Hip Hop 278 Items

The Menu is a 16 track album by Leaf Dog & BVA. The album features M.O.P and Keith Murray with most of the production done by Leaf Dog but featuring production from Illinformed and Stevi Beats

High Focus Records are proud to present the latest collaboration from Verb T and Illinformed.

Stranded in Foggy Times both continues and completes the trilogy that began back in 2015, with The Man with the Foggy Eyes, before broadening the horizons with last year’s release of The Land of the Foggy Skies. This final chapter returns to the same conceptual landscape as its predecessors, but also sees Verb T and Illinformed returning to a more classic approach to album making.

In spite of its concept, the Foggy Trilogy is something of a personal outpouring for Verb T, with the original aim being to vicariously discuss the trials and tribulations that play a part in his life, including his struggles with chronic illness and the feeling of alienation from leaving his hometown, while also reflecting on the state of the world as a whole.

As with the previous albums, Stranded in Foggy Times finds Illinformed moving away from the more rugged sound that has shrouded the British scene over the last few months, thanks to his collaborations with the likes of Datkid and Wish Master, instead providing Verb T with an arguably more mellow backdrop. From the string and piano driven introduction on Legacy, to the blissful head-nod vibes of the closing track, Blind Faith, the union between beats and rhymes sits at the perfect level.

The album also boasts one of the most impressive guestlists of the year, one that is very much a product of both players’ worlds. Thanks to Illinformed’s Bristol connection, there are features from the likes of Res One, Datkid, Leaf Dog, Smellington Piff and Chillman, as well as some locally sourced cuts from DJ Rogue. While on Verb T’s side of the fence, we have features from Rye Shabby and Moreone, along with a collaboration that reignites the same creative spark he found in his early days, as King Kashmere steps into the booth on Feeling Strange.

All in all, Stranded in Foggy Times does exactly what it sets out to do, by drawing the trilogy to a close while also providing insights into Verb T’s personal world and the world at large. The fact that it also happens to be one of the strongest rap albums of the year is the icing on the cake.

High Focus Records are proud to present the latest collaboration from Verb T and Illinformed.

Stranded in Foggy Times both continues and completes the trilogy that began back in 2015, with The Man with the Foggy Eyes, before broadening the horizons with last year’s release of The Land of the Foggy Skies. This final chapter returns to the same conceptual landscape as its predecessors, but also sees Verb T and Illinformed returning to a more classic approach to album making.

In spite of its concept, the Foggy Trilogy is something of a personal outpouring for Verb T, with the original aim being to vicariously discuss the trials and tribulations that play a part in his life, including his struggles with chronic illness and the feeling of alienation from leaving his hometown, while also reflecting on the state of the world as a whole.

As with the previous albums, Stranded in Foggy Times finds Illinformed moving away from the more rugged sound that has shrouded the British scene over the last few months, thanks to his collaborations with the likes of Datkid and Wish Master, instead providing Verb T with an arguably more mellow backdrop. From the string and piano driven introduction on Legacy, to the blissful head-nod vibes of the closing track, Blind Faith, the union between beats and rhymes sits at the perfect level.

The album also boasts one of the most impressive guestlists of the year, one that is very much a product of both players’ worlds. Thanks to Illinformed’s Bristol connection, there are features from the likes of Res One, Datkid, Leaf Dog, Smellington Piff and Chillman, as well as some locally sourced cuts from DJ Rogue. While on Verb T’s side of the fence, we have features from Rye Shabby and Moreone, along with a collaboration that reignites the same creative spark he found in his early days, as King Kashmere steps into the booth on Feeling Strange.

All in all, Stranded in Foggy Times does exactly what it sets out to do, by drawing the trilogy to a close while also providing insights into Verb T’s personal world and the world at large. The fact that it also happens to be one of the strongest rap albums of the year is the icing on the cake.

In April 2022 FloFilz released his critically acclaimed album “Close Distance” featuring Alfa Mist, Blue Lab Beats, Jerome Thomas, Dal, Summers Sons, KeepVibesNear & Hunter Rose. This 7“ single contains four songs from the “Close Distance” sessions that did not make it onto the album. Limited to 500 copies.

