop, Eddy adapted his sound to fit chart hits of the ‘60s in his own twangy style.

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The Biggest Twang Of Them All Black Vinyl Edition

LP | 1966 | US | Reissue (Sundazed)

LP | 1965 | EU | Reissue (Pan Am)

Release: 1966 / US – Reissue

Genre: Rock & Indie

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Dave Brubeck

Angel Eyes

19,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Duane Eddy Does Bob Dylan Black Vinyl Edition

LP | 1965 | US | Reissue (Sundazed)

Kenny Burrell & John Coltrane

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Legend On Legend!

Eddy’s superb reverb-drenched renditions of Dylan’s biggest hits gives your ears a fresh take on these familiar favorites. Full of twang and gut bucket harmonica, this collection of 12 songs encapsulates the ‘60s in a way only Duane Eddy could.

Originally released in 1965, the album has remained one of the rarest and hard-to-get collectibles for Duane Eddy fans everywhere. Produced by Lee Hazelwood, the album is completely instrumental and showcases Eddy’s individual stylings of the 1960s.

Eddy’s guitar romps and soars through Dylan’s brain waves – translated in this album into notes which build and explode into bar lines of enjoyable melodies. By instrumentally interpreting 12 of the significant songs of the 60’s, Eddy proves there is quality and richness in popular music, too often knocked down for its tendency toward shrillness and over-amplification.

What Bob Dylan is capable of saying with his magical way with words, Duane Eddy is capable of saying instrumentally. As you will undoubtedly hear, it’s a happy marriage.

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Kenny Burrell & John Coltrane (Original Jazz Classics Series)

LP | 1963 | EU | Reissue (Craft)

58,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Intensity Limited Contemporary Records

Art Pepper

LP | 1963 | Reissue (Craft)

38,99 €*

Release: 1963 / Reissue

Genre: Organic Grooves

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LP | 1963 | JP | Reissue (P-Vine)

Ike Turner

Rock The Blues

Release: 1963 / JP – Reissue

Genre: Organic Grooves

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Ike Turner, a guitarist, pianist, band leader, producer, talent scout... With his diverse talents, he excelled in many fields. In a recent announcement from Rolling Stone magazine, he was ranked 148th in the "250 Greatest Guitarists of All Time," highlighting his undeniable talent as a guitarist. His 1st album "Rock The Blues," recorded in the 1950s and released on Crown Records in 1963, serves as proof of his exceptional skills and originality as a guitarist. P-vine is delightfully reissuing the important album on Japanese edition vinyl with Obi-strip for the first time.

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LP | 1962 | JP | Reissue (P-Vine)

Lightnin' Hopkins

Mojo Hand

LP | 1962 | EU | Reissue (Sunset Blvd)

Release: 1962 / JP – Reissue

Genre: Organic Grooves

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Forget lightning in a bottle, we have Lightnin' on a vinyl! Recorded in New York in 1960 with famed producer Bobby Robinson, Mojo Hand is considered by many to be one of the finest blues records of all time. Since P-vine reissued it for the first time ever in 1983, word of the record’s quality quickly spread, with original copies now selling for thousands of dollars on the second hand market! Whether it’s the boogie of title song “Mojo Hand”, or the low and slow blues of “Have You Ever Loved a Woman”, the Lightnin’s acoustic blues is soulful. Don’t miss Mojo Hand, available for the first time ever on limited edition red vinyl with an obi-strip, only from P-vine Records.

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Lightnin Hopkins

Mojo Hand

43,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Dick Dale And His Del-Tones

Surfers' Choice Clear Vinyl Edtion

LP | 1962 | EU (Destination Moon)

16,99 €*

LP | 1962 | Reissue (Gm & Publishing)

Release: 1962 / EU

Genre: Rock & Indie

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Surfers’ Choice is a true landmark of surf rock, being the album that established the genre more than any other release. First issued in 1962 and mostly recorded at the Rendezvous Ballroom in Balboa Beach, midway between Los Angeles and San Diego, it has rollicking surf anthems like ‘Surf Beat,’ ‘Shake ‘N Stomp,’ ‘Surfing Drums’ and ‘Take It Off,’ as well as Dale’s adaptations of ‘Night Owl,’ ‘Fanny Mae’ and a strangely orchestrated take of ‘Sloop John B.’ With a soaring guitar that’s drenched in reverb at centre stage and Dale’s gritty vocals varying the action, this is the enduring start of surf rock and a blistering start at that!

