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Beastie Boys HHV Records 83 Items

HHV Records 83 Vinyl, CD & Tape 41 Used Vinyl 8 Merchandise 34 DJ Equipment 5 Print & Design 3
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Beastie Boys
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Hip-hop in punk clothes

Originally, the American group called Beastie Boys was a punk formation dedicated to New York hardcore in the early 1980s. The first vinyl of the band consisting of Michael Diamond, Adam Yauch, Kate Schellenbach and John Berry was named Polly Wog Stew and depicted their rough beginnings. Schellenbach and Berry soon left for other projects, and Adam Horovitz joined the group, which, in the style of comedy hip hop, now recorded the single Cooky Puss – based on prank calls made by the guys to a local ice cream store. The airline British Airways soon used the song in a TV commercial without asking, whereupon the Beastie Boys sued them and used the money they won to rent an apartment where they could record their next tracks undisturbed. And with success: after they met the young producer Rick Rubin, he brought them to his label Def Jam Recordings, and after some support shows for Public Image Ltd, Madonna and Run DMC , the Beastie Boys released their first vinyl Licensed to Ill in 1986. The record was not only a completely new mix of rock and rap – it was also the very first album in US-hip hop to climb to number one on the charts. The boys were lyrically sarcastic and often absurdly aggressive, hard beats met metal melodies – and the Beastie Boys polarized not least because they were one of the first white rap groups.

Provocative rhymes on psychedelic samples

On their untamed wild tours they were even arrested several times, and after their split with Rick Rubin they initiated a change of attitude, which resulted in their second record Paul’s Boutique in 1989. With the producer duo Dust Brothers at the controls, they now rhymed in their usual provocative manner on a plethora of psychedelic samples – and although Rolling Stone summarily called their work “clever and hilarious bullshit” and the sales figures were comparatively low, in the long run they created another milestone in hip hop. With the founding of their own label Grand Royal in 1992, they allowed themselves more artistic freedom and even brought out their own magazine – their own merch, so to say. On their subsequent vinyl Check Your Head , they then sat at the instruments themselves and created a groovy record that, thanks in part to the single Pass The Mic , let them rise to become a force to be reckoned with in the alternative scene. They went on tour with the Rollins Band and Cypress Hill , and two years later they managed to build on their initial mainstream success again with the album Ill Communication – it soon grew to be their second number one and contained their most famous song Sabotage , whose ironic music video became a crowd favorite on MTV.

Political at album length

It took a couple of years until the hotly anticipated follow-up Hello Nasty was released – before that, they headlined the Lollapalooza festival, organized a series of charity concerts for Tibetan independence and sold out all tickets for their stadium tour within 30 minutes. After the album release, they received two Grammy Awards in 1999 for Hello Nasty and their single Intergalactic . The Boys continued to be politically active: after the 9/11 attacks, they played live for fundraising purposes, and their 2004 record To the 5 Boroughs dealt in depth with the aftermath of the national trauma. With The Mix-Up , they released their first long-awaited instrumental debut in 2007 and tried their hand at jazz and funk – for which they collected another Grammy Award. Two years later they announced a new record, which was postponed again and again – due to Yauch’s cancer diagnosis that same year. In 2011 they finally released their oldschool-inspired Hot Sauce Committee Part Two – with Part One postponed indefinitely. A year later, Yauch died, which meant the disbandment of the legendary trio.