Adelaide producer & DJ Inkswel introduces his new project ‘The Snaglepuss’ with ‘Chasing Infinity,’ a concept LP with a star-studded guest list that takes us on a stylistic journey from hiphop and g-funk to up tempo broken beat, boogie and house. With guests including Talib Kweli, Amp Fiddler, Steve Spacek and Kylie Auldist the album describes a cosmic quest for a new galactic home, searching for a better place and stopping on every dancefloor on the way.

Inkswel (aka Jules Habib) has spent much of the last two decades in the Northern Hemisphere DJing every party and club from Rhythm Section in London to Output in New York and released music on BBE, Atjazz, Sonar Kollektiv, Tokyo Dawn and Motor City Wine. He’s produced tracks for artists like Pugz

Atoms & Georgia Anne Muldrow and remixed artists including Amp Fiddler and Dez Andrez. On the Snaglepuss material, he’s taken a more collaborative approach and much of this record was co-created with bassist Stephen Lane, Sloth on horns, UK broken beat royalty Kaidi Tatham and Inkswel’s wife and musical partner Erin Buku. Inkswel and the team’s genre bending productions draw influence from P Funk, 80s Pop, Boogie Funk, Classic 90s Hip hop and Contemporary Soul stitching it all together into a seamless multicoloured package.

The album kicks off with a nod to Inkswel’s musical roots, golden era hiphop. ‘Let It Grow’ features the legendary Talib Kweli, supported by Erin Buku and Baba Israel. Next up, staying in the hiphop lane, is ‘Everything’ feat. Dudley Perkins, followed by the spacey stylings of ‘Mystical Magic’ featuring Lee “Scratch” Perry and Elf Tranzporter and ‘Butterflies’ featuring Steve Spacek. From there the album turns up the tempo and the heat with the bouncy rollerdisco jam ‘New Day’ featuring Melbourne legends Kylie Auldist and N’fa Jones and the title track which features UK Soul luminary Oliver Night on vocals. Amp Fiddler jumps on organ and vocal duties on ‘How I Feel’ and Kaidi Tatham steps up on keys for ‘Cosmic Love Affair’ featuring the princely vibe of Erik Rico and contributes again to the instrumental cut ‘Intergalactic Bboy Anthem’. The album is rounded out by remixes from UK legend Mr Scruff, Detroit don DJ Dez Andrez and Adelaide’s Funkwig.

This "blood splatter" vinyl record is primarily a tool for turntablists and beatmakers who love horror movies. It clearly refers to the Scream saga of the 90s. Side A (aka the blood side) is composed of 12 skipless loops at 133 bpm. You will find screams of terror, sound effects and other voices from the film. The B side (called the ghost side) is a sound bank (also at 133 bpm) with orchestral music, brass, distressing violin, dark piano, choirs, voices, sounds & effects. As a bonus: a download card with the contents of the disc but also 10 instrumentals composed by Kooltrasher, Mister Modo, Ugly Mac Beer, Dj Troubl' and A_n_d_b_n_d. a 60x30 poster 2 x Stickers Limited to 500 hand numbered copies.

High Focus Records are proud to present the latest collaboration from Verb T and Illinformed.

Stranded in Foggy Times both continues and completes the trilogy that began back in 2015, with The Man with the Foggy Eyes, before broadening the horizons with last year’s release of The Land of the Foggy Skies. This final chapter returns to the same conceptual landscape as its predecessors, but also sees Verb T and Illinformed returning to a more classic approach to album making.

In spite of its concept, the Foggy Trilogy is something of a personal outpouring for Verb T, with the original aim being to vicariously discuss the trials and tribulations that play a part in his life, including his struggles with chronic illness and the feeling of alienation from leaving his hometown, while also reflecting on the state of the world as a whole.

As with the previous albums, Stranded in Foggy Times finds Illinformed moving away from the more rugged sound that has shrouded the British scene over the last few months, thanks to his collaborations with the likes of Datkid and Wish Master, instead providing Verb T with an arguably more mellow backdrop. From the string and piano driven introduction on Legacy, to the blissful head-nod vibes of the closing track, Blind Faith, the union between beats and rhymes sits at the perfect level.