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Etta James

Release: 1962 / Reissue

Genre: Organic Grooves

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Don't Play That Song You Lied

Ben E. King

LP | 1962 | Reissue (Gm & Publishing)

Release: 1962 / Reissue

Genre: Pop

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Howlin' Wolf 60th Anniversary Edition

Howlin' Wolf

LP | 1962 | US | Reissue (Friday Music)

40,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Jazz Portrait Of Frank Sinatra Verve By Request

Oscar Peterson

LP | 1961 | Reissue (Verve)

Forbidden Fruit Clear Vinyl Edtion

Release: 1961 / Reissue

Genre: Organic Grooves

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Oscar Peterson's Frank Sinatra tribute features his trio with bassist Ray Brown & drummer Ed Thigpen. The renditions are all under four minutes and are highlighted by "Come Dance with Me," "Just in Time," "I Get a Kick Out of You," and "How About You?" This is one of Oscar Peterson's most essential dates—swinging and enjoyable.

VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Single Sleeve

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Nina Simone

LP | 1961 | EU | Reissue (Destination Moon)

19,99 €*

Sunday At The Village Vanguard

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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First issued in 1961 on Columbia’s early music venture Colpix, Forbidden Fruit is widely acknowledged as the best of Nina Simone’s early releases. Producer Cal Lampley choose to cast her in varied settings, blending a rendition of Oscar Brown’s ‘Rags And Old Iron’ with a unique take of Bessie Smith’s ‘Gin House Blues,’ contrasting with Billie Holiday’s ‘No Good Man’ and ‘I’ll Look Around,’ which Simone shifts to her own image. Her backing trio aim for the understated, the rhythm section leaving ample room for Simone’s appealing piano lines, nicely complimented by Al Shackman’s guitar. An excellent set from Miss Simone – grab it!

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Bill Evans Trio

LP+7" | 1961 | EU | Reissue (Glamourama)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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We Insist Clear Vinyl Edition

Max Roach

LP | 1961 | US | Reissue (Candid)

LP | 1961 | US | Reissue (Candid)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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An avant-garde masterpiece, a vocal-instrumental suite, a work of collective improvisation, directly addressing the racial and political issues of it’s day, We Insist! Max Roach’s Freedom Now Suite is one of the most important artistic statements of Civil Rights Movement and one of the most groundbreaking jazz albums of all time. Max Roach was already almost a decade into his career as one of the most influential jazz drummers and composers when he teamed up with lyricist Oscar Brown Jr. to collaborate on a piece they planned to perform at the centennial of the Emancipation Proclamation in 1963. Recorded just months after the February 1960 Greensboro sit-ins, the album stands as an early musical testament to the burgeoning rage, anger and passion that would take the Civil Rights Movement from its early victory in Montgomery in 1955 into a future that would dramatically alter race relations in the United States.

The second release from the newly launched New York City based jazz label Candid Records, and produced by label co-founder, famed music critic and social activist, Nat Hentoff, the album is a bold statement, focused on civil injustices in black history ranging from slavery to contemporary racial prejudices, and featuring some of the finest jazz musicians ever, including Abbey Lincoln, Coleman Hawkins, Eric Dolphy, Booker Little, and Michael Babatunde Olatunji.

The five movements of the work are organized as a historical progression through African-American history, a shape similar to the one in Duke Ellington’s Black, Brown and Beige. The Freedom Now Suite moves from slavery to Emancipation Day to the contemporary civil-rights struggle and African independence.

The LP includes extraordinary liner notes written by Hentoff himself, giving a context and insight that adds to the experience of hearing these magnificent performances.

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Max Roach

We Insist (Mono)

LP | 1961 | Reissue (Gm & Publishing)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Etta James

Miss Etta James

Release: 1961 / Reissue

Genre: Organic Grooves

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LP | 1960 | JP | Reissue (P-Vine)

Lightnin' Hopkins

Lightnin' And The Blues