The album also boasts one of the most impressive guestlists of the year, one that is very much a product of both players’ worlds. Thanks to Illinformed’s Bristol connection, there are features from the likes of Res One, Datkid, Leaf Dog, Smellington Piff and Chillman, as well as some locally sourced cuts from DJ Rogue. While on Verb T’s side of the fence, we have features from Rye Shabby and Moreone, along with a collaboration that reignites the same creative spark he found in his early days, as King Kashmere steps into the booth on Feeling Strange.

All in all, Stranded in Foggy Times does exactly what it sets out to do, by drawing the trilogy to a close while also providing insights into Verb T’s personal world and the world at large. The fact that it also happens to be one of the strongest rap albums of the year is the icing on the cake.

To be an artist is to search for balance and harmony in a world that so often appears cruel and merciless. It is to find beauty through honesty and description, to bring forth an affirmative answer to the question of existence, to welcome all that is to come.

Ranskukoira is an artist – someone whose supreme effort is to channel what life brings his way. Hence the music is very much like him. It is visual as it is auditive. It is seasoned while new.

So out of the blue, while Ransukoira's debut album "Good Simulation" is dropped, the sun is finally making an appearance in the northern hemisphere. Here are the tunes, let's dance!

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The San Francisco Legend, Larry June, returns with the aptly titled Orange Print, which maps out his own vision for success. With themes of health, wealth, numbers, and diversifying your income streams, Larry June flexes the philosophies that have helped him go from street hustler to made man. With production from heavyweight producers such as Jake One, Sndtrak, Cardo, & Sledgren, features include Money Man, Trae The Truth, & DeJ Loaf.

Instrumental version of Kid Abstrakt & Emapea - Jazzy Vibes LP. 250 copies.

Dinner Party is the supergroup of Terrace Martin, Robert Glasper, 9th Wonder, and Kamasi Washington, a collection of some of hip-hop’s finest current producers and contributors. With fourteen Grammy nominations between the group, Dinner Party utilizes the strengths of each musician seamlessly, blending their styles to create something soulful for these trying times. Following the highly acclaimed release of the self-titled album, Dinner Party releases the followup, Dinner Party: Dessert. The album builds on the mostly instrumental tracks released in the previous version, with heavyweight vocal features from Snoop Dogg, Cordae, Buddy, Reuben vincent, Herbie Hancock, Rapsody, Bilal, & Tarriona Tank Ball.

With a moving album cover paying homage to fallen comrades King Von and Nuski, Lil Durk and Only The Family release their fourth OTF label compilation album, Loyal Bros. Alternating between hard-hitting street anthems and emotional ballads, the 23-track tape sees new music from Lil Durk, posthumous appearances from King Von, and contributions from OTF signees Booka600, Memo600, Timo, Doodie Lo, JusBlow600, THF Zoo, and C3. In addition to OTF’s stacked roster, the project features several high profile collaborators, such as Lil Uzi Vert, Tee Grizzley, Foogiano, Big30, EST Gee, Slimelife Shawty, & more. On the heels of an already impressive year, Only The Family makes a strong statement that they're here to stay for years to come.

Pitch 92 is back with his brand new album Intervals.

Available to order on all formats now, 'Intervals' is due for release on 27/08/21.

'Intervals' is available on limited edition 12" vinyl. Very limited pressing of only 250 units.

Vinyl comes with a digital download of the album upon fulfilment of your order.

Limited edition of 500 hand-numbered copies

The 10-track release, Collection Agency, is Curren$y’s first project of 2021. The album marks his 11th solo studio album, and 90th overall project. Even more impressively, the quality has remained consistent throughout his prolific career. The Louisiana rapper links up with several notable producers on the project including DJ.Fresh, Harry Fraud, Rsonist of The Heatmakerz, Trauma Tone, Purps, & Black Metaphor. We also see an appearance by longtime friend and collaborator, Larry June. At just under 24 minutes, Curren$y delivers another unforgettable round of smooth joints and cruising music.

The new album from Creatures of Habit (Eric the Red, Sean Peng, Illinformed).

Lex Neville is a 16 track album produced by Leaf Dog and Illinformed with guest verses from Datkid, Jack Jetson, King Kashmere, Leaf Dog, Smellington Piff and Verb T, cuts by Jazz T

Written with a libidinal urgency that has come to characterize Kool Keith’s legendary lyricism, “Keith’s Salon” explores our current obsessions with luxury, beauty, and notoriety. But rather than fetishize the beautiful dum-dums who walk red carpets in black Prada gowns,

Kool Keith's most recent studio album shifts our attention to the work and workers that underpin our fantasies of American excess and the good life.

As such, the album is also a timely meditation, during quarantine, on the economic precarity many of us now find ourselves in. Having doubled-up with Triple Parked, the production team of avant-techno maven Bruno Pronsato and Benjamin Jay, “Keith’s Salon” moves between halcyon sonics and atonal warlord dystopia, while keeping beats minimal for Kool Keith to spread extra ketchup on the hamburger. An album at once topical and futuristic, lush and bizarre, "Keith's Salon" is about the business of making people beautiful. It's time to work.

Degiheugi releases his 2012 album on vinyl for the first time. One time pressing, only one per customer.

The “The Balancing Act” album title is inspired by the way Statik balances his responsibilities as a father, as an artist, as a producer and as a DJ. To execute his vision for the album cover, Statik enlisted famed designers Dom Dirtee and Tristan Eaton, whose work can be seen in the Museum of Modern Art's (MoMA) and has been featured across the world from Paris to Shanghai.

The album follows Statik’s collaborative album with Bun B in April 2019, when they famously teamed up to release TrillStatik – a joint album that was created entirely from scratch during an 11-hour livestream on YouTube. Prior to that release, Statik released a 2017 solo artist album, 8, which featured heavyweights like Run the Jewels, G-Eazy, Wiz Khalifa, Action Bronson, Wale, The LOX and Raekwon, among many others.

Earlier this year, XXL named Statik Selektah as one of the 48 Greatest Hip-Hop DJs of All-Time. As a producer, he’s known for his work on a slew of standout songs, including J. Cole and Joey Bada$$’s “Legendary” and Eminem’s collaboration with Big Sean, Royce da 5’9”, Danny Brown, Dej Loaf and Trick-Trick on “Detroit vs. Everybody.”

Key Glock's explosive debut studio album, "Yellow Tape," is about to make its highly-anticipated leap to vinyl, marking a significant milestone in the celebrated rapper's career. This Gold-certified album, a testament to Key Glock's unparalleled talent, has captured the hearts of fans and critics alike since its initial release. Now, for the first time, "Yellow Tape" is ready to take on a whole new dimension with it’s first official pressing. Pressed on Yellow, Black & White 3-color segment vinyl, housed in a gatefold jacket and limited to 2000 copies worldwide.

Dinner Party is the super-group of Terrace Martin, Robert Glasper, 9th Wonder, & Kamasi Washington, a collection of some of Hip-Hop’s finest current producers and contributors. With 14 GRAMMY Nominations between the group, Dinner Party utilizes the strengths of each musician seamlessly, blending their styles to create something soulful for these trying times. At just over 20 minutes, the album leaves the listener with just enough to satisfy them but yearn for more.

Originally released back in mid-2020, The Four Owls (@thefourowls) third album 'Nocturnal Instinct' has been given the long overdue REPRESS treatment.

With a STELLAR list of features from Bristol's own Smellington Piff, to the global talents of Kool G Rap, R.A The Rugged Man, Masta Killa, Roc Marciano, DJ Premier, and with the signature production of Leaf Dog and vocal talents of Big Owl (@mrfliptrix), Bird T (@verb_t), Rusty Take Off (@bva_mc) and Deformed Wing (@therealleafdog) an ever-present, the 14-track LP cemented the Owls legacy as international torchbearers of the UK scene.

Grab The Four Owls ‘Nocturnal Instinct’ on ‘TWILIGHT BLUE’ 2 x 12” Vinyl today.

LIMITED NUMBERS (Never to be repressed in this colour way).

Kid Abstrakt and Polish beat magician Emapea have teamed up for an intriguing new album called Jazzy Vibes, a throwback to ‘90s Golden Era hip-hop updated with a 2020 spin.

Kid Abstrakt, a Los Angeles native born to a Nicaraguan father and Brazilian mother, formed his first group Revolutionary Rhythm in high school, which ultimately led him to touring with some of his hip-hop heroes, including members of the Pharcyde.

“I fell in love with hip-hop when I first heard A Tribe Called Quest and The Pharcyde,” Abstrakt says. “It was crazy to hear Q-Tip, Pete Rock and J Dilla sample jazz records and have MCs dropping conscious rhymes I could relate to.

“While mainstream hip-hop found different styles throughout the years, we just wanted to make music that was similar to the records we bought back in the late ‘90s and early 2000s. We wanted to tell our story over jazz and soul samples.”

As the title suggests, Jazzy Vibes retains the tried-and-true formula of mellow, jazz- infused production and boom bap style rhymes, but Abstrakt’s lyrics are bursting at the seams with deep, introspective musings on his private life delivered in a continuous barrage of flawlessly executed bars.

“The lyrics go beyond just rhyming words and trying to sound hard on a beat,” he explains. “The album dives into days where I struggle to stay positive and find a balance between work and what I love, and almost quitting on my passion because I needed to focus on supporting my family.

“Tomorrow is not promised and my music has helped others through their struggles. It’s deeper than rap and this journey has truly humbled me.”

The 10-track project boasts contributions from DJ Million Faces, Predominance, Innate and Young Dreamer and is expected to arrive on July 24.

High Focus Records is proud to present the second pressing of Verbz & Mr Slipz’ milestone of an album ‘Radio Waves’.

This record is the culmination of 2 years of hard work and is jam packed with absolute Heat, as we have all come to expect. With their unrivalled chemistry, the dynamic duo have proven themselves to be some the most exciting artists on the scene. ‘Radio Waves’ is going to cement their position at the top of the pile, considering the calibre of Verbz' penmanship and the sheer density of Mr Slipz' production.

This repress of the "Radio Waves' double disc vinyl is limited to 500 copies only and comes in a full colour premium sleeve on blue marble heavyweight vinyl

DITC’s legendary producer Buckwild is back with his second producer album of 2020, aptly titled “Music Is My Religion”. His devotion to the craft has made history and continues to do so, with the Bronx’s producer collaborating with more and more interesting new names in today’s game. On this new offering he has gathered guest appearances by Fred The Godson (RIP), Willie The Kid, Planet Asia, Milano Constantine, Has Kingpin, Flee Lord Daniel Son, Rim of Da Villins and Jay Royale among others. With the first limited edition pressing selling out quickly, the record is now available once again for retail distribution.

After releasing a successful collaboration album last year, Memphis, TN artist, Young Dolph returns with his highest charting album in his career, Rich Slave. The title is Dolph's commentary on how he is perceived – that no matter how much money he has – in the eyes of America, he will always be a slave. Rich Slave is the album that Young Dolph has shown growth in the sense that he has touched on current events, and social commentary with songs like, The Land that say, "they say this the land of the free, but it looks like the land of bullshit to me". With little features aside from Megan Thee Stallion, Key Glock, and G Herbo, Rich Slave showcases Young Dolph's charismatic skill, and ability to inspire those after him to pursue entrepreneurship.

King Tone aka Alamo (born Wilfredo Nunez) is a hip hop musician, born and raised in Providence, Rhode Island. Inspired by the golden age of hip hop, Tone gained an interest in music at a time when groups like N.W.A, Public Enemy and EPMD were pushing boundaries.



By 1991, when Tone had already written and recorded numerous projects independently, he was introduced to "Lenny Grace" aka "AFTAMAF" another local MC/Producer from the Providence Area which was the beginning of a lifelong friendship. Aftamaf's ability to create music using everything from live instruments, to the SP-12 and MPC paired with King Tone's "paint you a picture you can listen to" kind of flow proved to be the perfect combination. They were able to create classics like "Rhyme and Punishment" and "Victims of da Streets" in 1997 along with countless other hip-hop gems that remain unreleased. Around that time "MAF" went on to become one of the founding members of Blank Fasiz and D.U.N.A.T Productions while Tone continued to pursue his career as a solo artist.

Custom Pink and Teal Colored Double Vinyl, 12" Gatefold Jacket, Printed Record Sleeves and Free Digital Download Card. After an 11-year hiatus, Murs and Slug are back with their fourth Felt album, Felt 4 U. Their musical journey began back in 2002, with the release of Felt: A Tribute to Christina Ricci, which soon became one of Rhymesayers' most-cherished releases. That continued with the release of Felt 2: A Tribute to Lisa Bonet, in 2005, by which time Murs & Slug's creative partnership had been elevated to a cult-like status, and intensified further in 2009, with the release of Felt 3: A Tribute to Rosie Perez. While their personal relationship is fundamental to Felt's legacy, with their comradery establishing itself as a driving force for their creativity, the production on Felt albums has also been a major part of their success. The beats on the first release were provided by another member of Murs' Living Legends crew, The Grouch, while the second album was produced by Ant of Atmosphere, and the third by Aesop Rock. With notable changes in the sonic backdrops for each album, the MC's were allowed to share a unique side of themselves each release, while fine-tuning their styles and showcasing their own growth. The decision to use different producers for those albums was an integral part of the group's journey. A lot has changed since their last release in 2009, including for Murs and Slug themselves in both their personal and professional lives. Their careers have continued to elevate and their families have continued to grow, and this fourth album is something of a reflection of those changes, starting with the title of the project itself. Felt 4 U seemed the simplest, most direct way of saluting the fanbase that has made Felt what they are, a thank you to the dedicated; as well as moving away from the perhaps more male gaze-feel of the previous titles. Even amidst the changes we still find familiarities, like Ant making a return to handle full production on Felt 4 U. Sonically, the album is overflowing with the influences of funk, soul, blues and even country flavors. While Felt 3 had a wintery feel, Felt 2 sounded perfect in autumn and the first Felt captured the blossoming sounds of spring, this is a distinctly summery album, with the richness of Ant's production creating an overall warmth that envelops the whole project. From the opening chords of "Never's Enough", with its funk-fueled, vaguely retro feel, to the outrageously smooth vibes of "Underwater", this is a rap album that demands as much attention for the music, as it does for the rappers themselves. The album is unique to the Felt catalog for its inclusion of guest artists though, with four features making their way onto the final cut. The aforementioned "Underwater" features an excellent appearance from Blimes, who brings her inimitable style to the hook, and Blueprint is credited as his alter-ego, Shepard Albertson, thanks to his vocal support on "Crimson Skies", while The Grouch and Aesop Rock join in on "Hologram" making the perfect Easter egg for Felt fans, thanks to their contributions on previous projects. Overall, this album provides the perfect segue into Felt's next chapter. It reflects changing attitudes in the culture and in the world as a whole, and it reflects the changes in Murs and Slug as well. Whereas before, when some songs were delivered with perhaps a slight tone of judgement - for want of a better word - on Felt 4 U we find two artists offering us their opinions and viewpoints in the hopes of furthering discussion. It's exactly what's needed in the current climate and also a sign that the Felt story is far from over.

Run The Jewels, the lauded duo of El-P and Killer Mike, have shared the long-awaited details of their feverishly anticipated new album, Run The Jewels 4. Set for release via Jewel Runners / RBC Records / BMG, this eleven song, 40 minute powerhouse is their most ferocious and focused effort to date, and sports a lineup of all-star guests including Pharrell Williams, Mavis Staples, 2 Chainz, Zack de la Rocha, Josh Homme, DJ Premier, and Greg Nice. Recorded primarily at Rick Rubin’s Shangri-La Studios and the iconic Electric Lady Studios in NYC, RTJ4 represents two years of intensive writing, recording, distilling, and amplifying the most potent elements of their music. The result is a collection of wall-to-wall bangers illuminating the group's unique ability to straddle the worlds of pointed social commentary and raw, boisterous fun.

The new album is preceded by two singles, both of which arrived to rapturous reception. The first, “yankee and the brave (ep.4),” dropped during an impromptu Instagram Live session the duo held as shelter in place orders were starting to take hold. Days later, the second single “ooh la la (feat. DJ Premier & Greg Nice)” made a surprise debut in the season finale of the hit Netflix series Ozark, and became the #5 most Shazam’d song in the country. This was soon followed by the song’s glorious new music video, directed by Brian & Vanessa Beletic, which quickly shot to the #7 trending position on YouTube, surpassing 1.5 million views in its first week, and brilliantly setting the stage for the arrival of RTJ4.

The time between albums has been a very busy one for the duo, including scoring their first gold-certified record for “Legend Has It” from RTJ3; receiving their first Grammy nomination for the song “Chase Me,” a collaboration with Danger Mouse for the hit film Baby Driver; embarking on a full US arena tour with Lorde; contributing an exclusive song for the Marvel blockbuster Venom; and landing a major sync in a global Cadillac ad, which premiered during the 2020 Academy Awards. Additionally, Killer Mike debuted his acclaimed Netflix show, Trigger Warning with Killer Mike, continued his advocacy for Bernie Sanders, and lent his political muscle to the successful election of Atlanta’s first female black mayor, Keisha Lance Bottoms. He’ll also be making his Hollywood debut in a soon to be announced feature film. Meanwhile, his partner in rhyme and RTJ producer El-P stayed busy in the studio making the music for RTJ4, contributing a song to the soundtrack for the Oscar-winning film Roma, scoring the biopic Capone starring Tom Hardy (which makes its digital debut today), and began a major reissue campaign for his celebrated solo recording catalog. He also made a surprise cameo in the new season of Mr. Robot with Rami Malek.

In addition to new music, Run the Jewels will be launching the group’s much-anticipated cannabis line, a collaboration with the founder of the legendary Cookies strain. The group are also set to join Rage Against The Machine for their massive world tour, which just last week was rescheduled for 2021 as a result of the Covid-19 epidemic, and is already sold out.

In 2000, Aesop Rock released his first official album, Float, following his steady ascent in the underground from two previous releases, the collection of works CD of lore, Music For Earthworms (1997), and the Appleseed EP (1999). And, while every album Aesop has done since then has captured his continual evolution as both a producer and a writer, Float was undeniably exceptional in its own right. For one, there was something impacting about a full-length album, 20 tracks deep, that never had any singles. Every track only existed as part of the album experience. That in mind, the album's production is split nearly in half between Aesop Rock and longtime collaborator and good friend, Blockhead, as well as one offering from Omega One, the Reggae-vibed "Skip Town". The album's production largely seems to have one collective goal, to immediately capture the intended mood, luring the listener in and leaving them attentive and prepared for the carefully crafted accompanying lyricism. Lyrics in mind, Aesop Rock is clearly the star of the record, but the few guest appearances, strategically spread throughout the album, are either the result of great foresight or unavoidable synergyâÇ"perhaps bothâÇ"as Slug (of Atmosphere), Vast Aire (of Cannibal Ox), and Dose One were all right in the midst, or directly on the verge, of breakthrough career moments of their own around the same time they were featured on Float. As for Aesop, the album finds him diving deep into his intricate, visually descriptive and emotionally riveting writing style, which has only gotten more vigorous and diverse over time. His delivery feels settled into the hints of urgency, as if he is well aware that the journey and challenges, as well as triumphs, that he shall face are arduous and plentiful. Twenty years after its debut, Float is a time capsule of an artist on the brink of fully tapping into creative freedom, while the industry was simultaneously in the middle of a notable shift, which still remains a powerful statement on its own, decades later. To celebrate, Rhymesayers is re-releasing Float on 2xLP vinyl, available in three different, limited edition colorways!

There are very few Mc’s in the UK rap game as engrained into the culture as Ramson Badbonez. Rising through the ranks as one of the most cut throat MC’s London had ever seen at 14, it wasn’t long before people started to take notice of the young talent, gathering London wide respect as well as getting recognition from UK Hip Hop godfathers Task Force. The rhyming machine has been a living and breathing embodiment of the culture ever since. By far one of the most prolific creators in the scene, Ramson Badbonez employs one of the strictest work ethics ever seen with over 12 full length albums to his name and showing no signs of slowing down.

On the 28th February, Badbonez will present his latest work, a brand new album, with producer & long time collaborator Mark Fear, entitled ‘Death Mask’.

Following his previous ‘Jason Bonez’ & ‘Mic Day The 13th’ releases, Badbonez has removed the hockey mask to don the Egyptian Death Mask, as he leaves the Jason Bonez moniker behind to focus on a much broader palette of concepts and inspiration.

With topics ranging from the mysteries of the afterlife, the energy crisis to the lasting effects of colonialism to the failings of modern language - Badbonez has left no stone unturned. Fearlessly launching himself into the deep end, covering new ground and constructing incredibly dense prose perfectly matched by Mark Fear’s diverse yet crisp sound.

Perhaps Ramson Badbonez’ most solid release to date, we expect ‘Death Mask’ to make a serious impact in 2020.

The instrumentals to the acclaimed 2019 collaborative album from Freddie Gibbs & Madlib, now available on vinyl.

As a multidisciplinary artist, Evidence is able to effortlessly express his creativity in many forms. From his early success, rapping in the seminal independent hip-hop group, Dilated Peoples, before excelling as a solo artist, to earning praise as an esteemed photographer, to becoming a Grammy-award winning producer, it’s clear that Evidence has an ability to achieve greatness in his creative endeavors. No matter what discipline he chooses to explore, all of his compositions are lauded as both cutting edge and familiar.

Following the vein of his earlier beat-tape series (Yellow Tape Instrumentals, Green Tape, Red Tape, etc.), Evidence continues his production legacy with a brand new series to raise the bar. Squirrel Tape Instrumentals Vol. 1 is a 26-track collection of unreleased instrumentals, packed full of emotive melodies woven into hard-hitting drum breaks. Each beat transports the listener to a hypnotic state of nostalgia, perfect for study sessions or writing your own hits.

As a special treat, the vinyl has been pressed on three different, limited colors of vinyl, and packaged at random, so opening the record is just the first of many pleasant surprises in store for you. Also available on three different colors of cassette tape to rock your box.

Just like the front teeth of a squirrel, Ev’s growth is never-ending.

Unless you have been living under a rock, XXXTENTACION is a name that needs no introduction. A true artist who was tragically slain earlier this year – XXXTENTACION left an indelible mark on culture and music in his all too brief 20 years on this planet. His catalog will go on to live forever, and he left one final piece of music for the world with SKINS. The album comes in at a short, but sweet 10 tracks with songs that delve into XXXTENTACION's deep and complex mind, and soul. With the lead single, BAD! Garnering 52M + streams in under a week, and merch drop that sold out in minutes, it is evident that XXXTENTACION's fanbase is ready for SKINS.

THE Voice OF A Generation. Once a generation, an artist comes along that impacts culture, society, and music -for this generation, that artist is Xxxtentacion. A powerful force whose light was turned off tragically too short when he was shot last year. Before his passing, he had two albums he was working on; the first was Skins which was released last year around this time, and the second is Bad Vibes Forever. This will be the last full body of work from the late artist who was able to elegantly manuever through genres in his music. The album has heavy indie-pop, punk, metal, and rap influences and truly shows the scope of his talent that was cut too short. The album is sure to cement Xxxtentacion‘s place as the artist of his generation.

‘Acrylic Snail’ is the fifth album from Dirty Dike. Following a three-year hiatus since his last solo outing ‘Sucking On Prawns In The Moonlight’ and after a ream of production work for the likes of Rag ’n’ Bone Man, Ocean Wisdom, Lee Scott (the list goes on) during that time, Acrylic Snail spans 14-tracks and is up there with his most personal releases to date. It is a body of work that shines a full-beam-floodlight on his formative years, but moreover, the dreamlike transition between then and now.

In short, ‘Acrylic Snail’ pays homage to the things Dike saw in the very farthest reaches of night that made him who he is today.

Featuring a roster of guests vocalists (Rag ’n’ Bone Man, Jam Baxter, Lee Scott, Dabbla, Leaf Dog, Eva Lazarus, J Man, Ronnie Bosh, Inja, Killa P, Foreign Beggars) and production from a team of music makers (including Dike himself) ‘Acrylic Snail’ is an AAA invitation to Dirty Dike’s playground and further cements his hard-earned status as one of UKHH's greatest torchbearers.

Album comes with a digital download upon fulfilment of your order AND an epic 16-page mixed media book inspired by photographs taken by Dirty Dike himself while on his well-documented adventures.